It’s been a while since I did any whimsical dangle designs, so here’s an A4 sheet full of ideas!
There are six complete dangle designs on this sheet along with lots of ideas for motifs to use. I’ve also done some hand lettering, something I don’t do often enough these days.
I know there are likely to be things associated with autumn missing from the sheet, but it is a collection of some of my favourites. I had a lot of fun filling in some of the space around the dangle designs with the lettering and design elements.
I used Tombow Fudenosuke and Faber-Castell Pitt Artist pens to draw and hand letter on an A4 sheet of dot grid paper by Claire Fontaine.
After scanning in, I decided I’d like to add some colour digitally. I used a different kind of brush setting – natural blend with an airbrush. I’ve not quite worked out how it works, but I like the way it’s turned out here. The colour blends turn out quite soft and gentle, however this brush setting does need some more experimentation by me.
These are lovely, simple designs that would be perfect for using in bullet journals (BuJos), planners, diaries, scrapbooks and journals as well as for greeting cards, bookmarks and more.
My book “A Dangle A Day” is a great resource for dangle designs and design elements (called ‘charms’ in the book), even if I say so myself. It also has easy to follow step by step instructions for beginners to more confident creatives, as well as lots of inspiration – there’s nearly 200 dangle designs in the book!
So, Angela, how are you feeling today?
I’m feeling content, fairly upbeat and the exhaustion of the past few days seems to have mostly subsided. There’s still some tiredness there, but I feel more able to cope with the demands of daily life.
I do have to venture forth into the world; in my rather emotionally fragile state the thought of going grocery shopping filled me with, well not horror but trepidation. Fortunately, I keep a fairly well stocked fridge, freezer and cupboard, but now I do need to go get some fresh fruit and veg, which I will do in a short while I expect.
It is good to be back to having the contentedness the dominant feeling – it’s not as strong as it has been which tells me there’s still some emotional distress lingering. However, it is the prevalent emotion.
I’ve weathered another emotional storm. I do try to remind myself that I’ve come through plenty of hurricane force emotional and mental storms in the past and I can come through them again. Nowadays, I know what contentedness feels like and during emotional storms it acts a lighthouse to guide me back to emotionally calm waters.
Yesterday evening I had a pleasant hour or so using Distress Oxide and Distress inks to make some backgrounds for future card projects.
I used a soft rubber Brayer roller to add distress oxides to a small Gelli Plate. I then spritzed the Gelli plate with water containing either pearl, copper or gold Perfect Pearls before lifting the print with some Claire Fontaine Mixed Media paper. The water in the spray reacts with the inks to give an oxidised look. The Perfect Pearls in the spray add some subtle shimmer to the finished background.
Once the Distress Oxide background layers were dry, I used a rectangular die to cut a section from them.
To create backgrounds with Distress Inks, I used a mini foam blending tool to cover the card with colour. I then sprayed the card with some water containing pearl, copper or gold Perfect Pearls. Again, the water reacts with the Distress Inks, but this time creating small watermarks. The Perfect Pearls again add shimmer.
Making the card.
I chose a background coloured with Wild Honey, Tea Dye, Old Linen and Walnut Stain Distress Inks which were then spritzed with pearl Perfect Pearls infused water.
I wanted to create a dangle design card. From experience, I know that drawing on backgrounds with added Perfect pearls that my fine-liner Uniball Unipin pens can become clogged by the tiny flakes of mica that comprise Perfect Pearls.
So, I tried using a Uniball Vision Elite rollerball pen. The ink in it is supposed to be water-resistant, tamper-proof, fade-proof. It’s also very black, which suits me just fine.
I was surprised at how well the pen wrote on the background – not just because of the Perfect Pearls and Distress Ink, but also because the mixed media paper is lightly textured.
Once I’d completed the design, I used a needle=tip Pentel Energel Liquid Ink Gel pen to add smaller details.
While the plain black line on the coloured background looked OK, I thought it needed some colour to help lift it from the background.
I launched myself into using Copic markers, using somewhat darker colours than I usually would. That meant it wasn’t until I was adding some colour to the ribbon banner that I discovered that the Copic reacts with the inks in the pens and smears them. I was so disappointed in myself for not checking the pens were Copic safe. Oh well, you live and learn!
Rather than start again, I carried on with the card. I wanted to add some clear embossing powder to help the colours of the Copic markers stand out even more. So, I used a Versamark pen to colour over the designs, and then I sprinkled on the clear Wow Embossing Powder. I used a heat tool to melt the Embossing powder and achieve a glossy, dimensional finish on the dangle design.
