Hi – entangled lettering

©Angela Porter 2019

I’ve worked on this one over the past three days. It all started with the pencilled in letters and then I went to town adding tiny, entangled patterns around them.

I used a fountain pen on marker paper and the final image size is approx. 16cm x 14cm.

May You Know …

©Angela Porter 2019

…love, peace, joy, health.

I started drawing this one a couple of days ago using a fine nib fountain pen on paper. I’ve spent much of today finishing the drawing and I’ve just started to add colour digitally. Not sure about the colour yet though.

The words appeared intuitively, instinctively as I was drawing. Something’s obviously bubbling in my unconscious mind, most probably a result of the loving kindness meditations I’m continuing to do.

It’s always relaxing for me to draw in this way – just letting shapes and patterns flow from the nib onto the page without too much in the way of consideration or fretting about what appears. Partway through the whole drawing, or even sections, it looks like a total hot mess to me, but I push forward. To give in would be easy, to persevere takes a bit of effort. The effort is usually worth it though; my past experiences have taught me this.

I’m looking out of my window as I’m typing. I can see jackdaws swooping and wheeling in the now sunny skies. We’ve just had a wintry snow shower, which hasn’t lasted on the ground at all. The black feathery jokers are revelling in their fun and games in the air, exuberant in the dry but cool air and the sunshine. There are veritable clouds of them and I know they’ll soon return to their roosts, cloaking the winter-bare trees with their featheriness and raucous caws. I’m smiling as I watch them. I do have a big soft spot for the corvids of this world. Their antics delight me, especially the ones that zoom past the window next to my work area! They whooshed off to my left and now some are whooshing back to my right. What a lovely sight close to the end of the daylight hours!

It also brings back memories of sitting with my cat perched upon my chest, both of us looking out of the window and watching the jackdaws flying by, and in the summer dusk hours bats. His eyes would be wide and alert as his head spun back and forth, avidly watching the flying critters. I’d be equally delighted watching the antics of both the flying and cwtched up critters! So many precious times with my companion to treasure though he has been gone to pusscat heaven for nearly 9 months. I’m sure he’s still keeping an eye on things that fly , wherever his little soul, spirit is residing!

Watching the birds brings me some joy and peace too. And happy memories of my companion of sixteen years.

RSPB Newport – a mandala

Yesterday I took a short trip for a short visit to the RSPB reserve in Newport, Gwent.

With dark, leaden skies with golden sunshine pouring through gaps in the cloud cover the lighting was dramatic; it caused the winter colours to positively glow against the dark blue-grey of the sky.

This mandala is my response to those colours, along with some very stylised motifs from the things I saw – arching branches, dancing golden grasses, fungi and more.

I took photographs as I took a walk around part of the reserve. I also stopped to record my observations, my thoughts, in words in my journal.

I surprised myself…

It was all a bit of a spur of the moment decision to head to the wetlands reserve. I was still feeling headachy and emotionally drained after my Time to Change Wales talk to the police yesterday. I needed to do something to help shift this and to lift my mood and getting out and about is something I do struggle with, hugely. Anxiety about being around people kicks in and I can become almost paralysed with it. However, today I didn’t. Perhaps because the reserve is familiar to me; I have been there a few times before. However, I’ve never really taken much of a walk around it. That has always been a problem for me.

But not today. Today, I walked along some paths that were unfamiliar to me. I didn’t go all that far, though my walk took an hour. I did fear getting lost there, but I kept my eye on some fairly obvious landmarks such as wind turbines, the lighthouse at Nash and the huge powerstation. Being able to see these gave me some confidence that I knew what direction to head in to return to the visitors centre. If I strayed from where I could see at least one of them, I backtracked and took a different route.

Most of the people walking and visiting the reserve smiled and said hello, as did I, and that helped me feel at ease too. That, and the rhythm of walking, the sounds of nature – birdsong, rustling leaves in the breeze – and I took pleasure in moving my body, which is something that is new to me.

It’s also something I need to remember and try to get a walk into my schedule most days, somewhere where there’s nature but also where I feel safe to walk. In the wilds by myself is not a good idea, but somewhere like RSPB Newport, with it’s structured. signposted paths is a good idea. Or the beach…somewhere I’ve not been since July, yet it’s only a 40 minute drive away from me.

