I managed to get a fair bit of colouring done yesterday and this morning. It never ceases to amaze me how colour can add so much dimension to the design, particularly as I use quite high contrast. It’s possible to see the dimension in the line art, but colour really brings it out.
There are areas that look a little flat, but I can sort those out later on by adding more shadow and highlight.
So far, I am pleased with how it’s working out. I’m also enjoying the hybrid art that results from traditional drawing and then the application of colour digitally.
Today, I thought I’d share one of my favourite geometrical patterns. You may have noticed it often appears in my entangled art, as well as in dangle designs.
I’ve included the steps I use to draw the pattern, along with some variations and different ways I use the patterns.
I used a 05 Unipin pen, a pencil, a couple of coloured pencils and dot grid paper.
I love Star Wars. It’s one of my go-to self-soothing, self-care kinds of series of films to watch. I’m also steadily working my way through the books related to the films, that fill in the gaps and build a rich galaxy of tales, myths, and great deeds. I can lose myself in them, and escape from everyday life into realms where good eventually overcomes evil.
The same is true for Lord of the Rings and Harry Potter for me too, amongst others. Worlds where there seems so little hope of overthrowing evil, yet hope remains kindled and the underdogs overcome an overbearing, cruel order.
There are so many wonderful quotes from these books and films.
Of course, I’m on the side of the rebels, the underdogs. The Jedi, wizards and witches, the fellowship and all the free peoples of Middle Earth.
I can apply the metaphor to my own journey to recovery from cPTSD. I’m rebelling against all the programming I had from a young age that made me believe I was stupid, useless, weak, a failure, unlovable, ugly, friendless, worthless and more.
For a long time, I held on to the hope that EMDR would help me overthrow the dominion of my past. Now, that hope has turned int a trust that I have done that and will overthrow the last vestiges of the erroneous and harmful views and beliefs I have of myself.
I’ve been a rebellion of my own, rebelling against my past and becoming the person I was always meant to be and not limited by the self-serving beliefs of others who sought to control and manipulate me.
About the art
I used one of the borders from yesterday’s collection to decorate the background for the quote, which I typeset in Affinity Publisher.
I do like a dark, grungy background, and this one just felt ‘right’ to use. I chose colours from the background to add colour to the border design. I used Autodesk Sketchbook Pro to add the colour and highlights/shadows to the text and border. The border was drawn with Uniball Unipin pens on ClaireFontaine dot grid paper.
I made sure I had plenty of places where light was being gathered and reflected, representing the hope that is always there if we look for it, even when everything is covered in shadow.
I’m actually quite pleased with the border and the depth and dimension I’ve achieved. I could’ve made the highlights even brighter, but I wanted it to look like hope was being kindled, gently gathering in the shadow.
I do have to say I also like the limited colour palette I used for the border. I used white and four other colours (dark shades of green, raspberry, blue and purple). This isn’t something I do easily, but I think it’s really worked out well here.
Another day and another set of entangled borders! I’m enjoying drawing these. There’s something pleasing about creating small designs. Whether it’s the speed at which I can draw them, or their cuteness, different shapes and sizes to my usual art, or something else, I don’t know. All I know is that I’m enjoying it!
The pens I used to draw the designs were Uniball Unipins and Tombow Fudenosuke pens. I used dot grid paper by ClaireFontaine.
To remove the dot grid, edit some smudges and errors, add a background colour and some colour, I used Autodesk Sketchbook Pro.
Another entangled garden drawing today. I used Uniball Unipin pens and ClaireFontaine dot grid paper to create the drawing. I’ve removed the dot grid and added a coloured background texture as well as the texts and watermarks using Autodesk Sketchbook Pro.
This was, as is usual, a relaxing, calming, soothing and intuitive process for me. I also made use of some of the flying seeds from the first #inktober52 prompt.
I started to add some colour, using a messy chalk brush in Autodesk Sketchbook Pro.
I’ve enjoyed creating this sketchbook sampler page. I drew the designs with a mixture of Uniball Unipin pens, Faber-Castell Pitt Artist pens, a medium nib Schaeffer fountain pen, and an extra-fine nib Faber Castell fountain pen. I used dot grid paper from Claire Fontaine.
After scanning the page in, I removed the dot grid and added a grungy paper background. I then decided I’d like to add some colour and shadow/light to the designs. To do this, I used a messy chalk brush, so my colouring isn’t as precise as I usually like it. However, it’s loosened up my expectations of myself as I went with it.
Pastel colours were my palette of choice as I like the way they seem to almost glow against the grungy kraft background. I also like the way they help to enhance the 3-D appearance of the designs. I do enjoy playing with shadow and light.
Some of the designs are examples of my organic, entangled style of drawing. Others are repeating, geometric zentangle-style patterns. And then there’s some inspired by Medieval illuminated manuscripts.
I also enjoy working within a clear border. I like the sense of structure it brings to my work. It also satisfies some kind of aesthetic need within me. Every now and then I try work without a border, but the artwork I produce just never feels quite right to me. So, it’s time for me to accept the need for borders is part of my artistic voice.
There is a purpose for me creating these borders. I’m building up a library of them that I can use to embellish quotes and other projects.
Some of these borders would look fab as greeting cards note cards, bookmarks, and to use in other paper craft projects. They’d also work well as embellishments for BuJo, planner, diary, scrapbook and journal pages.
Others would be a great foundation for dangle designs (my book “A Dangle A Day” is a good place to start drawing dangle designs).
What I do know, is that I find drawing soothing and relaxing. So, I’m going to be spending the rest of my Sunday drawing more borders.
