Entangled Garden drawing

©Angela Porter | Artwyrd.com

Today, I have another entangled drawing for you to enjoy. I worked on it over the past couple of days. I think it’s taken me around six or seven hours to complete.

Because of all the floral and botanical motifs I’ve called it an Entangled Garden. A garden that has grown from my intuition and imagination.

I’m enjoying drawing these kind of illustrations at the moment. I really do have a fondness for botanical motifs, but also for arches and patterns inspired by Romanesque and Gothic architecture. There’s also some influence from Zentangle patterns too.

I’ve not added any shading to increase depth and dimension. There are places in the design that could benefit from a hint of shadow. However, I’m happy with it as it is.

As a drawing, it is a bit too fussy with intricate details to work as a coloring page as far as traditional media are concerned. However, I do know some colourists who would love the challenge of colouring a design like this!

Having said that, this kind of design, with less details, would be perfect for my next coloring book which I do need to start work on soon. I need the cover done for the publishers by the end of this month. So, I can take inspiration from the drawings I’ve been doing recently, though I do have some other ideas rattling around my brainbox too.

I used Uniball Unipin pens, along with ClaireFontaine dot grid paper. The size of the drawing is approx. 7.5″ x 10″.

I added the background colour and texture digitally, after removing the dots from the dot grid paper.

Happy New Year! Welcome to 2020

©Angela Porter | Artwyrd.com

Wishing each and everyone of you the most wonderful wishes for 2020!

Entangled flora

©Angela Porter | Artwyrd.com

One of the nice things about being between contracts is being able to indulge myself in art. It’s also a chance for me to do ‘comfort art’, art that is in a familiar style that I don’t often do.

This is an example of ‘comfort art’. Art that is soothing to do, is intuitive and surprising in how it turns out. I start with pen and paper (dot grid in this case), and just start with a single motif. I then let the design grow from that point, organically and intuitively.

There are always sticking points where I want to give up as it doesn’t look right, or I’m not happy with what I’ve just drawn. However, I’ve learned to persevere past these points and the end design is usually one I’m happy enough with.

There were many sticking points in this one, some of which I thought were going to be shatter points.

Although I’ve deemed this illustration ‘done’, as I reflect on it now, I can see places where some added line texture would help the design be less homogeneous in places and would add some contrast.

Also, some shadows would help add dimension to the illustration. Having said that, colour would really bring the drawing to life too.

For now, though, this design is finished. Whether I work some more on it remains to be seen.

I used Uniball Unipin pens to draw this design, along with ClaireFontaine Sketch dotgrid paper. The only things I did digitally were to scan the design in, remove the dots of the dot grid, and add the background colour and texture and watermarks.

Art washes…

©Angela Porter | Artwyrd.com

Art really does wash the dust of everyday life from my soul. That’s why it’s something I do nearly every day. Creating art soothes my soul, my emotions, my mind. It helps me find balance when life has me all topsy-turvy. It helps me find the touchstone of contentment that now resides inside my chest, within my heart. I know that if I can’t settle to doing something artsy, then I’m seriously out of kilter.

I finished this drawing this morning. I think it’s taken me around 6 hours to do, give or take an hour or so. It’s a little smaller than A4 in size (6.75″ x 10.25″). The design was drawn with Faber-Castell Pitt Artist pens (F and S). I added shadows with grey Pitt Artist Brush pens.

I was rather clumsy with the shading in some places, so I took advantage of digital tools to smooth and blend the grey out.

My final digital task was to add a background texture to the artwork, which also added some colour. I do have a bit of a thing for grungy, distressed backgrounds.

On the whole, I’m pleased with this, though I must admit I didn’t think I was going to be so, especially with the heavy-handed shading really bothering me.

Art washes from the soul …WIP

©Angela Porter | Artwyrd.com

This is my current work in progress (WIP), where drawing is concerned anyway.

I’m sure I’ve used this quote before, but I stumbled upon it again and it seemed appropriate I should used it again.

I’ve often blogged about how one of my self-soothing, self-caring activities on days where life has overwhelmed me is art. And so it is the case at the moment as I recover from a tummy bug and from a busy time during November and into December too.

So, I printed out the quote, along with some framing lines, using Affinity Publisher to do the typography, on a piece of Bristol Paper from Frisk.

I’m using F and S Faber-Castell Pitt Artist Pens to draw the design and a grey Pitt Artist brush pen to add some shadow to the design.

I’ve added the coloured and textured background, along with my watermarks, digitally.

I’m almost half way through this drawing and it’s taken me around two and a half hours so far.

My other main WIP is the New Year coloring template for the Angela Porter’s Coloring Book Fans facebook group. These should keep me busy for the next day or so for sure.

New Year coloring template

New Year coloring template (c) Angela Porter – Artwyrd.com

Today, I seem to have a lot of my focus back. I’m still not 100%; my appetite and taste buds are still way off, but my mind seems to be a bit less fuzzy.

That means I’ve been working on a colouring template for the members of Angela Porter’s Coloring Book Fans facebook group to celebrate the incipient calendar changing celebration.

