Cirque-doodle

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This is what I’ve done with one of the Distress Oxide coloured circles I blogged yesterday.

It’s essentially finished, though I may add a few metallic highlights, and maybe some drops of 3D Crystal Glaze.

The Distress Oxides give a lovely soft feel to the paper and it is lovely to draw on.  The mixed media paper on it’s own is quite hard and bumpy and not a surface I enjoy working on with pen; the Distress Oxides and water spray have changed that.

I still have a few circles to draw on, but shortly I need to turn my attention back to things of an eerie nature.

Happy Coloring Day 2017!

Angela Porter National Colouring Day 2018 colouredSmall

Have a wonderful day, and find even a few minutes to colour, relax, unwind and calm!

Here’s my finished version of my Coloring Day Template 2017.  I’ve enjoyed colouring it, muchly, but now need to turn my attention back to drawing eerie lineart for Dover Publications.

Oh, I coloured it using my Microsoft Surface Pen and Microsoft Surface Book in Autodesk Sketchbook Pro.  It took around 15 hours or so to complete, I think; I lost time while doing it!

Butterflies

Butterfly 3 patterned_AngelaPorter_16June2017Butterfly 8 patterned_AngelaPorter_16June2017

I used Autodesk Sketchbook Pro on my Microsoft Surface Book along with my Surface Pen to add patterns and shading to two of the butterfly outline designs I drew yesterday.  I’m happy with the results.

Today I’ve also created two more dot mandalas, each around 5″ in diameter.  I added some gems to those, as well as to the small dot mandalas I created over the last couple of days.  The sparkle really adds something special to them, and helps to emphasise the circularity of mandala designs.

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Intricately Yours-Mandalas now on Colorist

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I have a new book of coloring templates available on Colorist from Faction Apps.  This one is called Intricately Yours – Mandalas, and the image above is one of the mandalas partly coloured.

I used the flood fill to add base colours to the patterns, and then added shading/highlights with the pencil tool.  The patterns in the bottom were drawn using the gel pen tool.

Updates to Colorist

While test driving one of my templates on the Colorist app, I discovered a new feature, which I love – pre-set color palettes.  I used the Easter palette to colour the above mandala.

I may be an artist, but I do sometimes get overly fussy with my colour choices, so being able to use a pleasing and limited colour palette makes life a bit easy for me!

I also discovered settings that allow you to turn touch colouring off, which is great for me as I use my surface pen, and a setting that keeps you automatically inside the lines, or not.

 

Chameleon Color Tones, Color Tops and a Coloured Mandala

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Yesterday, I recieved a big box filled with goodies – a full set of the Chameleon Color Tops to go with my Chameleon Color Tones markers, as well as a full set of ink refils for them

I couldn’t wait to try them out, and did on a couple of small fungi I’d drawn, which you’ll see in another blog post as I want to use them on some mixed media index cards.  I loved using them, and so wanted to do something a bit bigger, and the mandala above was the result.

What I love is the ability to create smooth gradations between one colour and another, with out the fuss of using two color tone pens to achieve this.  Of course, I still love the original colourless to full colour color gradation, and have used this in the mandala on parts of the butterflies.

However, I love strong, bright colours, and the Chameleon Color Tops are fab for doing this!

Now, I do have a full set of Copic Ciao markers, which are great.  However, achieving a smooth colour blend is quite difficult, especially with colours that are far apart in intensity or colour.  You can use the tip to tip method of transferring colour from one pen to another and use the pen to blend the colour a bit better, but I still struggle, even on specialist marker paper.

Not any more!

What I haven’t done is to look at how the pens blend when the colours are from different colour groups, such as blending a green to a red, but you can guarantee I’m going to try them out.  Apart from them maybe creating some mud where the colours overlap (which would happen anyway), I have confidence they’ll do this just fine and dandy.

Today’s Mandala

DotMandala_9May2017_AngelaPorter

I’ve spent much of the day working on this, and it’s been a pleasure to create as it has combined many of my favourite techniques.

First, I coloured the background with Distress Inks, starting at the centre with a pale pink, follwed by a pale blue, a sea green and finally a blue with a hint of green around the edge.

A light spray of water and a dry and the sheet was ready to have the black line design drawn on it, once I’d put a pencil grid down.

Next, the colours in the various sections were intensified using Zig Clean Colour Real Brush Markers from Kuretake, along with a brush and water to fade the colours out.

Finally, all the dots were addded using pearlescent/iridescent watercolour paints.

I’ve smudged some dots, others insisted in running into each other, but I’m fairly pleased with the outcome.  As I’ve already said, I really enjoyed doing this one.