The final step was to adhere the dangle design to a card blank, after adding some gold dots with a Uniball Signo glitter gel pen.
Fancy having a go at drawing your own dangle designs and not sure where to start? Well, you could start with my book “A Dangle A Day” where I lead you through the process. I have over 100 designs in the book where I take you step by step through drawing them. I have also included ideas for where you can use them including as cards, bookmarks, in BuJos, journals, scrapbooks and more.
Making the envelope.
I used the pre-made envelope that came with the card blank. I decided to keep the envelope white and add a border using some of the motifs from the dangle design.
I did use the Uniball Vision Elite gel pen and Pentel needlepoint pen to draw the design. This time, I coloured the design with some Mitsubishi Uni coloured pencils.
The low quality of the paper envelope wasn’t conducive to really amazing colouring, but it worked well enough.
Reflecting on the card and envelope.
I could’ve kicked myself for not testing the pens to see if they were Copic friendly. I don’t think I could send this card to anyone as it just isn’t up to scratch. I need to remember this in future projects.
Also, the Versamark pen smeared the ink a little too, but nowhere as much as the Copics did.
I used much darker Copic colours than I usually would without thinking that heat embossing them would intensify the colours even more. The colours aren’t as dark as in the photo, but they are still darker than I would like.
The coloured pencils colouring worked much better and perhaps I would’ve been better off using them on the card panel. Again, something to remember for the future.
I also noticed that the anti-static powder I used before using the Versamark and embossing powder has either removed or covered the Perfect pearls. I used the anti-static powder so prevent the embossing powder sticking to places it didn’t belong. This is always a possibility, especially when using Distress Inks to colour the background.
In hindsight, I may have been better drawing, colouring and heat embossing the design before colouring the background. However, I do like to have pre-coloured backgrounds to use for arty projects.
So, Angela, how are you?
I’m OK, still tired from a busy few days at the weekend and start of the week. I also have a flare-up of an ovarian cyst which is rather painful and achy. I’m feeling content and optimistic otherwise, though still tired even though I slept well last night. The exhaustion that comes with interacting with people, therapy and not enough me-time can linger for a good while — the joys of having CPTSD and being an introvert.
Yesterday, I was fatigued, and the flare-up ramped up in intensity as the day progressed. I wasn’t in the right place to create art or focus on work. I needed to practice self-care.
I chose to do some crochet after hearing about Crochyay, the online presence of a young woman called Olivia who makes flowers and leaves them with a little message tag for people to find and keep – random acts of kindness. She uses crochet to help manage her anxiety and depression as well.
I thought it was a beautiful idea and I thought flowers or little amigurumi hearts or similar would be lovely to make. Small, quick to finish projects that I feel I could manage. I’ve lost the oompf to do larger crochet projects such as shawls and blankets, but some little ones would be lovely to do.
I do find crochet and other crafts quite soothing and calming. I also feel I’m doing something, and they can stop me from just sleeping my day away. Little projects like flowers are fab for me when the thought of anything bigger fills me with procrastination and disinterest. Also, I find it much more motivating to do projects for other people than for myself, even if I don’t know those people.
So I managed to make quite a few flowers yesterday. I now need to make leaves and assemble them into little posies. Then, there are tags to make.
I’m also looking forward to making the tags as I can draw and decorate them too! So, little projects in their own right.
Finally, I’ll need to overcome my self-consciousness and anxiety about leaving them for people to find them.
Today I have two card designs for you, both featuring dangle designs, but in different ways.
If you like dangle designs and you’d like to give drawing them yourself but need a little help or inspiration, then you may find my book “A Dangle A Day”of interest. In the book, I take you, step by step, through how to draw over 100 dangle designs, along with some ideas of how you could use them.
Love Ya and With Love Card.
I started by using the Foursquare Backdrop: Portrait die from lawn fawn to cut the frames and panels from a piece of Winsor and Newton Bristol Board. I purchased this die, and the one in the second card, from Seven Hills Crafts here in the UK.
Next, I used Stormy Skies and Broken China Distress Inks to add a subtle colour gradient to the panels.
My idea was to draw four different dangle designs for each small square panel. I also wanted to include some hand-lettering, which I did.
So, I used Unipin pens from Uniball to do the drawings and lettering. I did use pencil outlines for the ribbon banners and lettering to make sure their placement was just right.
I coloured the design elements and charms using Copic markers. As the individual design elements were so small, I just used two colours to achieve shading in the bigger ones.