Here is a section of the template, which I’ve been working on colouring. The gold background is just a temporary thing.

I used Affinity Publisher for the typography in the centre of the design. I then used Autodesk Sketchbook Pro to draw the design and to start colouring it. The template is in my entangled signature art style.

I’m enjoying adding colour to this design; this is a good sign that I’m recovering from the tummy bug that has laid me low for the the best part of a week now.

If you’d like to download a copy of the colouring template, you do need to be a member of the facebook group – it’s free to join and the template is free to members!

Of course, I’ll be posting my coloured version of the template to welcome in the new year.

Botanical designs – a sketchbook page

Botanical Designs (c) Angela Porter – Artwyrd.com

I’m carrying on with creating art for the pure joy of creating art, and today’s sketchbook page is a series of botanical designs.

I used Faber-Castell Pitt Artist pens (F and S) along with some dot grid paper. After scanning them in, I digitally added a watercolour background, though I’ve left the dot grid in place. Also, I’ve not edited out any errors in my drawings, or tidied up where the lines may over-run in places.

In case you’re curious, the only pencil lines I used were for the circular motif in the bottom left design, and to arrange the spray of seed pods in the top left design. Otherwise, it’s pen straight to paper and purely intuitive artwork – I just let the designs flow, even if I get unhappy with what I’m producing, I just carry on and trust my intuition will lead to something I’m happy with.

And I am happy with all of these designs, now I can sit back from them and view them at a bit of a distance.

What am I going to do with them? I don’t know. They may just sit in my digital ‘flower’ sketchbook. Maybe I’ll use them as the start of one of my entangled drawings. Or maybe something else will occur to me. Or maybe you have some suggestions – leave them in a comment!

For now, they’ve served their purpose. I’ve had a nice couple of hours drawing pretty things just for the contentment that drawing brings me.

On another note, I continue to improve from the stomach bug I had earlier in the week. I still tire really easily though and my appetite is still not good. I am, thankfully, recovering slowly and taking the time to rest and recover, and rediscovering that I don’t need to be constantly busy anymore. I don’t know when that need to fill my days with constant busy-ness crept up on me, but it did.

Suddenly, my mind has become full of fluff once again, so it’s time for me to go and do that resting up thing again.

Flowers

Flowers (c) Angela Porter – Artwyrd.com

Yesterday, as today, I wasn’t feeling too grand still. The stomach bug has laid me rather low it seems. I tire all too easily. Still, I wanted to create some art, so I thought working with flowers would be a nice thing to do.

So, I started with some pen drawings of flowers with three petals – that’s the top row. I used a Faber-Castell Pitt Artist pen on dot grid paper (the dots of which you can still see!).

After scanning that drawing in, I re-drew the same designs digitally using a technical drawing pen style brush (second row) and a flexible nib ink pen brush (third row).

The fourth row of flowers is the same as the third (using digital magic to copy the drawings), but with colour gradients and some details added in the last flower of the line.

The last row was done using the drawings as a guide, but using colour so I could try a variety of brushes and techniques out on them. I used the Copic colour palette that is part of Autodesk Sketchbook Pro’s options.

Looking at the last row of flowers with fresh eyes, I can see how I could’ve added some stamens to some of the flowers, particularly the green one.

I just wanted to be arty for the sake of being arty. What I’ve ended up with is a sketchbook page that is a mixture of traditional and digital art! And there was me saying a few blogs ago that I find it hard to do art just for the sake of creating with no goal or purpose in mind.

A festive dangle design video

This morning, I made a video of me drawing and colouring this festive dangle design and turning it into a card.

This video shows me drawing in real time, and I hope you enjoy it, despite the wobbliness in places.

Here’s a list of materials I used:

  • 8″x 8″ Winsor and Newton Bristol Board folded to make an 8″ x 4″ card
  • 7″ x 3″ piece of Winsor and Newton Bristol Board to draw the design on
  • Faber-Castell Pitt Artist Pen, medium
  • Pencil and ruler
  • Various Chameleon Color tones marker pens
  • White Uniball Signo gel pen
  • Tombow Mono glue
  • Tumbled Glass Distress Ink and a mini foam blending tool

I hope you have a go at drawing this dangle design and making your own papercraft or craft projects with it. If you do, I’d love to see them!

If you’d like to know more about drawing dangle designs, or would like more inspiration, step by step instructions, and encouraging words, then my book “A Dangle A Day” is a good place to start.

Winter Solstice 2019

Winter Solstice 2019 ©Angela Porter | Artwyrd.com

I’ve been awake since way before dawn drawing this mandala to celebrate the Winter Solstice. I’m looking forward to the increased hours of daylight, though it will be a couple of weeks, or so, before there’s any noticeable difference in the length of day.

It’s been a lovely way to spend the hours as night gradually gives way to the sun. Not that I can see the Sun itself; grey skies and patches of rain obscure the golden wonder of that glowing ball of nuclear fusion.

I created the mandala using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.