Digitally drawn and coloured using Autodesk Sketchbook Pro and a Surface Pen and Surface Studio by Microsoft.
Again, the symmetry is pleasing to me; however, I think I’ve gone over the top with areas of pattern on this skull! I seem to have a thing going on with fungi growing out of the top of the skull. I did add some seaweed and sea shells beneath the skull, as a nod to the oceanic origins of the turtle.
Hmm, maybe I’ll redraw this one with some dangle designs later today; after all, it is dangle day!
I used, mostly, traditional media for the first two days, but today I decided to use digital tools.
My Surface Studio and Pen from Microsoft mean I can draw on my screen just like I do on paper, especially as I have set up pen brushes with lines mimic those left by my favourite fine liner pens.
The added bonus of drawing digitally is that I get to use tools that aren’t available to me when working traditionally. In this case, I made use of the symmetry tool. As my illustration today is rather stylised, perfect symmetry works well in the design.
Stylised, symmetrical designs do make my arty heart and soul smile and sing. Yes, I still like to be challenged from time to time to draw more realistically, however I’ve just realised how much this kind of art really please me.
Yet I still struggle with accepting it as a valid way of producing art – it always seems so simple, like I have no great skill like those who produce wonderfully realistic art, or thought provoking pieces, or abstract wonders. I still struggle to see my style of art, of expression as valid and I think that is why I flip-flop betwixt different styles and media and projects. It’s that lack of self-belief perhaps, or maybe I just have a choir of creative voices in me, each of which need expression in it’s own way.
I think this kind of reflection is part of what Inktober is about.
Anyway, after completing the line art, I added some simple colouring to the image using a marker brush and then an airbrush with the synthetic paint setting, which nicely blends one colour into another.
I am very happy with the stylised skull design, along with the higher contrast colouring that I’ve used for it, which helps it stand out a little from the other coloured elements of the design.
This is, of the three days so far, my favourite Inktober2019 artwork.
This is the same illustration I used for yesterday’s quote, however, after adding some textural lines to the drawing, I’ve coloured the design.
I decided to use flat colours as it brings a feeling of a coloured wood cut or lino cut print to the design. I used a grungy texture overlay to enhance the vintage feel of the coloured design.
The line art was drawn using Tombow Fudenosuke and Faber-Castell Pitt Artist pens on paper, but the colouring, textures and text have been added digitally. I used Affinity Publisher to produce the typography. A Microsoft Surface Pen and Surface Studio along with Autodesk Sketchbook Pro were used to complete the colouring
It’s always interesting how just small changes can make such a big difference to artwork.
So, Angela, how are you feeling today?
I’m feeling fairly content and quite optimistic. I am, however, still a little tired to say the least.
My trip to Llandridnod Wells yesterday left me exhausted. I went there to give an antistigma talk as a champion for Time to Change Wales. Telling my story of cPTSD still leaves me emotionally exhausted and vulnerable. This is, however, a small price to pay for giving people food for thought and getting people talking about mental illness.
As I was feeling so emotional after the talk I didn’t take a walk around Llandridnod Wells. When I’m feeling the way I was it’s all too easy for me to panic and enter flight-mode when I’m overwhelmed by noise or an unfamiliar place. The anxiety I feel about getting myself turned-about and lost and not able to find my way back to the car just adds to the vulnerability.
So, I thought I’d drive back and see if I could find the courage to stop at a cafe on the way. I’d passed a nice-looking one called the Wye Knot. However, I just couldn’t bring myself to stop there. I was still too overwhelmed.
My brain kicked in and I thought I’d head to Honey Cafe in Bronllys. I’ve been there a few times before and it’s a familiar setting to me. However, when I went in there were so many people milling around the counter and others coming in the door and pushing past me that I went into flight-mode and dashed back to the car in tears.
I just drove home then, doing a mental inventory of what I had in the way of food.
I had something quick to eat and a big mug of tea and then I curled up in bed to sleep; a nap is one of my self-care activities. I know that if I can sleep for a while I wake feeling refreshed and more resilient than I was.
The exhaustion comes not just from being emotionally overwhelmed and triggered but from the effort of keeping a happy smiling mask up. Yesterday the mask wasn’t as ‘solid’ as on Monday, but I knew it was still there. Once the talk was over, I let the mask drop and I was suddenly exhausted.
This is, as I mentioned earlier, worth getting the word out about the stigma and discrimination that surrounds mental illness, giving people some advice on what to and what not to do, and starting conversations.
I’m beginning to flag here; tiredness/exhaustion is catching up with me. I have managed to get some work done this morning. However, before I try to do anything else I need some more sleep I think.
So, I’m taking the advice of today’s quote – I’m going to be gentle with myself today.
Emotional Pain – A quote. Artwork by Angela Porter of Artwyrd.com
About the art
This Nicola Lyons quote is another that resonated with me and brought some tears to my eyes and echoes of pain to my heart too. I just had to make it pretty – Angela style of course.
I used a script font and printed the quote out in a square format. I added the illustration around it using a combination of Tombow Fudenosuke and Faber-Castell Pitt Artist Pens. I kept to a small number of repeating motifs in this design. I can now see that I may go back and add some texture and pattern to the leaves, berries and some flowers that are quite bare to help to bring them to add depth and dimension.
