I’ve had a busy couple of days this week. This busy-ness has meant I’ve not been able to do as much drawing as I’d like. So, it’s taken nearly 4 days for me to complete this drawing.
I included, unusually, some hand lettering, and a lot of the patterns have been influenced by images of cells and other things under the microscope. That’s the scientist in me creeping out!
It really needs shading and/or colour to bring it to life. So, I’ll add it to the pile that need the same!
The design is nearly A4 in size (approx. letter size in the US). I drew it with Tombow Fudenosuke, Uniball Unipin and Sakura Pigma Sensei pens on bristol board from Seawhite.
Just a little reminder, but I did an interview for Tony Eames of nfreads.com. You can read it by clicking here.
I spent some time drawing this design yesterday (around 4 hours) and didn’t finish it. This morning I woke up wondering if I could tuck a letter away in the design, making it part of the design rather than putting the design around the letter, kind of.
So, I looked at the small-ish space I had left to the right of the design and managed to, rather clumsily, tuck a capital A in amongst the design.
The A is a bit more obvious than I’d wanted, but I worked with what I’d already done to see how it could work, or how I’d mess it up and learn from it.
Yes, I know, another A. There are letters of the alphabet I’ve never either done as a monogram or used in a design of some kind.
I quite like the idea of adding letters as part of the design, either as one occurrence of the letter or by creating a motif of some kind that contains the letter which can then be repeated as part of the overall design.
My mind is ticking over on this one…I definitely need at least one more, if not several more, cuppas before I get my head around my own idea!
I’m positive that this idea is not likely to be unique in the realms of creativity, but it is a new idea for me. Now all I have to do is to follow through with it and see where it leads.
The original drawing is approx 6″ x 6″ (15.5cm x 15.5cm) in size. I used Tombow Fudenosuke, Sakura Pigma Sensei 04, Unball Unipin 0.1 and Pentel Sign pens to draw the design on Daler Rowney Simply… Sketch extra white paper. The paper isn’t as smooth as I usually like and it tends to ‘grab’ pencil lines, even in soft 2B, but it did the job.
Digitally all I did was to clean up the image and create a transparent background and then add a coloured, textured watercolour paper as a background to the drawing before adding my watermarks.
I do want to do some shading on this drawing, but I also have hankering to draw a mandala. Which will win out with me?
It’s Friday so it’s dangle day! Today I’ve chosen to share with you my May dangle design from my book ‘A Dangle A Day‘
I’ve used the line-art design and just recoloured it. Different colours give a different ‘feel’ to the dangle design!
The design itself is made up of simple, repeating motifs added in chains of charms. Simple, cute, charming, whimsical and pretty too, even if I say so myself.
This would be lovely as the monthly cover page in a BuJo (bullet journal), planner, journal, diary.
A different sentiment could be used in the banner to make it a perfect greeting card or note card.
One of the dangles would look rather cute as a bookmark; it’s easy to lengthen the designs.
Yesterday
I took a little trip out on my own yesterday. It’s one of my goals as I progress along my healing journey from CPTSD to get out and about more. I chose to go somewhere familiar to me, the little town of Glastonbury in Somerset.
I was able to wander around shops, but when it came for lunch I totally balked at going into any cafe at all. Issues surrounding my body size rose up and I just couldn’t go into them.
So I went home.
The whole trip exhausted me. More of an emotional exhaustion though from being brave and keeping it together and interacting with people in shops.
When I got home I had something to eat, which then resulted in an upset stomach/digestive system.
I then went to bed and slept.
I’m still exhausted today.
But I did it. I went somewhere a bit further afield (a round trip of nearly 180 miles is a little further afield to me!) by myself.
I’m surprised at how much the trip has exhausted me given I went somewhere I know, that is familiar, and I used to feel quite comfortable there.
All the same, it’s highlighted some issues I have with how I view myself.
Don’t get my wrong, I am overweight, but my mind seems to think I’m the size of a small elephant and I won’t fit anywhere. I have no idea of my body size other than the size of clothes I wear, which tend to be larger than I need as I think I’m larger than I am.
Is this body dysmorphia? I don’t know.
So, when a cafe or shop is busy I tend to walk away fearing there’ll be nowhere I can fit into, as well as me being overwhelmed in crowds and crowded places.
The complex layers of how CPTSD affects my daily life and activities a lot of people take for granted. It also shows some more of the barriers I need to overcome in order to finally live the kind of life I’d like to, one that isn’t quite as limited by CPTSD as it has been through most of my life.
This morning, I’ve spent a pleasant four hours or so drawing this A5 design for the month of May.
It combines some hand lettering along with my signature style of entangled art. I’ve included plenty of floral motifs as here in the Northern Hemisphere the world is filled with flowers, especially on the trees.
