Tea and musings around liminality

Yesterday I sat at a table lit by the golden light of the late spring sun, enjoying the feel of a soft breeze contradicting the warmth of sunlight on my skin while the glorious sound of birdsong gently caressing my ears in the café at the Blaenavon World Heritage Centre. On the table was a lovely pot of tea and a home-made fairy cake (small ‘cupcake’) topped with vanilla buttercream icing and my journal-sketchbook into which I would be recording my thoughts and observations. This was a treat after picking up a batch of mugs that I’ve had printed with a piece of my artwork and a short greeting for my lovely year 11 class who are leaving on Thursday. That will be a day filled with tears and joy, a liminal moment for the pupils as they stand on the threshold of the next phase of their life. The leavers’ assembly being an opportunity to mark this transition point, a liminal point, with celebration, with laughter and with the memories of experiences.

The view from the window was of the neglected graveyard attached to St Peter’s Church which falls away towards the valley bottom as the café abuts the eastern edge of the graveyard and I realised that I was sat at a liminal place, but not one of one phase of life to another. This liminal place marks the boundary between the living and those who have passed out of this earthly existence.

As I realised this, a pair of magpies flitted from tree to tree, their tails twitching as they settled on branches, and sunlight on their plumage revealing the iridescent purples, blues and greens that are so often missed. A solitary cabbage white butterfly careened from plant to plant, it’s pale colour standing out against the brown tangles of brambles and the bright greens of spring growth, signs of life surrounding the memorials of those long dead.

Magpies are associated with bad omens, and one such superstition is that if you see a single magpie on the way to church then death is close (myth-making at blogspot). Considering that many churches have a graveyard around them or close to them, then that is quite true! I love magpies and the other members of the corvidae family of fine feathery friends, despite their gloomy reputations.

As one thought bounced to another, I realised that I too, was at a liminal point in my life as I continue to work on unravelling the tangles of the past through journaling, meditation, self-hypnosis, gratitude and pennies-dropped-epiphanies as I’m becoming more aware of the inner critics and their continual sussuration of negative messages about me. I’m learning how to dis-empower them, little by little, and I may be approaching a turning point for myself in how I view myself and what my beliefs are.

The grave markers were splotched with lichen and algae, patterns reminding me of growths of penicillin on laboratory agar plates or stale and mouldy bread. Tumbled tangled brambles wrapping round them, seemingly pulling them down, down, down into the ground, the Earth reclaiming what had been taken from it, and with it the memories of those long passed. Despite the pull of time and neglect, the taller columns and headstones bravely rose above the tangles, holding their heads up high in the sunshine, proud of their leprous appearance, suggesting age and longevity, that they remember even if the living no longer do.

Others, however, seemed to be surrendering to the gradual depredations of time. Their sharp leaning stance, the first phase in laying down, showing an acceptance of their fate. No one alive who remembers them, who cares for them enough to tend to the memorial of a life once lived. The connections between the present generation and the past generations fading and weakening with time as symbolised by the tumble-down state of the gravestones. This was reflected in the laughter and chatter of the living enjoying beverages and vittles in the bright, warm, life-giving sunshine. The proximity to the necropolis and it’s visible symbols of death, funerary rites, and grief having no effect upon the high spirits of the living.

Perhaps that is because a wall, a visible boundary separates the activities of the living from the area of the dead. If we were to dine and party on their graves, perhaps we may feel differently, irreverent perhaps; an attitude maybe not unique to our own culture or time. I saw this video about dining with the dead in Georgia on the BBC news website earlier this week, and an example of how different cultures approach death and the places of the dead and how rigid and solid the boundary between us, the living, and our deceased friends and family are.

Death is, essentially, a great leveller; the great and the good lie alongside the poor and meek. Only the memorials tell us who is who,and only a skilled osteologist would be able to tell which was which were their skeletons disinterred and separated from any clothing, jewellery or other funerary offerings that they were interred with. To most of humanity they would be the remains of people, equal in death as they were not in life. Given enough time, all return to the Earth, return to what we were created from, very few leaving traces that will last for centuries, millennia or the aeons of time.

