It’s definitely a mandala morning here in the autumnal valleys of South Wales. The sun is managing to peek out through the pale grey clouds – the light is wintery wan.
I’m not sure if that description of the sky has influenced my colour choices for this mandala today or not; maybe on a subconscious level it has.
I’m really pleased with this particular drawing today. I like the pale, chalky colour on the darker background. I think I’ve got a nice balance betwixt densely patterned areas and more open designs. I also like the shading I’ve added to the background; it’s added a fair amount of depth and dimension to the design.
It has been a lovely way to spend an hour or so as I slowly come around this morning.
I was going to draw a flower or three to float above the mandala, similar to the skulls I drew through Inktober. However, I like the mandala just as it is, for now.
Digital Art created using Autodesk Sketchbook Pro along with a Microsoft Surface Pen and the digital paper that is the screen of my Microsoft Surface Studio.
A new month means a new colouring template exclusively for members of the Angela Porter’s Coloring Book Fans facebook group. If you’d like to download, print and colour a template, then pop over to the group, join (it’s free!).
A few, simple terms and conditions apply. All I ask is that you follow them and mention myself and the facebook group when you share the coloured template on social media. Tag me in your posts and I’ll definitely get to see them!
Autumn is well established here in the UK, so I wanted to combine leaves, berries and some acorns in a mandala.
I used an autumnal colour palette to bring the template to life. I think mine looks like a rich, decorative rug. However, I love to see how creative you people are with your colour schemes, particularly those of you who are heading into Spring or who don’t really experience Autumn in your part of the world.
I did draw and colour this mandala digitally, using Autodesk Sketchbook Pro along with my Microsoft Surface pen and the paper that is the screen of my Microsoft Surface Studio.
Hello to November, and farewell Inktober. My blog post today looks a bit bare compared to my Inktober creations. However, I have neglected my dangle designs during October, so now’s the time to get back on track with them
Today, I’ve created a simple and elegant dangle design with an autumn colour scheme that could be used in so many different ways. I’ve also put together a step by step set of instructions how you too can create this design (and hoping that it’s not so simple that I come across as patronising).
This is my first time posting a set of instructions – post a comment to let me know what you think of them and if you’d like to see more of them in the future.
I’ve put the dangle design on one side of a slip of paper that would make a perfect compliment slip or a note to slip in with a gift, or just as a short letter to a friend. It would also be perfect for a coordinating piece of envelope art!
This dangle design would be absolutely charming as an embellishment in a BuJo, planner, scrapbook or art journal. It would also make a darling bookmark.
It would be easy to turn this design into a greeting card as well.
So many possible uses for such a simple design.
I do hope that you will give drawing dangles a go – no matter whether you think you’re good at drawing or not! This design is made out of just simple shapes; it’s the colour that brings it to life and masks all kinds of imperfections.
If you’d like more ideas for dangle designs, then please take a look at my book ‘A Dangle A Day’ – it’s filled with examples of dangle designs with step by step instructions and helpful and encouraging words of advice.
One step at a time to a dangle design.
Step 1
Step 1 Draw a square in the top left corner of a piece of paper. I used a piece of paper measuring approx 8.25″ x 3.5″. I used a Tombow Fudenosuke brush pen to draw the box, and outline it. I deliberately made the squares less than perfect to give that human touch as well as a uniquely ‘me’ way of drawing boxes. The Fudenosuke pen allows me to draw lines of variable width quite easily, which adds to the charm of the box. The ink in the pen is also alcohol marker friendly. Letting your drawings be less than perfect is what makes them uniquely yours.
Step 2
Step 2 I used Chameleon marker pens (BR3 “Cinnamon” and YO3 “Warm Sunset”) to colour the inner box. Autumn is definitely here in the UK, and the combination of these colours reminded me of the leaves. However, you could use any colour combination you like and any medium you prefer to use. Chameleon pens make it so easy to create a colour gradient – I prefer them to other alcohol marker pens, even Copics.
Step 3
Step 3 I added a simple leaf pattern to the coloured box using a Sakura Pigma Sensei 04 pen.
Step 4
Step 4 Add the dangle! For this dangle I used the same kind of leaves as in the box for a consistent design. I added some round beads as ‘spacers’. Finally, I added my ‘symbol’ to the end of the dangle. Also, I did draw a faint pencil line with a ruler to help me keep my dangle hanging straight, more or less!
Step 5
Step 5 I coloured the beads and leaves in using the same colours of Chameleon Markers. I then decided I needed to add some shimmer and shine; I used a Uniball Signo gold glitter gel pen to colour in the border of the box and to add some dot highlights here and there. The Chameleons caused the Sakura Pigma Micron ink to smear a little – I always forget that happens! I should’ve used the Tombow pen again. Oh well, you live and learn, eventually!
A simple illustration of a toucan skull along with a mandala background. I turned down the brightness of the white patterns a tad; pure white was just too stark against the blue chalkboard background. Also, it distracted from the skull.
I drew this design digitally using Autodesk Sketchbook Pro along with a Microsoft Surface Pen on the screen of a Microsoft Surface Studio (the digital equivalent of pen/brush/pencil on paper!).
I’m tired this afternoon. It’s been a busy day so far; also, I’m still reeling a bit from EMDR therapy yesterday. It’s all for the good, though – progress is being made, step by step. The fact I’m tired shows that good work has been done in healing my past traumas and changing how I perceive myself. I may have time for a nap before I dash out to do something this evening…
Yesterday afternoon, I arrived home from EMDR therapy feeling very emotionally drained, fragile and vulnerable. Creating art is one of my self-soothing activities, particularly mandalas.
I’d downloaded a pile of new backgrounds in the past couple of days and wanted to make use of a chalkboard background. It was so dark I knew I needed to make the mandala full of light and colour.
