This morning I awoke with a pounding headache, an introvert’s hangover from a therapy session and a busy meeting in the evening with lots of people and noise. A big mug of tea, a couple of Anadin Extra and the head has cleared somewhat, though I still feel quite fuzzy-headed and tired.
Despite the headache, or perhaps because of it, I slipped into mandala mode to start my day. I had wanted to include some wise words in it, but my mind just wasn’t functioning clearly enough.
Unusually for me, I chose a terracotta-coloured kraft paper background to draw with a creamy coloured ink. I added some shading behind the design in places, just to try to increase the depth and dimension. I’m not sure I’ve achieved it well this time, however. Once my head fully clears, I may do the shading afresh.
The resulting mandala is far more geometric and structured than is often the case with me, especially the outside ring. However, I’m quite pleased with it, especially given the state of my head!
I do like the warm, earthy tones of paper and ink in this design. The colours have been quite comforting and soothing to work with.
I drew this digitally, using my favourite combination of Autodesk Sketchbook Pro along with my Microsoft Surface Pen and Microsoft Surface Studio (which are the digital analogues of pen and paper).
Another mandala today, this time with my favourite Hafiz quote in the centre.
I wanted a mandala that seemed to be almost glowing for this quote. Also, I added a very subtle rainbow colouring to it too. I’m quite happy with this mandala, though some darker shading behind some of the parts, along with some subtle highlights, would’ve helped with the dimensionality of the design.
I didn’t hand-letter the quote; instead I used a clear and simple pair of fonts. I do want to learn how to create circles of typography; I think the quotes would then be more sympathetic to the circular geometry of mandalas. I’ll need a bit of time to play around in Affinity Publisher and Affinity Designer to see if I can achieve this. Mind you, I do need to practice my hand lettering a lot more too.
All the same, I’m still happy with this design. The lettering will do – for now.
I always enjoy drawing mandalas, and it’s nice to revisit the line-art style of mandalas with lots of intricate patterns in them once again. They are so delicate, airy, lacy in feel compared to my more arty, abstract, coloured mandalas. They’re also a lot quicker to create!
It’s definitely a mandala morning here in the autumnal valleys of South Wales. The sun is managing to peek out through the pale grey clouds – the light is wintery wan.
I’m not sure if that description of the sky has influenced my colour choices for this mandala today or not; maybe on a subconscious level it has.
I’m really pleased with this particular drawing today. I like the pale, chalky colour on the darker background. I think I’ve got a nice balance betwixt densely patterned areas and more open designs. I also like the shading I’ve added to the background; it’s added a fair amount of depth and dimension to the design.
It has been a lovely way to spend an hour or so as I slowly come around this morning.
I was going to draw a flower or three to float above the mandala, similar to the skulls I drew through Inktober. However, I like the mandala just as it is, for now.
Digital Art created using Autodesk Sketchbook Pro along with a Microsoft Surface Pen and the digital paper that is the screen of my Microsoft Surface Studio.
A new month means a new colouring template exclusively for members of the Angela Porter’s Coloring Book Fans facebook group. If you’d like to download, print and colour a template, then pop over to the group, join (it’s free!).
A few, simple terms and conditions apply. All I ask is that you follow them and mention myself and the facebook group when you share the coloured template on social media. Tag me in your posts and I’ll definitely get to see them!
Autumn is well established here in the UK, so I wanted to combine leaves, berries and some acorns in a mandala.
I used an autumnal colour palette to bring the template to life. I think mine looks like a rich, decorative rug. However, I love to see how creative you people are with your colour schemes, particularly those of you who are heading into Spring or who don’t really experience Autumn in your part of the world.
I did draw and colour this mandala digitally, using Autodesk Sketchbook Pro along with my Microsoft Surface pen and the paper that is the screen of my Microsoft Surface Studio.
It’s the penultimate day of Inktober 2019 and today’s drawing features a whale skull, a bowhead whale skull to be precise, complete with baleen.
The mandala in the background has the Nik tangle pattern forming the wider geometric patterned ring. The outer ring is a line drawing of Xanthoria elegans – the sunburst lichen.
I wanted the skull to stand out, so I coloured the mandala in a softer, paler version of the background colour.
I felt quite teary as I was looking at whale skulls and skeletons. They reminded me of the last time I visited the whale skeleton and leatherback turtle in the National Museum and Galleries of Wales, Cardiff. I was overwhelmed with sadness then too. This is a sure sign that I’m emotionally vulnerable once again and that I need to take a lot of care of myself, my emotions in particular.
This is digital art, drawn using my Microsoft Surface Pen and Surface Studio as the digital analogues of pen and paper, and Autodesk Sketchbook Pro, which allows me to do this.
Yesterday afternoon, I arrived home from EMDR therapy feeling very emotionally drained, fragile and vulnerable. Creating art is one of my self-soothing activities, particularly mandalas.
I’d downloaded a pile of new backgrounds in the past couple of days and wanted to make use of a chalkboard background. It was so dark I knew I needed to make the mandala full of light and colour.