Traces remain in the bones that remain of their lives; hardship, luxury, adversity, ease all leave their marks in the bones. As the flesh decays, as memories fade, so do the individual stories of each person’s life, the stories that make each of us unique. The funeral monuments may tell us about them, there may be hints of their life in written records, but so much about them, such as whether they were kind or cruel, loving or neglectful, are lost.

Gloomy thoughts? Not at all! I like what the we can learn of our ancestors from their funerary rites, from records, from stories still held in the memories of the living, maybe experienced first hand or tales handed down through the generations. It matters not whether they are iron-topped tombs of the magnates of Blaenavon or the ring-barrows of a person from the Bronze Age, or the fossilised remains of our distant relatives. For many, we can only make educated guesses about their life and times, sometimes more educated than others when written records exist.

Of course, the choice of a place for cemeteries is a story in itself. In ancient times where a lot of effort was expended to bury a few in monuments such as cairns, ring barrows, cists, long barrows, then they weren’t just plonked in the nearest available place. The choice of place had meaning, just as the choice of place has meaning to us whether it’s where we go on holiday, where we choose to live and experience life. We choose places that give us meaningful experiences, be they linked to happy or sad times. The same is true when we choose places for funerary rites, whether we choose them ourselves before we die or whether we choose them for our loved ones who have passed away. My father’s cremains were buried beneath a sapling plum tree in a country lane where he used to collect all kinds of fruits and plants to make wine from. A friend’s father’s ashes were sprinkled from a bridge to return to the sea which he loved and sailed while serving in the Navy. Another friend’s father’s ashes are to be buried with his brother, if permission can be gained from her aunt.

If we take time and care to choose an appropriate resting place for the physical remains of our loved ones, I’m sure our ancestors did so too, even though it may not have seemed so to us as in many cases we have no ideas of their beliefs and the practices that stemmed from them. Nor do we know for sure why certain people were accorded such seemingly prestigious and important funerals, whether they were the great and the good or whether their deaths had a different meaning and the funeral a different purpose than commemoration and a reminder of our connections to the people of the past, to our ancestors, to those who have shaped the society we life in at any particular point in history.

I couldn’t help but wonder what stories the land could tell us if we could access it’s memory. I’d love to know what events the stones beneath my feet have witnessed in their long aeons of existence. What lovers’ trysts and promises. What betrayals, joys, toils, griefs. Whose feet have passed over them and what is the story of the lives. I don’t just want to know about the great and the good, people whose lives are most probably fairly well documented. I want to know about the ‘ordinary’ people as well. Everyone has a story to tell, everyone’s life experience is unique to them due to their unique perceptions, beliefs, actions, reactions and personality, and what thoughts and beliefs they had about themselves and others.

Perhaps the land, the position of the cemeteries, their relationship to the use of the land in the past and the present, the stories told about the land, it’s people all serve to keep alive the memory of the ancestors, aiding in remembering their stories and the stories previous generations and in so doing keeping the ancestors alive, in memory, and our connection to them stronger. The scape surrounding the cemetery becomes woven into the stories of the recent ancestors and the myths of the more ancient ancestors, acting as aide-memoires to the tales. Each feature in the land around the cemetery is not devoid of emotion, of meaning, and for each feature these would change as the time of day, the season of the year and the weather changes. We interact with these scapes through the feelings and meanings and the way that we make use of them and that induces a feeling of belonging to them. Ideas such as these are propounded by archaeologists such as George Nash.

I realised then, how much I’d enjoyed writing my thoughts, how going to a different place other than home allowed me the inspiration I needed. It’s also brought up links between things that are occurring in my life at present, and that will help to unravel any tangles knotted by the inner critics in the past.

Let It Grow

Let It Grow © Angela Porter

8″x 6″.  Rotring Rapidograph pen and black ink on heavy cartridge paper.

I’m not quite sure yet what I’m going to do with this outline – colour or not to colour, texture or not to texture.

