Arty goings on…

Non-dotty Flowers 15Aug12 © Angela Porter 2012

Non-dotty flowers – a reworking of the dotty flowers below.  3″ x 5″ approx.

Busy, busy, busy…

I’ve been kind of busy, but not busy-busy, since my last entry, busy with art.  Being engrossed in arty pursuits has kept me up until the wee-small hours as the dark outside has given me no idea about the passage of time.  Good thing I’m still on the long summer break from teaching.

I must admit that I’m not looking forward to going back to work.  I think I’ve said before I need a different environment to flourish in.  My only problems in changing career are that I need a certain income and I have no particular idea what I’d like to do instead of.  I’d love to do more things that are creative – arty/crafty would be good.  I’d also like to work in an environment where people actually get along, without the constant rumble of poor attitudes, disrespect for self and others and an unwillingness by the majority to want to learn or to see the point of having a good education and doing their best.

Anyway, before I drag myself down into a gloom, I still have two and a half weeks or so away (apart from a need to go in for a few days towards the end of the break to mark work, prepare work, and sort out displays for the walls) and so will be making the most of the time to be creative and explore my artsy-craftsy nature.

Torc – statement necklace – bib necklace – collar necklace.

I managed to complete this torc.  It took over 30 hours of work.  It is available for purchase at Etsy at the time of this blog entry.

Torc © Angela Porter 2012

As always, spirals, circles and curves feathre in my work, along with some of my ‘custom made’ sequins.  I enjoyed the work in this, and realised how many of the ‘tricks’ I had forgotten from previous endeavours like this.  My earlier torcs can still be seen on Artwyrd at deviantART.

Experimental landscape number two.

I’ve also managed to complete another experimental landscape – this one from a photograph of a ‘real’ landscape in North Wales.

Landscape Experiment 2 © Angela Porter 2012

A dear friend of mine has made some interesting suggestions about how I can approach the ‘patterns’ for different land-uses. When I’m ready to do another landscape I will take his suggestions to heart.

There are glimmering, metallic, glittery highlights on the drawing/painting that don’t come out well when photographed/scanned.  I do think I’m beginning to find my ‘style’ when it comes to landscapes – and that style involves simplifying the shapes/lines of the land, trees and so on, and then working out how to fill those shapes in.  Spirals are, as always, a favourite motif of mine, along with circles and curves, influenced as I am by prehistoric rock art, early Celtic art, and anything with curves and curls in!  If I try to work with perfectly straight lines and sharp corners in my work, well it just doesn’t seem to work or scream out ‘Angela’ at me.

Abstract Floral.

This was an experiment in something a little different for me – pastel colours on a grey paper, with an open kind of design.  The usual spirals and swirls are there, but there’s a lot of ’empty space’ which also works.  The pastel colours are a definite change from me!

AbstractFloral1 10Aug12 © Angela Porter 2012

Flowers…

This started as a good idea and ended up a right ‘mare of an experience.  A dear friend of mine reckons it is lovely and very William Morris…

Flowers 14Aug12 © Angela Porter 2012

I realised the rising flowers were on the wrong side if I wanted to add words to it as I was inking it all in.

Then, as I blended the coloured pencils, the ink rubbed off to mix with the coloured pencils, so it all had to be inked in again, which is often the case with my kind of work, but the ink subdued the colours somewhat.

I then started to fill in the blank space to the left with tendrils, without putting pencil lines down first as a guide, and ended up making a right hash of it.  So, the shading under the leaves and so on was meant to disguise some of that, and cutting it all out and sticking it on blue paper … well it was a good idea, but not the blue!  I also rediscovered how useless I am with a pair of scissors or craft knife too.

However, some of the most important lessons we learn are when things go wrong…

Geometricity 1

So, after the pastel colours and the disaster, a return to bright colours, and flashes of metallic gold.

Geometricity1 14Aug2012 © Angela Porter 2012

A small piece of work – 7cm x 10.5cm, but jewel-bright watercolours used to fill in the pattern.  I’m pleased with the work (though not with the scanned image – photographing/scanning my work is a major problem with the shiny Sakura Glaze pens that I use and the highlights of metallic/iridescent/glitter paints/inks that I so love.  However, you get the idea.

I think that I’m going to play with geometric patterns and colour for a while, on a small scale, to see where it leads me.  Of course, I may just change my mind as time goes along!

