Sketchbook Musings

Over the past week or so I’ve been gradually adding to this sketchbook page. It is entirely what a sketchbook should be, in my opinion. Pages full of ideas, sketches, unfinished drawings, practice of techniques, written notes… a visual zibladone for the creative soul!

It is a reflection of what is catching my attention in my world. That world encompasses the inner worlds of imagination and emotion, as well as the outer world of books, nature, architecture, photographs, and so on.

This page includes inspiration from Mayan glyphs/sculpture, rocks, nature, mushrooms, magic wands/staves/sceptres, pen textures and some inspiration from Hundertwasser.

Everything on the page is a bit wonky (not perpendicular), and I’m OK about that – it’s a sketchbook! But then wonky art, particularly colouring pages, seems to be part of my signature style. Perfectly straight lines just don’t look right to me, nor do sharp corners. Perhaps that’s why I like Hundertwasser so much.

The English gardener William Kent said, “Nature abhors a straight line”. Hundertwasser said, ” The straight line is godless and immoral.”

A sketchbook is always a work in progress (WIP), even when every page is full, it’s full of incomplete drawings and ideas, sketches and notes, jottings and doodlings. Nothing has to be perfect. Not a single thing.

A sketchbook is a place to try things out, experiment, just see what happens. With that comes an acceptance that not everything will work out, and where surprising things happen and discoveries are made that may otherwise never happen.

Sometimes the gems of ideas and colour combinations and ways of using media remain hidden until much later. A sketchbook is a place to practice and learn, to note down what is of interest at this time, what needs to be expressed, without any pressure to produce a finished, polished artwork.

That doesn’t mean, however, that a sketchbook can’t be something interesting to look at, even with it’s own kind of beauty. They are a reflection of the artist that creates them and so is a window into their arty heart and feelings. They are very personal things.

A sketchbook encourages me to use media that are gathering dust because I do so much art digitally. In a physical sketchbook, if I want any colour, then I have to use some of these media.

On this one page I’ve used Pilot Hi-Tec C4, Pilot Maica, Rotring Rapidograph and Uniball Unipin pens. To add colour, watercolours, Tombow Dual Brush pens, Derwent ColorSoft pencils, Derwent Procolour pencils, Derwent Inktense pencils have been used.

Seedpod Landscapes – Art and Card Making

I had a lovely time this morning making the card on the left. Before I started drawing, I added a moon or planet to the background. It really adds something to the card, I think. Something like this is needed on the card to the right I think. However, as I’ve assembled the card it’s not going to be easy to alter!

How I made the cards.

I used Distress Inks and a mini-foam blending tool to colour the backgrounds. I used a circle of paper as a mask for the moon/planet in the left-hand card. To create the land, I used a torn piece of paper to mask off part of the card.

Once I was pleased with the backgrounds, I sprayed the image with a mixture of Perfect Pearls and water and let it dry.

The next step was to draw the designs. I used black and grey Pitt Artist Pens by Faber Castell.

Metallic/iridescent highlights were added; I used Cosmic Shimmer watercolour paints and a fine brush.

The final steps were to adhere the top layer to a black mat, and then this to the card base. Finally, I edged the mat and the top layer with a gold glitter Uniball Signo gel pen.

I have made coordinating envelopes for each card.

My thoughts on the cards.

I think you can tell that the card on the left is the second made. I can see how I’ve learned from the first card. I do like them both.

I would, if I could, add a moon/planet to the right hand card. It would fill that space rather nicely and give a more magical, mystical, ethereal feel to the landscape.

As to the left hand card, I wish I hadn’t done the pods all in black; they appear a tad ‘flat’. In hindsight, I could have used just black outlines and then filled the pod with a colour gradient before adding the metallic highlights.

I also am glad I didn’t try to add a spine to each leaf as I did on the right hand card. However, a highlight at the top of each leaf, suggesting the moon/planet light is reflecting from them.

Oh the whole, however, I am pleased with these cards. They are a new style of working for me. leaving open space is never easy for me, but I’ve managed it with these cards.

Would you like some happy mail?

I’ve already got some recipients in mind for these cards. However, if you’d like some happy mail then send me a message.

I had a lovely time this morning making the card on the left. Before I started drawing, I added a moon or planet to the background. It really adds something to the card, I think. Something like this is needed on the card to the right, I guess. However, as I’ve assembled the card, it’s not going to be easy to alter!

How I made the cards.

I used Distress Inks and a mini-foam blending tool to colour the backgrounds. I used a circle of paper as a mask for the moon/planet in the left-hand card. To create the land, I used a torn piece of paper to mask off part of the card.

Once I was pleased with the backgrounds, I sprayed the image with a mixture of Perfect Pearls and water and let it dry.

The next step was to draw the designs. I used black and grey Pitt Artist Pens by Faber Castell.

Metallic/iridescent highlights were added; I used Cosmic Shimmer watercolour paints and a fine brush.

The final steps were to adhere the top layer to a black mat and then this to the card base. Finally, I edged the mat and the top layer with a gold glitter Uniball Signo gel pen.

I have made coordinating envelopes for each card.

My thoughts on the cards.

I think you can tell that the card on the left is the second made. I can see how I’ve learned from the first card. I do like both cards, though.

I would, if I could, add a moon/planet to the right-hand card. It would fill that space rather nicely and give a more magical, mystical, ethereal feel to the landscape.

