Exploring ways of adding shadow | 29 December 2021

Link to today’s video on YouTube.

I needed to add shadows to the drawing completed and given a colour wash yesterday. As I so often regret my choices of how I do this, I decided to make a test page of various methods for my sketchbook.

They all have their own charm and feel. However, putting them side by side so I can compare and contrast gave me a better idea of what I really like.

To add shadow/highlight to a drawing, I really like the hatching/contour lines created by a micron pen or a biro. The biro I particularly like as it is much softer and I’m able to get a tone variation with the lines.

I also worked out that for using gradations of colour, they just feel a bit … plain. So, like in the drawing of medieval flowers and leaves, the combination of lines and colour works for me.

I found when I was adding shadow below the drawings that using Distress Inks like watercolours just wasn’t going to work. The use of water results in weird boundary lines that I’m not fond of. Of course, if I’d not coloured the background in Distress Ink, a gradated wash of colour may have created a lovely shadow.

So, I think I’d prefer to use chalk pastels for adding shadow. The ability to blend them out gradually, with no harsh line, is a great advantage. It’s also easy to add more of the pastel if a darker colour is needed.

So, that’s what I chose to do. Not just with the drop shadows, but with darker areas on the leaves etc. I even found that the pastel can tint the gold I’d added in places, which is a really interesting twist.

Bit by bit, I’m working out colour, shadow, highlight and what works for me.

It’s also no bad thing to spend time trying out techniques with various media. Mixing and matching. Making a reference page for my sketchbook / zibaldone has proven to be a very valuable exercise.

When I’m quite happy with the drawing. I will do my best to take a good photograph of it. It’s worked out much better than I thought it could.

Tiny Abstract Art

5″ x 3.09″ (12.7cm x 7.84cm) Tea Dye Distress Ink coloured Moulin du Roy watercolour paper.
01 Sakura Pigma Micron Pen.

Template Thursday

It’s Thursday again, and that makes it #TemplateThursday.

Each Thursday throughout the pandemic, I’ve created a coloring page / coloring template for the members of the Angela Porter’s Coloring Book Fans facebook group.

This week’s offering, is a geometric pattern, which reflects how drawing more geometric, structured work this week has helped me be contented with my artistic efforts. Something in my heart and soul needed the comfort of the repetition and the delight of symmetry. That led me to really feel the touchstone of contentment within me once again.

So, I thought that others might like such a geometric design.

And there’s so much that can be done with it. Color it as it is. Divide some of the smaller spaces with doodles or zentangle patterns. Look for what hidden patterns you can bring out. Play with light and shadow to add dimension to the design.

I’ve deliberately coloured my version in flat, spring-like colours. Maybe I’ll find time over the week to add more detail to it, and to play with shadow and light as I love to do!

Oh, I drew this on dot grid paper with an 05 Sakura Pigma Micron Pen before scanning in, cleaning up and coloring digitally.

Work in progress

©Angela Porter 2019 - Artwyrd.com
©Angela Porter 2019 – Artwyrd.com

As well as working on templates for my latest book, I like to have some personal artwork on the go.

These two are the current works in progress. The dragon is partly through having the patterns added to it. I’m not sure about the circular fill pattern yet, hence the break from it. I also wanted to include some dangles, especially as his front paws seemed to be quite the right shape/posture to be holding the threads of the dangles betwixt the talons. As this is a digital drawing (I did start with a sketch on paper with pencil which I scanned in), it’s easy enough to edit and alter. Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro were my tools for the dragon.

The other has all the linework finished. Like the dragon, I’ve added a ready-made background I purchased from Creative Market ahead of me adding colour, in this case it will be primarily blue. The symbol is a Zibu symbol that represents release. Again this is something that ties in with my EMDR journey. Part EMDR is about processing and releasing past trauma. Of course, the symbol does look like a fancy ‘h’ or maybe a capital ‘L’. This was drawn on bristol board with Sakura Pigma Micron pens; it’s postcard sized.

Yesterday was a funny day for me. I thought I had a meeting in the morning only to discover that I was two weeks early! That’ll teach me to read my emails properly rather than assuming the meeting would be, as it has been, on the first Saturday of the month. I then had an event in the late afternoon to attend and I didn’t get home from that to nigh on 8pm and I was absolutely shattered, so just needed some quiet time.

The weather has changed here in the UK, as is it’s wont. Wild, windy and wet over night and it’s still wet today. I’m not sure if it’s the weather, me being tired, it being the eve of therapy, or any possible combination that has mee feeling a tad low and flat today. I’m happy to stay inside today in the warm and dry, taking my time over doing things.

I do have some templates for the latest book sketched out, but not sure I want to ink them in at the moment.

Another mug of mocha is needed I think…before I decide what to do.

Abstract Entangled Art 17 November 2018

I’ve worked on this image over the past three days or so. Adding the shading took a surprisingly large amount of time.

I really enjoyed creating this one. I say that about all my art though, but this one was particularly enjoyable as it helped me to calm and relax after the crazyily emotionally exhausting week I’d had.