I forget all too easily how good it is for my mental health to take a walk where there’s nature, birdsong, and not too many people.

As I walked, I could feel the tension leach from me, down through my feet into the forgiving and loving earth. With each step and each breath I felt the anxiety ease little by little. The headache began to lift as well. By the time my walk was over I felt much better. There were still cobwebs left by the headache, but they were manageable.

When I returned to the visitors centre, I browsed in the shop and finally managed to find a raven pin badge! I also bought a small guide to trees. I also had a nice lunch and a very welcome mug of tea in the cafe there, where I continued to write and reflect in my journal until it was time to return home ahead of the rush hour traffic.

Back to art…

I love the stained glass feel of this design. I did try working with the colours in the style of my latest mandalas, but it just didn’t seem to work out for me. Perhaps I was trying to work a step, or several steps, too far for me to be comfortable with that change.

There’s also something about the black lines that gives a definite form to the mandala and this reminds me of how in winter I can can see the underlying form, the architecture that usually is hidden beneath leaves and flowers.

As is my way, I used my Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro to draw and colour this mandala.

I used my photos of my visit to get the colour palette I used. And for me this is an unusual colour palette, but it reflects very much nature’s palette on the day and time that I visited.

There’s a bit more about my visit on my other blog – Curious Stops and Tea Shops.

Hello Gorgeous – A dangle design card

©Angela Porter 2019

Friday is dangle day! Well, it is for me. I like to finish the working week off with a cute dangle design, and today I chose to do a greetings card or note card with a decorated envelope.

The media I used were :

  • pencil and ruler
  • 05 Uniball Unipin pen
  • Copic markers
  • Kuretake Zig Wink of Stella brush pen
  • Claire Fontaine mixed media paper
  • Distress ink and sponge applicator
  • Kraft card and envelope
  • Sticky foam squares
  • Two self-adhesive gems
  • White Uniball Signo gel pen

As it’s still winter I thought some snowdrops would be appropriate, along with some crocus buds along with an evergreen wreath. Stars and hearts are always favourites of mine to include, as well as some swirls and spirals.

I chose quite cool and pastel colours for the design, along with very simple shading. The Wink of Stella added a little sparkle to the hearts, stars, beads and snowdrops in the design. A couple of self-adhesive gems added a touch of interest to the ribbon banner.

I used faded jeans Distress Ink to edge the paper panel, which I adhered to another slightly larger panel which I found in my stash of Distress Ink coloured papers ready to use. This one was also edged with faded jeans Distress Ink.

I then used Tombow Mono glue to stick the panel to the card blank.

I drew a simple arrangement of snowdrops and buds on the envelope in white ink and added some spirals and swirls to ‘ground’ the pot. I’m not happy with the spirals/swirls though, but it’s only an envelope so if I send this card to someone I can always decorate another envelope!

Replace the wreath with a photo of the recipient and you’d have a lovely, personalised keepsake of a card.

This design would also make a lovely page in a bujo (bullet journal), planner, scrapbook, or journal too.

My hand lettering is a little rusty; I’ve not done much in the past week or so as my focus has been on mandalas and work for my next book.

My book ‘A Dangle A Day’ shows how you too can create lovely dangle designs like this one, with ideas of how to use them.

Another blue mandala

©Angela Porter 2019

Yes, another mandala, but I enjoy creating them so much! I’m also exploring how to create them in a different way than I would usually; instead of drawing with black ink then colouring, I’m drawing in colour itself.

An unusual choice of colour for me too – a navy blue. I must admit, I’m enjoying working in monochrome for these mandalas. The colours are always harmonious and while I love a riot of colour, it’s much harder for me to incorporate that into mandalas like this. Well, at this time it is. Who knows how this is going to evolve.

Yesterday was a busy kind of day that had me away from my workspace from mid-morn. It was fierce chilly out with wintry showers of sleet and heavy-duty hail interspersed with bright, clear winter sunshine which did little to raise the temperature but did raise the spirits.

I was still feeling quite calm after my therapy session on Monday, still having that gentle, subtle inner smile, which I’m doing everything I can to hold on to, gently of course!

It’s always nice when I can find a sense of some kind of balance within me. I sense that these periods are getting longer and longer. However, that means that any downward blips in my mood and state of my mind feel more extreme in comparison. I do have to mention though that the downward blips, though sometimes scary and worrying, don’t seem to last as long as they used to.

