I love seed pods! They are often so architectural in nature. They lend themselves to whimsy and stylised drawings so well too.
I love giving them sturdy stems with tops that look like column capitals. The leaves on these are inspired by medieval illuminated manuscripts, something else I absolutely love!
For the panel behind them, I decided to keep the pattern fairly simple – Tripoli, a Zentangle tangle pattern.
I had a lovely time drawing this little garden this morning. It includes some of my favourite things – round Romanesque-inspired arches and some Romanesque patterns, zentangle tangle patterns, crystals, flowers, mushrooms and frondage.
TWISBI ECO fountain pens with medium, fine and extra-fine nibs were my drawing tools of choice. An approx. 11cm x 17cm (4.3″ x 7″) piece of Ohuhu marker paper was my drawing surface. To add some shading, I used a set of three grey-green Arteza Everblend alcohol markers. Finally, a white 08 Sakura GellyRoll pen was used to add dots of white as highlights.
I have to remember not to use Dokumentus Ink, which fills my TWISBI pens, with alcohol markers; they can pick up some of the ink and spread it around. I must remember that Copic Multiliners or fineliners such as Sakura Pigma Microns, Uni Unipins, or Emotts are perfect for alcohol markers.
I do like the monochrome nature of the shading so far. I’d be intrigued to digitally scan it and add a coloured layer. Maybe when I’ve finished it, I’ll try that.
Oh, I got my right royal knickers into a twist today over Narfello! I ended up doing two videos and still managed to muck up with Nafello.
The top design was my first attempt. There are lots of things I like about it. But after nearly an hour and a half video, I convinced myself I’d made a total mess of Narfello. So, I drew breath and started over and produced the design at the bottom, but without the colour; I added the colour while the video was uploading and processing.
Even with the second attempt, I still managed to not get Narfello ‘right’. But I think it’s probably close enough for today.
I’m so glad I did a second version, as I like my Feliz (to the left). I like the way the variations gradually change from left to right (or right to left!). It feels more coherent than the first version of Feliz, where I went to town exploring ways to fill the pattern!
I also like how the Narfello-ish appears from under the Feliz in the second version. I can see that I need to add some quite intense shade to the right of the Feliz to enhance this illusion. However, I’ve just about run out of energy for today, so that is a job for another time.
One thing that I am enjoying is the contrast between the geometrical Feliz and the organic, flowy Narfello.
I’m also pleased with how much volume I’ve created using monochrome Arteza Everblend markers, particularly on the bottom design.
Both of these designs will end up in my sketchbook. There are some variations in the upper one I’d like to try. The lower one is a reminder to look at how I can slowly change the filler patterns, if that’s the right term, to change the pattern subtly.
I really have enjoyed working with this pair of patterns. I hope you take a look at the accompanying drawing tutorial on Youtube and have a go at drawing your own version!
This morning, I thought I’d share how I’m exploring creating some Entangled art, particularly monograms, via YouTube.
This little drawing is 11cm by 11cm, which is approximately 3.5″ square – took about an hour or so to get to this point. I wasn’t sure of the green, but I think it’ll work out just fine. There’s quite a way to go yet, but that will have to wait for another time.
The materials I used are: * 03 black Sakura Pigma Micron * Various Arteza Everblend marker pens * Various fineliners in grey and green * A white Sakura Gellyroll pen * A metallic gold Uniball Signo pen
This week’s colouring page for the members of Angela Porter’s Coloring Book Fans Facebook group is intricate. Still, it uses only three motifs – spirally furled leaves, starry flowers and stripey, plumptious seed pods.
I drew the design using a fine nib TWISBI eco fountain pen, filled with Documentus ink, on an A4 sheet of Artway’s Eco paper. To add colour, I used various Arteza Everblend markers. The pattern, textures, and highlights have been added with various Arteza Inkonic, Uniball Signo and Sakura Gellyroll pens.
I started this drawing in the wee small hours of the night when some night sweats woke me up. I’ve continued to work on it throughout the day as other things allowed me to.
I’m actually quite happy with this now it’s done. Along the way, I had some wobbly moments where I almost gave up. But I’m really glad I didn’t.
A friend thought it was rather ‘heraldic’ and expected to see a big letter in it! My next one will have a monogram as part of the design. It has a rather medieval feel and is typically Entangled with some Zentangle inspiration.
The drawing is approx 3.75″ x 7.5″ (10cm x 19cm) in size and was worked with a variety of fine liners, Arteza EverBlend markers and a white Gellyroll pen on All-Media paper by Seawhite of Brighton.
Please click on the “Watch on YouTube” button. Cheers!
I had a lovely time this morning adding colour to yesterday’s drawing.
To be precise, I chose to use Arteza’s EverBlend markers. I’m not at all sure about that green at the moment, but it may look quite different when I’ve finished colouring the drawing in.
In the video, I focus on explaining my method of adding colour and showing how I’ll add colour and contrast to each section of the design.
In today’s YouTube video, I started to draw the design on the right. While the video was uploading, I finished drawing it. Also, I drew some motifs on a separate piece of paper so I could practice using alcohol markers (Arteza EverBlend).
Colour combinations do vex me, continually. And they certainly do on this practice sheet! But it’s best I practice somewhere before adding colour to my completed drawing. But first I’ll scan that drawing in so if all else fails I can add colour digitally!
Either way, it’s been lovely to spend time drawing and adding colour just for the joy of it. It is far too warm to do anything else.
My latest page in my lettering sketchbook. I’m still working on finding how lettering can work for me. It seems that these kinds of letters are something I keep circling back to.
All drawn with various fineliners and some coloured with Arteza Everblend markers. Some highlight dots of white gel pen too.
Each piece of paper is 4″ x 4″ or 10cm x 10cm. I coloured them with Distress Inks before starting to draw. For the orangey-yellow tile, I used mustard seed, dried marigold and abandoned coral. For the bluey-green tile, I used broken china, peacock feathers and evergreen bough.
Each tile is made of a variation of fragment D5 from the Zentangle Primer. I used 0.35 and 0.20 Copic Multiliner SP pens to draw the designs. Then, I used a black Ohuhu brush marker pen and various colours of Arteza EverBlend marker pens to add colour and shadow.
These tiles would look fab mounted on blank greetings cards, and that is to be their destiny!
I really enjoyed the two to three hours I spent this morning creating these designs. I’m quite happy with them. More-so as the Distress Ink worked well with the Ohuhu marker paper, and the alcohol inks worked well on top of that.
Which is your favourite one? Or, are you like me and I like them both equally!
Angela Porter 