This week, I’ve designed a mandala full of layers and patterns. I’ve chosen a limited colour palette of soft greens, pinks, reds, oranges and browns; a softer, calmer selection of colours that have that late summer, early autumn feel.
I love drawing mandalas. Seeing the repeating pattern building up is both fascinating and relaxing. Adding colour to bring out the layers and breathe life into the design is a magical process. I’ve not done much with high contrast to bring out the dimension today. Gentleness is the approach needed today both to my art and to myself.
I find it fascinating how my colour choices are often softer, more muted and in limited palettes nowadays. It does make a change from the riotous colours that I so often used not all that long ago, and still do when it comes to the more whimsical and cute colouring books that I create for Creative Haven.
Seeing how others choose to add colour to the colouring page designs I create is also endlessly fascinating and varied.
Each piece of paper is 4″ x 4″ or 10cm x 10cm. I coloured them with Distress Inks before starting to draw. For the orangey-yellow tile, I used mustard seed, dried marigold and abandoned coral. For the bluey-green tile, I used broken china, peacock feathers and evergreen bough.
Each tile is made of a variation of fragment D5 from the Zentangle Primer. I used 0.35 and 0.20 Copic Multiliner SP pens to draw the designs. Then, I used a black Ohuhu brush marker pen and various colours of Arteza EverBlend marker pens to add colour and shadow.
These tiles would look fab mounted on blank greetings cards, and that is to be their destiny!
I really enjoyed the two to three hours I spent this morning creating these designs. I’m quite happy with them. More-so as the Distress Ink worked well with the Ohuhu marker paper, and the alcohol inks worked well on top of that.
Which is your favourite one? Or, are you like me and I like them both equally!
Oh, I had a lot of fun drawing this lovely tangle pattern for the first time! It combines both geometric and organic elements most delightfully.
I kept the colour simple and chose not to add any shadow. This one will end up as a greetings card for sure.
There is just something so satisfying in drawing such a geometrical, repetitive pattern. It’s both relaxing but needs focus.
As I was drawing it, I started to see possible variations on this tangle pattern. Those will be shared in the goodness of time!
Until then, here’s today’s video, where I show, step by step, how to draw this monotangle. If you’d be so kind as to click the ‘Watch on YouTube’ button, I’d appreciate it very much. (It helps with the algorithm that shares my videos with others!).
It’s quite a bit sneak peek as it’s the whole template, with some colour added!
Abstract. Entangled. Zentangle Inspired Art. Putting into practice some of the fragments that have evolved during the Fragments of Your Imagination Challenge hosted by the 7F5RChallenge facebook group.
I came across this tangle a goodly while ago. I tried to draw it, but without much success, like Fengle.
However, watching a video by Zen Linea, as well as having cracked Fengle meant I think I’ve successfully drawing Trelina, with some variations as well.
I realised, soon enough, that I wanted to keep the basic structure of Trelina, but focus on ‘channels’ that could be used to house other patterns. Indeed, the very first Trelina I drew was the one in the top left and I wanted a wider ‘channel’ to put a pattern in.
The bottom right version has a big nod towards Fengle. After all, if I’d not worked out how to draw Fengle, I doubt I would have managed to draw Trelina.
Dex is a grid-based tangle pattern by Zentangle Inc. It’s interesting to add variations to. Indeed, I’m sure I recognise some of the variations as other tangle patterns. I expect there’s going to be a lot of overlap.