Back to my mandala. I used my usual tools trifecta – Microsoft Surface Studio, Microsoft Surface Book and Autodesk Sketchbook Pro. I love that I’ve discovered that I love to carve basic colour shapes into these intricately patterned mandalas.

Shades of pinky-red mandala

©Angela Porter 2019

I created this mandala after I returned home from EMDR therapy yesterday. I knew that my time today would be limited, so thought a bit of chill-time would be good for me before heading out for another commitment in the evening.

As is my way, I sat down with a blank concentric circle grid for mandala drawing on the screen of my Microsoft Surface Studio, Surface Pen in hand, and chose a colour to draw with. I had no idea how this mandala would unfold as I started to draw the first shape at the centre of the mandala.

As always, the lines and shapes just flowed from the centre out, one by one. In this case interlocking in a way that is a first for me.

I drew the whole design in one colour, before adding lighter and darker shades and blending them out to give some interest and dimension to the design.

As I worked, as the lines and colours flowed, even where I had to make adjustments or erase and start again, I could feel myself relax and my whole body started to breathe.

The whole mandala took a little less than 2 hours to complete, thanks to the magic of Autodesk Sketchbook Pro which does the work of repeating my motifs around the circle and makes it so easy for me to fluidly, organically develop and adapt the design elements as I go.

I firmly believe that digital art is allowing me to create art I wouldn’t have created for a very long time, if ever, if I were still using pen and paper. I’ve said it before, I say it now and no doubt I will say it again – digital art is opening doors to my creative expression I never thought would be possible, especially with the styles of mandalas I’ve been creating of late.

Drawing really does help me to relax, except when I’ve become overwrought as last Saturday and then nothing I do seems good enough to me and just serves to compound the unsettled nature. Finally, I’m aware of this part of my cPTSD and in future I can, hopefully, manage it better by doing something other than art to help to shift the mood.

Therapy yesterday was a combination of a loving-kindness meditation so my therapist could see what happens to me during one and then we used the physical pain I experienced to do an EMDR session. Lots of body stuff went on during that session – lots of pain and sensation. But by the end of the session I wore a gentle smile – not just on my face but throughout the whole of my being.

I felt content, at ease, for the first time in a few days.

I still feel that way this morning.

I had recommendations from my therapist for some loving kindness meditation cds to try by Tara Brach. So, two are downloaded into Audible for me to use later today!

Blue Mandala

©Angela Porter 2019

I have had an artsy kind of day so far. A lot of the gloom, anxiety and troubled thoughts that descended on me have lifted, but not all. Once provoked the beasties that are my cPTSD take a while to settle down again. I also feel tired – mentally, physically and emotionally tired, despite a fairly good nights sleep.

I managed to get some work done on a template for my next book for Creative Haven by Dover. I got to a point, however, where I wasn’t happy with how it was going so I thought a break was in order.

So, for my break I thought I’d work on a mandala, and this is the one I’ve created today.

I didn’t consciously choose the colours or patterns I used in this mandala. However, the blues bring to mind water, rivers, the sea. I love to be near the sea. I find the rhythm of the waves calming, no matter how gentle or wild they are. The salty wind helps to blow away cobwebs in the mind, cobwebs that not so good thoughts have stuck to. I love to look at the patterns in the sand, rocks, pebbles. There’s so much more I love. So perhaps by choosing blue I’ve identified an unconscious need to visit the sea soon.

A lot of the patterns that have found their way into this mandala remind me of waves or shells. They’re all organic and flowing. Though there are some rather architectural arches and patterns there, lending some form to the design.

The ocean is used as metaphor in mindfulness meditations. I am the ocean. The waves are my emotions that ruffle the surface of that deep, calm body of water. Meditation is about finding that calm and being in touch with it in daily life.

Carl Jung believed that drawing a mandala daily helped to reveal what was going on in the subconscious mind, the things we need to bring into awareness and work on in order to heal.

Curious that this one speaks to me of water, the ocean.

Yesterday’s meditation stirred up the waves for sure. A veritable tsunami resulted of emotional, mental and physical pain. It’s freaked me out a little and I’ve been reluctant to meditate today, well not until I’ve done everything I need to do today.

