What else could I do for dinner other than have the etymology of the word along with a collage of just a few of my favourite foods! And I do mean only some.
I looked up the etymology of ‘dinner’ on Etymology Online, did a little bit of typography using Affinity Publisher.
I then drew the foods on Claire Fontaine dot grid paper using an 0.8 Uniball Unipin pen.
I scanned the drawing in and removed the dot grid and removed smudges and so on in Autodesk Sketchbook Pro.
My next step was to add a coloured background and some colour to some of the drawings. Only to some, as this was a ‘for fun’ project as part of the #Inktober52 challenge organised by Jake Parker, the founder of Inktober.
Missing in action…
It’s been a couple of days since my last blog. It seems that life and demands on me have taken over arty pursuits. And when I wasn’t seeing to the life demands, I was taking some time out by needlefelting.
I managed to needlefelt a cute rabbit and owl over the last two or three days. I’ll post pictures of them in another post.
This is a drawing I did late last night as I settled down to sleep. It feels quite disjointed in places, which was how my mind felt in it’s state of tiredness. Even though I was tired, I wasn’t ready to sleep.
I thought I’d work with it, adding a background and colour to it. I wonder if adding colour will resolve the disjointed areas as it breathes life into the design.
I’ve only taken a short time this morning to ad some colour. I do have to do other things today. The colour certainly helps to lift it from the background, as well as adding dimension to the design.
I’ve chosen fairly dusky, dusty, pastel colours which seem to glow against the darker background. The pinks remind me of faded Victorian velvets.
I drew the design traditionally, using a Tombow Fudenosuke pen and ClaireFontaine dot grid paper. The flexible nib of the fudenosuke pen results in lines of varying thicknesses, and a drawing that reminds me of linocuts or woodcuts.
After scanning the drawing, I removed the dot grids and cleaned up the drawing digitally before adding a background.
I felt this needed quote to go with it, and this one spoke to me today. For the typography, I used Affinity Publisher. The rest of the digital work is being done in Autodesk Sketchbook Pro, using a Surface Pen and Surface Studio from Microsoft.
My art is always ‘pretty’, it’s how I express myself artistically. Some of my inspiration for patterns and motifs comes from things that other smay not consider ‘pretty’, such as rust, run down old industrial machines, ruined buildings.
My art does, I think, speak of who I am. It shows what I’m interested in, what patterns, motifs, shapes, textures, colours, and so on that I find aesthetically pleasing. It also shows, to those who look and think a bit deeper, what things interest me, from prehistoric art to Romanesque architecture to La Tene and Celtic art to Illuminated Manuscripts to flora, foliage, fungi, and lichen to fossils and shells to nature in general, and more besides.
I work very intuitively. It’s when I think too hard about what I want to do that things go to wrack and ruin.
By letting my intuition flow, then drawings have a way of coming together in a way that expresses how I’m feeling and what is fascinating me or soothing me at that time.
This drawing is an example of how my feelings come out. It’s only now I can recognise how disjointed I was feeling within myself last night, how I was out of sorts. I think that’s why the art jars with me today as that feeling has now passed by, like clouds in the wind. It’s a drawing that shows the weather my emotions were experiencing yesterday, weather that just happened and has no real source for it.