As the velvet-black star-sprinkled night settles over the world, I post this second heartfilled and heartfelt mandala.
May this mandala be a reminder to you to be your own best friend, to speak kindly to yourself, to show yourself the compassion that you would show another, that you are loved.
Here’s a pretty pair of whimsical and cute dangle designs card and envelope.
For the focal point of the card I used a butterfly from a pack of Ephemera from Tim Holtz called Botanical. I added some metallic gold ink highlights to the butterfly as I knew I’d be adding gold to the design. I also edged the butterfly with some Peeled Paint Distress Ink using a sponge ink applicator.
I then cut my paper to fit the card blank I wanted to use; I learned my lesson from the the last card I made! The card blank measured 8½” by 4¼”. So, I cut a piece of Claire Fontaine Mixed Media paper 7¾” by 3¾” to create the dangle design on.
I used the butterfly as a guide as to where I wanted to add some flowers upon which it could alight. I also drew pencil guidelines in for the centre of the design and the sentiment banner.
Then it was drawing the design. I used a 05 Unipin pen from Uniball.
I started by drawing the flowers at the top of the design.
Next, it was the hand lettering for the sentiment ‘Just for you’.
Flowers, hearts, stars and spherical and teardrop shaped beads are my goto choices for dangles. I did add a charm that was based on some jewellery, as well as a square charm with a geometric pattern inside it.
When I’d drawn the main dangle I realised I wanted to add a bit of width to it. So, I added two bars stretching out from the side of the square charm and used the ends to hang dangles made up of hearts and beads.
Colouring was the next task. I used Tombow Dual Brush pens to colour the design in. The colour gradients weren’t strong enough for me, so I used Chameleon Duotone Pencils to add depth to the colours.
Then, it was time to attach the butterfly using some foam squares.
I then used a dip ink pen to add some dots of gold FW Pearlescent ink around the design. I also used gold to fill in the lettering of the sentiment and various elements of the dangle design.
Next, I added white dots highlights to some of the design elements using a Sakura Souffle pen.
I also used a blue-grey Chameleon pencil to add shadows to the design at this point.
Before affixing the design to the card blank I used a sponge ink applicator and Peeled Paint Distress Ink to edge the design. That was the card done.
I then thought it would be fun to create an example of an addressed envelope using a dangle design as a monogram. I used some of the charms from the card for this design. I also drew some simple, whimsical butterflies above the monogram. I used Chameleon Duotone Pencils to colour the dangle design and to add a shadow to the dangle.
Pencil guidelines helped me to keep my lettering evenly spaced and of a consistent size. In this case I just guesstimated them, but in future I think I will need to measure the spacing of the lines!
Finally, I added some glittery golden stars with a gold glitter Uniball Gel pen as well as some white dot highlights using a white Sakura Gelly Roll pen.
One thing I realise I didn’t do was to make the colours in the dangle more harmonious with the butterfly. The color tones of the butterfly are quite antique and grungy and I used rather bright, clean colours to colour the design with. I also am not happy with the monogram on the envelope; it’s too small and the lettering style doesn’t seem sympathetic to the rest of the lettering.
I’m going to put these down to me still suffering the lingering effects of the stinking cold I’ve had for the past three days. It’s definitely broken now, but I’m still not 100%.
It’s also a learning experience. I’m not a wonderful card maker; I do dabble in it from time to time, however dangle cards are fun to make and with the decorated envelopes it’s double the fun! I think I need to start sending happy mail to people! I’d be happy to receive this card with a letter inside – how would you feel about it?
A little bit of playing around with textures and so on and I created this fun mandala, more like a concentric series of ‘wreaths’, but it was fun to do and I’m quite happy with the result. It’s fun, whimsical and just a bit shiny.
I used simple foliage and floral motifs, with the odd berry and heart thrown in for good measure, not to forget dots and stars! It’s amazing how simple motifs can result in a fairly complex looking design.
Instead of a black background for the design I went with midnight blues, with some texture added, though it’s rather subtle. Blue and gold is a classic colour combination – rich and opulent. Mind you, I rather like a rich burgundy with gold.
I have no idea how this would look when printed out, however it’s pretty to look at on the screen.
However, the main purpose of me creating these kinds of mandalas is to have fun and to explore more in the way of digital art and how I can make it work for me.