Last night I had friends visiting and a look for the drawing that I did when visiting Tewkesbury Abbey a couple of years ago led they and I to looking through some of my old sketchbooks.  Suddenly, seeing all that had inspired me in the past, showed where my ‘visual vocabulary’ for my abstract art ‘doodles’ has come from.  Prehistoric art, Romanesque and Gothic architecture and sculpture, La Tene art, ammonites and other fossils, microscopic formanifera, microscopic images of cells, stained glass windows, insects, shells, flowers, ‘Celtic’ manuscripts and Anglo-Saxon art to name but a few.  I’d also picked up a copy of the BBC’s History magazine whilst out shopping as it had images of Anglo-Saxon artefacts which reminded me of patterns I use in my art.  Yesterday seems to have been a day of making links between all the work I’ve done in the past and how it flows out of me now, and a reminder of the things that inspire me as well as giving me a sense of validation with the way that I create art.

I think subtle colours for this one, with textures added in places, and just the hints of metallic highlights perhaps – after all, my inner raven demands the sparkle!

Calendar change-over eve…

The old to the new

Well, the end of the calendar year, and the astronomical year if the Winter Solstice is seen as the end of one cycle and the start of the next, has come with a pile of revelations from a friend and a series of bangs that have released some inner demons and tears and uncovered an emptiness and knotted-ness in my gut area.

I’m pleased for my friend, don’t get me wrong.  At last they are taking the little yet huge step they need to take to release them from a situation that is untenable for them and into a new phase of their life’s journey.  I wish them happiness and joy and love.  I worry that they are chasing a rainbow, a dream that will not live up to reality, they’ll find the grass isn’t greener, but I know that they’ll find themselves progressing forward in a way they couldn’t where the currently are at.

Their excitement, fear, trepidation, hope and all the other things their going through has stirred up some ‘stuff’ within me that needs to be worked on and examined, which are, in no particular order:

  • Job and Career – Teaching is no longer healthy for me and though I find pleasure and satisfaction in some areas of the job, increasingly I’m finding it harder and harder to cope with other aspects of it.  I need to look at myself and what I can offer in terms of being an employee and what I need from a workplace in order to feel appreciated, valued, successful and that I am achieving good and truly helping people.  What kind of career I want, I don’t know.  Maybe training as a hypnotherapist will lead me along the way.  However, I do know I need to identify what I’d like to do, and that starts with what I can do and so on.
  • Relationships – I’ve been single for, gosh, thirteen and a half years now.  Along the way I’ve had many experiences placed along the spectrum of good to absolutely goddam awful.  I’ve felt time and time again the hurt of rejection and the blow it delivers to my self-esteem, self-respect and so on, and of course I realise that I expected nothing else.  Well, it’s about time that changed and it’s time for me to learn about relationships…big step for me.  How I do this, I don’t know, but it will start with me looking at myself honestly at the qualities I have, good and not so good, and come to accept and care about myself.
  • Friendships – I have a small number of very good friends, but learning to ask for help and accepting it when it is given is … a big hurdle for me.  I’ve had to be strong and independent for so long, to prove I can do it, that admitting I can’t is a big thing.
  • Creativity – I do not do enough to develop my writing skills and to weave stories.  I doubt my ability to do this.  I fear plagiarising, being unoriginal, being boring or trite.  I fear failure (damn that ultra-perfectionist part of me that doesn’t recognise when something is good enough).  I feel a sense of being overwhelmed when I think about telling a tale.  The result is I do nothing.  I also am lacking inspiration in art, finding myself doing the same kind of thing over and over and over …

The common threads running through all of this involve me learning to love myself by knowing who I am and to accept myself for this, warts and all.  I need to raise my self-esteem, my confidence, to be brave enough to start something.  Above all else, I need to find the courage to be brave enough to share something of myself with others.

To follow tradition or not?

This year, more than at any other time, I’ve found the traditions and the significance of events more puzzling and confusing.

The rational scientist in me recognises that time is a continuous flow, the only markers on time are the ones we place there so that we can agree on when we are talking about and the meaning we attach to those markers is manufactured to satisfy a need for predictable events in our lives, to bring some kind of order to what appears to be an otherwise random and chaotic existence.