I did draw this mandala digitally. In fact, returning to digital art let me exhale a little and relax a bit more into art. I also didn’t want to revisit my frustration with traditional media that I had yesterday.

I find working digitally wonderfully liberating in many ways. I know that I’m no expert in the use of mechanics of digital art – I use it more like I would traditional media. However, whereas I feel I struggle with colour and techniques with traditional media these days, I feel none of that with digital art.

Now that’s a surprise to me! I never, ever thought I’d feel that way about working digitally.

My digital tools are my Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro. The screen of the Surface Studio is my paper, the Surface pen is a multitude of pens, pencils, brushes and colours in one instrument. Autodesk Sketchbook Pro is the software that allows me to work so intuitively, so naturally as I would with pen on paper, but with other tools and techniques I can use that I wouldn’t be able to reproduce with traditional media – I don’t have the skills to do that.

So, some insights about myself from the mandala, and also some realisations about myself and my relationship with digital art and how much that relationship has strengthened and deepened – and there’s still a lot more to learn and discover about digital art and myself.

Doodly Saturday

©Angela Porter 2019

It’s been a weird kind of day today for me. I’m quite open about my mental health, and today has been one where it’s not been completely tickettyboo. I’m out of sorts. Unsettled. Nothing I’ve done seems good enough to me. I’m quite teary and that really set in during a loving kindness meditation this morning.

Loving kindness meditations are always difficult for me. It’s easy for me to send out love and good wishes to all people. It’s not easy for me to accept the same for myself. Today, it was more difficult than usual, including some physical pain along with it. Traumas from my past kept rising up. Things I didn’t think were traumas, just stupid decisions made by myself. Seems I have work to do on those too in EMDR therapy.

I did colour some mixed media paper with distress inks and quite small pieces at that. I drew on two of them, as above. I’m really not happy with either of them. I really don’t know why I put the words on the left hand one. Growth is a funny word there.

I’ll just put it all down to me being out of sorts. Perhaps tomorrow will be a better day for me to focus on art.

This is odd for me as drawing or creating usually helps me to feel better. Today it hasn’t.

I received a book in the post today – “The Wild Remedy’ by Emma Mitchell. It’s a diary she’s written over a year of how she finds being in nature and drawing and painting helps her with her low moods. She’s subtitled the book ‘How Nature Mends Us – A Diary’. I’ve read the introduction and the first month in the diary, which is October. Both interesting reads.

I almost was inspired to go out for a walk, but I just couldn’t pull myself together to do this during the daylight hours. The Sun has just set here in South Wales in the UK. Perhaps tomorrow I’ll manage to get out for a walk at some point.

I know my moods don’t linger for long. I do have low days which can linger for a couple or few days. Nowhere near as bad as they used to be, but enough to result in me being unsettled and out of sorts and hypercritical of myself and anything I do. I’ve become aware enough that it’s best to do other things that draw for publishers on days like today as I’ll just get more and more frustrated with myself and my efforts.

On other days, whatever I draw I may consider good enough. But on days like today …

Still, the sun will rise again in the morning and it’ll be a new day. My mood may be better then and I’ll accomplish work I consider to be good enough. Now all I need to do is try to find something that I can settle down to do today. I’ve been back and forth all day between drawing, reading, knitting, fussing around. The only creative thing I’ve enjoyed today has been colouring paper with distress inks. Not sure I want to spend the evening doing that though.

Maybe I need to go out for a drive. Sometimes driving with upbeat music on can shift my mood, especially when I feel anxious and restless as I do now, for no reason either.

‘Amazing’ – Hand Lettering

© Angela Porter 2019

My morning warm up art session today was this little bit of hand lettering. I had a completely different idea in mind when I started this off but, as often happens, the creative energy flowed in a different direction.

I had wanted to do a monogram, perhaps with a dangle or maybe one set into a pattern border as a drop capital to a quote.

As I worked on first the pencil outline of the A, and then inking it in using fine and extra fine fountain pens filled with black ink, the lines that flowed out dictated the form of the letter rather than me consciously trying to force it into what I thought I wanted to create.

I think I’ve over patterned the inner space of the monogram, or not used the right kind of patterns there. However, it’ll do.

