Tangle Pattern Sampler

YouTube #DrawWithMe Video Part 1
YouTube #DrawWithMe Video Part 2

About the pattern sampler

This little pattern sampler has been fun to do! I’ve used patterns inspired by the work of Rebecca Blair, some Zentangle style tangle patterns, and possibly some variations of my own too.

I do love Rebecca’s work. I can see the influence of medieval manuscripts on her work and her love of pattern, texture and a wonderful use of textured lines too! The simplicity of her colour palettes and the myriad of ways she combines her signature patterns/textures is wonderful! I really do suggest you take a look at her work on Instagram.

I used a piece of Ohuhu marker paper that measures 4″ x 7″ ( approx 10cm x 1.7cm) and marked out the basic sections with a Uni Kuru Toga 0.3 mechanical pencil (and a ruler for the straight lines). The pencil lines were just a guide for me.

In the first video, I did most of the black line work using an 03 Sakura Pigma Micron pen. In part 2, I added colour using Winsor and Newton Promarkers in Ivory, Sandstone and Caramel.

After that, I added some fine line work and some colours using three Stabilo Point88 0.4 fine pens. These had olive-green kind of tones to them that worked well with the soft browns of the Promarkers.

I also added some black lines in places using a 0.1 UniPin fineliner pen.

Finally, I added highlights using white gel pens.

I really like the more monochrome, subdued colours of this finished drawing. The various panels really do have the feel of a needlework or cross-stitch sampler; hence the name!

I spoiled myself with a set of Promarkers last week, and I don’t feel a bit guilty about it! I was getting frustrated with the Ohuhu markers – way too many bright, in your face, vibrant colours and not enough subtler, less saturated colours.

I’ve also found that as nice as the Ohuhu marker paper is (and it is lovely and smooth and fab to draw on), I much prefer Winsor and Newton, Daler-Rowney or Canson Marker paper for my alcohol marker work; the ink doesn’t sink into the paper as much and the colours are more vibrant. Also, you use less ink in creating the artwork!

Organising a new pattern, texture and motif ‘repository’ and a bout of illness

I keep faffing about with this. After getting frustrated with a six-ring A5 ringbinder and the limited number of pages that can be stored within, I discovered there’s such a thing as A5 landscape lever arch files! So one was bought post haste! I still can’t draw/write directly in it, but it makes it so much easier to store paper and finished pages. So, I’m one happy bunny.

I’ve spent quite a bit of time in the last couple of weeks starting to put together my collections of patterns etc. Especially as I’ve not been too well. I had been in contact with some people who subsequently tested positive for Covid. I had a nervous few days wondering whether I’d get it. I didn’t. Instead I had runny nose, slight cough, and a mild case or tonsillitis!

I’ve not had tonsillitis for the best part of twenty years. The last time I was getting it 4 times a year and was referred to an ENT surgeon. Let’s just say he didn’t need to use the tongue pressor thing to see my tonsils – they’re permanently large and have lots of tunnels (crypts) inside them from all the tonsillitis I’ve had from a young age. Seeing the surgeon seemed to scare the tonsillitis away; I elected not to go through with surgery to remove the tonsils. There are potentially serious complications that can arise in an, ahem, older person.

Anyhoo, It was a mild case. All covid tests for over a week were negative. But I’m left feeling run down from being ill. I’ll recover gradually!

Losing myself in reorganising and redrawing patterns etc was just what I needed. I’ve barely made a dent in my collection, especially as I’ve added loads more variations as I go! I know it’s going to be a long term project, for sure.

Other arty stuff

I have done other arty projects since my last post here. But the fatigue has been strong and my concentration and focus weak. I will post a gallery of them in the next day or two!

‘Sitting Mysteriously’ – Zentangle Inspired Art WIP

Click on this link to watch the accompanying #DrawWithMe YouTube Tutorial.

This was a fun ‘Draw With Me’ drawing tutorial on YouTube. Unusually, I used a lot of Zentangle tangle patterns – Arukas variation, Crescent Moon variation, Tipple variation, Quabog, Sez and Mooka. Plus a couple I like to draw – the flowers within circles and the mechanical kind of things under the hand lettering.

It is a work in progress, however. I have no idea what will appear next on it…intuitive art is a wonderful thing to do!

Entangled Samplers Cover Page – Part 3

Link to the #DrawWithMe YouTube drawing tutorial.

Entangled Samplers Cover Page

I’ve finished adding all the main patterns on the cover page for my Entangled Samplers collection. I’m happy with the result, which is something I rarely say!

However, I needed a regular grid pattern to contrast with the more organic patterns and motifs. So, I added the gridded tangle to the top right.

At the bottom right is a variation of the Zentangle tangle pattern ‘Rixty’. The plain white paper behind it was crying out for some texture. So, I added some ‘Printemps’ spirals using a 0.1 light grey Unipin pen. As a subtle reminder to use colour and line thickness variations to bring interest into a drawing, this was a good idea.

I have a couple of things to decide before fully finishing the page. Firstly, how do I want to add shade/highlight/contrast to the drawing? Secondly, do I want to add a pattern to the wide border around the title text?

