After getting my daily quota of sketches done for the next Creative Haven book, I turned my attention to some sketchbook work. This time I chose to do a tangle pattern exploration of Kangular by Tomàs Padrós CZT.
I love all of Tomàs’ patterns, and Kangular is no exception! It’s a charming, geometrical pattern with lots of possibilities for variations. And there’s only a small number here.
Adding shading really brings volume to the individual fragments and overall pattern, as does the use of fairly high contrast.
I enjoyed my time with this pattern, and you can see my explorations in today’s YouTube video.
It’s a funny old day today. I think I’ve overextended myself in exploring/experimenting with art. I just felt I needed a bit of ‘comfort art’ today. It’s like comfort eating, but healthier! Something familiar, not too taxing, soothing to the senses and mind. So, some pattern exploration fitted the bill!
The pattern I chose to look at is Nova by Beth Gaughan. It’s a lovely pattern but not one that I would ordinarily choose. Just challenging enough to make things interesting, but not so challenging that I get more and more disheartened with artwork.
It turns out that Nova was a good choice. There are some interesting variations to be explored for sure.
I hope you’ll come and join me in drawing these variations over on YouTube. This kind of exercise is good for getting the creative juices working, coming up with ideas in my sketchbook, and continuing to work with and understand how to vary tangle patterns. In turn, these things have an effect on my other art.
One of my YouTube subscribers wondered what I could do with the Zentangle pattern Huggins. I think Linda’s exact words were ‘I’d like to see you take on Huggins’.
So I did. This page is as far as I’ve got for now, which is further than I got in the video. But what else is there to do while a video is uploading and processing?
Huggins is one of my favourite tangle patterns (there are many). It’s always fun to play around with varying the pattern, and it’s a very good one to add variations to!
Not my neatest drawing, but it is in a sketchbook. Sketchbooks are, sometimes, the place to get ideas down quickly as they come to you. And that’s exactly what I did in today’s video.
In today’s video, I explore fragment D5 from the Zentangle Primer. Some interesting variations appeared, which were more interesting when put into either a regular or a crazy grid (or reticulum).
I decided to use Graphitint pencils to add both shadow and colour to some of the drawings.
I love playing around with motifs, letting variations appear on my paper. So, having a day dedicated to exploring in such a way is, I think, a good idea for me!
Today, I chose two templates. One ‘seedling-y’, the other ‘coral-ish’. I ended up with this page (A5) full of possibilities and potential.
I worked in an A5 Arteza plain paper notebook rather than a sketchbook. I’m getting papers all over the place again. As much as I like the discbound sketchbooks I have, I just felt the time was right to dedicate a casebound book to my motif, tangle and fragment pursuits.
The paper reminds me of dot-grid notebook paper, without the dots. I didn’t expect it to work well with the washes of colour. However, as a sketchbook, it’ll be fine for me. The smooth surface of the paper is a pleasure to draw on. Also, I won’t wreck the nibs of my fineliner pens so quickly!
Oh, I also used a matt graphite pencil to add shadows – no tortillon or paper stump, just using pressure and/or layering to increase the depth of the shadow. I also worked with texture in the shadow in the blue seed-pod/sea anemone/round thing. That is something I want to look at a bit more going forward too.
Ah! Fragment variations! One of my favourite things to do just for fun!
Today, I chose the lovely tangle pattern ‘Holly’, by Linda Dawson, as the source of the initial fragment.
My coddiwomple through the variations let to some lovely variations. Some were definitely dead ends, and some just don’t work in a reticulum.
Each dead-end and ‘fail’ teaches something. To persevere. And to accept that playing around with variations means mistakes, yeuchy variations are going to result. This is what sketchbooks are for – to make mistakes, to try things out, to work out what does and what does not work. And more importantly, to help get over the fear of failure, of having a go.
Even the ‘fails’ can lead to fragments that are lovely and unexpected.
Also, it’s nice not to have the pressure to create finished and highly polished artwork. It’s always nice to draw just for the joy of drawing.
Tuesdays are #TangleTuesday! This week I’ve chosen “Sandswirl” to draw and work out some variations with.
Sandswirl has long been a favourite tangle pattern of mine. I’ve never thought about exploring variations of it. I really enjoyed doing so!
When shadows are added, this tangle pattern becomes really dimensional in an interesting way.
I’ve never thought of using Sandswirl as a border before. This shows that all the time I’ve spent exploring patterns and fragments is paying off! I’d always thought of Sandswirl as a filler pattern. Today, I discovered otherwise.
I love alliteration! Back in the so-called ‘Dark Ages’, the time between the collapse of the Roman Empire and the Battle of Hastings in 1066, alliteration was used for rhymes. One reason I’d love to learn to speak, write and read Anglo-Saxon.
I’ve decided to have a different alliterative social media theme for each day.
Fragment Friday was a natural choice. I absolutely enjoyed creating variations for each of the fragments in the “Fragments of Your Imagination Challenge” that ran through January. I miss doing these variations. So that led to this particular theme.
For my first Friday Fragment, I decided to use ‘Hearts’ as the theme. Today it’s not so much creating variations on a particular fragment but the use of a particular motif within each variation. Some of the variations are familiar fragments or tangle patterns. Others go off in surprising directions.