I also added a drop shadow around the designs using a BV marker that is a greyish-violet. It’s a very subtle drop shadow.
I had to add some sparkle and shine to the card, so I used a clear Spectrum Noir Sparkle brush pen along with a gold glitter Signo gel pen to do this.
To assemble the card, I glued the frame to the card base using Tombow Mono adhesive. Then, I glued the square panels into place.
I managed to get glue onto the front of the card and trying to rub it off while wet just left a dark, dirty smear. I’ve ordered some Tombow Sand erasers to see if they’ll remove the mark. If not, I’ll have to either work out another way to cover it up or just consign the card to the pile of things not to do again!
Black and white floral card.
Again, my first job was to cut out the frame and panels using a die. For this card, I used the Foursquare Backdrop: Landscape die from lawn fawn along with Winsor and Newton Bristol Board. I also decided to use this die in portrait mode.
To draw the design elements, I used Unipin pens from Uniball. I hung dangle designs from the top of each card to fill in some of the space that was there. I wish I’d used a slightly thicker pen than the 01 though. They look almost like an afterthought.
Anyway, once I finished the drawings, I wasn’t sure whether to add colour or not. So, I’ve left the pictures as black and white line art for now.
I used Tombow Mono glue to attach the frame and panels to a 5″x7″ piece of Winsor and Newton Bristol board. I did this as I realised that the dies are made to fit card blanks made from half a sheet of US letter-sized paper folded in half. In the UK, we use A4 sized paper, which is different enough in size to make it awkward to cut the paper to fit the card. I have ordered some 5″ x 7″ card blanks with envelopes, and then I can finish assembling this card. I’m likely to trim the foundation panel down a little and maybe try to carefully add some colour around the edge. Maybe.
It’s at this point I’ll decide whether or not to add colour and to see if I can thicken the lines around the dangles without messing it up. Mind you, if I do mess it up, it’s another experiment I can learn from, hopefully remembering not to do this again.
Things I’ve learned and techniques I want to try.
The lawn fawn dies work great! They come with smaller dies – heart, cloud, small star, large star, sun, small sun and speech bubble – which may be useful in the future. I had made my mind up that I’d limit myself to die sets that are simple in shape to for cutting out panels to draw on and maybe for layering.
I rolled my eyes at myself when I worked out that dies from an American company would work best with American sized paper for card bases. However, I can work around that now I’ve realised that. I’m comfortable working with inches; most of my craft tools have both inches and centimetres on them. However, the inches are visibly the most dominant measurement system.
Glue. Me and glue. Not sure how I can avoid smearing in the future. Hopefully, the sand eraser will help to remove my gluey, sticky, dirty-looking mistakes.
I like using Distress Inks for backgrounds. However, the pale colours of markers that I prefer to use are translucent and so combine with the background. I could use other media such as coloured pencils for colouring. Or I could use distress inks or water-based marker pens with a damp brush to add colour. I could also use a damp brush to remove some of the distress inks. In that case, I may have to use watercolour paper instead of Bristol Board.
I could also use a Versamark pen – which contains transparent, sticky ink – to colour over my design elements once coloured and then use clear embossing powder and a heat gun to protect the colours. I could then add the distress inks after heat-setting the embossing powder. The embossing powder would add some dimension and shine to the cards. If I used a sparkle pen or gold gel pen, for example, the embossing would encase it and highlight these embellishments Ieven more, I think. I need to try this idea out!
So, there are lots of possibilities for going forward with this.
So, Angela, how are you feeling today?
I’m feeling the more content and optimistic than I have for the past two or three weeks.
I’m still feeling out of kilter; changes are happening in my perceptions around my emotional/mental wellbeing. I’m also aware of shifts that are happening in other parts of me.
I’m still poop-scared about what is going on in the world. I can’t see that ending anytime soon, however. This, and the rest of the emotional rollercoaster I seem to be on, are still upsetting my digestive system, so I’m not feeling too well much of the time.
Yesterday, I was so unsettled and scared that I couldn’t settle to do much art, and I became so dissatisfied and frustrated with whatever I did. I couldn’t settle to anything else either – not crochet, reading, nothing.
As I’ve said, today I do feel better, so I need to turn my attention to trying out Affinity Publisher to create some materials I’ve been commissioned to do (the artwork and inserts for a CD by a band!). I’ll see about setting the templates up first and go from there. I’ve not tried to do this the past couple of days as I know my head and my emotions weren’t in the right place. I’m not sure that they are today; it’s only by doing that I will find out whether they are or not.