I wanted to use some birdwing copper FW Pearlescent ink from Daler-Rowney to add metallic highlights with a dip pen. I soon found out that dip pens and parchment paper that has been coloured with black ink don’t work well together. So, I ended up with the copper highlights at the bottom of the letters that fade up naturally. Adding dots of metallic colour to the monogram was easier on the unworked parchment. Over the black ink dots it wasn’t so easy. I’m also not sure that the ‘string of beads’ in the monogram actually works but I know it’s missing something. I need some time to reflect on this. As I do about adding any more copper highlights to it. I may yet decide to add some dangles to the word.

On the whole, I’m quite happy with how this turned out. I could add ‘You are’ in small letters above the letters. Either way, I think this would make a lovely notecard. I also think it could be used in a bujo, planner, journal, scrapbook or as framed art. I think I need to review the card making and mixed media techniques I once knew and have sidelined to focus on other aspects of art and adapt them to my current needs/ideas.

Dangle Design Card and Envelope

© Angela Porter 2019

Here’s a pretty pair of whimsical and cute dangle designs card and envelope.

For the focal point of the card I used a butterfly from a pack of Ephemera from Tim Holtz called Botanical. I added some metallic gold ink highlights to the butterfly as I knew I’d be adding gold to the design. I also edged the butterfly with some Peeled Paint Distress Ink using a sponge ink applicator.

I then cut my paper to fit the card blank I wanted to use; I learned my lesson from the the last card I made! The card blank measured 8½” by 4¼”. So, I cut a piece of Claire Fontaine Mixed Media paper 7¾” by 3¾” to create the dangle design on.

I used the butterfly as a guide as to where I wanted to add some flowers upon which it could alight. I also drew pencil guidelines in for the centre of the design and the sentiment banner.

Then it was drawing the design. I used a 05 Unipin pen from Uniball.

I started by drawing the flowers at the top of the design.

Next, it was the hand lettering for the sentiment ‘Just for you’.

Flowers, hearts, stars and spherical and teardrop shaped beads are my goto choices for dangles. I did add a charm that was based on some jewellery, as well as a square charm with a geometric pattern inside it.

When I’d drawn the main dangle I realised I wanted to add a bit of width to it. So, I added two bars stretching out from the side of the square charm and used the ends to hang dangles made up of hearts and beads.

Colouring was the next task. I used Tombow Dual Brush pens to colour the design in. The colour gradients weren’t strong enough for me, so I used Chameleon Duotone Pencils to add depth to the colours.

Then, it was time to attach the butterfly using some foam squares.

I then used a dip ink pen to add some dots of gold FW Pearlescent ink around the design. I also used gold to fill in the lettering of the sentiment and various elements of the dangle design.

Next, I added white dots highlights to some of the design elements using a Sakura Souffle pen.

I also used a blue-grey Chameleon pencil to add shadows to the design at this point.

Before affixing the design to the card blank I used a sponge ink applicator and Peeled Paint Distress Ink to edge the design. That was the card done.

I then thought it would be fun to create an example of an addressed envelope using a dangle design as a monogram. I used some of the charms from the card for this design. I also drew some simple, whimsical butterflies above the monogram. I used Chameleon Duotone Pencils to colour the dangle design and to add a shadow to the dangle.

Pencil guidelines helped me to keep my lettering evenly spaced and of a consistent size. In this case I just guesstimated them, but in future I think I will need to measure the spacing of the lines!

Finally, I added some glittery golden stars with a gold glitter Uniball Gel pen as well as some white dot highlights using a white Sakura Gelly Roll pen.

One thing I realise I didn’t do was to make the colours in the dangle more harmonious with the butterfly. The color tones of the butterfly are quite antique and grungy and I used rather bright, clean colours to colour the design with. I also am not happy with the monogram on the envelope; it’s too small and the lettering style doesn’t seem sympathetic to the rest of the lettering.

I’m going to put these down to me still suffering the lingering effects of the stinking cold I’ve had for the past three days. It’s definitely broken now, but I’m still not 100%.

It’s also a learning experience. I’m not a wonderful card maker; I do dabble in it from time to time, however dangle cards are fun to make and with the decorated envelopes it’s double the fun! I think I need to start sending happy mail to people! I’d be happy to receive this card with a letter inside – how would you feel about it?

‘A Dangle A Day’ was published on 15 Jan 2019 and many of the dangle design elements can be found in this book.