Then the more spiritual aspect of me kicks in and says that it’s OK to do this, to mark the various points on the wheel of the year, the various events that we celebrate, the things we give meaning to.  They connect us together, for we are all connected, not just to all other human beings, not just to all life on Earth, but to the very stuff the Earth and, indeed, the Universe is made out of, the energy that constantly flows round and round.

We are not disconnected from the cycles that we can observe on this planet.  We may rationalise that they are caused by scientific laws, that they have no meaning.

However, I’m coming to realise that they do have meaning.  They bring us together and remind us that we are not separate, that what one of us does impacts on the whole, to a greater or lesser degree.  By honouring the traditions we connect to the patterns that are stored in the universal consciousness for humans have been honouring the same observed patterns and events over many, many generations.  It’s a way of honouring our forebears, of connecting to the present day, and of speaking to the future too.

It’s important, however, to decide if the particular traditions or observances fit in with your own philosophy, why you celebrate in the way you do, and to recognise that it is perfectly acceptable to change them as you grow and develop as a person, and not to just follow them blindly because you have always done them.  It is, of course, perfectly acceptable to create traditions of  your own too.

It may be that because I lead a very solitary existence, traditions celebrated by oneself have not really had any particular meaning, or have changed as my spiritual philosophy has grown and developed over the years.  Perhaps it is important that I find which traditions, which celebrations have meaning to me, and develop ways of observing them that lets me understand where they have come from, the meaning they have for me at this time, and how they will impact on the future.

Of course, I’m not sure if all of that made any sense at all!  Sometimes I need to get it out of me by writing and mithering and wittering on.

Happy All Hallows Eve (Hallowe’en or Samhain to you)!

Hallowe’en

Punkie3 © Angela Porter 2010

Well, it’s that time of year again isn’t it?  And it’s another time to consider the truth vs. “The Truth“.  “The Truth” is that this is an ancient pagan holiday, mainly thanks to the writings of Frazer in ‘The Golden Bough’ where he cites this as The Truth, yet there is little evidence if any for it being so (see Hutton “The Stations of the Sun’ for more details)!

There were fairs and courts held in ancient Ireland at this time, a time called Samhain by them.

The Venerable Bede writes that this time of year was known as ‘Blod Monath’ which means Blood Month – the month where all unnecessary animals were slaughtered to save fodder and the people would feast on the parts that could not be preserved.

The truth is that it’s actually more of a Christian celebration in origin!  Today is the eve of a major Catholic festival – All Saints Day (1st November) which dates from the 8th Century.  All Souls Day (2nd November) was instituted around the year 1000 as a day to pray for the dead.  In England since the 19th Century, and increasingly in the 20th and 21st Centuries, it has gained a reputation as a night on which ghosts, witches and fairies are especially active.  Why this should be so is debatable, and returns to the truth vs. The Truth.

Different sections of society have claimed it for their own, or are rejecting it as being their own.  Who is right?  Everyone!  One thing is certain, Hallowe’en is big business, especially in America, and increasingly so here in Britain.

There are many traditional events and activities here that are overshadowed by the sheer bad behaviour and malice that a minority seem to partake in with delight.  It is an aspect of this time of year that I dislike…and I don’t need to say any more about that.

I do think it’s good that children can face their fears in a safe, measured and fun way.  We all like to be scared in a safe environment; if we didn’t then the horror films and books and games wouldn’t appeal to us.  It’s part of growing up, learning to manage our fears, to indulge in imagination, to experience a different world of wonder.  It’s not just Hallowe’en that allows children to explore this; the traditional fairy stories aren’t all sweetness and light are they?

As to it being a festival that promotes evil and satanism, well, I don’t think so.  Those who would be drawn to such systems would be regardless of Hallowe’en, lets be honest.

As much as I can be pedantic about ‘the truth’ and I like to know where the traditions and beliefs have come from (the scientist, researcher in me will not be denied), I also know that traditions change and evolve over time.  What is important, perhaps more than anything else, is that traditions link us together.  We can be sure that we are not the only ones having fun at this time, indulging in shared events, and it is that sharing that reaffirms that we are all connected in some way.