Yesterday I decided to make a second card with a coordinating envelope. I wanted to try out using the Chameleon fine-liners to add colour in the form of lines and cross-hatching. Finally, I added some gold dots to the points of the petals on the flower design.
To draw the design and execute the hand-lettering, I used a Uniball Unipin pen. I then used various pairs of Chameleon fineliners to add the colour.
I prefer this way of adding colour with the Chameleon fine-liners, though I’m not entirely happy about it either. Looking at it now, in the clear light of dawn, I think I could have added a flat colour below the coloured lines. I may go and add that colour in a little while. After all, it’s just a card, an experiment, and if I mess it up, I can always make another one! A lesson learned, an experience gained is worth the few pennies worth of materials and the time it took just as long as I remember the lesson in the future.
I’m also not happy with my hand-lettering; I like the idea of the letter layout, but it’s not centred between the arcs.
I do like the ‘banner’ I’ve used to enclose the hand-lettering. However, there’s something about the rectangular ribbons and the patterns within that I don’t particularly like. I’ll work out what it is in time.
For now, I’ll try adding flat colour to the coloured sections to see how that works out and not worry about messing up the card. I’ll use it as a learning experience.
And that reminds me, I’ve still not set up my One Note journal for my private critiques and what kinds of methods and techniques I use in my art.
A piece of yellow card cut to 4″ x 11″, scored and folded in half to make a top-fold card measuring 4″ x 5½”.
A piece of white card approx. 4″ x 5″ for the top layer.
A We R Memory Keepers Envelope Punch board and an piece of paper measuring 7⅞” x 7⅞” or a blank envelope that will fit a 4″ x 5½” card.
A pencil and ruler for the guide-lines and a good eraser to remove them.
A black fineliner pen for drawing and hand-lettering; I used a Uniball Unipin pen.
Pens to colour the design; I used Chameleon fineliner pens.
A gold gel pen for the dot embellishments; I used a Uniball Signo gold gel pen.
If you’d like to learn more about dangle designs or are looking for some more inspiration for them and how they can be used in cards, BuJos, scrapbooks, bookmarks, journals, and more then my book ‘A Dangle A Day’is a good place to start. It takes you through how to draw monograms and dangle designs for all kinds of occasions around the year in simple steps.
Today, I have a dangle design card along with a coordinating envelope for you. I’ve kept the construction of the card simple with just one layer on the card blank. The dangle design and hand lettering are also quite simple as well as whimsical in character.
If you’d like to find out more about drawing dangle designs, then A Dangle A Dayis my book about dangle designs with plenty of inspiration and suggestions.
Materials and dimensions of the card and envelope
The yellow card blank is 5½” x 4″ in size with a top fold. So, I started with a piece of card measuring 11″ x 4″.
I also cut a piece of Winsor and Newton Bristol board to 5″ x 3½” for the top panel.
Next, I used some thick printer paper to make an envelope. I used the We R Memory Keepers Envelope Punch Board. The size of paper needed and the position of the first score line are printed on the board. This tool from WRMK makes it so easy to create custom envelopes.
To make an envelope to fit a 5½” x 4″ card I needed to cut a piece of paper measuring 7⅞” x 7⅞”. I used 120gsm white printer paper for the envelope.
Before I started, I used a ruler and pencil to draw in some faint guide-lines for the banner ribbon and the hand lettering on the top layer. I also pencilled in the hand lettering.
On the envelope, I added some guide-lines on the left and bottom to give me a border.
Hand-lettering and drawing the design
I started by hand-lettering the sentiment, then I drew the ribbon banner around it.
My next task was to draw the dangle comprising of beads and hearts.
Finally, for the top layer, I drew in the arrangement of plants and added some shells and butterflies.
I didn’t use a pencil to sketch the design before I drew it in ink simply because I’m confident in drawing these kinds of designs. However, it is a good idea to do so if you’re less than confident. I started with the central flower pot and let the design grow out from there.
I then took my attention to the envelope. I started by drawing in the ledge on the bottom. Next, I added the plants, flowers, shells and butterflies. I then drew a black border around the envelope, just inside the edge. This line gave me something to hang the dangle from; I added a dangle similar to the one on the card.
With all the drawing complete, it was time to add some colour.
I’d received my Chameleon fineliners yesterday, so I thought I’d try them out as there are lots of small areas in this design. I love my Chameleon markers, but using them to add colour to tiny spaces can be a little tricksy.