My tools for this were Microsoft Surface Pen and Studio, Autodesk Sketchbook Pro and a gold texture that I acquired in a set from Creative Market.
Yesterday I didn’t do that much in the way of art. I did get a template done for New Year, but I’m not at all sure about it. My mood was ‘off’ yesterday so I just spent a fair amount of the day relaxing and resting up. Sometimes that’s what is needed.
I’m feeling a bit more upbeat today, but I have a case of the sniffles. I know I have things to do later on in the day, but this morning, now I’ve tidied up the house a bit, I’m going to relax and maybe do some arty stuff.
It’s Friday, so it’s also #dangleday.
Today, I’ve continued with my series of kitty monograms with the letter D – die, domino, daffodil, doughnut are the design elements I chose.
I started by sketching the design on paper, scanning it in, drawing it digitally then colouring it all in using a marker ‘brush’ and a blending tool.
So, I made use of my Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro.
Oh, my tutorial book about drawing and creating dangle designs – A Dangle A Day – is available for pre-order.
Oh, it’s also #furbabyfriday over on the Angela Porter’s Coloring Book Fans facebook group. We’d love to see your furbabies there.
It’s been a nice way to spend a couple of hours this morning. A relatively easy and relaxing couple of hours too. I really need a day of self-care after a couple of crazy days for me.
Wednesday I had a very anxious kind of day. Anxious in a good way but it was also very emotionally draining. I spent the day on a media training course with Sarah Hibbert at the Mind Cymru offices in Cardiff. The day was all about learning how to be effectively interviewed by the media in reference to Time to Change Wales and it’s campaign to end stigma and discrimination around mental ill-health. A large part of the day was spent being interviewed and recorded on video camera then watching ourselves back and having feedback about how well we did and how we could improve.
It’s horrible seeing myself on video. I cringe so much. It provokes the inner critic so it rises up and attacks me, noticing every little flaw, mark, error, how the camera exaggerates features and so on.
It was a good day, the training was really excellent and gave lots of things to consider going forward.
I came home exhausted, barely able to string two words together. Having to travel in the rush hour so it took me nearly an hour and a half to get home, a journey that is usually less than half an hour, didn’t help at all.
I then tried to get to sleep early as I had to be up and into the shower at 5:15am so I could be dressed and ready to leave home around 6:10am to head out to Pembrokeshire College in Haverfordwest for around 8:30am, picking the lovely Russell up on my way.
The staff at the college had a wellbeing day and Russell and I were both involved for Time to Change Wales, with me giving two anti-stigma talks in the morning.
The day was lovely, the people were friendly and welcoming and some told me my talk was inspirational and I was brave for telling my story. The receptionist was an absolute darling; when I handed in my visitors badge she handed me a roll of papers saying ‘This is for you’. I had no idea what it was, thinking it may be a certificate for taking part in the day. When we had a look she’d gone online and found and printed loads of memes with wonderful words on that she thought would help me. I was really, really touched by her gesture.
The journey there and back again, a 200 mile round trip, went quickly as Russell and I chattered about all kinds of things. Russell did amazingly during the day as well, as he always does.
When I got home, I managed to empty the remains of the mocha in my travel mug over my handbag, and inside it. There’s no way I can salvage/clean the bag. It also went over my bullet journal, so I’ve ordered a new one as this one is wrecked. So today is a bujo-less day for me as the new one won’t arrive until tomorrow.
I had a very quiet evening, retired to bed earlier than usual and had a good 8 or 9 hours or so sleep. This is unusual for me, and I must’ve needed it.
I missed doing art over the last couple of days, but it’s been nice meeting new people, even though it does exhaust me, me being an introvert.
Today, as I’ve said, it’s a self-care day, so art is definitely on the cards, as well as some flute practice I think.
I also have to think about, and ask for opinions on, digital drawing vs traditional drawing.
I love doing both. They both have their pros and cons.
I use a Surface Pen on the Surface Studio screen in just the same way I would use a pen or pencil on paper. I hold the pen the same way, I make lines and marks the same way. The only difference is that the paper is virtual and doesn’t exist unless I print it out.
With digital drawing I can make use of tools such as mirror and symmetry to help me with some elements of my art, particularly mandalas.
I rarely use tools like line smoothing and predictive lines (if anything predictive lines annoy me, they never end up as I want them). I do use line smoothing if I’m drawing a long straight-ish or curved line, but I still end up with wibbly bits.
