Sketchbook Experiments and Arty Vlog

Saturday is becoming sketchbook Saturday with a vlog on YouTube!

As well as showing the most recent page(s) in my sketchbook and talking about the media/techniques/inspiration, I spend some time working on the current, higgledy-piggledy page.

I’ve become intrigued with using the humble biro / ballpoint pen in art, especially as they are waterproof. There’s some amazing portraits and other work out there by seriously talented artists.

However, I’m working out how they may work for me, especially in my sketchbook when out and about (when that finally happens!).

As well as talking about the various techniques and inspiration for the art on this page, I also talk about how I want to include more writing in my sketchbooks. I’m intrigued with using creative writing record my experiences, feelings, thoughts and the presence of place alongside any sketches done when visiting somewhere.

I’m also thinking that if I take photographs of what interests me, then sketches and further work could be done later. This is going to be important when I’m not by myself and don’t have the luxury of spending as much time as I’d like.

I’d like to create a story that is in words and pictures, recording my whole experience. Perhaps, I may want to share this with others, so that they can get a glimpse into my mind and emotions.

I’m not too bothered about creating a work of fiction, but to capture all those abstract feelings and observations and communicate them with others…

Actually, it would be about sharing them with myself by becoming more aware of them and giving an outlet for those abstract thoughts and impressions I rarely verbalise as I’m unaware of them unless I’m asked to verbalise them.

Something else I’d like to do is to revisit typographic art with all of this in mind. Finding a way to incorporate words and imagery that expresses who I am, rather than taking quotes from other people.

I do love words, always have. During this past year, I’ve had so few opportunities to speak out loud, that I’m finding it hard to dredge up the right word at times. Previously this was so easy for me. So, it would be good to give my vocabulary a good work out as well as add new words to it!

It’s going to be a work in progress for sure. I doubt I can do this, or that it will be interesting to others, or that it will be any good at all. However, if I don’t take the first tentative steps on this strand of my life’s tapestry, then I may never discover if it is something I can do, nor will I discover where it will lead me.

All that it will take are basic supplies, and to create a new ‘habit’ of writing throughout the day, whether I’m at home, or elsewhere, and drawing things that are of interest/importance to me at the time.

A bit of a challenge, but do-able I think.

Sketchbook Musings

Over the past week or so I’ve been gradually adding to this sketchbook page. It is entirely what a sketchbook should be, in my opinion. Pages full of ideas, sketches, unfinished drawings, practice of techniques, written notes… a visual zibladone for the creative soul!

It is a reflection of what is catching my attention in my world. That world encompasses the inner worlds of imagination and emotion, as well as the outer world of books, nature, architecture, photographs, and so on.

This page includes inspiration from Mayan glyphs/sculpture, rocks, nature, mushrooms, magic wands/staves/sceptres, pen textures and some inspiration from Hundertwasser.

Everything on the page is a bit wonky (not perpendicular), and I’m OK about that – it’s a sketchbook! But then wonky art, particularly colouring pages, seems to be part of my signature style. Perfectly straight lines just don’t look right to me, nor do sharp corners. Perhaps that’s why I like Hundertwasser so much.

The English gardener William Kent said, “Nature abhors a straight line”. Hundertwasser said, ” The straight line is godless and immoral.”

A sketchbook is always a work in progress (WIP), even when every page is full, it’s full of incomplete drawings and ideas, sketches and notes, jottings and doodlings. Nothing has to be perfect. Not a single thing.

A sketchbook is a place to try things out, experiment, just see what happens. With that comes an acceptance that not everything will work out, and where surprising things happen and discoveries are made that may otherwise never happen.

Sometimes the gems of ideas and colour combinations and ways of using media remain hidden until much later. A sketchbook is a place to practice and learn, to note down what is of interest at this time, what needs to be expressed, without any pressure to produce a finished, polished artwork.

That doesn’t mean, however, that a sketchbook can’t be something interesting to look at, even with it’s own kind of beauty. They are a reflection of the artist that creates them and so is a window into their arty heart and feelings. They are very personal things.

A sketchbook encourages me to use media that are gathering dust because I do so much art digitally. In a physical sketchbook, if I want any colour, then I have to use some of these media.

On this one page I’ve used Pilot Hi-Tec C4, Pilot Maica, Rotring Rapidograph and Uniball Unipin pens. To add colour, watercolours, Tombow Dual Brush pens, Derwent ColorSoft pencils, Derwent Procolour pencils, Derwent Inktense pencils have been used.

Yet another mandala…

AugustMandala7©AngelaPorter 2013

This is approx. 7.25″ (18.5cm) in diameter.  Black Unipin pens and polychromos pencils on heavy, acid-free cartridge paper.

It took two episodes of Criminal Minds to do the pencil pattern and then to go over it with ink.  Another three or four episodes to complete the colouring, and another one or two to complete the texture lines.

I’m enjoying doing these; they’re very calming and meditative to do as there is a lot of repetition in producing the finished piece as they are geometric in design.

Today’s abstract psychedelic crazy art is…

abstract18Feb12©Angela Porter 2012

6.5″ x 9.25″ approx.

Sakura Glaze pen outline, various metallic pencils, paints and pens to fill in the design.

Totally lack inspiration for a title for this piece.  Inspiration from observations of ammonites, Romanesque and Gothic architecture, formanifera, leaf skeletons, webs…and just my imagination and intuitive way of creating art.  Turning black into glorious colour once again!