I did try the Chameleon fineliners out yesterday for drawing lines and hand lettering. I found that they give a very long gradient, even with the shortest of touches of the cap to the pen. I thought this might work well in colouring the flowers in. I achieved a pleasing change of colour of the petals on each bloom from just one blending process. This blending also worked well for the butterflies.
What I did notice is that the fineliners moved some of the black pigment from the Uniball Unipin pens that I used to draw the design with. That was a bit disappointing. It may be that in the future I will need to draw, scan and then laser print the design out. That’s a bit of a faff, but it’s doable.
I’ve never been a fan of fineliners for colouring; I find they leave lines and tend to pill the paper. This is just a personal gripe about all fineliners.
The Chameleon fineliners are pleasant and comfortable to write with – comparable to other fineliners. So, unless I want to add colour using lines and cross-hatching, writing is going to be my primary use for these pens.
To colour the pots, banner, leaves, cacti, shells and ledge, I used some of my Copic Ciao markers. I chose to use these as the brush nib lets me colour tiny areas. Also, I wanted to use pastel-ish colours to tone in with the colouring from the Chameleon fineliners.
I did add some very simple Copic shading to the design.
The Chameleon fineliners had spread the black dots I’d added to the flower centres. So, I broke out a gold Uniball Signo pen to colour in the centres of all the flowers. I also used it to add a sprinkling of little dots around the design.
I enjoyed creating this card and envelope. It was a quick, simple project. I also do enjoy drawing whimsical designs.
I like the sunshiny yellow card blank; it makes me smile, especially as it is currenty a grey and rainy day here in the valleys of Welsh Wales.
I think the card may benefit from the use of a bit of Wink of Stella to add some shimmer and shine to the wings of the butterflies and maybe the hearts.
I could’ve ink blended a background to the design using Distress Inks. I also could’ve added a drop shadow around the design to give it some dimension. Today, I chose not to do these things to keep the card relatively simple.
I also only added one layer to the card. I could’ve cut a piece of contrasting colour to go beneath the top layer to give a bit more of a layer. Alternatively, I could’ve used amarker to colour the edge of the layer to give a border, or ink blended some distress ink around the edge. Again, I chose not to do so; I wanted to keep the card simple and easy to do.
I think the result is cute and whimsical. I now have to find someone to send it to! I think that I’ll use some Distress Micro Glaze to protect the artwork on the envelope before posting it though.
I agree that handwriting does matter. Handwriting is as unique and individual as the person creating it. It’s also a much more personal way to communicate with others. It takes longer to handwrite a letter, note or memo and then deliver it either to the person or the post office.
It’s always nice to receive chatty, friendly emails from friends, and of course this is a quick and instant communication. However, there’s something to be said about the slower nature of communication by traditional post and that personal touch that handwriting gives.
I make these cards but rarely send them to another person, let alone include a handwritten note or letter. The cards sit around my home and never get shared with another person.
I think that needs to change, don’t you?
Not sure how to go about it, but if anyone who reads this would like to receive one of my cards and maybe a letter then leave a comment or contact me via social media or email.
I actually do love to hand-write; I always have and I’ve always taken a lot of pride in my handwriting. I remember making a huge effort to change it when I realised it was looking like my mother’s writing.
My preferred way of learning was to write and re-write my notes, condensing them into just a few lines of ‘memory joggers’. If my notes in lessons or lectures were messy, I would make it my task to tidy them up as soon as I could, which was also a way for me to review, consolidate and learn.
I have the facilities to hand-write digitally. I could keep a journal by writing on the screen. However, such activities frustrate me as I can’t turn the writing area to the angle I like to write at!
Also, as much as I love working digitally in so many artistic pursuits, there’s nothing quite like the feel of pen on paper, and I do love pens! I have a bit of an obsession with stationery, even though much of my work is digital these days.
Handwriting and therapy
Nowadays most of my handwriting is in my journals. It’s not as neat as I’d like it to be. I make mistakes. I like to hand-write my journals as the process of putting pen to paper slows my mind down. It gives me a chance to reflect and review what’s been going on in my life and also with my emotions.
Of course, reflecting on my thoughts and emotions, catching them in action is important to me as I continue with my journey to recovery from CPTSD. It also helps me to record events, emotions and thoughts that need to be discussed in EMDR therapy.
Handwriting vs Hand Lettering
Handwriting is that almost unconscious way we write things down – thoughts, notes, memos, to-do lists etc, as well as our signatures.
Hand lettering is a much more deliberate activity. It is like drawing the shapes of letters, not writing the whole word in one go. It’s consciously deciding what the shape, size and embellishments of a letter should be.
