More mushrooms!

Just like hobbits, I believe there’s only one thing better than mushrooms and that is MORE mushrooms!

In my case that means more needle felted mushrooms.

needlefelted-mushrooms-by-angela-porter-2017

So, I’ve learned a fair amount about needle felting in making these mushrooms and I look forward to creating more items as time allows.  I suspect my own whimsical, doodly drawings will be a source of much inspiration.

It is, however, much quicker to draw and colour things than to needle felt them.

The large mushroom took around 10 hours to finish.  The smaller ones have taken between 4 and 6 hours to create.

Now, all I have to do is to decide what to do with them!

Needle felted mushroom

The last four hours have been spent happily stabbing – lots of stabbing.  All to create my first needle felted ‘sculpture – a mushroom.

The photo isn’t brilliant (it is after 2am here in the UK, and I lost track of time..), and grey isn’t my usual colour of choice; however I used it for the mushroom as I have lots of grey wool and if it didn’t work out, it would be no great loss.

However, it has worked out.  It’s been a bit of a learning thing, and I still have lots to learn, learning that can only be done by doing it seems.

I do have a few coloured ‘circles’ to add, and then I’m sure I’ll want to add beads and stuff to add sparkle (that inner raven of mine demands sparkle whenever I can manage it!).

Overall, I’m really quite pleased with the outcome so far!

I’ve not done any sculpting for many, many years, and only then with clay.  I enjoyed working with clay, but I don’t have the facilities to do that now, but I can use wool and felt it, and I really have enjoyed the felting.  It’s easy on my fingers too (apart from the one stab to my thumb when I missed the mushroom a tad!).  It’s sculpting in terms of building the form up, rather than removing material to reveal a form, such as you’d do in stone sulpture.  The building up appeals to me far more.

I’ll finish this mushroom, then I’m sure there’ll be more things to be made.

Arty goings on…

Non-dotty Flowers 15Aug12 © Angela Porter 2012

Non-dotty flowers – a reworking of the dotty flowers below.  3″ x 5″ approx.

Busy, busy, busy…

I’ve been kind of busy, but not busy-busy, since my last entry, busy with art.  Being engrossed in arty pursuits has kept me up until the wee-small hours as the dark outside has given me no idea about the passage of time.  Good thing I’m still on the long summer break from teaching.

I must admit that I’m not looking forward to going back to work.  I think I’ve said before I need a different environment to flourish in.  My only problems in changing career are that I need a certain income and I have no particular idea what I’d like to do instead of.  I’d love to do more things that are creative – arty/crafty would be good.  I’d also like to work in an environment where people actually get along, without the constant rumble of poor attitudes, disrespect for self and others and an unwillingness by the majority to want to learn or to see the point of having a good education and doing their best.

Anyway, before I drag myself down into a gloom, I still have two and a half weeks or so away (apart from a need to go in for a few days towards the end of the break to mark work, prepare work, and sort out displays for the walls) and so will be making the most of the time to be creative and explore my artsy-craftsy nature.

Torc – statement necklace – bib necklace – collar necklace.

I managed to complete this torc.  It took over 30 hours of work.  It is available for purchase at Etsy at the time of this blog entry.

Torc © Angela Porter 2012

As always, spirals, circles and curves feathre in my work, along with some of my ‘custom made’ sequins.  I enjoyed the work in this, and realised how many of the ‘tricks’ I had forgotten from previous endeavours like this.  My earlier torcs can still be seen on Artwyrd at deviantART.

Experimental landscape number two.

I’ve also managed to complete another experimental landscape – this one from a photograph of a ‘real’ landscape in North Wales.

Landscape Experiment 2 © Angela Porter 2012

A dear friend of mine has made some interesting suggestions about how I can approach the ‘patterns’ for different land-uses. When I’m ready to do another landscape I will take his suggestions to heart.

There are glimmering, metallic, glittery highlights on the drawing/painting that don’t come out well when photographed/scanned.  I do think I’m beginning to find my ‘style’ when it comes to landscapes – and that style involves simplifying the shapes/lines of the land, trees and so on, and then working out how to fill those shapes in.  Spirals are, as always, a favourite motif of mine, along with circles and curves, influenced as I am by prehistoric rock art, early Celtic art, and anything with curves and curls in!  If I try to work with perfectly straight lines and sharp corners in my work, well it just doesn’t seem to work or scream out ‘Angela’ at me.

Abstract Floral.

This was an experiment in something a little different for me – pastel colours on a grey paper, with an open kind of design.  The usual spirals and swirls are there, but there’s a lot of ’empty space’ which also works.  The pastel colours are a definite change from me!

AbstractFloral1 10Aug12 © Angela Porter 2012

Flowers…

This started as a good idea and ended up a right ‘mare of an experience.  A dear friend of mine reckons it is lovely and very William Morris…

Flowers 14Aug12 © Angela Porter 2012

I realised the rising flowers were on the wrong side if I wanted to add words to it as I was inking it all in.

Then, as I blended the coloured pencils, the ink rubbed off to mix with the coloured pencils, so it all had to be inked in again, which is often the case with my kind of work, but the ink subdued the colours somewhat.

I then started to fill in the blank space to the left with tendrils, without putting pencil lines down first as a guide, and ended up making a right hash of it.  So, the shading under the leaves and so on was meant to disguise some of that, and cutting it all out and sticking it on blue paper … well it was a good idea, but not the blue!  I also rediscovered how useless I am with a pair of scissors or craft knife too.

However, some of the most important lessons we learn are when things go wrong…

Geometricity 1

So, after the pastel colours and the disaster, a return to bright colours, and flashes of metallic gold.

Geometricity1 14Aug2012 © Angela Porter 2012

A small piece of work – 7cm x 10.5cm, but jewel-bright watercolours used to fill in the pattern.  I’m pleased with the work (though not with the scanned image – photographing/scanning my work is a major problem with the shiny Sakura Glaze pens that I use and the highlights of metallic/iridescent/glitter paints/inks that I so love.  However, you get the idea.

I think that I’m going to play with geometric patterns and colour for a while, on a small scale, to see where it leads me.  Of course, I may just change my mind as time goes along!

More flowers…

I completed this one with Geometricity1, and there are too many ‘dots’ on the flowers – another lesson to learn!  I’ll be reworking this one in a little while.  It will keep me occupied during the torrential rain that is falling here in waves.  I love the sound of the rain…

Bright flowers 14 August 2012 © Angela Porter 2012

Autumn Flow 1 and 2

Autumn Flow 1 © Angela Porter 12 Apr 2012

Autumn Flow 2 © Angela Porter 12 Apr 2012

Two teeny tiny little pieces of textile work.  The photo doesn’t really show the sheen on the mohair that has been used in the needle-felting on the black felt background.  They are approx 2″ square-ish.  Copper thread has been used to add the lines and shapes, along with copper, gold and red beads.

The colour reminds me of autumn, but I also think it may be how I seen passionate love too.  It has a wonderfully warm, deep, intense colour to it that I find quite irresistible, not a colour I would have usually loved.  I think this could be becoming my favourite colour!

The lines remind me of contour lines on an OS Map.  I feel a new source of inspiration for art coming on… maps and satellite and aerial imagery perhaps.  I know my fingers have been fair twitching for paper and pens and inks and paints and pencils to use my textile work as an inspiration for other forms of art, so my textile work may become an inspiration for me too. How weird is that?

These may be for sale on Etsy…I’ll have to decide if I can part with them!