Auragraphs

Auragraph for Liz © Angela Porter 28 October 2010

Auragraphs are intuitive works of art that result from a sensitive person ‘tuning into’ another person’s energy, aura, being.  The colours, shapes, symbols and patterns all have meanings that can be interpreted, giving an insight into the recipients personality, life, and potential.  I’ve been experimenting with them for the last couple of months, and yesterday I was showing them to people at an open day at a local spiritual organisation.

A couple I had already done found their way to the people they were meant for.  Orders were taken for another couple, and all the proceeds are going into the organisations funds as donations.  It was an interesting experience for me in many ways.

Giving the interpretation (reading) for the recipient was interesting, and it was nice that they were so right.  Working with someone who wants one done for them and allowing the images/shapes to flow on to paper – just as sketches – and talking about why they are appearing and what they mean, and getting feed back on that was very interesting.

The two ordered have only been done as sketches; they will take around 12 hours each to complete, so that will keep me busy, as will writing down the readings for those verbally given will be interesting!  I really do need to carry my digital dictaphone with me more often I think.

The Ghost Train

Punkie1 © Angela Porter 2010I actually made it to the Pontypool and Blaenavon Railway yesterday, after the open day at Treforest.

I didn’t arrive until around 5:30pm and most of the visitors had been and gone.  I did get to read one story to one family.  And that was fine.  Though I did enjoy winding up small children in a nice way, as well as saving them from the scary vampire who was stalking the carriages!  I do hope I’ll get to read some more stories today …

I really enjoy story telling /reading.  It’s another shared activity that bonds people together, allows them to make connections, and it’s also an opportunity for imaginations to be used, something that isn’t done so often these days.

This may be my last time at the railway, however.  I find the connections I once thought I had there are now very weak, if not non-existent.  Things change, which leads me to …

What All Hallows Eve Means to Me

Autumm Leaves © Angela Porter 2010

I always think of All Hallows Eve (Hallowe’en to you!) as mid-Autumn.  It certainly is this year; the world is wearing its coat of glorious flaming Autumn hues!  I love it when I drive along through a flurry of leaves blown off the trees by a sudden gust of wind.  The warmth of the colours envelops me as I journey around the world, a warm memory is being stored to see me through the cold, dark days of Winter.

The Earth is preparing to sleep through those Winter days, taking a hard-earned rest before coming to life again in the Spring.  All that is unnecessary, finished with, complete  is being shed, the falling leaves being symbolic of that.

As this clearing out happens out in the world of Nature, so it happens within.  It’s time to look back on the year, to give thanks for what is complete, finish that which is almost complete, and let go of that which is finished, has served its purpose, that we have outgrown.  In doing so we make space in our lives for further personal growth.  And this is the potted version of how I relate to this particular spoke on the wheel of the year.

For me, it seems the railway is to go.  My SmartCar and all her problems have gone.  I may soon be finished with counselling … but we’ll see about that, there’s still my self-image, confidence, self-love to be worked on.  I’m not sure about anything else, but that will become apparent as time goes on.

Labels, work, stress and knits.

Jam Jar Labels.

I got some labels done for a friend for their home made jams and chutneys.  They are chuffed with them, and I’m pleased that they like.  They liked my illustration for my Harvest Moon blog entry, and wanted their labels in a similar style.   The first one below is for the larger jars, the second for he smaller jars.  It took a while to get the first one ‘fit for purpose’, but I’m really pleased with it.  It gives visual hints as to where the produce was grown and collected for the preserves.  I also am pleased that my rather simplified style of art has found a ‘niche’.  The smaller label works just fine too, similar design, but the landscape faded out so the information about the contents can be typed over it.

A friend at work asked if I’d design some for a relative of hers as a Christmas present, as they are always making jams and preserves too.  So of course I’ll do that.

Work, stress and knitting.

