Over the past week or so I’ve been gradually adding to this sketchbook page. It is entirely what a sketchbook should be, in my opinion. Pages full of ideas, sketches, unfinished drawings, practice of techniques, written notes… a visual zibladone for the creative soul!
It is a reflection of what is catching my attention in my world. That world encompasses the inner worlds of imagination and emotion, as well as the outer world of books, nature, architecture, photographs, and so on.
This page includes inspiration from Mayan glyphs/sculpture, rocks, nature, mushrooms, magic wands/staves/sceptres, pen textures and some inspiration from Hundertwasser.
Everything on the page is a bit wonky (not perpendicular), and I’m OK about that – it’s a sketchbook! But then wonky art, particularly colouring pages, seems to be part of my signature style. Perfectly straight lines just don’t look right to me, nor do sharp corners. Perhaps that’s why I like Hundertwasser so much.
The English gardener William Kent said, “Nature abhors a straight line”. Hundertwasser said, ” The straight line is godless and immoral.”
A sketchbook is always a work in progress (WIP), even when every page is full, it’s full of incomplete drawings and ideas, sketches and notes, jottings and doodlings. Nothing has to be perfect. Not a single thing.
A sketchbook is a place to try things out, experiment, just see what happens. With that comes an acceptance that not everything will work out, and where surprising things happen and discoveries are made that may otherwise never happen.
Sometimes the gems of ideas and colour combinations and ways of using media remain hidden until much later. A sketchbook is a place to practice and learn, to note down what is of interest at this time, what needs to be expressed, without any pressure to produce a finished, polished artwork.
That doesn’t mean, however, that a sketchbook can’t be something interesting to look at, even with it’s own kind of beauty. They are a reflection of the artist that creates them and so is a window into their arty heart and feelings. They are very personal things.
A sketchbook encourages me to use media that are gathering dust because I do so much art digitally. In a physical sketchbook, if I want any colour, then I have to use some of these media.
On this one page I’ve used Pilot Hi-Tec C4, Pilot Maica, Rotring Rapidograph and Uniball Unipin pens. To add colour, watercolours, Tombow Dual Brush pens, Derwent ColorSoft pencils, Derwent Procolour pencils, Derwent Inktense pencils have been used.
Angela Porter 