I like to have the wibby bits, and I’ve carefully set up the pen ‘brushes’ I use so that they mimic Sakura Pigma Micron pens or Uniball Unipin pens in how the edge of the line is uneven due to ink bleeding.
Depending on what I’m doing, I do make sketches in pencil or pen on paper, scan that in and use it as a guide for my digital drawing.
The big advantage to working digitally, however, is the ease with which corrections and adjustments can be made.
I have, on very, very, very rare occasions, ‘copied and pasted’ a design element to create a design; so rare that I think I’ve done that once, maybe twice in the three years or so that I’ve been working digitally.
I love to draw traditionally too, with pen on paper. It’s a different kind of sensory experience, no better or worse than digital drawing. Just different.
It can be frustrating when an error is made or ink is smudged or the pencil line won’t erase properly. I then can use my digital tools to clean up the scanned in image, sometimes seamlessly erasing and re-drawing the area that needs correcting. No one notices when I do this as I’ve honed my skills and my pen ‘brushes’ so that they are as near the drawing pens I use on paper.
What can cause me problems digitally is that I lose sense of the scale of the patterns/designs I’m drawing and I can get way too intricate for traditional colorists to add colour to them. That’s why I often sketch at least an outline of the design out and scan it in draw the finished line work digitally. This is all because of the ability to zoom in to the area I’m working on. So, I often need that pencil/pen on paper guide to keep my drawing at the right kind of complexity.
Before I worked digitally, I thought that it would be easier, simpler than working traditionally, that the skill level would be lower, that anyone could achieve fantastic results.
However, I’ve found that opinion is completely false.
Yes, digital tools make certain aspects of drawing a bit easier, such as symmetry. However, it’s just as difficult to draw digitally as it is traditionally. It’s taken me a long time to get my pen ‘brushes’ set up so they mimic my traditional pens. It’s taken me a long time to be able to draw on the screen with the same precision and smoothness of lines as I can on paper. It’s been like learning to write and draw again.
I’ve had to learn, and continue to learn, a whole new skill set that you don’t need with traditional pen and paper.
I can do things digitally that I could never do with traditional media.
Digital drawing, digital art is NOT traditional art’s poor cousin. Drawing digitally, as well as coloring digitally, does not mean I’ve gone over to the dark side at all.
I’ve had comments made about mandalas I’ve drawn digitally, taking as much time over them as if I’d drawn them traditionally, that it’s a pity that they’re digital, as if my skill, my creativity is less because I use the digital tools. That made me feel pretty worthless at the time, to be honest, and comments like that say a lot either about the tastes or prejudices of the person making the comment.
They liked the mandala until they saw it was digitally created, which meant they no longer liked it.
More recently someone showed me a comment about one of my coloring books where the person didn’t like it because I’d drawn the images digitally so I’d sold out and gone to the dark side. There was none of the human touches or faint lines where pencil had been erased (erm, there’s never any of that in my work as I’m asked to clean it all up!), that the lines are too perfect, too much copying and pasting was used (never – except in one template) and so on.
Again, this said a lot about their prejudices. I work hard to keep the human touches in my art work – the wibbly lines, the imperfect circles and so on. The pens that have the irregular edges.
It’s almost like those who choose to do digital art are somehow less than traditional artists – less skilled, less hardworking, less human, less creative, less talented.
I don’t think I am. I think I do a fairly good job with digital and traditional media, often mixing the two together such as when I digitally color a traditionally drawn design.
I don’t think I’m lazy by drawing digitally – it takes me longer, even when I use the symmetry tool for mandalas, to create a mandala as I’m able to add more details.
I like to think I have a good level of skill in traditional art and that I’m getting better with the digital art.
I’m sure I don’t take full advantage of the digital medium as I seem to try to work in it as I would as a traditional artist! I just treat it as a different brand of pen, a different kind of paper, and a different kind of coloring medium, with the ability to layer and use a huge color palette.
I work hard to keep my style of drawing quintessentially ‘Angela Porter’ no matter whether I draw traditionally or digitally.
In my next book for Creative Haven, Entangled Forests (available for pre-order), I actually have a mixture of digitally drawn and traditionally drawn templates in there.
