This is a postcard sized drawing with some not very good hand lettering. The pens I used were a Schaeffer R2D2 pen for the broader lines and a Pilot Kakuno for the rest. Oddly, they both have medium nibs, but the width of medium nibs vary from brand to brand. Both pens are, however, smooth writers and a pleasure to hold and use.

Part of my self-care over the past week has been pulling together my favourite patterns and motifs into my visual dictionary. I find something soothing in repeating something that is familiar to me. Perhaps because I know I can do it. Perhaps because I feel I’m organising, taking control of something I can organise and take control of. Perhaps it is just the familiarity of the process and knowing the outcome will be a positive one.

However, in doing this, I rediscover patterns I’ve used in the past that I’ve forgotten about and it’s nice to use them once again.

Of course there are some of my old favourites in this drawing, but there are some that haven’t seen the tip of my pen in a long while, and couple that have only been added to my visual dictionary and not used in a piece of art by myself.

It’s very easy for me to fall into the familiar, especially when I’m having a bit of a tough time with my mental and emotional health, when EMDR or life has provoked a response in me that affects my ability to believe in myself and my art. These past six days have been a period of time just like that. I’ve gradually been recovering over the week, in general terms, but there have been some rather tough times too.

I think I’ve mis-written the quote from Christine Langley-Obaugh though, but the meaning is the same. I’m increasingly becoming aware of myself and the repetitions of feelings and thoughts and events in my life that cause me emotional and mental pain. Sometimes even physical pain when they’re revisited in EMDR or even in loving-kindness meditations too it seems.

This kind of reorganisation of my visual notes is just like how I used to write and rewrite and rewrite again and reorganise again and again my notes when I was in school, university and as a teacher. Trying to make things better, perfect and starting over again if I made a single mistake.

What I have noticed is that in my A5 dot grid journal from Claire Fontaine is that I’m not so ‘perfectionist’. I want to gather together my favourite patterns and motifs, doodles and alphabets in one place for a quick and easy reference, as a way to spark my creative juices when I feel I need that happening. There’s mistakes in them. They’re drawn with different degrees of precision and neatness. I’m working hard on not starting over, again, even though I know I’ve most probably got repeats of the same pattern or motif in there. But that’s fine. I’m telling myself that is perfectly fine.

That is a huge change in how I would call myself stupid and useless and a failure if I made one mistake in my pristine page of notes during my educational years or time as a teacher.

Working digitally allows me to achieve a level of perfection in my drawings as any ‘mistakes’ are easy to change.

Working with pen and ink on paper, with few pencil lines, means I have to live with the ‘mistakes’ or adapt them to be part of the design. I can edit out smudges if I scan the artwork in, but I rarely make changes to it unless it is at the behest of the publishers.

I think shows how I have a bit of a healthier relationship with myself now.

It’s always good when I can make connections between present behaviours and those in the past and to see how they have helped me but also how I have healed and made positive progress in my journey to CPTSD recovery.