Abstract Entangled Art 17 November 2018

I’ve worked on this image over the past three days or so. Adding the shading took a surprisingly large amount of time.

I really enjoyed creating this one. I say that about all my art though, but this one was particularly enjoyable as it helped me to calm and relax after the crazyily emotionally exhausting week I’d had.

It reminds me very much of work I used to do before I had so much work to do for colouring books, not that I’m complaining about that, not one bit. I love doing the drawings for them as much, but I can’t work in this kind of detail for them. I can’t put in all the fine line shading and shadow for them, nor the teeny-tiny details in the patterns as they’d be nigh on impossible to colour the gaps individually.

In my past couple of drawings like this, I haven’t added any shadow to them in the way I have in this particular design. The shadow really helps with that sense of ‘dimension’, though I do think I could have added some deeper shadows in some places.

Though it reminds me of the kind of drawings i used to do a lot pre-coloring books, it’s also shows a change in perhaps sophistication of line but also in the variety of patterns and design elements I like to include in my designs. I’ve even left some ares not heavily patterned so they give the eye spaces to rest without being overwhelmed with pattern and design.

Now to the nitty gritty of how I drew this.

After yesterdays discussion about digital vs traditional art I’d like to say I did this digitally, but I didn’t. I used Unipin Uniball and Sakura Pigma Micron pens on an A4 sheet of Bristol Board from Daler-Rowney. Pencil lines were sometimes used, especially for the circles, which I used stencils to draw them in lightly before inking them in free-hand. I’ve noticed I’ve not erased the pencil lines before scanning the artwork in.

To add the shading I used Chameleon Color Tones and Color Tops in shades of cool grey and neutral grey.

Today, I plan to do some more drawing similar to this before my new bullet journal arrives to replace the one I wrecked by spilling mocha over it and my lovely flowery bag. Thankfully, the notes I need to keep from the media training and events this week are still readable so I can transfer them across, as well as edit them in the process.

Decorated Terry Pratchett Quote and Chameleon Pencils first impressions

Angela Porter 23 July 2018

Another quote from Terry Pratchett. This one from one of my favourite characters – Death. Death tries so hard to understand humanity, yet he gets it both very wrong and quite right at the same time.

I like the way I’ve added colour to my black and white line art in this example, but one day I hope to get around to colouring in the black and white version.

Maybe I’ll print the art out and then colour it in using Chamelon Pen’s ColorTone Pencils, which arrived yesterday.

I have spent some time  colouring with them and so far I quite like them.

They are softer than Polychromos and others, but not quite as soft as Prismacolours. They blend quite nicely, and a little help from a blending pencil results in really nice blends.

I like the colour palette; the colours are nice and bright and just the colours I love to use in my art, which is a huge, huge bonus! As I often struggle to choose and use colours in a sensible manner when I have a huge choice, the limited palette of 50 colours is really useful for me, as are the double ended pencils. Being able to flip to add shadow or light is a nice touch, though I would like a bit more contrast between some of the colours as some are a bit too similar.

The leads are a bit thicker than other pencils, such as Prismacolours. However, this makes the barrels of the pencils a bit too thick for a standard pencil sharpener. My Staedtler pencil sharpener – the ones with the handles that you turn around – should cope well with them though.

At a price point of £45 on Amazon.co.uk with free prime delivery I think they’re good value for money, even though you essentially have 50 half-sized pencils. However, the thicker colour leads make up for that to some degree.

I’ve not been able to find out if you can buy individual pencils when some wear down. However, I can’t see that being a big issue as I suspect that I’ll use most of the pencils fairly equally.

 

Chameleon Color Tones, Color Tops and a Coloured Mandala

SixColoured_AngelaPorter_3June2017

Yesterday, I recieved a big box filled with goodies – a full set of the Chameleon Color Tops to go with my Chameleon Color Tones markers, as well as a full set of ink refils for them

I couldn’t wait to try them out, and did on a couple of small fungi I’d drawn, which you’ll see in another blog post as I want to use them on some mixed media index cards.  I loved using them, and so wanted to do something a bit bigger, and the mandala above was the result.

What I love is the ability to create smooth gradations between one colour and another, with out the fuss of using two color tone pens to achieve this.  Of course, I still love the original colourless to full colour color gradation, and have used this in the mandala on parts of the butterflies.

However, I love strong, bright colours, and the Chameleon Color Tops are fab for doing this!

Now, I do have a full set of Copic Ciao markers, which are great.  However, achieving a smooth colour blend is quite difficult, especially with colours that are far apart in intensity or colour.  You can use the tip to tip method of transferring colour from one pen to another and use the pen to blend the colour a bit better, but I still struggle, even on specialist marker paper.

Not any more!

What I haven’t done is to look at how the pens blend when the colours are from different colour groups, such as blending a green to a red, but you can guarantee I’m going to try them out.  Apart from them maybe creating some mud where the colours overlap (which would happen anyway), I have confidence they’ll do this just fine and dandy.

My latest art