That’s a reflection of me, how I like to work, and how I can get the effects that I want in the drawing.
However, even with the traditionally drawn images there’s some digital ‘art’ going on as I have to scan them in, clean up smudges and errors and make corrections based on suggestions from the editorial team at Dover Publications Inc, and you’d be hard pressed to find these corrections and clean ups, though you may work out which is drawn digitally and which is drawn traditionally if you look hard.
One of the things on my list of things to do is to start a YouTube channel where I can show how I create my art. Perhaps that will help to end the stigma and discrimination that exists around digital artists, so that I, and others don’t get comments such as ‘ I liked it until I saw it was digital’ or ‘I used to like them until they sold out and gone to the dark side of digital drawing’.
A couple of years ago this would get to me. I’d lose my confidence in myself, I’d doubt myself, I’d want to give up. But not now. I take it in my stride. You can’t please all people all the time, especially as art is such a personal kind of thing.
However, comments such these say far more about the person making them and their likes/dislikes than they do about my art. On the back of a comment about me having sold out, it turns out that my newest book ‘Entangled Butterflies’ was fully stocked in a Walmart on Monday; by Thursday it had sold out, and one of the members of the Angela Porter’s Coloring Book Fans facebook group had let me know they’d had the last copy.
That puts it all into perspective I think.
B is for birthday balloons, birthday cupcakes, birthday gifts…baking … beads …beautiful cats, beautiful flowers…bullet journal (BuJo)…
It’s Friday and it’s taken me a couple or three days to get this monogram dangle design finished, mainly because yesterday was another jolly jaunty day with Liz (more of that on my other blog – Curious Stops and Tea Shops – when I get to write it, that is).
Today’s dangle design features some cute kitties, as is the theme of my current series of monogram dangle designs.
I started by sketching out my ideas in pencil on dot grid paper then scanning it into Autodesk Sketchbook Pro. The next step was digitally inking in and adjusting the design. Finally, colour and texture was added to the design before adding my watermarks. My digital tools were my trusty Microsoft Surface Pen and Microsoft Surface Studio.
I like the design, not so sure about the colour choices though. I also got a bit heavy handed with the added textures in some places.
After I’ve got my other tasks done today, I think I may print this design out and colour it with my Chameleon markers and see the difference. It looks like we’re going to have some heavy rain and some strong winds here today, so cwtching up indoors with some nice arty stuff to do could be the way to spend some of the day.
Friday means it’s #dangleday. My tutorial book about designing dangles, called ‘A Dangle A Day’ is available to preorder. In it I take you step by step through simple hand lettering, monogram dangle designs, and other kinds of dangle designs, showing how you too can draw and design your own. There’s lots and lots of examples in the book as well as suggestions of how to use them as greeting cards, notecards, bookmarks and framed pictures, as well as in BuJos, planners, diaries, scrapbooks…how to use them is limited only by your creativity!
I decided to use mongrams with dangles to form today’s prompt ‘Jolt’ for Inktober 2018. I also wanted to use a bright colour scheme to jolt eyes awake, perhaps.
I started by sketching the design out on Clairefontaine Grafit dot grid paper. I scanned the sketch in then inked it in and coloured it digitally using my trusty trio of Microsoft Surface Studio, Microsoft Surface Pen and Autodesk Sketchbook Pro.
I have absolutely no idea what the designs in the dangles have to do with the prompt ‘jolt’. They just came to me as I was drawing them out, and today that’s good enough for me!
Inktober 2018 is almost over and it’s perhaps time to reflect on it all.
It’s the first time I’ve taken up any art challenge, apart from contracts for work that is. I thought it could be a bit of an onerous thing to do, time consuming and so on. Well there have been days where it has been a bit like that, but I’ve also had days where it’s been a relatively quick process too.
I have enjoyed having a daily prompt to get the creative juices flowing and to encourage me to draw every day. Not that I don’t draw everyday. However drawing with a prompt is different for me.
Well, I do draw with a theme, such as when working on a book. But that theme is the overarching focus for a series of illustrations. To have a different prompt each day and without the drawings having to fit to a particular size or format and just for fun is something that is different.
It’s had me thinking outside of my artsy box at times, at others it has let me draw styles that don’t usually make it into my books. With that, my mind is working on what I can do with these kinds of images. My mind is working on that…slowly.