More flowers…

I completed this one with Geometricity1, and there are too many ‘dots’ on the flowers – another lesson to learn!  I’ll be reworking this one in a little while.  It will keep me occupied during the torrential rain that is falling here in waves.  I love the sound of the rain…

Bright flowers 14 August 2012 © Angela Porter 2012

New Items in Etsy…

I have just spent the last couple of  hours taking photographs of items for sale on Etsy.  Included is some of my beaded/stitched/felted jewellery, including this

GoldPurpleCuff©Angela Porter

It all takes time, but it’s a good use of time.  The worst problem I have is pricing my work – even looking at other work on Etsy it’s hard to find something similar to compare it to.  I guess it’ll be trial and error for a while.

Everyone has to start somewhere!

Autumn Flow 1 and 2

Autumn Flow 1 © Angela Porter 12 Apr 2012

Autumn Flow 2 © Angela Porter 12 Apr 2012

Two teeny tiny little pieces of textile work.  The photo doesn’t really show the sheen on the mohair that has been used in the needle-felting on the black felt background.  They are approx 2″ square-ish.  Copper thread has been used to add the lines and shapes, along with copper, gold and red beads.

The colour reminds me of autumn, but I also think it may be how I seen passionate love too.  It has a wonderfully warm, deep, intense colour to it that I find quite irresistible, not a colour I would have usually loved.  I think this could be becoming my favourite colour!

The lines remind me of contour lines on an OS Map.  I feel a new source of inspiration for art coming on… maps and satellite and aerial imagery perhaps.  I know my fingers have been fair twitching for paper and pens and inks and paints and pencils to use my textile work as an inspiration for other forms of art, so my textile work may become an inspiration for me too. How weird is that?

These may be for sale on Etsy…I’ll have to decide if I can part with them!

Planting seeds of love work in progress and a new little pretty…

Planting Seeds of Love – Work in Progress

Planting seeds of love WIP 8Apr12 © Angela Porter 2012

This is a work in progress, and I’m not at all sure about it.  I had the title first (I’m working on loving and accepting myself), then a mental image of what I wanted to do, but I’m not at all sure about what has resulted from it.  Usually by this stage in a piece of art I know if it’s working or not, and this one … well I’m not at all sure.  I have to complete the outlines, add textures/patterns and metallic/iridescent accents, but I’m not entirely sure I actually want to finish this one.  I’m wondering how much the resistance to this piece of art comes from my lack of satisfaction with the art itself and how much comes from what it is representing – my inner work at this time… An interesting point to muse, eh?

I’ve had a lot of emotional turmoil in the past few weeks while I’ve been off work with laryngitis, much of it to do with allowing myself to love, respect and care for myself and to let go of various negative belief systems from the past.  It’s also involved a change in my value system, and something that hasn’t been easy to do. The words/mental idea sprung up from this work, as I’ve already mentioned.  It’s been a bit of a tough time, and sometimes it’s hard to find balance.

It’s also had an effect on my creativity.  Instead of painting/drawing/sewing I’ve been lost in either reading or knitting and watching DVD after DVD.  A positive from this is that I have created, after 30 years or so, a knitted throw/blanket – which has amazed me as I’ve always got bored with the process after a little while, but not this time.  It isn’t a pretty thing, it’s very random in terms of colours and knitted patterns and crocheted squares, but it’s mine and I love it very much, mainly because it’s proven to me that I can persevere with a project such as this, and there is benefit for me in doing something that is simple, creative in a crafty way, and also rather meditative in nature.

I now have another blanket/throw on the go – and it’s certainly going to be ‘different’, but very much ‘me’.

Little Pretty 7April2012

Little Pretty 7 Apr 12 © Angela Porter 2012

This is a teenytiny piece of textile art, approx. 4.5cm x 4.5cm (1.75″x1.75″) that I completed yesterday. The silver japan threads were added during a sewing/craft afternoon at O’Callaghan’s Coffee House yesterday.  The other stitches and beads were added later.

It will eventually be for sale on Etsy, when I work out what price to put on it, and whether to offer it framed or ready to frame … I dislike trying to put prices on my creations.

Why is that, I wonder?  I think it’s linked to me still not quite believing my artwork has value, or that my ‘doodles’ are truly art.  I have made the leap to the recognition that what I think of doodling is really my version of intuitive art, art that expresses who I really am, what I am inside, and the richness of that inner self and my love of colour and flow and swirl and abstract pattern.

I really do need to work on a statement of me as an artist that fully expresses who I am in terms of art and what my kind of art represents.  Now that’s a scary thing to do as it will lay part of me bare -though those who read my art aright will already have sussed that part of me out!