I scanned the drawing in, cleaned it up digitally and then added a background to it rather than colour the elements in. I may return to colouring the design in, but I think I’ll use colours that are reminiscent of linocut artworks – flat colour and letting the lines add the shadow and texture, depth and dimension to the image.
So, Angela, how are you feeling today?
I’m tired. I got to sleep early enough but I woke around 3:30am and couldn’t get back to sleep until gone 5am. I’d set my alarm for 7:30am as I have to be in Llandridnod Wells before 11am to give an anti-stigma talk on behalf of Time to Change Wales.
I expect that I’ll be drained after the talk – I usually am. So self-care will be important later on in the day. I need lots of tea before I leave – I have less than an hour to sort myself out.
Warning – the following may contain triggers.
The quote above relates to me being a ‘people-pleaser’, which is one way that CPTSD presents in me.
From as early as I can remember, I tried to do and be what would make others around me like me or love me, even if it meant doing things that made me feel horrible. It’s a pattern of behaviour that carried on through my life.
It never worked though; other people would get what they wanted and in return I would not get what I was hoping for or was told I would get. I’ve been left believing that I am unlovable and unlikable and not good-enough. There’s a good helping of shame around all this too, along with a lot of grief for what never was and never could be.
Nowadays, I’m more aware of my emotional, physical and mental needs now, thanks to EMDR therapy. However, I can still default to this ‘people-pleaser’ setting when I’m anxious or emotionally vulnerable.
It took a lot of work in various forms of counselling, self-reflection and EMDR for me to recognise that I have been a people-pleaser. Once aware of this tendency I could start to change my behaviour. I don’t know how successful I’ve been. One coping strategy I have is that I don’t let people get close to me, yet I yearn for meaningful, deep connection with like-minded souls, kindred spirits.
It’s a conundrum and I’m not sure how I’m going to solve it other than by valuing myself in a healthy way, being able to put up healthy boundaries, and being able to say ‘no’ if I’m uncomfortable about something or it would cause me difficulties.
This image is in the vein of experiments in digital art. It reminds me very much of chalk/soft pastels, a traditional medium I did experiment with many, many years ago. However, I abandoned it as I didn’t like the feel of the soft pastels nor the messiness of them.
Using a kind of digital version of them means no mess!
I like this pot potpourri of motifs quite a lot. The softness of the lines and translucency of the colours appeals to me. I also like the way the colours glow against the black background. Surprisingly, the simplicity of the motifs appeals to me as well, giving a folk art kind of vibe to this work. Overall this design has an ethereal, ghostly, perhaps even magical feel to it.
My usual style of art is quite intricate and detailed, so this is definitely a departure from this. It’s certainly a style I want to experiment with more.
As it’s digital art, I used Autodesk Sketchbook Pro along with a Microsoft Surface Pen and Microsoft Surface Studio.
This morning I started to colour the reef illustrations I posted yesterday. I’m using a mixture of Chameleon marker pens and pencils to do this. My photograph of the work in progress isn’t brilliant, but you get the idea I’m sure.
In the larger motifs, I’m using the Chameleon Color Tones markers along with the Color Tops to achieve gradient colouring. Flat colour is added to smaller areas using the pen.
Then, I use Chameleon pencils to add depth and dimension. I’m also adding more depth and dimension by using a white gel pen and a fine Unipin pen to add highlights and texture.
I’m enjoying the process, but I must admit I’m finding it more ‘fussy’ to do than when I digitally colour! Continually swapping pens and pencils is a little frustrating for me.
Maybe that’s just today as I’m tired. I didn’t sleep at all well last night. Stomach cramps were plaguing me throughout the night, though they do seem better today. Painkillers have stopped the pain completely today; yesterday, they merely dulled it.
Also, when I woke, my mind was very active with flashbacks related to my EMDR therapy yesterday. It was a very emotional session, lots of tears and upset. However, my therapist tells me I’m making good progress. I believe her.
Today, everything seems like hard work as I’m so exhausted, not just from the lack of sleep, but emotionally too. These feelings will pass; they always do.
I don’t know how much more I’ll do today. I don’t think I’ll get a lot of colouring done. I do feel I need to draw though, so perhaps I’ll do that after I’ve done some errands today. Typical of ‘adulting’ to get in the way of self-soothing and self-care.
Yesterday, I had an interesting day. I did manage to get these two illustrations done in between listening to a friend in need and taking care of a very upset tummy along with quite painful cramps.
I used 5″ x 7″ pieces of Winsor and Newton Bristol board along with some Uniball Unipin pens to draw the designs. This time, I didn’t add any grey shading. I will scan then print if I decide to colour them with traditional media.
The drawings turned out well, I think. I chose the size of paper for a reason, which I’m not about to divulge! It’s just an idea rattling around my noggin.
It’s Monday, so that means it’s EMDR therapy day.
I know on a Monday that my day can be broken up with a 3 hour or so trip to Neath and back for EMDR.