This was a somewhat symbolic choice as my long journey to recovery from CPTSD has been about bringing light into the dark places of my trauma damaged psyche. EMDR has helped me turn the dark into light in terms of my mental and emotional health.
I really enjoyed creating this mandala. Usually, I work with black on white; here I started with colour – the abstract ‘flower’ ring close to the centre. I wanted the colours to glow against the darkness, so I chose lighter shades of aqua and violet. I even added some glowing golden seeds or pollen grains, which is also metaphoric for the personal growth I’m going through in my healing journey.
I then used a white, chalky pen ‘brush’ to draw patterns inside this ring and around it. I decided the white was too plain, so, to break up the white, I blended soft colours into it.
Finally, I added the ring of mushrooms. These had to be my favourite colour – purple. I added some dots to the mushroom caps in lime-green, which is kind of a complementary colour to purple. My last step was to add the stylised foliage behind the mystic mushrooms.
This mandala really helped to soothe me, and it was a pleasure to create. It gave me a break from Inktober and other work that’s ongoing too.
Talking of Inktober, I will be getting Day 29 done later today; I have some things that need doing first.
Oh, the mandala was created digitally using Autodesk Sketchbook Pro and a Microsoft Surface Pen on the screen of a Microsoft Surface Studio (the digital analogues of pen and paper).
Iguana skull, ‘Well, well, who’ tangle pattern and an abstract pattern from puffball mushrooms.
Digital drawing using Autodesk Sketchbook Pro and a Microsoft Surface Pen with a Microsoft Surface Studio.
I’m really not at all happy with this one today. The skulls aren’t what I’d want for them. It may be that they are just plain line art, no texture, no depth, no variation of line.
I may revisit this one at some point in the future, but not for a while. My attention must turn to other things.
Armadillo skull flower? I thought I’d try a different number of skulls arranged around a mandala. They sure do look like petals of a flower. Armadillo skull is the prompt for today’s Inktober drawing from a list by Instagrammer @book_polygamist. I’ve also used the tangle pattern crescent moon from the list by @havepen_willdraw.
I used Autodesk Sketchbook Pro along with a Microsoft Surface Pen and Surface Studio as my tools.
I’m also enjoying using these grungy texture backgrounds, of which I am altering the colours as needed.
I can’t believe that Inktober is nearly over; just four more days remain. I’ll reflect on this year’s experience with my last Inktober drawing.
Today’s Inktober features a flamingo skull and a mandala.
I really can’t seem to get away from the woodcut style drawing at the moment. I am enjoying drawing in this style, and it is a bit of a challenge to work out which direction the lines and the thickness of the lines need to go in order to give that sense of dimension to the artwork.
The second ring from the centre of the mandala is formed using today’s tangle pattern – Ratoon. The fourth ring out has stylised drawings of the birds’s nest fungus (Cyanthus striatus). The rest of the mandala I just let flow as it needed to.
The colours I used for the mandala are from the plumage of flamingos. I needed a dark background for some of the colours to show up well, so I used a grungy texture which I coloured a murky, algae-green. The skull appears to be resting in the mandala thanks to the way I’ve used the colours.
This is, again, digital art, drawn using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
The Inktober prompt lists I’m using come from the Instagrammers @book_polygamist (skulls), @nyan_sun (mushrooms) and @havepen_willdraw (tangle patterns).
I share memes about mental and emotional health, not because I’m struggling myself at this time, but because in the past, I either have or would have found the words and information useful and I know others will find them helpful in their now. I still find them interesting, useful and helpful myself too.
At present, my mental and emotional health is the most resilient it has ever been. I have discovered what inner contentment feels like for the first time in my life. I’m also starting preparing myself to leave EMDR therapy in the coming months.
I have emotional weather like every human being. Some days I’m chatty and smiling and laughing. Other days I’m quieter and more subdued. Those days have always been there, but I wore a mask as a way of protecting myself. The mask wasn’t the authentic me. Very few people have got to see the authentic me, especially on my bad days. If you have seen me like that, then it is because I have trusted you to see me as I am at that time.
I rarely wear that mask any more. It’s exhausting to keep on. However, people who are used to interacting with me only via that mask think there’s something wrong with me, or that I’m experiencing mental ill-health.
That is not the case.
Now I rarely put that mask on. The introverted part of me, the part of me that is happy to sit and listen and observe what is going on and being said. Not the mask that talks and talks, barely pausing for breath, all to avoid questions being asked of me that could lead to me being upset. The mask I wore to try to stop people working out that I had very poor mental and emotional health.
People are making assumptions that because I’m quiet and attentive that I must be mentally ill again. There’s going to be a lot of challenges for me as I leave the mask on going forward. It’s already started to be an *interesting* time.
I am not mentally or emotionally un-well. In fact, I am the most well, mentally and emotionally, than I ever have been in my life.
That doesn’t mean I will never experience emotional weather and tough times again; the shifting sands of emotional and mental wellbeing are all part of being human.
What it does mean is that I no longer feel the need to wear that mask all the time. That I feel able to let it drop where I feel safe, secure and comfortable.
It also means that I am able to prevent my gloomy days from spiralling down into a dark pit of deepest despair.
I also am more aware of the person I really am; not the mask I wore to try to fit in, be noticed and survive around others from a very young age.
It’s not easy to let that mask fall. It confused people who have only known the mask, they think I have changed. I am the same person. I just no longer want to wear that mask now that I’ve discovered the parts of me that were buried way, way back in my life.
That I feel safe enough in this word to remove that mask, to show myself and my emotions to others is a testament to how far along my CPTSD healing journey I have come.
Art is the Adventure 