Sketchbook Saturday | Sketchtember Day 4

Link to today’s vlog on YouTube – A flip through of my sketchbooks and this week’s art.

I’ve had fun creating art this week. Here’s some highlights.

The rediscovery of how much I love my Chameleon markers was a wonderful thing. I love the way I get a smooth gradient of solid colour from them. Such a stark contrast to my bumbling, chaotic attempts with other media.

Taking up the Sketchtember challenge was a good idea to dust off some of my neglected drawing/sketching skills and ways of adding interest to a sketchbook. It’s also made me try to think differently to how I would when creating entangled art.

Hand lettering, and some typographic art today, has made a reappearance in my work. That’s a good thing; it’s something I would like to do more of.

Adding a rectangle of colour behind a drawing and adding handwriting to create texture is something I’ve not done before, but I like the results.

Thyme is the herb for today, day 4 of Sketchtember and my offering is in the photo at the top of the page.

There’s been some real lowlights too. Colour choices, mediums and doing things that seemed like a good idea when I started them! There’s a lot more about this in today’s vlog on youtube.

Even with the facepalm moments, it’s been lovely to spend time just drawing with no expectation of a finished project, polished work, or even perfection.

It’s hard work trying to convince myself that it’s ok to make mistakes, to mess up things as long as I learn from them.

Entanglement – 19 Feb ’21

Yesterday’s coloring template for the Angela Porter’s Coloring Book Fans facebook group all coloured and shaded. I used Chameleon alcohol markers to add the colour and some shading. I also used a graphite pencil and a tortillon to darken the shading and add shadow to the lighter areas. It’s turned out OK.

Abstract Entangled Art 18 Nov 2018

Another abstract entangled drawing for today. The original art is black and white line art with grey shadows and shading. It’s been drawn on A4 acid-free paper. I used various sizes of OHTO Graphic liner pens for the line work and Chamaeleon Color Tones cool grey marker pens for the shading.

However, I’ve altered the colour from black and grey pen and ink to a gradient of blue, purple and magenta digitally, just as an experiment. I’m really surprised with how the grey shadows/shading has turned out – pleasantly surprised and really pleased.

A nice start to my Sunday, a day to be filled with art and completing the transfer of information into my new bullet journal.

Abstract Entangled Art 17 November 2018

I’ve worked on this image over the past three days or so. Adding the shading took a surprisingly large amount of time.

I really enjoyed creating this one. I say that about all my art though, but this one was particularly enjoyable as it helped me to calm and relax after the crazyily emotionally exhausting week I’d had.

It reminds me very much of work I used to do before I had so much work to do for colouring books, not that I’m complaining about that, not one bit. I love doing the drawings for them as much, but I can’t work in this kind of detail for them. I can’t put in all the fine line shading and shadow for them, nor the teeny-tiny details in the patterns as they’d be nigh on impossible to colour the gaps individually.

In my past couple of drawings like this, I haven’t added any shadow to them in the way I have in this particular design. The shadow really helps with that sense of ‘dimension’, though I do think I could have added some deeper shadows in some places.

Though it reminds me of the kind of drawings i used to do a lot pre-coloring books, it’s also shows a change in perhaps sophistication of line but also in the variety of patterns and design elements I like to include in my designs. I’ve even left some ares not heavily patterned so they give the eye spaces to rest without being overwhelmed with pattern and design.

Now to the nitty gritty of how I drew this.

After yesterdays discussion about digital vs traditional art I’d like to say I did this digitally, but I didn’t. I used Unipin Uniball and Sakura Pigma Micron pens on an A4 sheet of Bristol Board from Daler-Rowney. Pencil lines were sometimes used, especially for the circles, which I used stencils to draw them in lightly before inking them in free-hand. I’ve noticed I’ve not erased the pencil lines before scanning the artwork in.

To add the shading I used Chameleon Color Tones and Color Tops in shades of cool grey and neutral grey.

Today, I plan to do some more drawing similar to this before my new bullet journal arrives to replace the one I wrecked by spilling mocha over it and my lovely flowery bag. Thankfully, the notes I need to keep from the media training and events this week are still readable so I can transfer them across, as well as edit them in the process.

Kindness is the light that…

Angela Porter 11 July 2018

Uniball eye pens on heavyweight cartridge paper (acid free). Coloured using Chameleon Color Tones marker pens.

Today is #wipwednesday over on #angelaporterscoloringbookfans facebook group.

Eerie Entangled Art, Entangled Butterflies and A Dangle A Day are new books from me that are available to pre-order now.