Monogram “a”

I got this monogram finished yesterday evening. I think I may have been a bit heavy handed with shading in some places. However, overall I like it and I like the volume or dimension that the shading adds.

I definitely enjoy working in such a detailed, intricate and organically intuitive kind of way. Having the monogram as a design to work around does help quite a bit.

On a kind of related point, I had a new A5 dot grid notebook delivered yesterday so I can start to make a collection of motifs and patterns as I use them or create them. The idea is I can winnow out those that I never/rarely use. The reason for this is that the dot grid notebook I’ve kept as a visual dictionary for the last couple of years is just about full! I will keep it as a reference, but it’s time to start a new, more relevant one I think.

I have a snazzy, teal coloured notebook, covered in vegan faux-leather. It has 218 numbered white pages that are a tad thicker than the usual dot grid notebook pages, The paper is velvety smooth and a pleasure to write/draw on. It’s made by Wordsworth & Black and I came across it on Amazon. Oh, the ink doesn’t feather, bleed through or ghost on the pages. I paid £15 for it and I’m very happy with it so far.

#Slowtember – Days 2, 3 & 4

Yesterday afternoon and this morning I’ve spent time catching up with #Slowtember by @megaelod on twitter. Here’s the sketchbook page I created for the prompts monstera (Swiss Cheese Plant), areca palm and rubber plant.

I took the opportunity to practice my hand drawn typography / hand lettering, as well as my use of line to add volume to a line drawing.

I’m not the best with colour, or with traditional media to add colour, but I think I’ve done OK with some of these. I like the simple washes of gradient colours in the areca and rubber plant leaves. The line work is nice, but the colour brings it to life. The monstera leaf done in coloured pencils works well as far as a sense of volume goes, but I’m not the best with coloured pencils, even using blending solution.

I even found some microscopic images of cells from monstera and rubber plant leaves and stems. So, I just had to do quick drawings of patterns from these, with some imaginary colour added to them.

It’s nice to do this challenge. It’s not as full on and intense as Inktober is, and even if I fall behind there’s not so much to catch up with. It’s also nice to work in a sketchbook (or digitally) as there’s no pressure to complete a finished piece of work. I like how I’ve left some of my drawings partly coloured so I can compare how colour adds (or not) to the design.

When I’m looking at my page and writing about it I always have ideas about how I could’ve approached an idea, or get new ideas. Time for me to go and jot them down before I forget them!

Entangled-day Saturday

Entangled 11 May 2019 © Angela Porter, Artwyrd.com
Entangled 11 May 2019 © Angela Porter, Artwyrd.com

It’s been a funny kind of day today. I’ve been quietly busy with art, as well as tidying up my home and dyson-ing and so on. My sister and niece are visiting soon for a ‘chip night’, which essentially involves them picking up some chips from a local fish and chip shop, coming to mine to eat and chat and catch up on life for a couple of hours.

In between I’ve managed to draw this little design, and it is little being approx 15cm x15cm (approx 6″ x 6″). Drawn using Unipin and Tombow Fudenosuke pens on bristol board. I then added the shading digitally. I may go on to add some colour at a later time.

Entangled Art 9 May 2019

Entangled Art © Angela Porter 2019 Artwyrd.com
Entangled Art © Angela Porter 2019 Artwyrd.com

I’ve had a busy couple of days this week. This busy-ness has meant I’ve not been able to do as much drawing as I’d like. So, it’s taken nearly 4 days for me to complete this drawing.

I included, unusually, some hand lettering, and a lot of the patterns have been influenced by images of cells and other things under the microscope. That’s the scientist in me creeping out!

It really needs shading and/or colour to bring it to life. So, I’ll add it to the pile that need the same!

The design is nearly A4 in size (approx. letter size in the US). I drew it with Tombow Fudenosuke, Uniball Unipin and Sakura Pigma Sensei pens on bristol board from Seawhite.

Just a little reminder, but I did an interview for Tony Eames of nfreads.com. You can read it by clicking here.

Cellular Flow

Approx. 15cm x 15cm
Technical drawing pen, Zig Art and Graphic pens with water wash, and Liquitex Gold Acrylic paint. Oh, and a few bits of white Sakura Gelly Roll.

Just trying something different, kind of. the patterns were inspired by photographs of microscopic images of cells. The gold outer with the patterns extended to give a square around the circle seemed the right thing to do.