There’s no rush for me to decide. What’s the saying? ‘Act in haste, repent at leisure’? I can let these issues wander around my noggin until the perfect methods come forward.

Exploring ‘Lunaria’ by Ute Andresen and a wavy leafy pattern

I had some time and energy left to do some more drawing. So, I grabbed (gently) a fresh sheet of A5-ish paper and used some patterns from last Tuesday’s Tea and Tangle With Tracy.

The first one is based on waves with leaves. I like the very graphic, high-contrast leaves, for sure. Adding colour between them helps to make sense of the pattern as well.

The second one is my take on a tangle pattern by Ute Andresen called ‘Lunaria’. I like branching and organic patterns. In this drawing, I wanted to explore variations on the ‘fruits’ at the end of each branch. This is always a fun thing to do! No doubt I’ll do another branch of Lunaria explorations in the space beside this one at some point.

“Entangled Samplers” – Cover Page WIP, Part 2

YouTube drawing tutorial

Entangled Samplers Title Page WIP

In today’s #DrawWithMe video on YouTube, I recreated some of the patterns and motifs I’d drawn for the title page of Entangled Samplers. With some variations! As I work on the top page, I’ll include some of these filler patterns! The idea for each page is to have a drawing that has examples of motifs and patterns with variations, all to spark creativity by being a source of inspiration and ideas.

My hand-lettering isn’t perfect; the letter sizes diminish towards the end of each line. But it may probably be good enough.

I like the bold shading in the recreation at the bottom of the image. I’ve yet to add any shading to the title page; first, I’ll finish drawing it.

I decided today to get all the pages done in a discbound format, hence the little mushroom shapes to the left of each sheet!

‘Create’ – A Zentangle Inspired Journal Page

Click on this link to view the #DrawWithMe video on YouTube.

Today was a day to just draw for the pleasure, joy and contentment the process of creativity brings.

I knew I wanted to include some hand lettering in the design, and that’s where I started. The rest just flowed from there as it needed to. I put no pressure on myself to be perfect, nor did I have a design in mind. It was pure, intuitive art.

And that intuitive process let me relax and enjoy being able to just create for the sake of it.

A clutch of Zentangle inspired designs

Link to #DrawWithMe YouTube Video

A difficult few days for me, but finally settled to do some little little art! Just a few patterns from my oldest Pinterest Tangle board!

Zentangle Inspired Drawing | Draw With Me Video

Draw With Me video on YouTube

This design was inspired by a Zentangle Tile I did in the Tea and Tangle session organised and run by Tracy Hough CZT.

I wanted to do a design that was simple (ish?) and didn’t use too many patterns. This will form a page in my accordion journal.

The paper is Clay toned paper from Fabriano.
The pens I use are an 0.3 Unipin fine liner and a Tombow Fudenosuke.
To add colour, I used some Derwent Drawing Pencils in Chinese White, Pale Cedar and Olive Earth.
White dots were added with a white Sakura Gelly Roll pen.
Gold details added using a gold glitter Unball Signo gel pen.

Zentangle and Early Celtic Art Inspired Drawing

Click on this link to view this design’s Draw With Me YouTube video.

I very much enjoyed drawing this design. It all began with a bit of chance. I grabbed my notebook full of motifs and patterns and opened it randomly. On the pages were some Early Celtic Art patterns dating back to the Iron Age. So, I started at the top left with one of these and let the rest of the design flow intuitively. Some patterns and practices were inspired by Zentangle principles. Oh, I did include some motifs inspired by the work of Yellena James.

I love Early Celtic (La Tene) art. It’s full of swirls and spirals and asymmetry too. It just intrigues me so much. Of course, I really enjoy drawing these kinds of non-representational designs very much.

Next, this design will need colour/shade/highlight somehow. I don’t know whether to use Inktense pencils or chalk pastel pencils. Either would work on the paper I used – ClaireFontaine’s PaintON mixed media paper.

I used 0.5 and 0.3 Unipin Fine Line pens from Uniball. The paper measures approx 4″ x 5.5″ (10cm x 14cm).

A Fun and Whimsical Entangled Garden – #ComeDrawWithMe

I had a lovely time drawing this little garden this morning. It includes some of my favourite things – round Romanesque-inspired arches and some Romanesque patterns, zentangle tangle patterns, crystals, flowers, mushrooms and frondage.

Naturally, I filmed this, and a #ComeDrawWithMe or #DrawWithMe video is available on YouTube.

TWISBI ECO fountain pens with medium, fine and extra-fine nibs were my drawing tools of choice. An approx. 11cm x 17cm (4.3″ x 7″) piece of Ohuhu marker paper was my drawing surface. To add some shading, I used a set of three grey-green Arteza Everblend alcohol markers. Finally, a white 08 Sakura GellyRoll pen was used to add dots of white as highlights.

I have to remember not to use Dokumentus Ink, which fills my TWISBI pens, with alcohol markers; they can pick up some of the ink and spread it around. I must remember that Copic Multiliners or fineliners such as Sakura Pigma Microns, Uni Unipins, or Emotts are perfect for alcohol markers.

I do like the monochrome nature of the shading so far. I’d be intrigued to digitally scan it and add a coloured layer. Maybe when I’ve finished it, I’ll try that.