Template Thursday

Coloring Template ©Angela Porter | Artwyrd.com

It’s Thursday again, and one more week of quarantine is behind us. That means one week of lockdown ahead of us. Feeling sad about all those who are sick or who have died as as a result of the sanctions, but the sanctions have kept others safe from Covid-19, thus reducing serious illness from the virus, or death.

As another week has gone by, it’s time for another template for the members of the Angela Porter’s Coloring Book Fans facebook group.

As always, the template is available free to members of the group, which is also free to join. So, if you would like to colour it, meet some like-minded people, and share your colourings with us, pop over the the group and join in!

I drew and partially coloured today’s template digitally using Autodesk Sketchbook Pro. I needed to draw a mandala to soothe me. I’m tired today and feeling ‘meh’. That is reflected in my colour choices.

Sunday morning mandala

Mandala © Angela Porter | Artwyrd.com

It’s a sunshiny morning in South Wales. A welcome respite from the rain we’ve experienced most of the week. The cleanup and return to ‘normal’ continue after the flooding that occurred just one week ago.

I had no idea what I would create this morning, other it would be a mandala.

I drew and painted the design digitally using Autodesk Sketchbook Pro along with a Surface Slim Pen and Surface Studio, both from Microsoft.

This one has the floral centrepiece with a zentangle-style background. The flower is an unusual colour choice for me; I tend not to use corals and red tones much. It’s easy enough to change colours digitally, but I went with it, knowing that my colour choice reflects how I’m feeling at this point in time.

Yes, I do tend to create rather intuitively. This design didn’t start with a sketch, but with the first shape to be drawn, which was reminiscent of a petal. The rest of the design grew from there.

I’m surprising myself with how I’m able to ‘paint’ digitally. I enjoy creating more stylised forms, but with added texture and contrast to bring them to life. I know I’m not an expert at this; however, each time I work in this way, I learn more.

Today’s big lesson was how to save a brush style I’d edited and liked as a new brush for my brush library.

I’m glad I’m learning and developing my digital art voices and styles and that it’s happening slowly over time and as my needs demand. I know if I watched videos or followed tutorials on how all this worked, I would become incredibly overwhelmed and frustrated.

I also know that by watching what others do, I would likely be tempted to emulate their style and way of working.

I need to work out my own style/voice and be comfortable with it.
So, I’m not putting any pressure on myself to do something that I’m not yet ready for or haven’t had an awareness of what I could do.

Lalochezia

Lalochezia © Angela Porter | Artwyrd.com

I have a life-long fascination with words and facts that appeal to my curious, squirrel-y mind. I like unusual words. I also like etymology – the origins of words.

Since my first episode of severe mental ill-health due to burnout and cPTSD, I’ve found it difficult to read and retain information as I once used to as well as to recall information that was once on the tips of my neurons.

I’m finding it much easier to read and retain some of what I’ve read, thank goodness! And with that comes a desire to seek out interesting words and facts once again.

Lalochezia comes from the Greek ‘lalia’, meaning speech, and the Latin ‘chezo’, meaning to relieve oneself.

I admit, quite freely, to lalochezia. Not just for physical pain, but emotional pain too. There’s nothing quite like a swear word full of hard consonants to express the pain, frustration or upset verbally.

A friend of mine is constantly amused by my use of swear words even though I sound ‘quite posh’, according to her anyway. I thought of her when I found this particular word and just knew I had to use it for one of my ‘quote’ artworks.

The floral motif is influenced by Art Nouveau. It is highly stylised but there’s also the influence of Celtic knotwork in the way the foliage intertwines and overlaps.

The typography was completed using Affinity Publisher. The artwork was completed in Autodesk Sketchbook Pro. In both cases I used a Microsoft Surface Studio and Microsoft Surface Pen.

Flower Mandala

Flower Mandala © Angela Porter | Artwyrd.com

This morning’s warm up art is this mandala featuring some flowers as well as some zentangle and geometric patterns.

I’m not entirely sure this works, but sometimes an idea just has to be tried out. The flowers are a bit ‘flat’. The zendala/mandala background may be a bit too busy or just not the right colour. I’m really not at all sure.

However, whether it’s worked out or not, it’s been a relaxing process. It’s always pleasant to create for the sake of creating, and also working digitally too.

I used Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio to create this design.

Mandala – WIP

Mandala WIP ©Angela Porter | Artwyrd.com

This is the centre ring of a mandala I’m working on. I have no idea how the rest of it will turn out, but I’m quite happy with this first part, though I may add some bits and bobs to it, or maybe not.

I really do enjoy creating mandalas. The symmetry and rhythm of the designs that result appeal to heart and soul.