It reminds me very much of work I used to do before I had so much work to do for colouring books, not that I’m complaining about that, not one bit. I love doing the drawings for them as much, but I can’t work in this kind of detail for them. I can’t put in all the fine line shading and shadow for them, nor the teeny-tiny details in the patterns as they’d be nigh on impossible to colour the gaps individually.

In my past couple of drawings like this, I haven’t added any shadow to them in the way I have in this particular design. The shadow really helps with that sense of ‘dimension’, though I do think I could have added some deeper shadows in some places.

Though it reminds me of the kind of drawings i used to do a lot pre-coloring books, it’s also shows a change in perhaps sophistication of line but also in the variety of patterns and design elements I like to include in my designs. I’ve even left some ares not heavily patterned so they give the eye spaces to rest without being overwhelmed with pattern and design.

Now to the nitty gritty of how I drew this.

After yesterdays discussion about digital vs traditional art I’d like to say I did this digitally, but I didn’t. I used Unipin Uniball and Sakura Pigma Micron pens on an A4 sheet of Bristol Board from Daler-Rowney. Pencil lines were sometimes used, especially for the circles, which I used stencils to draw them in lightly before inking them in free-hand. I’ve noticed I’ve not erased the pencil lines before scanning the artwork in.

To add the shading I used Chameleon Color Tones and Color Tops in shades of cool grey and neutral grey.

Today, I plan to do some more drawing similar to this before my new bullet journal arrives to replace the one I wrecked by spilling mocha over it and my lovely flowery bag. Thankfully, the notes I need to keep from the media training and events this week are still readable so I can transfer them across, as well as edit them in the process.

Inktober 2018 – Day 5 ‘Chicken’ and Day 6 ‘Drooling’

Angela Porter Inktober 2018 Day 5 - ChickenAngela Porter Inktober 2018 Day 6 - Drooling

Day 5 – Chicken

Chicken, I mean, chicken?!? Really? the best I could come up with were some cute, cuddly, doodle chooks, along with some eggs and feathers to decorate the hand-lettered ‘chicken’.

Oh, and I made it another dangle design. (A Dangle A Day is available for preorders).

I used Sakura Pigma Micron and Uniball Unipin pens to draw the design. I drew everything directly in ink, though I did add some pencil guidelines to make sure the letters were on the level and roughly the same height.

To add colour I used Copic markers. I added some highlights of gold using a Sakura Metallic Gelly Roll. Oh, and I added some white highlights using a Sakura Souffle pen.

It’s worked out ok…

Day 6 – Drooling

Drooling, dribbling just said ‘monsters’ to me, and as the only monsters I draw are cutesy ones this is what I came up with. Some of the monsters are dribbling/drooling, but the page most definitely is drooling from the top.

I started by colouring the paper with Distress Inks and an ink blending tool. I wanted it to look grungy and old.

Next, I started by drawing the border, then the drooling pattern at the top of the page, and added stippling for shadow.

After that, I started drawing from the bottom up, starting with some weird alien plants.

Sakura Pigma Micron and Uniball Unipin pens were used for the drawing.

After the outlines were drawn, I used the same pens to add shadows and patterns to the design. I followed this up with a white Uniball Signo pen to add the white highlights.

All caught up

These two mean I’ve caught up with the Inktober 2018 challenge! They have taken me a few hours of my Saturday morning to do, but it’s been a pleasurable time for sure.

Dangle Day Friday

Angela Porter September 2018 coloured

Friday is dangle day!

We’re a week into September and autumn is nearly here in the Northern hemisphere, so I thought my dangle design should be one for this season. I think this would be a lovely BuJo page to separate the autumn months. I also think it would make a pretty notecard or greetings card. The hand lettering could be changed for another sentiment and it would be suitable for an autumn celebration. Alternatively, it would look great framed and hung as part of a quartet of designs that cover the four seasons; now there’s a project for me to do!

I drew the design on squared paper using Sakura pigma micron pens.

Then, I scanned the image in, used GiMP to remove the squares and create a transparent background

Next, I used Autodesk Sketchbook Pro to colour the image, create the textured background and add a shadow to the design.

I’ve said it before, and I’ll say it again, I love autumn! I love the way the world changes in terms of colours over the space of a few weeks, and the colours can be absolutely glorious.

I don’t know how the long, very hot and dry summer in here in the UK will affect autumn this year.

If you would like to design some dangles and not quite sure how, then my upcoming book A Dangle A Day (available for pre-order) will lead you through the steps as well as giving you plenty of ideas for dangle design.

Friday freebie

Just a reminder that today is the last day for you to enter any of my giveaways, the prizes being signed copies of Eerily Entangled Art, my latest book in Dover’s Creative Haven series of coloring books.

See my previous blog post for details on how to enter.  I’ll be drawing the winners at random tomorrow evening, UK time.

Furbaby Friday

Over on the Angela Porter’s Coloring Book Fans facebook group, it’s furbaby friday.

Of course, it’s Furbaby Everyday over on the Happy Tails Animal Group facebook group.

Both groups would love to see your pictures of your furbabies, as would I.