Monday is, usually, mandala day. I have at least one mandalas-in-progress, but I started a new one today, primarily because I wanted to try out some different brushes in Clip Studio Paint Pro.
It took me a few experiments to settle on one brush to work with for this mandala – a coloured pencil brush.
It also took me quite a few goes to work out how I wanted to lay down colour for this mandala too. Eventually I settled on highlight on one edge, shadow on the other, and quite a sharp delineation betwixt the two.
I didn’t realise it at the time, but the effect I was achieving reminded me of the abstract oil paintings I did many, may years ago. The abstract patterns came from Romanesque architecture and rusty parts of steam and diesel locomotives. I remember myself playing with light and shadow. I also remember at the AS level exam exhibition I was puzzled as people kept touching the paintings. I asked someone why they had. They answered that they wanted to see if the paintings were 3D in nature. I hadn’t seen that illusion at all, but once it was pointed out to me I could see what others could. I put it down to having worked so closely on the paintings.
This was around 17 years ago now, and I still tend towards working with highlights and shadows, and the resultant illusion of volume or dimension in my work.
I’ve also finally worked out that I tend to use light and shadow as part of the patterns in my work instead of related to a light source. I think that penny dropped when I was listening to a Zentangle video on youtube.
As lovely as it is to work with varied colour palettes, for this one I wanted to return to a simpler palette. I’ve chosen just two colours and various shades of those colours.
I can see how my colour blending technique has developed from the centre outwards! The difference between highlight and shadow has increased a tad.
I have so many works in progress at the moment, and I tend towards creating new all the time. I think I really do need to learn perseverance and get works finished more often!