I love mandalas made out of geometric patterns, but I also like to create ones made from organic motifs and lines too. This mandala is likely to be one of the latter, though I suspect I’ll be trying out some more geometric patterns here and there through the design. Whether they remain in the finished piece is a different matter!

I’m working digitally using my preferred trifecta of Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.

As always, it’s a soothing process to create art. And I need some soothing today. A people-y evening last night has left me with an ‘introvert hangover’, and some quiet, self-care time is needed. Along with some painkillers to deal with the headache!

Flower quote #2

Flower Quote #2. Artwork © Angela Porter | Artwyrd.com

I just had to rework the flower from yesterday, and this is what I came up with. I’m much happier with it for sure. I like the soft, almost velvety texture I’ve achieved with the flower.

Looking at it this morning, with fresh eyes, I think the typography could be a little smaller. However, I’m much happier with this one.

Flower quote

Flower quote. Artwork © Angela Porter | Artwyrd.com

A variation on the abstract, stylised flowers of a day or two ago, with a lovely quote.

I got too heavy handed with the texturing in this one, but I just wanted to try the flower out without an outline. I’m disappointed with the texture, and it was too late for me to undo it by the time I realised it. Hopefully I’ll learn to save my work more often at points before I do something where it could go critically wrong and I can backtrack easily.

It was an enjoyable process, even though I’m more than a tad frustrated with myself. Still, it’s an experience to learn from for sure.

Entangled designs

Entangled Designs ©Angela Porter | Artwyrd.com

I’ve had a nice couple of hours this morning playing around with drawing and paper coloured (and not coloured) with Distress Ink.

I started with drawing the border with the flower straight onto the coloured square of mixed media paper (top right).

For the middle design, I cut a rectangular panel of Distress Ink coloured mixed media paper and glued it to another piece of coloured paper. Then, I decorated the panel along with some simple patterns spilling onto the background.

The bottom right design uses a square piece of plain paper with a small rectangle cut from some Distress Inked paper. I used a die with a stitched detail to cut this panel out along with a Sizzix Big Shot die cutting machine.

I’m not at all fussed on the stitched detail in this case. However, I do like the contrast of the coloured panel against the white background.

I do have a fair few pieces of paper coloured with Distress Inks, so I think some fairly quick, simple and soothing designs will be done over the next day or several.

Not sure what I’ll do with them yet. If you have any helpful suggestions, leave a comment! Also, leave a comment to let me know which design is your favourite.

Morning entanglement

30th November 2019 ©Angela Porter 2019

I woke this morning, refreshed after a long, deep sleep, and wanted to draw something relatively simple, something I could work on in the future.

I used a Uniball Vision Elite pen on a sheet of dot grid paper from Claire Fontaine. If you zoom in, you can still see the dots of the dot grid.

I had no idea of what I was going to draw. All I knew was I wanted to draw, and I wanted to start with a flower. Which I did.

I then started to grow the design by adding the swirls. Those swirls had shapes in them perfect to add some round seeds.

Next, I thought a rectangular background panel, filled with a geometric design, would be a good counterpoint to the more organic flower and swirls. So, I did draw in a pencil grid to use as a guide for my inked lines.

After adding a narrow border to the panel, I decided to add some simple dangles to the lower swirls. I thought the design needed to be lengthened a little.

When I’d finished the dangles, I knew the design was complete. I felt no need to add anything more to it, despite having a lot of white space! So, I scanned it in and prepared it for posting to social media.

I’d like to work this one with some colour to the flower and swirls, maybe the dangles too. The geometric pattern I’d like to add shading to bring out a more dimensional appearance to it. I may add that shading as shades of grey, or maybe as lines.

If you’d like more ideas about drawing dangles, then my book “A Dangle A Day” is a good place to start.

That’s where I have to leave it for now as I have a busy day away from home today.

Abstract Floral Design – Coloured

Abstract Floral Design ©Angela Porter 2019 - Artwyrd.com
Abstract Floral Design ©Angela Porter 2019 – Artwyrd.com

This morning, I thought I’d start my day by colouring in yesterday’s shaded, abstract floral design. And this is the result.

I didn’t remove the shading, but added simple gradient colours above it so that the shading would add to the depth and dimension.

Although this image, thanks to whatever WordPress does to the colour of images when uploaded, doesn’t show this, it actually works really well.

Yes, I know. It’s taken me a couple or three years to get around to working out I can underlay shadows and used colour over the top to add depth and dimension. However, I’ve said it before, I learn tricks at my own pace and when they are relevant to me or when I’m ready to try them out.

I may try this design again, but with more vintage-y colours. Maybe. It’s all learning for me that’s for sure!

The design was drawn with Tombow Fudenosuke and Sakura Pigma Sensei pens. Shading and colour was added digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Studio.