Today, I’m feeling more like I did last Monday before I received some post that threw me a curveball. I am tired as rather painful tummy cramps woke me from time to time through the night. I’m still getting them now, but a couple of Anadin Extra has taken the edge off them. I must leave early enough to pick up some more painkillers on my way to therapy.
I’ve had some flashbacks this week to events I thought I’d put to bed via EMDR. It seems that these events have several facets to them. Each of these facets relates to a negative belief I hold about myself, so each will need to be processed separately.
I’ve been trying to keep a record of the insights I gain from these flashbacks, and also any other negative beliefs that crop up from them. However, they often happen when I don’t have my BuJo to hand, and by the time I do, they’ve evaporated from my mind.
Hmm. Not really evaporated, the flashbacks have just been automatically shut away in their box once again.
I’ve learned not to try to second-guess what is going to happen in therapy each week. Whatever I have thought may happen rarely if ever happens. So I try to go with an open mind unless something has cropped up in the week that needs discussing.
Yesterday, I got round to colouring my little reef drawing. And it is a little drawing – the paper is just 4″ square (10cm square).
To colour it, I used my Chameleon pens – both the Color Tones and Color Tops. I finished the illustration off with some small dots from a white Uniball Signo gel pen.
What I didn’t expect was that the pigment from the Uniball Unipin pens bled somewhat. I don’t remember that happening before. Mind you, I usually scan and print my black and white line art and colour the print. I didn’t do that today — something to remember for future reference. This is why some of the colours look a little dirty.
All the same, it’s a colourful, happy little illustration. I also like the thickness of the main lines with the variation in line thickness in the details. Diversity in line weight is something I need to remember when I draw digitally. Looking at my latest colouring templates, I think I may have used a line that was too fine. Again, this is something that I need to consider in the future.
It’s always lovely to do artwork like this, using traditional media and working in a familiar, comfortable style. It gives me a chance to reflect on what I’m doing elsewhere and to adapt and change what I’m doing to improve it.
Creating this artwork has given me ideas for some projects in the future. More on that when they come to fruition.
So, Angela, how are you doing today?
I’m doing OK. I’m feeling a lot brighter as the aftermath of Monday’s bombshell fades.
I’m aware I really don’t get out of the house and move my body around much. I either get engrossed in art and the day slips past me quite quickly. Or, my anxiety rears up and try as I might to overcome it, I just can’t seem to make it out of the house.
After a conversation with a friend the night before, I remembered that I like to walk around cemeteries and that my local cemetery might be the perfect place to go for a stroll.
And I did. Go for a stroll.
My love affair with cemeteries started when I used to walk to and from school when I was 11 and 12 years old. Walking to school was always a bit of a dash. However, I could take my time on the walk home to wander and explore the cemetery.
Even on the gloomiest, darkest winter afternoons, I never got freaked out by the cemetery. The dead have never scared me. The living, however, are an entirely different matter. The living people around me were the source of my traumas and CPTSD. The dead could do nothing to me that was any worse than the living.
I found the variation in headstone styles fascinating. I found I could chart the change in fashions over time. I also found reading them fascinating as some of them could tell me about the deceased and their families. It was history related to real people and brought them back to life. It wasn’t the dusty, dry, uninteresting facts in the history lessons I had to endure in school.
And so began my love of wandering around cemeteries.
I find them soothing, calm places to be. They’re quiet, not many people visit them. And there’s plenty of wildlife in them if you’re quiet and take the time to look.
Perfect places for me to walk and explore. Even on the days when anxiety stops me going to more people-y places like towns or parks, a cemetery can offer me that quiet space I need to take a walk.
If you’d like to see some photos and read some words about my walk and the cemetery, then please visit my other blog, Curious Stops and Tea Shops.
I am exhausted today. My EMDR session yesterday was extremely powerful and intense. I left feeling light headed, light-bodied and a bit off-with-the-fairies as well as rather tired. This feeling stayed with me all evening.
I woke exhausted but had to get some errands done. I’m now back home still exhausted.
I was hungry while out ( I didn’t have breakfast before leaving home as I had managed to get a cancellation appointment at the doctors’ surgery for an issue unrelated to CPTSD). So, while waiting for a prescription to be filled I went to have breakfast. As hungry as I was I could eat very little before feeling full. It was the same when I arrived home after EMDR yesterday.
I think my therapist has found the ‘magic formula’ for me and EMDR. It involves working with a negative belief I have about myself, imagining myself as a baby or small child and then working with the first image that pops up in my head to give the somatic (body sensations) and emotional feelings to focus on during EMDR.
Yesterday’s session resulted in some very powerful metaphors that resulted in powerful processing of trauma and negative beliefs. It’s not quite finished, there’s still some distress associated, but that level fell from a 9 to 2 during the session.
So, I’m too tired to do anything other than have some tea (Twinings Lady Grey, no milk – it has lemon and orange peel and oils in it and it’s deliciously bright and refreshing) and go back to bed to sleep some more.
Oh, the graphic above is one that I created for my anti-stigma talk presentation for Time To Change Wales. I’m giving a talk tomorrow and needed to revise my presentation.
I used Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio to create the digital art.