Sneak Peek

Yesterday and today my focus has been on colouring some templates for my Entangled Gardens coloring book that is due out next year – March 1st 2021 here in the UK to be precise.

This is just a small part of the second of three templates I need to colour. I thought I’d go with a night sky for this one. The first one I’ve given a sunshiny sky to, the third I’m going to go with a sunset colour scheme for the background.

It takes me quite a few hours to colour each template, which is a nod to how intricate and detailed my artwork usually is.

This template, like many in the book, was drawn with pen on paper. However, I like to colour the templates digitally, so I’m using Autodesk Sketchbook Pro along with my Surface Studio and Surface Slim pen to add colour.

I’ve spent so long working at my computer that I’m feeling a bit stiff and uncomfortable. I’m able to tilt the screen of my Surface Studio so that’s at a comfortable position to work at with pen on screen. Still, I’m feeling somewhat stiff. So as soon as I’ve finished my social media stuff for the day, I’m going to take a walk to ease some of the stiffness before I return to the task.

Sketchbook Pages

Today, I share a glimpse into my current sketchbook. It’s an Arteza watercolour A4 sketchbook.

I’ve completed all the drawings in boxes now, and am adding colour to them using watercolours, graphitint watercolours, graphitint pencils and/or inktense pencils.

The paper is rather nice to draw on with Faber-Castell Pitt artist pens or a Uniball Signo DX 0.38 pen.

On the cover page I swatched my collection of Inktense pencils, using a damp brush to bring their true colours out.

Inktense pencils are intense in colour when activated with water. Also, once activated with water and dry they are permanent.

I like all the media I’ve used so far on this page. Which I use does depend on my mood. Today, I wanted to choose an inktense palette of colours that is like the rusty colours I’ve been using with watercolours.

I really am drawn to this colour palette in my work at the moment. The dark blues, rich red-browns, blue-greys, earthy-dark greens and the vibrant mustards. One day I’ll look up the psychology of these colours and see how they relate to my mood/life at this time. But not today.

Today, I need to focus on adding colour to some templates for the Entangled Gardens colouring book that will be released early next year.