Entangled Cards and Envelopes

Entangled Cards and Envelopes © Angela Porter | Artwyrd.com
Entangled Cards and Envelopes © Angela Porter | Artwyrd.com

I’ve woken to a grey, wet, fresh day here in the Welsh Valleys. The coolness is actually quite delicious on my skin. The rain is freshening the air and world up, clearing the dust away. What a way for the weather to see out August!

It’s a perfect morning to do some artsy crafty stuff. For me, that meant finishing off a pair of cards with coordinating envelopes.

Making the larger entangled seed pods card.

The top panel measures 3″ x 3.75″, mounted on an A6 card (UK sizes). 

I coloured The envelope, top panel and the border of the middle panel envelope and the edge of the middle panel with Crushed Olive, Forest Moss and Shabby Shutters Distress inks. I used a mini foam blending tool to achieve a gradient. 

I sprayed water onto the top panel. Distress Inks react with water and results in some interesting textural patterns. I didn’t spray water onto the envelope; the paper is too thin to take such treatment.

My next task was to draw the entangled designs; I chose to go with some seed pods, leaves, a geometric pattern and some little flowers too. I added some ‘sparkle’ patterns around the main elements to give the illusion of little things floating in the air.

Next, I added some sparkle and shine with some gold and copper ink. I placed ink inside the sparkles, the seeds inside the larger seed pods and the flowers too.

I used a brush and Distress inks to add some depth of colour to the design on the card. I decided not to do this on the envelope, again because of the quality of the paper.

Once I have someone to send the card to, I will address the envelope and seal it with Distress Micro Glaze so that moisture won’t damage the envelope.

The colour choice on this card is unusual for me, but it’s worked out nicely, particularly with the gold and copper accents.

The tiny floral card.

This card is tiny, measuring just 2.25″ x 3.25″. It’s envelope is a little larger than needed, but the We R Memory Keepers Envelope Punch Board didn’t have measurements on it for a card this size, so I just used the closest available.

The panel on the card measures 1.75″ x 2.375″. It is one of the panels from the Foursquare background frames I messed up while making yesterdays cards.

I used one of my ideas from yesterdays musings on the cards I’d made. I drew a simple design on both the card panel and the envelope front and flap using Uniball Unipin pens and then coloured it with Copic markers. I added some gold glitter dots with a Uniball Signo gel pen.

Once all was dry, I used a Versamark Pen to colour over the flowers, leaves and gold sparkles. Versamark ink is colourless and sticky and is made by Tsukineko; it comes in ink pads but also in double-ended pens – a bullet point at one end and a brush tip at the other. The ink takes a little while to dry. 

I covered the sticky areas with WOW super fine clear embossing powder and used a heat tool from Ranger to melt it, giving the design elements a glossy, protective and slightly raised finish. It also intensifies the colours somewhat, which I rather like.

So, I could now colour the background and envelope with Distress Inks without affecting the colours of the flowers, leaves and gold dots. I used a mini foam blending tool along with Pine Needles, Mowed Lawn, Tumbled Glass and Salty Ocean Distress Inks.

The final task was to glue the card panel to the card blank as well as the envelope flaps.

Again, once I’ve addressed the envelope, I’ll use Distress Micro Glaze to seal the inks and prevent any damage to the artwork while journeying to the recipient.

Reflecting on the cards.

I enjoyed making these cards. I particularly like the simplicity of the small card and the effect of the embossing powder. There’s something about teeny-tiny cards that really pleases me. I think it’s that their size makes them just so darned cute!

The larger card I am also pleased with, particularly in my use of colours that are unusual for me. I’m glad I added colour to the seedpods on the card; it helps them to stand out. I do love the copper and gold ink on this darker background too and how well they stand out.

Making envelopes that coordinate with the card is also something I enjoy doing; hopefully, the recipients see them as something a bit special dropping through their letterbox.

So, what’s on the cards for today?

It’s the last day of August, so I need to get a wiggle on to create a September colouring template for the Angela Porter’s Coloring Book Fans facebook group. I feel the need to include some autumn imagery in this one as we are in the dog days of summer for sure.

Tell me, Angela, how are you feeling today?

I’m tired but feeling quite content and optimistic again. I slept well last night; the weighted blanket really is working wonders for me as far as sleep is concerned. One problem is that I don’t want to get out from under it in the morning, so it must be comforting or soothing me.

I seem to have turned in a magnet for people who have escaped narcissistic abuse of all kinds. It’s nice to be able to help others by giving them space where I will believe their experiences, and I can help them, hopefully, to understand that they are not at fault but are victims.

Synchronicity pointing out to me how much I have learned and understood and healed and am now able to help others, perhaps?

Synchronicity

Synchronicity 1

Synchronicity 1 © Angela Porter 2012

Approx. 16cm x 12cm

Rotring pen, Sakura Glaze pen, Derwent Inktense pencils with water wash on heavy watercolour paper.

Small, intricate, full of spirals and swirls.  Typically me when in a fussy, detailed mood.

Many of the patterns and shapes are inspired by ammonites, nature, cells, Romanesque architecture, Prehistoric pottery and rock art.

Synchronicity because there have been a lot of  ‘coincidences’ noted in my life recently.

Back at work

Oh the joys of teaching!  There is an element of sarcasm there.  The lack of respect, manners and cooperation seems to have increased over the summer – either that or I’m getting old, having passed the 49 year mark during the long holidays.

I find myself emotionally drained at the end of each day after the constant hard work to get pupils to stop making assorted weird noises, disrupting the lesson in a myriad of ways, and just trying to bet them to be polite.  I feel ‘battle weary’.  Yet, teaching should not be such a battle.

The worst thing for me, however, is the effect this has on my creativity and the time to create.  I miss the hours I could spend creating art during the break.  If only I could earn enough from art reliably and sustainably to become a full-time artist…or writer…or or or…

Hypnotherapy

Well, yesterday, the Autumnal Equinox, saw the end of the hypnotherapy course.  I have an extension to complete the case studies, so the work isn’t quite over for me.  I managed, finally, to get a merit in one essay – hurrah!

Not sure if I’ll be able to start a hypnotherapy practice up for a few years for various reasons, but I’d like to keep my hand in and practice the skills I have learned until I’m ready to take that plunge.

Endings

Yesterday, in fact the past week or so, have been rather weird.  I’ve found myself very emotional, on the point of tears or past the point of holding them back on a number of occasions, including today.  I have no idea exactly what is the problem.  I thought it was hormonal, but I’m not too sure about that now.

Anyway, the hypnotherapy wasn’t the only ending this week.

I resigned from a committee that I perhaps have stayed on for a few months too long.

I’ve had various bits of a jigsaw puzzle about a friendship that ended a few months ago.  I’ve spent most of this time blaming myself as I was made to feel it was my fault.  However, the jigsaw pieces show that it isn’t my fault at all!

All this is quite apt for the equinox I think.