I enjoy hand lettering and I do tend to use the shapes of letters that I use in my handwriting. But that’s where the similarities end for me.
Do you still hand-write? How do you make use of handwriting? Do you think it’s still an important skill?
Leave a comment, I’d be really interested to hear what you think?
Today I thought I’d create a monogram dangle design for ‘F’ with some cute fish, as well as a couple of shells. Of course a whimsical crown with golden foliage tops the design off just nicely!
Fish means a water theme, so I used blues, and blue-greens quite liberally. However, golds and shades of red and magenta really give a tropical feel to the jolly little fish.
Fairly simple gradient colouring this week. No drop shadows, other than the one around the whole design.
Looking at it now, I think the monogram might benefit from a drop shadow or two. However, it’ll do just fine as it is I think.
It would be lovely on a card for someone with the initial F, especially if they love fish or fishing. Of course the colours can be adjusted accordingly, as can the particular kind of fish. I’m particularly fond of cute, whimsical, happy little fish.
It could happily find a place in a BuJo, scrapbook, planner, journal or diary. Making the monogram narrower and the dangles longer, it would make a lovely bookmark too, I think.
Just a little mention here about my book “A Dangle A Day”. It’s a dangle design tutorial book, Angela -style dangles that is. Lots of monograms as well as dangle designs for use around the year. It’s a good place for beginners, but is also full of ideas for the more experienced among you. And, of course, I add a new dangle design on this blog most Fridays which you can use for inspiration. I’d love to see what you create! Tag me on social media!
Congratulations to you all as you’ve made it through another week and the weekend is upon us!
I made it a cute and simple design today. Easy motifs to draw. Simple hand lettering. Even the colouring is simple as I used flat colours with the only gradient being behind the sentiment.
My first step is to write the sentiment; I use this as the anchor for the rest of the design. I just used simple letters today; I made them all the same height. Actually, this is my favourite way of lettering sentiments; I think it looks quite cute and whimsical.
Also, I used squared paper as a guide for my design. It helps to keep my lettering on the level (and the letters the same height in this case). It also helps to keep the dangles vertical and the design symmetrical.
My sketch was really basic. I used concentric semi-circles for the leafy bush the flowers are growing out of. I used circles for the flower placement. I drew really sketchy butterflies. I drew lines for the dangles and placed the main motifs on them.
Once I was happy with the sketch, I inked it in using a digital brush pen in Autodesk Sketchbook Pro. Varying pressure on the pen varies the line width. I think it adds a bit more human character to the drawing, and a bit more interest.
During the inking phase, I refined my sketch – adding petals to the flowers, detail to the leaves and groups of beads to complete the dangle.
Once I was happy with the inked design, it was time to add colour.
I chose fairly pastel colours with a summery feel for the design. Also, I used the same colours above and below the sentiment to give a more coherent design. I did add two extra colours to the dangles to give some more variety in the beads that join the dangles.
My final task was to add a bit of colour behind the dangle design. This is a simple gradient from a pale yellow, to aqua to blue.
I didn’t add any drop shadows this week – I wanted to keep the design simple.
And it really is simple to draw, honestly! Have a go! I’d love to see what you create using this as inspiration, be it a card, BuJo page, journal page, in a scrapbook, diary or any other way you can think of to use dangles. Post on my facebook page or tag me on Instagram!
Just a little reminder that I have a book called ‘A Dangle A Day‘ if you’d like to find out a little more about drawing and using dangle designs.
For today’s whimsical and cute dangle design, I used one of the designs from my tutorial book “A Dangle A Day”, altered the hand lettered sentiment and changed the colour scheme.
I used just five colour schemes in the design itself – blues, yellow-orange, pinks, peachy-orange and yellow-greens. I used a blue and green from the design to create the background colour gradient.
By using the same colour gradients throughout the design it brings the design together.
I added a simple drop shadow to the whole design to give it a little dimension. I could have added drop shadows to the lettering and the flowers in the rectangular charm, but I chose to keep it quite simple today.
I think this would make a lovely note card or greetings card. I also think, perhaps with a different sentiment, make a lovely page for a BuJo, journal, diary, planner, and it would be lovely as part of the design of a scrapbook page.
How would you use a design like this?
I drew, handlettered and coloured the design digitally using my Microsoft Surface Pen on the screen of my Microsoft Surface Studio as if I was working with pens on paper. My preferred art software is Autodesk Sketchbook Pro.
So Angela, how are you today?