Of course I’ve included more abstract motifs that are inspired by seedpods and patterns found in nature and architecture and so on.
I drew the design on white Bristol Board by Winsor and Newton. My pens of choice today were Tombow Fudenosuke, Sakura Pigma Sensei 04 and 0.1 Unball Unipin. Also, I’ve used some digital wizardry to add coloured paper as the background, along with my watermarks.
This would be lovely in a BuJo I think. I think it would be lovely in a planner, a journal or diary.
It’s perfect for colouring, as long as you’d be happy to colour across sections that have fine lines in them.
I think if I was more confident with metallic inks and either dip nib pens or fine brushes I’d’ve liked to do the lettering in metallic gold or copper. Of course, I could’ve done the lettering, scanned, laser printed it and then added the patterns around the lettering. I didn’t think of that until now though! Duh!
I’m fairly happy with adding ‘auras’ around the lettering to separate it from the entangled design around/below it.
I’m not sure I’m happy with the design spilling out over the edge as it has done; it doesn’t feel balanced to me, but other than that I’m quite happy with the design. Of course I could edit the image to even up the edges, but it is what it is for now.
Post EMDR
EMDR was quite gentle yesterday but lots of body work occurring. During EMDR stored trauma is released through pains and other sensations in the body. Yesterday I had eyes that hurt, part of my head, my throat, my thumbs and wrists. I had a lot of pain where I broke my leg when I was six. Lots of prickling as well as electric shocks in various parts of my body.
I actually felt quite upbeat, if a little tired, when I left the session. But by late evening I was really tired and feeling a bit teary and lonely.
I’m tired today. I didn’t sleep too well last night. I had hoped to go out for the day today, but I really wanted to stay home and draw and I think I’ll be back in bed before too much longer. I really am tired.
One thing that I was asked about, without me mentioning it first, was what I was going to do about getting out and about a bit more! I’m sure my therapist must read my blog. Just joking, I know she doesn’t!
I need to make a list of places I’d like to visit. Familiar places to revisit to ease me back into getting out and about by myself. Then ones not so familiar that could involve some time away from home too.
I will be going out later this week. I have something to do this evening and tomorrow, however. Another reason I am having a quiet day today. I’m not just tired; I know that I’m also emotionally fragile still.
I am determined to heal as much as I can from the CPTSD and to do the things I’d like to do that the inner critic sabotages way too often.
A trio of cute bunnies along with their stash of chocolate eggs looking all happy and also a little bit smug with themselves. A really cute and whimsical dangle design for you to use as inspiration for your own designs. I kept the dangle to just one strand to let the bunnies be the stars of this design.
The ‘with love’ sentiment was hand lettered. Yes, on the paper that is the screen of my Surface Studio using my Surface pen with a brush in Autodesk Sketchbook Pro that I’ve set up to mimic a brush pen, such as the Tombow Fudenosuke pens I’ve been using lately to draw with.
I’ve chosen soft, pastel colours, which are quite fitting for spring time I think. The textured background paper dulls and darkens them a little. However, I think that gives a bit of a vintagey, aged feeling to the design.
I did sketch the design out on Rhodia Dot Grid paper before scanning in and inking and colouring the design digitally.
My book ‘A Dangle A Day’ takes you step by step through drawing dangle designs, with plenty of helpful advice and encouragement throughout.
One of my dragonfly designs, which incidentally has been sold to a private collector, has been used on products that someone is selling to make profit, without even bothering to search out who the artist was (me in this case) and approach them (me).
I mean, it’s not a difficult task these days. Drag and drop the image into the search bar of Google images!
I’ve emailed the company. They have a week to reply. I’m not going to hold my breath though.
How did I find out about this particular theft? The product appeared on my facebook news feed as an advert!
I left a comment on the facebook advert saying the artwork had been stolen and I was the artist who created it too. And shared the advert on facebook on my timeline and my facebook page and on my twitter account too.
Not that it’ll shame the shameless intellectual property thieves who perpetrate copyright infringement for their own financial gain.
Not that it’ll shame the company (companies) that allow this to happen.
It’s really annoying though.
It really makes me very sad, disheartened, and absolutely worthless too. The people who do this shameless theft don’t care about the effect it has on the owners of the artwork, or other intellectual property.
Yes, that’s right I feel worthless as a person, that my art is good enough for you to steal but not good enough for you to give me credit for it, to contact me about being able to use it, or to pay me for the use of it.
I’d never, ever do that to anyone. Never.
It also makes me wonder how much of my artwork that I’ve shared via deviantART, facebook, instagram, Pinterest, twitter and so on has been stolen and used without permission from myself. There’s no way I can actually tell.