As to the left-hand card, I wish I hadn’t done the pods all in black; they appear a tad ‘flat’. In hindsight, I could have used just black outlines and then filled the pod with a colour gradient before adding the metallic highlights.

I also am glad I didn’t try to add a spine to each leaf as I did on the right-hand card. However, a highlight at the top of each leaf, suggesting the moon/planet light is reflecting from them.

Oh the whole, however, I am pleased with these cards. They are a new style of working for me. Leaving open space is never easy for me, but I’ve managed it with these cards.

Would you like some happy mail?

I’ve already got some recipients in mind for these cards. However, if you’d like some happy mail then send me a message.

I’ve already got some recipients in mind for these cards. However, if you’d like some happy mail then send me a message.

Arty goings on…

Non-dotty Flowers 15Aug12 © Angela Porter 2012

Non-dotty flowers – a reworking of the dotty flowers below.  3″ x 5″ approx.

Busy, busy, busy…

I’ve been kind of busy, but not busy-busy, since my last entry, busy with art.  Being engrossed in arty pursuits has kept me up until the wee-small hours as the dark outside has given me no idea about the passage of time.  Good thing I’m still on the long summer break from teaching.

I must admit that I’m not looking forward to going back to work.  I think I’ve said before I need a different environment to flourish in.  My only problems in changing career are that I need a certain income and I have no particular idea what I’d like to do instead of.  I’d love to do more things that are creative – arty/crafty would be good.  I’d also like to work in an environment where people actually get along, without the constant rumble of poor attitudes, disrespect for self and others and an unwillingness by the majority to want to learn or to see the point of having a good education and doing their best.

Anyway, before I drag myself down into a gloom, I still have two and a half weeks or so away (apart from a need to go in for a few days towards the end of the break to mark work, prepare work, and sort out displays for the walls) and so will be making the most of the time to be creative and explore my artsy-craftsy nature.

Torc – statement necklace – bib necklace – collar necklace.

I managed to complete this torc.  It took over 30 hours of work.  It is available for purchase at Etsy at the time of this blog entry.

Torc © Angela Porter 2012

As always, spirals, circles and curves feathre in my work, along with some of my ‘custom made’ sequins.  I enjoyed the work in this, and realised how many of the ‘tricks’ I had forgotten from previous endeavours like this.  My earlier torcs can still be seen on Artwyrd at deviantART.

Experimental landscape number two.

I’ve also managed to complete another experimental landscape – this one from a photograph of a ‘real’ landscape in North Wales.

Landscape Experiment 2 © Angela Porter 2012

A dear friend of mine has made some interesting suggestions about how I can approach the ‘patterns’ for different land-uses. When I’m ready to do another landscape I will take his suggestions to heart.

There are glimmering, metallic, glittery highlights on the drawing/painting that don’t come out well when photographed/scanned.  I do think I’m beginning to find my ‘style’ when it comes to landscapes – and that style involves simplifying the shapes/lines of the land, trees and so on, and then working out how to fill those shapes in.  Spirals are, as always, a favourite motif of mine, along with circles and curves, influenced as I am by prehistoric rock art, early Celtic art, and anything with curves and curls in!  If I try to work with perfectly straight lines and sharp corners in my work, well it just doesn’t seem to work or scream out ‘Angela’ at me.

Abstract Floral.

This was an experiment in something a little different for me – pastel colours on a grey paper, with an open kind of design.  The usual spirals and swirls are there, but there’s a lot of ’empty space’ which also works.  The pastel colours are a definite change from me!

AbstractFloral1 10Aug12 © Angela Porter 2012

Flowers…

This started as a good idea and ended up a right ‘mare of an experience.  A dear friend of mine reckons it is lovely and very William Morris…

Flowers 14Aug12 © Angela Porter 2012

I realised the rising flowers were on the wrong side if I wanted to add words to it as I was inking it all in.

Then, as I blended the coloured pencils, the ink rubbed off to mix with the coloured pencils, so it all had to be inked in again, which is often the case with my kind of work, but the ink subdued the colours somewhat.

I then started to fill in the blank space to the left with tendrils, without putting pencil lines down first as a guide, and ended up making a right hash of it.  So, the shading under the leaves and so on was meant to disguise some of that, and cutting it all out and sticking it on blue paper … well it was a good idea, but not the blue!  I also rediscovered how useless I am with a pair of scissors or craft knife too.

However, some of the most important lessons we learn are when things go wrong…

Geometricity 1

So, after the pastel colours and the disaster, a return to bright colours, and flashes of metallic gold.

Geometricity1 14Aug2012 © Angela Porter 2012

A small piece of work – 7cm x 10.5cm, but jewel-bright watercolours used to fill in the pattern.  I’m pleased with the work (though not with the scanned image – photographing/scanning my work is a major problem with the shiny Sakura Glaze pens that I use and the highlights of metallic/iridescent/glitter paints/inks that I so love.  However, you get the idea.

I think that I’m going to play with geometric patterns and colour for a while, on a small scale, to see where it leads me.  Of course, I may just change my mind as time goes along!

More flowers…

I completed this one with Geometricity1, and there are too many ‘dots’ on the flowers – another lesson to learn!  I’ll be reworking this one in a little while.  It will keep me occupied during the torrential rain that is falling here in waves.  I love the sound of the rain…

Bright flowers 14 August 2012 © Angela Porter 2012