I’m content with that background level of anxiety. I feel motivated to work even though I’m really tired again. This time it was from a late night conversation with a friend in need. I can nap later if I need to. The tiredness is actually giving me a headache.
My Nikita Gill books of poetry arrived yesterday and I spent some time reading one, “Wild Embers” from cover to cover.
I cried at some poems as they really touched something inside me, when she describes in words things I’m only beginning to recognise within me.
With other poems it was like a light bulb came on as understanding was ignited within me.
Yet others highlighted the difference between how girls and women are viewed to boys and men, and treated differently, and brought up to believe different things about themselves.
You can tell in her writing she has survived some serious trauma; she writes not just from her heart and soul, but from experience.
I can recommend her work to anyone who has experienced abuse, trauma and who, like me, struggles to describe what is emerging from the Pandora’s box of the past as the healing progresses.
It helps to show I am not alone. It helps to show other survivors of abuse that they are not alone.
I felt alone as I had no one to turn to when I needed someone most. I withdrew within myself, isolating myself, being lonely even when surrounded by a loud, extrovert-filled family. Desperate to join in, to be part of it, but scared to be noticed as that left me open to being the one who was made fun of, blamed for anything and everything. It was horrible to be ignored too when I’d spoken; that happened often. I never learned to speak up for myself, to ask for help, to say what I needed. I suffered long in silence.
I make no apologies for speaking up now. For talking about what happened to me, not in any great detail as I don’t have that myself.
I make no apologies for trying to raise awareness about the damage that emotional neglect does, how worthless being ignored and uncared for made me feel, and has made and does make others feel. How it grinds a person down day after day after day…
I make no apologies for doing what I can to help others to not minimise the effect these things have had on them. To stop telling themselves, like I did, that I was weak, an attention seeker, a whiner, a whinger, a liar when I was in need of help or support.
Someone made me believe that was what I was as children are not born believing that of themselves.
I make no apologies for writing about these things if it helps people understand that someone made them believe these things about themselves and they can unlearn them and replace them with more positive beliefs.
A thought just came to me then. As I teacher I focused on teaching students with additional learning needs. My first focus was to build their self-esteem and self-belief, always. I was shocked at how little so many of them thought of themselves and I found that incredibly sad.
I could see that in them and I could see how I helped them believe in themselves more, one tiny step at a time.
I can see now how I knew I too felt the same way about myself but believed myself too damaged to be healed or not worth thinking better of myself.
Now, with the help of EMDR, I am changing those beliefs about myself little by little.
That inner critic is mostly silent these days, I think. I still suspect it is still creating a very quiet susurrus deep in the depths of my conscious mind. However, it’s malignant murmuration becomes louder when I’m overly tired, emotionally drained, or my anxiety is increased by some trigger.
However, I have to say it’s power over me seems to have diminished.
That’s not to say I’m healed enough yet. I still have those negative beliefs about myself – ugly, unloveable, self-loathing of myself and my body – and of course there’s the inability to feel safe a lot of the time, sometimes even in my own home.
Of course there may be other things that arise during EMDR.
However I do think I have made a lot of progress over the years. Slow and steady for sure, but progress all the same.
Anyway, back to Nikita Gill.
I can recommend her work to those who are friends, partners, family members of those who have been abused to help to understand what someone is going through.
I can recommend her work to all, for her words are thought provoking in a gentle but descriptive manner.
I think I may be lending this book to my therapist…that’s how valuable I think it is.
I’ve had some fun this morning! I wanted to create a cute and whimsical dangle design for today. A cute fish came to mind, so I went with that. See, you can create a dangle using any kind of design elements!
I also thought that it would be fun as well as a bit of a challenge to use the digital art techniques I’ve been using lately.
If you just focus on the outline shapes, it’s not a complex design. There are many ways to fill a fish shape with pattern and colour and you can make it as simple or intricate as you like.
My love of bright, almost psychedelic colours, has also crept out for the fish and I love the happy smile on the fish’s face.
The shell is a bit out of place, perhaps. A bit too realistic in colour and so on. But that’s OK. It’s shown me that I can digitally paint more realistic, if quite stylised, designs. That’s going to be an interesting path to explore.
The seaweed forming the ‘string’ for the dangle is very stylised and I just thought some pearls would be in keeping with the ocean theme.
This isn’t a design in my book “A Dangle A Day“. However there are many, many other designs that I give step by step instructions for within its pages.
I used Autodesk Sketchbook Pro, a Microsoft Surface Pen and a Microsoft Surface Studio.
So, Angela. How are you today?
