I’ve worked on this image over the past three days or so. Adding the shading took a surprisingly large amount of time.
I really enjoyed creating this one. I say that about all my art though, but this one was particularly enjoyable as it helped me to calm and relax after the crazyily emotionally exhausting week I’d had.
It reminds me very much of work I used to do before I had so much work to do for colouring books, not that I’m complaining about that, not one bit. I love doing the drawings for them as much, but I can’t work in this kind of detail for them. I can’t put in all the fine line shading and shadow for them, nor the teeny-tiny details in the patterns as they’d be nigh on impossible to colour the gaps individually.
In my past couple of drawings like this, I haven’t added any shadow to them in the way I have in this particular design. The shadow really helps with that sense of ‘dimension’, though I do think I could have added some deeper shadows in some places.
Though it reminds me of the kind of drawings i used to do a lot pre-coloring books, it’s also shows a change in perhaps sophistication of line but also in the variety of patterns and design elements I like to include in my designs. I’ve even left some ares not heavily patterned so they give the eye spaces to rest without being overwhelmed with pattern and design.
Now to the nitty gritty of how I drew this.
After yesterdays discussion about digital vs traditional art I’d like to say I did this digitally, but I didn’t. I used Unipin Uniball and Sakura Pigma Micron pens on an A4 sheet of Bristol Board from Daler-Rowney. Pencil lines were sometimes used, especially for the circles, which I used stencils to draw them in lightly before inking them in free-hand. I’ve noticed I’ve not erased the pencil lines before scanning the artwork in.
To add the shading I used Chameleon Color Tones and Color Tops in shades of cool grey and neutral grey.
Today, I plan to do some more drawing similar to this before my new bullet journal arrives to replace the one I wrecked by spilling mocha over it and my lovely flowery bag. Thankfully, the notes I need to keep from the media training and events this week are still readable so I can transfer them across, as well as edit them in the process.
Another floral wreath card, hand drawn on watercolour paper, coloured using the Spectrum Noir Sparkle pens with a water-brush. I added some Gold Sakura Gellyroll highlights, as well as some sparkly crystals in red, amber, and two shades of green.
This little pattern was created using Inktense pencils from Derwent, and a Pitt Artist Pen from Faber-Castell. Oh, I also used a Kuretake Zig water-brush to blend out the Inktense pigment.
Angela Porter 