Yes, it’s flattering that people like my art enough to do this. But it’s annoying that they don’t even have the decency to either state who created it and how to contact them ( that’s me in both cases here) and don’t even have the decency to contact myself about licensing the artwork, as that is the honorable, decent, law abiding thing to do, isn’t it?
I don’t have the time to go through the interwebs and find all my artwork and either delete it, complain about it being stolen, or add very distinctive watermarks and copyright notices to older work.
I will keep adding watermarks and copyright notices to all the artwork I share on the interwebs for the foreseeable future in the hope it will deter some people.
The last thing I’d want to do is to stop sharing my creations with people who just like it to look at, for a bit of ‘eye candy’, for something that makes them smile, and fascinates them, particularly with my more intricate works.
I bet even then there’ll be unscrupulous people out there who won’t give a damn anyway, but I will do my best to make it as difficult as possible for them to make a product from my art that is of good enough quality for them to make any money from. Watermarks. Background textures. Low resolution images.
Perhaps I shouldn’t let it get to me.
No, I should. If someone stole my car, my bank cards, my money, my home I’d be upset.
I make my living through my artwork.
You who steal my artwork are stealing from me as if you were reaching into my bank account with your grubby, sticky, unscrupulous, thieving fingers. How would you like it if I did that to YOU?????? Ah, that’s right. I wouldn’t happen to you as you don’t have the skills, talent to create artwork like mine do you, but the only skills you have are to steal.
This cutely whimsical dangle design is from my tutorial book ‘A Dangle A Day’, which has the step-by-step instructions for drawing this design. They really are simple to draw, and the hand lettering is based on your own writing style too.
For this design, I chose spring-time colours, more pastel than bright. Of course Easter eggs and a bunny balloon had to feature, along with all the lovely spring flowers and a sprinkling of hearts. I even snuck a star in, hearts and stars being some of my favourite motifs to include.
This design would make a really cute greetings card or notecard. The dangles can easily be drawn shorter. It would also make a lovely bookmark. As a BuJo page, planner page or an element on a scrapbook page it would be lovely.
Using Nuvo drops or Ranger’s Stickles or similar to make dots where the beads are as well as a sprinkling of them around the top of the design would add some lovely dimension and sparkle for sure.
I do hope you give drawing dangle designs a go. They are so much fun and a lot easier to do than you think they are. They can also be used in many, many ways, especially when it comes to sharing love with others at different times and events throughout the years of our lives.
About the drawing…
When it came to designing the dangle designs and monograms for A Dangle A Day, I started off by sketching the idea out on dot grid paper using either a pencil or a pen. I could then adjust the lines and draw guidelines in to help me with the design quite easily.
When I was happy with the sketch, I scanned it in and then re-drew it in a digital form. For drawing digitally I use a Microsoft surface pen directly on the screen of a Microsoft surface book or surface studio. This is like drawing with pen or pencil on paper, or even painting or colouring.
So, although my designs were created in a digital environment, they were still very much drawn by hand.
I used very little in the way of smoothing lines – only enough to remove the wobbliness that comes from the great sensitivity of the pen and screen position sensoring stuff, and never used the predictive line tools available in Autodesk Sketchbook Pro. I worked out how to set up pens that would leave a line texture similar to the pens I like to use to draw on paper with. I determined I wouldn’t make everything perfect, that there would be that perfectly imperfect human touch to everything that I created. I also made sure I included examples of dangles drawn and coloured on paper and turned into cards, bookmarks and BuJo pages too.
Working digitally to draw and then colour the designs allowed me to edit, erase, adjust and keep the image free of smudges and blots that would require re-drawing. It also made it a lot easier to make the edits my lovely editors suggested to improve the work.
It certainly saved a lot of time scanning image after image in – something I find extremely tedious.
Although I may have used digital tools to draw with, the techniques I used were the same as if I’d drawn on paper with pen and then coloured with various traditional media.
I also have to say that the year to year and a half ago when I was colouring these I was only just starting to explore the realms of digital colouring and I hadn’t quite worked out exactly how I’d like to do it. They worked out good enough, but now I think I’d approach it a bit differently.
I had such a lot of fun creating the dangle designs season by season, month by month, celebration by celebration and I hope you have the same amount of fun doing this too.
I had a lovely time this morning looking at Arts and Crafts Movement, Rennie Mackintosh and Art Nouveau designs. I’ve always love these styles of art with their organic lines and stylised motifs and it’s certainly influenced my style of art in some little way.
I got inspired as I looked at these styles and decided to use them as a start for my April BuJo page design, which you can see above.
The had lettering is a little heavy handed where the squares are concerned, but over all I’m fairly happy with it.
There’s definitely a touch of the Rennie Mackintosh’s there with the organic motifs and lines contrasted with the graphic squares and diamonds.
I chose warm and sunny yellows with light, fresh greens as they are so dominant in nature this early on in Spring.