This was a somewhat symbolic choice as my long journey to recovery from CPTSD has been about bringing light into the dark places of my trauma damaged psyche. EMDR has helped me turn the dark into light in terms of my mental and emotional health.
I really enjoyed creating this mandala. Usually, I work with black on white; here I started with colour – the abstract ‘flower’ ring close to the centre. I wanted the colours to glow against the darkness, so I chose lighter shades of aqua and violet. I even added some glowing golden seeds or pollen grains, which is also metaphoric for the personal growth I’m going through in my healing journey.
I then used a white, chalky pen ‘brush’ to draw patterns inside this ring and around it. I decided the white was too plain, so, to break up the white, I blended soft colours into it.
Finally, I added the ring of mushrooms. These had to be my favourite colour – purple. I added some dots to the mushroom caps in lime-green, which is kind of a complementary colour to purple. My last step was to add the stylised foliage behind the mystic mushrooms.
This mandala really helped to soothe me, and it was a pleasure to create. It gave me a break from Inktober and other work that’s ongoing too.
Talking of Inktober, I will be getting Day 29 done later today; I have some things that need doing first.
Oh, the mandala was created digitally using Autodesk Sketchbook Pro and a Microsoft Surface Pen on the screen of a Microsoft Surface Studio (the digital analogues of pen and paper).
Iguana skull, ‘Well, well, who’ tangle pattern and an abstract pattern from puffball mushrooms.
Digital drawing using Autodesk Sketchbook Pro and a Microsoft Surface Pen with a Microsoft Surface Studio.
I’m really not at all happy with this one today. The skulls aren’t what I’d want for them. It may be that they are just plain line art, no texture, no depth, no variation of line.
I may revisit this one at some point in the future, but not for a while. My attention must turn to other things.
I share memes about mental and emotional health, not because I’m struggling myself at this time, but because in the past, I either have or would have found the words and information useful and I know others will find them helpful in their now. I still find them interesting, useful and helpful myself too.
At present, my mental and emotional health is the most resilient it has ever been. I have discovered what inner contentment feels like for the first time in my life. I’m also starting preparing myself to leave EMDR therapy in the coming months.
I have emotional weather like every human being. Some days I’m chatty and smiling and laughing. Other days I’m quieter and more subdued. Those days have always been there, but I wore a mask as a way of protecting myself. The mask wasn’t the authentic me. Very few people have got to see the authentic me, especially on my bad days. If you have seen me like that, then it is because I have trusted you to see me as I am at that time.
I rarely wear that mask any more. It’s exhausting to keep on. However, people who are used to interacting with me only via that mask think there’s something wrong with me, or that I’m experiencing mental ill-health.
That is not the case.
Now I rarely put that mask on. The introverted part of me, the part of me that is happy to sit and listen and observe what is going on and being said. Not the mask that talks and talks, barely pausing for breath, all to avoid questions being asked of me that could lead to me being upset. The mask I wore to try to stop people working out that I had very poor mental and emotional health.
People are making assumptions that because I’m quiet and attentive that I must be mentally ill again. There’s going to be a lot of challenges for me as I leave the mask on going forward. It’s already started to be an *interesting* time.
I am not mentally or emotionally un-well. In fact, I am the most well, mentally and emotionally, than I ever have been in my life.
That doesn’t mean I will never experience emotional weather and tough times again; the shifting sands of emotional and mental wellbeing are all part of being human.
What it does mean is that I no longer feel the need to wear that mask all the time. That I feel able to let it drop where I feel safe, secure and comfortable.
It also means that I am able to prevent my gloomy days from spiralling down into a dark pit of deepest despair.
I also am more aware of the person I really am; not the mask I wore to try to fit in, be noticed and survive around others from a very young age.
It’s not easy to let that mask fall. It confused people who have only known the mask, they think I have changed. I am the same person. I just no longer want to wear that mask now that I’ve discovered the parts of me that were buried way, way back in my life.
That I feel safe enough in this word to remove that mask, to show myself and my emotions to others is a testament to how far along my CPTSD healing journey I have come.
Day 21 and it’s a pug skull, Pleurotus eryngii (King Oyster mushroom) and the Batnumber tangle pattern from the Inktober 2019 prompt lists from Instagrammers @book_polygamist, @nyan_sun and @havepen_willdraw.
I really enjoyed drawing the wood cut style of skull yesterday so thought I’d go with it for today’s short nosed dog skull – I chose a pug skull.
I echoed the wood cut style in the mushrooms forming a ring in the partial mandala around the skull.
I like the graphic black and white nature of the design elements against the coloured, textured background. I did, however, break up this graphic style with the foliage forming the outer ring of the design. I just felt I needed to push something to the background.
In 21 days I seem to have covered a lot of different styles in my work, though I think my favourite ones are where I place a mandala behind the skull, as in today’s illustration.
Although I love colour, I do think the more graphic designs are more ‘me’. Maybe it’s because my experiments in drawing in colour (as in day 18 and day 19) are outside my familar, comfortable work.
I don’t know where this will lead me, though I do want to do more mandalas like today’s, maybe get them available as prints or on t-shirts. What do you think?