I have been wondering if I’m going to take up another challenge in the coming month(s) and I’m not sure about that at the moment. If anyone has any suggestions, please feel free to leave a comment!
I certainly have some ideas listed in my BuJo to think about and work on in the coming days/weeks/months.
It’s been a good thing to do, this Inktober thing, and part of me is sad to see it come to an end.
Will I do Inktober 2019? I don’t know. It will all depend on what’s going on in my life in a year’s time, but if possible I think I will.#
Just a reminder, my book about how to design and draw dangle designs and monograms – ‘A Dangle A Day’ – is available for preorder
Day 28 of the Inktober challenge and I’ve done another kitty dangle design, with a rather surprised looking kitty in a gift box with a party hat on.
How cute would this be as a greetings card for the human of a kitty?
I sketched the design in pencil on dot grid paper then scanned it into my Surface Studio. I then drew the design using a pen brush and the symmetry tool in Autodesk Sketchbook Pro. After drawing, I added colour and texture as well as a bit of a drop shadow.
This image makes me smile just a bit. It was a nice thing to do this morning. I’m tired today.
Yesterday, I was absolutely shattered after the Hallowe’en Coffee Morning and being in charge of the craft corner. The little monsters (read little darlings dressed up in their Hallowe’en finery) kept me nicely busy and they seemed to have a lot of fun making pumpkins on glow sticks and paper pumpkins and other things. I had a lot of fun too.
At the end of the morning, it was lovely to have some help to clear up; thankfully my plans on using glue dots and double sided sticky tape and paper fasteners and staples rather than glue sticks helped greatly with this. As did the washable marker pens and the like.
I came home and had some lunch and then slept. On waking I had time to have more tea, shower and get ready to pop out in the evening.
As lovely as my couple of hours out were, I was glad to get home. It was really chilly last night here in South Wales. The cold got into me even in my short journeys; I chilled right off in the morning too. So, today my hands and feet are a tad achy and stiff with arthritis.
Using the Microsoft Surface Pen on the Surface Studio certainly helps my finger joints – so little pressure is needed. The pen is a tad weighty, but it’s rather well balanced so I can cope. On days like today I could do with a slightly thicker barrel, so I need to find some grippy things that I could slide on my pen for days like this.
I do want to work on my sketch of the viking kitty that I did for yesterdays’ Inktober prompt. I need a quiet day of self-care today. Not only was yesterday a busy one for me in terms of interacting with people it was also the end of British Summer Time and the clocks went back by an hour some time during the night. This means we got an extra hour of sleep, in theory. In practice I slept the same amount of time! The change in the clocks will cause confusion for a while I think.
I am an introvert, though people seem to assume I’m an extrovert. I learned at a young age that I had to be loud and seemingly outward going like my very loud brothers to have even a chance of being noticed or listened to (that didn’t happen often). I have a fairly extrovert mask I wear when out and about and with people, until I get to know them and then the introvert can relax and come out. I like people, but I also recognise that I need alone time to recharge my batteries. Being with people both lifts me and drains me. So, today is a day for some quiet time, before I have to head out this evening for a couple of hours to be with people again.
A couple of quick (ish) drawings of kitties, the first I’ve done since I said goodbye to my companion puss of 16 years a few weeks ago. So, they’re both white as he was pure white.
Often, all anyone would see of him was his backside while I was Skype-ing with them. Sometimes his cute pink nose pressed up to the screen.
He sure left a lot of deep paw prints of love on my heart. He was one unique kittycat for sure.
The quote on this dangle design is rather appropriate at the moment and reflects a number of recent conversations I’ve had with people about art and other things.
I know I have a LOT of practicing to do with my hand lettering; I’m not all that happy with it in this design at all. Well, the words ‘novice’ and ‘master’ are fine, it’s the other wordage. But the more you practice, the more you do, the better you get. So, it’s a work in progress with me (something else that the BuJo will help with.)
I drew this with a Sakura Pigma Micron PN pen on paper, scanned it in to my Microsoft Surface Book and then coloured it in Autodesk Sketchbook Pro.
Want to learn how to create your own dangle designs? My upcoming tutorial book ‘A Dangle A Day’ is available for preorder now!
On a slightly different note, a new colouring template will be available exclusively in the Angela Porter’s Coloring Book Fans facebook group, a lovely, friendly group of people!
Angela Porter 