Three weeks back at the chalkface (though no one uses chalk in the classroom anymore!) and the stresses of dealing with uncooperative, disrespectful teens and managing a workday that is like climbing on a treadmill that has been set by someone else who is calling the tune, and running to keep up with the changes in pace until eventually you are thrown off as your feet get in a tangle.  Well, that’s how it feels once more at the moment…despite the help I have once a week, I’m not yet able to break the cycle I’ve managed to get myself caught up in over a lifetime, and of course when things go wrong, or at least aren’t perfect, then I blame myself and beat myself up with it once again.  But it’s not as bad as it used to be, it just seems a long journey to get to where I’d like to be.  And one straw was added to the burden that’s built up since the return to work on Thursday that caused me to lose my temper briefly.  That led to me having a very upset digestive system for the rest of the day night, and a thumping headache that was with me most of Friday, Ibuprofen only just taking the edge off it.

This lead me to feeling I needed to find an activity in the evenings that relaxed me, didn’t require a lot of concentration and that I could just pick up and put down at will.  I love art, but when I start on an art project I can get consumed by it, stay up later than is wise for me as I totally lose track of the time.  I wanted something that wouldn’t need my eyes to work in sharp focus (note to self – opticians!). Something that didn’t need a lot of concentration.  Something that kept my hands and eyes busy but left my mind free to think or to follow a film.  And that reminded me of why I used to love to knit and crochet so much.  I was doing something, something creative, but something that let me be still and calm, to just ‘be’.  I knew I needed projects that could be either finished quickly or were made up of smaller individual pieces which could be finished quickly.  Projects where I could utilise my own creativity, perhaps even learn about free-form work, and maybe even combine all of this with other forms of art that I love to do to create mixed media works or jewellery.   I wanted things I could do while too tired, too stressed out to settle to anything else.  Something that would help me settle when like this, and perhaps small enough that I could carry it with me.

Well, in quite a synchronistic manner, one of those emails containing recommendations of books from Amazon appeared in my in-box, and on it were books of knitting and crochet.  I followed them, and added a large number of books to my large-ish Amazon wishlist, and I ordered two books that really caught my eye.

One was the ‘Prayer Shawl Companion’ by Janet Bristow, which caught my attention because of the contemplative, spiritual aspect of knitting, and gathering together with other like minded souls to create to gift to others in need, to send out thoughts for healing, love, peace and help to where it is most needed.

The other was ‘Mindful Knitting by Tara Jon Manning’ which appealed because it talks of the contemplative, meditative aspects of knitting.

Both of these books are on their way to me, and I hope that they are what I hope them to be.  I may post pictures of the projects here.  And it may be that like-minded people may gather together with me to create to help others.  I don’t know…yet.

I do know a friend at work has asked me to teach them to crochet.  So, after work on Thursday, I wandered through my local town to the only shop that now sells yarns, knitting needles and crochet hooks, to get some light coloured chunky wool, a large hook so she can see easily what to do, and can hold it more easily in her hands – she has rheumatoid arthritis, but she thinks this will help to exercise her hands and give her something creative to do.

Of course, I have been knitting squares of various stitch patterns and using coloured yarns, all of a similar size, just to keep me occupied while I await the arrival of the books.  And hopefully the books will also inspire me to be confident in creating my own things.  I’m particularly intrigued by ‘free-form’ crochet, as I am with ‘free-form’ beading.  But, we shall see what comes of this.

I do create textile jewellery from time to time – many examples can be seen at Artwyrd.deviantart.com, though I’ve not created any for a long while now, having a stock of them and nothing to do with them!  Finding the right market for them is a problem as they are so unique I suppose.  Maybe I can make use of my knitting/crochet skills to create different ways of wearing my beaded/wire/textile art … that’s something to think about at least!

I did have an interesting time trawling through eBay looking at the knitting yarns available and seeing some rather exquisite, and expensive, examples.  And with some of them my mind went to making small, heartfelt gifts not to wear but to keep.  Something to do for Yuletide/Christmas gifts p’raps.  Now that’s a thought.  And it’s more or less time for me to start thinking about creating my Yule cards.  For a good few years now I’ve made my own cards for that time of year, and it does take quite a bit of time to create them!

Echoes…

Why blog?…Why bother?

I just read a really good ‘blog entry’ – To Blog or Not to Blog’ by Skeltzer. Her words echo my thoughts …

And I write about all sorts of things. Some of my entries aren’t the best, but I’m not writing for anyone other than myself.