I’m fine today. Content. It’s warm here in the Valleys of South Wales so I think it’ll be a quiet day for me. I don’t do well in the heat; I wilt.
Nothing else about CPTSD, mental health, emotional health or EMDR today. Not after that humongous blog post I did yesterday.
I do need to sort out my anti-stigma presentation for Time to Change Wales as I’m giving a talk next week and it’s time to change things around and change the focus of my talk from my life story to ■ what CPTSD is ■ more about how CPTSD affects me ■ the stigma and discrimination I’ve faced ■ how people have supported, helped me ■ what support I would have liked to have from people
I’ve already created a CPTSD ‘graphic’ to use in the presentation. I do need to gather information together.
Ha! I’m glad I’ve written this as I now I have a clear outline to follow to create my presentation. I was fretting and worrying about that.
Before I do anything else, I need some tea I think.
July is nearly upon us. It seems hardly anytime at all since June started! So, close to the eve of a new month it’s time for a dangle design.
This month I wanted to do a floral wreath with a little hand lettering. As I live in the Northern Hemisphere July means summer. So, my charms are a glowing sun, an ice cream cornet, and a tiny feather. I chose colours that remind me of summer too.
Now, for those of you in the Southern Hemisphere where winter has begun, feel free to substitute different charms – perhaps a snowflake instead of a sun and a steaming mug of hot chocolate instead of the ice cream cornet. Of course, a more wintry colour palette would be lovely.
I designed this to be A5 in size so that it would fit nicely in a BuJo, but equally it would look lovely in any planner, journal, diary or scrapbook. Of course the sentiment could be changed too.
I don’t know if you’ve noticed, but the wreath has a seven-fold symmetry. Well, July is the seventh month after all!
If you’d like to learn more about how I design and draw dangle designs, along with plenty of designs to use or adapt, then my book “A Dangle A Day” is a good place to look.
I did create this dangle design digitally, using my trifecta of Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio. It would be quite easy to draw with pen on paper and then use any media you like to add colour.
So Angela, how are you today?
I’m feeling quite content today within myself. I seem to have rested quite well. My digestive system still doesn’t feel quite right, but it’s certainly a lot better than post-EMDR on Monday.
In my blog yesterday, I wrote about my CPTSD and the prejudices I seem to face for having therapy. I’m amazed at how that post garnered a lot of interest on twitter; a lot of interest for a tweet by me that is, the most I’ve ever had.
I was humbled by this, but the best thing for me was someone letting me know my blog post had helped them.
That’s why I write about my CPTSD, mental health and emotional health. It’s not for attention (I don’t deal well with being shown attention of any kind – all part of the CPTSD). I share my story and journey so that it may help others.
It took me nearly 50 years of life to work out that I had a problem, and a couple longer to work out that it wasn’t just anxiety and depression, that it was something more, that it was CPTSD.
This is a label I needed to have. As I learn more about CPTSD it helps me accept that I am stuck in the past; not in terms of reliving memories and events over and over, but in the way I behave, feel, react to life.
Being traumatised means continuing to organise your life as if the trauma were still going on – unchanged and immutable – as every new encounter or event is contaminated by the past.
After trauma … the survivor’s energy now becomes focused on suppressing inner chaos, at the expense of spontaneous involvement in their lives. These attempts to maintain control over unbearable physiological reactions can result in a whole range of physical symptoms including fibromyalgia, chronic fatigue and other autoimmune diseases.
“The Body Keeps the Score” Bessel Van Der Kolk
Today, as I read a little of “The Body Keeps the Score” this quote really struck me.
If I think back to the weeks, months and years before my first bout of serious anxiety and depression, I can see how I was trying to control the inner chaos during my daily life. I struggled every single day with exhaustion, fear, fighting back the tears and wanting to hide away or run away. I also hoped I would die in my sleep so I didn’t have to continue with this.
I certainly had physical symptoms of illnesses for which there were no physical causes – upset stomach, losing my voice, problems with my lungs, outbreaks of weird spots on my skin. I’ve also developed a couple of chronic illnesses along the way too.
I don’t lose my voice anymore, but I certainly still get a dodgy digestive system and asthma attacks when the lightly napping anxiety monster is provoked and awakens. Oh, and I still get weird flare-ups of skin problems.
It’s taking me quite a while to read this book. I lost my ability to read during my first big ‘breakdown’; I still have problems retaining what I read. Sometimes I even have trouble making sense of what I’m reading. I used to be an avid reader. I miss that. However, I am aware that my ability to read is returning… slowly. In the meantime, audiobooks are a great source of pleasure for me.