Holly Mandala – Version 2

© Angela Porter 2018

I woke early this morning, it was still dark. The night has now lifted to reveal a dull, grey, misty, damp morning here in the Valleys of South Wales.

I wanted to re-colour the holly mandala in a more traditional colour scheme of red, green and gold, and so I have done so.

The colours help to give an illusion of dimension to the concentric rings in the design. Of course, the colours are kind of my signature – bright and jewel-like. I chose to change the background colour from stark black to a very dark, inky night-sky blue. I did add some lighter texture to the background to break the colours up just a tad.

It’s worked out ok. I think I prefer it muchly to the green foil version. The foil images are fun to do, that’s for sure. And of course they’ve allowed me to work out another way of creating art digitally, which is essentially by removing black to reveal the design. This has resulted in me drawing my motifs in a slightly different way to how I’d usually do them. They definitely have more of that lino-cut feel to them with the simplification of designs and lines. I like that.

I also like how the holly berries in the outer ring seem to be floating above and below the leaves. That wasn’t intentional! It’s just how it’s all worked out.

Sprinkling stars everywhere is one of my favourite things to do it seems and they do add a little magic to this design for sure.

Which version do you prefer? This one or yesterday’s green foiled version?

Tools used – Microsoft Surface Pen and Surface Studio. Autodesk Sketchbook Pro.

Monogram B – another version

©Angela Porter 2018

This version is totally digital. I used the pen and ink drawn version to re-draw the design in Autodesk Sketchbook Pro, making use of a glitter texture.

I think I got my head around how to do this, and colour the images in and I’m kind of pleased with it, though I’d like a bit more of a highlight/shadow on the glitter bits. That will take some thought and experiments as to how to achieve that, but for now my head is overloaded with working in layers and with digital art techniques I’ve barely used before.

I’m pleased with how it looks rather medieval in style – medieval drawn using modern technology. This version doesn’t even exist in physical form, which is crazy!

I have no idea how this would print out as, say, a book mark or note card. As it’s a fairly high resolution file on my computer it would print as a photograph. Of course, there wouldn’t be any real glittery sparkle and shine.

Yes, I’m fairly pleased with this and for myself for figuring it out how to do it, though there’s lots of improvements that could be made.

I think I’d like finer ‘glitter’ on the texture background I used – that’s just a matter of creating another tiled image via GiMP. However, until I do something I never quite know how it’s going to work out, nor do I know if it’s going to be a good idea.

It certainly satisfies a part of me that likes glitter and sparkle and shiny things.

All I have to do now is try to remember how I did this so that I can repeat it in the future, if I’m so inclined.

I am waiting for some metallic inks to be delivered today, so no doubt I’ll be drawing with them on paper.

Romanesque bird ‘punked mixed media

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I’ve come to a standstill on this one.  I don’t think it’s finished but I don’t know what is missing.

The focal point is a small sketch I did of a Romanesque bird; I used coloured pencils on coloured paper followed by Pitt Artist pen.  I also ‘distressed’ it with Distress Inks and water spray.  It is a very, very sketchy drawing, but I feel I need to be a bit more confident in using my own drawings/art in such mixed media art.

I just don’t know what else this needs, though.  I’ve tried out the idea of using wire spirals wrapped with finer wire and beads, and that doesn’t feel it would work, not unless it’s one of the first things I make and use.  Flowers don’t work, neither does foliage…

So, I’ll leave it be for a while and come back to it at a later time…sometimes that’s the best thing to do.

Give Away!

Heart Card by Angela Porter

This card is 6″ x 6″.  The design is on watercolour paper and it glitters and glimmers with gold embossing, sparkling spots and patterns. The central heart and the outer layer are raised and shiny, thanks to the use of Ranger’s Glossy Accents. The green, pink, red and purple colours were added using Tim Holtz’s Distress inks, also from Ranger, with a waterbrush, and all relate to love, peace and harmony.  The design is mounted on a craft paper card and comes with a plain envelope.

If you pop over to my facebook page then you can enter a free draw to win this card!  I will draw the winner at random at 8pm UK time (GMT) on Tuesday 10th February.

Good luck!

More Quote Greetings Cards.

TiledQuoteCards1_AngelaPorter_2013 TiledQuoteCards2_AngelaPorter_2013

Emergence 2

Emergence 2 © Angela Porter 2013

Outlines worked using an Umber Letraset Promarker with an ultra-fine tip.  Colours applied using watercolours, watercolour pencils and metallic paints.

Approx. A4 in size.

As usual, I own the copyright to this work and it may not be used or altered in any way without written consent from me.

Three little artworks…

These three little artworks have all been completed within the last week.  Each measures approx 10cm x 15cm (4″ x 6″) and have been worked with black sharpie pens, inktense pencils, zig art and graphic pens, metallic/glitter pens/paints.

Thanks from the Heart - Dec 2012 - ©Angela Porter

At The Heart of it all - Dec 2012 - ©Angela Porter

Looking for direction - Dec 2012 - ©Angela Porter

Peace

Peace©Angela Porter 18 June 2012Approx. 20cm x 15 cm.  Sakura Glaze pen, Derwent Coloursoft Pencils, Derwent Metallics Pencils, Metallic paint and pens on black card.

Abstract Rock 2

Abstract Rock 2 © Angela Porter 2012

13cm x 13cm.  Rotring pen, Inktense pencils with water wash, gold metallic watercolour paint.

A small section of the previous Abstract Rock 1 reworked.

Abstract Rock 1

Abstract Rock 1 © Angela Porter 2012

Rotring pens with black ink, watercolour paints, Derwent Inktense pencils and wash, and gold Cosmic Shimmer watercolour paint.

The shapes and colours in this experiment were inspired by a photograph of some Australian sandstone.

I’m not happy with the middle more ‘scribbly’ bit, though the gold highlights have helped to make it part of the the whole. It’s similar to other work, yet different too.

A busily creative and productive couple of days off work – at long last, hurrah!  I do so feel out of sorts when a busy life gets in the way of creativity.