Jake Parker, the originator of Inktober, has come up with #Inktober52 – a year-long series of weekly drawing prompts.
I’ve completed Inktober in the last two years and really enjoy having a prompt list to work to, all for fun. It is crazy, full-on for that whole month. I most probably will do Inktober again this year, in October.
#Inktober52 will be less pressured as the prompt lasts a week, so plenty of time to think and draw. Of course, it could result in a series of drawings on the same theme each week.
The first prompt of the challenge is ‘Flight’. It took a little while, but then a flash of inspiration came, and I wanted to draw seeds that fly!
I do like botanical things a lot. And though this may not be way outside my usual themes of drawing, it’s still a good one to do. I also thought it would be nice to do a sketchbook page of drawings of these seeds, trying out slightly different ways of drawing with different scales and so on. Oh, and I got a little bit of hand lettering practice in as a bonus!
I drew the seeds with a mixture of Uniball Unipin, Faber-Castell Pitt Artist and Tombow Fudenosuke pens on ClaireFontaine dot grid paper.
After scanning my illustrations, I removed the dots, added a kraft paper background, and used a rough chalk brush to add some shadow and light to some of the seed pods. Add that hint of shadow and light does seem to bring them to life for sure.
I enjoyed creating this page of illustrations. I needed some time to relax and destress today. Yesterday turned out to be a bit of a day. The engine warning light went on in Binky, my SmartCar along with a quick flash of a malfunction warning when I turned the engine off. Luckily I wasn’t far from home and managed to get back quite safely.
A call to Mercedes, then to Smart Assist and within an hour, an AA patrol was at my home to see if they could find and rectify the issue.
It turns out there’s an error in the turbocharger (yes, I have a turbocharged SmartCar).
The patrolman did his best to work out what the problem was, but with no luck. So, he towed Binky to the Mercedes dealership and garage in Cardiff to be fixed. Luckily, Binky is still under warranty, so it should be repaired free of charge.
Before doing that, the Smart Assist cover also provides me with a hire car for three working days, and he arranged for that for me too.
So, by around 4:30 pm, I’d been given an almost brand new hire car to use until late on Tuesday at least, and I was on my way back home to try to breathe, calm and destress.
I worried about driving a car that is much bigger than my SmartCar. However, I surprised myself at how confident I was. Mind you, I’ve not been anywhere where I have to park the hire car in limited space!
Unfortunately, the anxiety this caused is causing me to worry and get scared of all kinds of random stuff. I woke up stupidly early worrying about things I don’t need to worry about!
When this happens, it shows me just how far I’ve come in my CPTSD recovery. So, despite the elevated anxiety, it is already fading as the day proceeds. Creating art has helped with that.
I’m carrying on with creating art for the pure joy of creating art, and today’s sketchbook page is a series of botanical designs.
I used Faber-Castell Pitt Artist pens (F and S) along with some dot grid paper. After scanning them in, I digitally added a watercolour background, though I’ve left the dot grid in place. Also, I’ve not edited out any errors in my drawings, or tidied up where the lines may over-run in places.
In case you’re curious, the only pencil lines I used were for the circular motif in the bottom left design, and to arrange the spray of seed pods in the top left design. Otherwise, it’s pen straight to paper and purely intuitive artwork – I just let the designs flow, even if I get unhappy with what I’m producing, I just carry on and trust my intuition will lead to something I’m happy with.
And I am happy with all of these designs, now I can sit back from them and view them at a bit of a distance.
What am I going to do with them? I don’t know. They may just sit in my digital ‘flower’ sketchbook. Maybe I’ll use them as the start of one of my entangled drawings. Or maybe something else will occur to me. Or maybe you have some suggestions – leave them in a comment!
For now, they’ve served their purpose. I’ve had a nice couple of hours drawing pretty things just for the contentment that drawing brings me.
On another note, I continue to improve from the stomach bug I had earlier in the week. I still tire really easily though and my appetite is still not good. I am, thankfully, recovering slowly and taking the time to rest and recover, and rediscovering that I don’t need to be constantly busy anymore. I don’t know when that need to fill my days with constant busy-ness crept up on me, but it did.
Suddenly, my mind has become full of fluff once again, so it’s time for me to go and do that resting up thing again.
This morning, I made a video of me drawing and colouring this festive dangle design and turning it into a card.
This video shows me drawing in real time, and I hope you enjoy it, despite the wobbliness in places.
Here’s a list of materials I used:
8″x 8″ Winsor and Newton Bristol Board folded to make an 8″ x 4″ card
7″ x 3″ piece of Winsor and Newton Bristol Board to draw the design on
Faber-Castell Pitt Artist Pen, medium
Pencil and ruler
Various Chameleon Color tones marker pens
White Uniball Signo gel pen
Tombow Mono glue
Tumbled Glass Distress Ink and a mini foam blending tool
I hope you have a go at drawing this dangle design and making your own papercraft or craft projects with it. If you do, I’d love to see them!
If you’d like to know more about drawing dangle designs, or would like more inspiration, step by step instructions, and encouraging words, then my book “A Dangle A Day” is a good place to start.
Here’s my video of my entangled design I showed yesterday. I really do have a lot to learn about making and editing videos. Still, I hope you enjoy having a look at it.
The drawing took over 55 minutes, though I’ve sped it up so it lasts around 17 minutes.
I used Faber-Castell Pitt Artist pens to draw the design on a 6″ x 6″ piece of Strathmore Vellum Bristol Paper that I had previously coloured with Tim Holtz’s Distress Inks by Ranger.
Art is the Adventure 