And I write about all sorts of things. Some of my entries aren’t the best, but I’m not writing for anyone other than myself. If people want to read and comment, that’s great.

So huge thanks to Skeltzer for her insights, and for helping the words surface for me about ‘Why blog?’.

I do love to write. I don’t often write to share with others. I have written some academic resources, and a children’s book about archaeology. But I really don’t write for other people to read, not unless I have a purpose. Perhaps by writing something that is public means that I get to practice the skills needed, and perhaps there may be some people out there who stumble across this little place and enjoy the words here, leave comments about my words, constructive comments especially, then that’s great.

It’s really interesting as I read through the comments left to the above blog-entry how many people seem to wonder ‘why’ or seek a kind of justification for their random, rambling blog. Modern life seems to insist that we have a ‘purpose’ to everything we do, and that just because we enjoy doing something isn’t justification enough. And isn’t that sad? In a life of hustle and bustle, it is becoming increasingly necessary to take time out to do something that gives us pleasure, just for us. And many of the replies to the blog echo that is the reason why they keep a blog – because they enjoy it. A totally valid reason in my opinion, especially if it gives motivation to express oneself, to be creative, something they may not do entirely for themselves in a personal journal.

I found the comment made by Ursula to be interesting.

People who write personal blogs should ask themselves why they have to “share” themselves with the rest of the web wide population. The purpose of blogging is to fulfill a basic human need: To be heard, to get feedback. Which is good. How else would I have had a chance to “meet” you?

Yes, it is nice to share, especially when there may not be other people around you who are willing to allow you to share, or who, for a myriad of other reasons, you are not comfortable to share with them. The world weird web allows for people to make connections, irrespective of physical distance, people who are willing to mutually share, and there is nothing wrong with that either.

Krysten commented the following concerning The Pioneer Woman:

She has a passion for life. She just wanted to share it with others and it has made her into something bigger than she expected.

And perhaps sharing that passion for life, to enthuse others, to inspire others to live life in a way that brings them great joy is another very good reason to blog.

I also like thorsaurus’ comment

Humans love telling stories. Every blog is a story…

And perhaps that is the comment that rings most true with me. In my ‘day job’ I find myself teaching in stories, communicating in stories. I do the same in the things I do outside of my ‘day job’ – I storytell during talks I give, I read stories at a preserved railway I’m a member of.

We all have a unique story to tell. Even though our lives may be incredibly similar, we experience it differently. And sharing that story to inspire others, to bond with strangers, to help others in similar circumstances, to make others laugh, to empathise, to sympathise.

This was contributed by Andrea:

I don’t have a lot of face-to-face conversation time in my life. I’m horrible at small talk, and just feel awkward (even with people I know sometimes!) Blogging is like a safer version of a face-to-face conversation for someone like me. But, it’s also way more available. Everyone’s too busy to hang out anymore, it seems. Through social media, I get that social connection with other human beings that I miss so much…

…Maybe we should stop analyzing this social media stuff and use it for whatever makes us happy (as long as it doesn’t hurt anyone).

That is also true … as is this from bagelonatree

Unless the blogger is selling something, it’s all about the connection and the joy of writing.

Lots of quotes from others there, and I hope that’s OK in blog-etiquette –

Thank You All

Thank you for writing the words that expressed my multiple feelings about starting a blog and for working my way through the conflicting feelings I have about it that can be summarised as ‘Why bother?’  The answers to this question are all given above.

Synchronicity

Synchronicity is the experience of two or more events that are apparently causally unrelated occuring together in a meaningful manner.

The musings about ‘Why blog?, above resulted from a synchronistic event.  I’ve been musing about ‘Why blog?  Why bother?’, and I randomly click on some title in a drop down menu to do with this WordPress interface and find a posting there exactly about that topic.

Synchronous occurrences are interesting, and many have happened recently, though they are all logged in my Luddite-journal!

WordPress

I love finding out how things work.  I do, really.  But finding my way around the WordPress Dashboard, settings, this visual or html place to type into … it’s all confusing at times…just so much to play with, to work out what it’s all about, and to use what needs to be used, and to keep consistency too.  I’m sure it will all work out.