Today I’ve added the tangle pattern Kos, deconstructed by Anica Gabrovec CZT, known as Zen Linea. This panel is to the top and centre-right. The other panel is towards the bottom left and is one inspired by Rebecca Blair.
It’s funny how the internet seems to conspire to remind me of my early artwork nearly 20 years ago. One of my drawings turned up on Pinterest today. And it was this kind of sampler, but with patterns from Romanesque architecture, nature and textures drawn in pen and white ink on a kraft paper background. Seems I was doing this kind of thing before I’d heard of Zentangle or Rebecca Blair or many other artists and CZTs!
I keep trying to settle on a clear artistic voice, if not chorus, and it may always have been there, but I just don’t seem to accept it for some reason.
Perhaps these kinds of synchronicities are nudging me to accept this is something that I like to do and need to work more with. Time will tell, that’s for sure.
I think I’ve accepted, mostly, that I need to put watercolours and similar media to one side and focus on alcohol markers. I like the control I have over them. And using digital art to add colour, shadow and highlight too.
As much as I like the fluid, random effects you can get with water-soluble media, my ability to work with these media seems to be limited. Still, no doubt I’ll keep returning to them in the hope I’ll have a different outcome at some point in time. I’m not going to hold my breath on that, though!
I also think that I’m zeroing in on the best way for me to work with colour – monochrome or analogous colour schemes, maybe with a pop of complementary colour here and there.