A quick sketch on Rhodia Dot Grid paper followed by a scan and I inked it using some of my brushes in Autodesk Sketchbook Pro. Of course I wielded my Microsoft Surface Pen with some happiness on the screen of my Microsoft Surface Studio.
A simple but, I think, and elegant design. One which would look fab for any month in a BuJo (bullet journal), planner, diary, journal or even in a scrapbook. Of course it would make a lovely greetings or note card too. I’m sure there are many more instances of where this design would work beautifully.
Another cute and whimsical drawing with some hand lettering this day before I start on work for the book and then off to EMDR.
Line art drawn with a Lamy Fountain pen, coloring done digitally with Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
My mood is back to being fairly content. However, the past week has been quite tough and emotional. It’s on days where I struggle to push the inner critic that tells me I’m stupid, horrible, unloveable, useless, a failure it can be hard to look for rainbows or stars. Yet, it’s on these days that it’s important to try to find just one spark of colour in the rainbow or just one teeny, tiny star that is barely visible to the inner eye.
I think I may need to make a list of things in my BuJo about myself that are small stars and little rainbows on my good days. A list that may bring little glimmers of light in the darkness that descends on my soul on the bad days.
Little reminders of the good things about me, the positive things I have done and do do, the kind words people have said to me. Little reminders that this dark time will pass. Little reminders that the inner critic hasn’t won, even though it’s trying to break me. Little reminders that I’ve survived time and time again. Little reminders of the progress I am making.
Little sparks to help ignite the light once again.
I don’t know about you, but watching a beautiful sunrise or sunset lifts my spirits somewhat. Sometimes the experience makes me cry, sometimes with the beauty of it, sometimes releasing some of the stuff going on inside of me. Either way, I find myself relaxing and breathing more easily as I watch the sun set or rise.
It’s something I don’t do often enough. Not just watch the sun rise or set, but spend time in nature. Walking where I can hear birds sing. Paddling in the surf where sea meets land. Feeling the wind in my hair.
When I need to do it most is when I’m least likely to do any of these things. People scare me. Being on my own with people around when I’m emotionally and mentally vulnerable scares me. Being on my own where there’s no people around scares me. Growing up I was always scared and anxious. I always tried to get away from family to somewhere where there was no one who could pick on me. Yet when I got somewhere I’d be so nervous and anxious and scared that I’d end up returning home and then usually hiding away in my bedroom.
If I think about going out to watch a sunset, walk along a beach, sit in nature and draw/write when I most need it to soothe my emotions and mind, the inner critic pipes up in my mother’s voice saying ‘why do you want to bother to do that? what’s the point of it?’ That voice still has power at these times, the times when I really do need to ignore it but don’t have the strength to do so.
I need to fight back. I’ve never fought back, well rarely. I have rarely had ‘no’ in my vocabulary. After over fifty years of life, that voice still has power over me, still robs me of what strength I have.
It’s on notice though – I’ve just recognised you and have worked out what you are doing and your time in my head and heart is now limited.
It’s Friday, so today is both furbaby friday and dangle day, so it’s quite fitting that I have, once again, combined a furbaby and a dangle in one design. I drew the design on Rhodia Dot Grid paper using Uniball Unipin pens and then digitally coloured it using the usual Microsoft Surface Pen and Studio along with Autodesk Sketchbook Pro.
Looking at it now, I think I missed an opportunity to attach the dangle to the cat’s tail. I also didn’t add shadows, and I’m not too sure about the circles on the cat’s coat. Also, the cat looks rather ‘flat’.
‘A Dangle A Day’ is a tutorial book I wrote and illustrated to show how you too can create dangle designs and was published earlier this year.
Another cute kitty-cat cartoon, this time drawing on my previous life as a science teacher, chemistry was my speciality along with curious facts and random bits of knowledge.
Drawn and hand lettered with a Sakura Pigma Sensei 04 pen on Rhodia Dot Grid paper. Digitally coloured using a Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro after removing the dot grid and cleaning up the image using GiMP.
I’ve just realised I’ve not added shadows beneath the objects! Oops. Oh, it’ll do for now.
I’m starting to recover from all the anti-stigma talks last week, though I’m still feeling rather tired and yesterday I was overly emotional. I didn’t sleep too well last night as today I have two more Time to Change Wales anti-stigma talks to give this morning followed by therapy this afternoon. Not sure what is causing me some anxiety – the talks or EMDR therapy!
Both are emotionally draining. Telling a small part of my story relating to my CPTSD is always draining these days as I become more and more in touch with emotions I’ve suppressed all my life. EMDR is emotionally draining as it involves processing thoughts and emotions that were suppressed at the time a trauma happened, trauma being a deeply distressing or disturbing experience.