Sketchbook Saturday

Sketchbook Saturday 2 May 2020 ©Angela Porter | Artwyrd.com

I am enjoying working a little either on my sketchbook-journal or preparing bits and bobs for it each day.

The main thing I wanted to do this morning was to get some little word tags prepared and in use.

I created a list of words I’d like to add to bits and bobs of art. I copied the list, using different fonts, then printed out an A4 sheet of the words. I made a second sheet using different words and different fonts. Then, I cut the sheets up into smaller pieces for storage.

Then, I realised I’d need to create a storage space for them in my sketchbook and thought an envelope would be the easiest way. I do have some commercially produced envelopes, but I thought it was time to use my We’R’Memory Keepers envelope punch board for a more custom size.

I cut an 8″ x 8″ piece of ordinary printer paper. I coloured the paper with distress oxide inks (old paper, tea dye and dried marigold) and then made an envelope that measures 3.5″ x 6″.

I then realised I needed a way to keep the envelope closed. I could tuck the flap inside the envelope, but as I used copy paper I didn’t know how durable it would be. So, I came up with the idea of having a little pocket to tuck the corner of the flap into. And that meant I could cut out “words” from one of the lists and add it to the little pocket.

Before I did that, I aged the edges of the label with Distress Ink. Next, I glued it to a an old book page and cut it out with a border of text. That layer was also edged with Distress Ink, then it was added to the pocket. I used a metallic Gelly Roll pen to draw around the label.

On the page, you can see some small drawings I’ve done over the past couple of days.

On the left of the page are three ATC cards (2.5″ x 3.5″) made from a piece of mixed media paper coloured with the same Distress Oxide Inks.

On the right, is a larger artwork, an experiment and exploration of what I could do. I collaged some Distress Oxide coloured pieces of paper on to the background. I added metallic gold and copper paint to some of the pieces, and also to create patterns behind them. I drew little designs too, including a Dangle Design from one.

I’m not all that happy with the ‘explore’ card. There are bits I like, and other bits where I think I messed up. I think if I’d left it with the gold patterning on the background and just some simple patterns on some of the collaged rectangles, maybe some gold paint on the smaller ones, then it would’ve worked out better.

I think I’m going to make a vellum envelope or pocket to store the ATC cards in. Vellum in translucent and so will provide a tantalising glimpse of the card(s) safely stored within.

The ‘explore’ card will be placed into the sketchbook, with notes and reflections about it. It’s one that will be a learning experience more than anything else.

Entangled Art – 1 May 2020

This morning, I finished this Entangled Art drawing.

The background was created using Distress Oxide inks and sprays of water on mixed media paper then scanned in.

The drawing was done digitally using Autodesk Sketchbook Pro.

A very intricate, detailed drawing in my signature ‘Entangled’ art style, that includes inspiration from nature, architecture, geometrical and repeating patterns, and overlaps a little with zentangle.

A new month!

While we may all be in lock-down, the days still pass us by and go into the past.

I sit here, at my desk and looking out of my window as I work. Sunshine, blue sky with some heavy grey clouds cover the world. Fluffy dandelion seeds are dancing around in the air, thanks to a fairly swift breeze. The trees that cover the valley sides are all cloaked in their spring green finery. It’s a fitting view for Beltane, May Day.

The world is now fully awakened from it’s winter sleep. The long, dark days of winter are now behind me and the days have been rapidly lengthening towards the longest days around the summer solstice in June.

In years past I’d be looking forward to days out, enjoying evening activities and meetings in daylight. I was looking forward this year to going out with my DSLR to take photos of flowers and plants, architecture, and anything else that grabbed my attention. That’s not to be. However, I will be looking forward to doing this in the future.

As much as I would like to be wandering around with my camera, I know it’s more important to be at home, to avoid contact with others, and to help slow down, if not halt, the spread of the Covid-19 virus.

The most difficult thing is not knowing when the current restrictions will safely be lifted. And when they are, the number of cases is likely to increase once again and we’ll return to lock-down.

I am so grateful that I am able to work at home, am happy to stay at home, for as long as it takes. The longer this goes on, the easier I find it to remain at home. I do worry that when the lock-down is released I may find I’m filled with fear and anxiety about leaving my home. I struggle with that anyway, but I do wonder what effect this will have on me.

Still, I can still think of things I’d like to do, places I’d like to visit, once it is safe to do so once again, even though that particular point in time is, as of yet, not in the calendar.

Template Thursday

Coloring Template ©Angela Porter | Artwyrd.com

It’s Thursday again, and one more week of quarantine is behind us. That means one week of lockdown ahead of us. Feeling sad about all those who are sick or who have died as as a result of the sanctions, but the sanctions have kept others safe from Covid-19, thus reducing serious illness from the virus, or death.

As another week has gone by, it’s time for another template for the members of the Angela Porter’s Coloring Book Fans facebook group.

As always, the template is available free to members of the group, which is also free to join. So, if you would like to colour it, meet some like-minded people, and share your colourings with us, pop over the the group and join in!

I drew and partially coloured today’s template digitally using Autodesk Sketchbook Pro. I needed to draw a mandala to soothe me. I’m tired today and feeling ‘meh’. That is reflected in my colour choices.

Making a simple sketchbook or journal pocket.

Making a Simple Pocket © Angela Porter | Artwyrd.com

Yesterday, I said I’d like to make simple pockets for my sketchbook-journal to hold my artwork rather than gluing it to the pages. So, this morning, I started my day looking on YouTube for some ideas and this video by joie de fi was the top of the list.

While I was watching it, I thought I’d make an instruction sheet to go in my sketchbook (or my virtual one I’m making in One Note).

I picked up some quadrille paper and wrote and drew as I watched the method for the first pocket. I worked in ink without pencil sketches and I made quite a few mistakes. A Tipp-Ex mini pocket mouse was my friend.

When I’d finished the instruction sheet, I scanned it in and used Autodesk Sketchbook Pro to remove the square grid from the paper, clean up some smudges, and correct minor errors.

Then, I added some colour to help bring out the drawings, but also to help with the instructions.

I’ve yet to make this kind of pocket, but I’m sure I’ll be able to do so quite easily now.

Reflecting on the artwork/illustration

This was a lot of fun for me to do. It’s something I’ve not done much since my days as a science teacher, or a learner in school and university myself. I’d forgotten how much I enjoy creating instruction sheets with my own drawings on them.

Back in those days, I would’ve used a ruler to draw straight lines, pencil for the diagrams, pen for the words, and little or no colour. Here, I free-handed the drawings, wobbly lines and all. The colour also adds life and dimension to the diagrams/drawings/illustrations.

The layout of the instructions may not be the best and easiest to follow through. That’s because I did this as I was watching the first part of the video. I think that for the next one, I need to sketch out the steps and notes first, and then work on organising them more clearly.

Yes, I’m going to do some more instruction sheets like this!

I also really need to do more hand lettering! I’ve lapsed in my writing practice, that’s for sure.

Sketchbook Page

Sketchbook Page © Angela Porter | Artwyrd.com

I’ve been awake since stupid o’clock, which roughly translates to 3:30am BST. While I was trying to get back to sleep I watched a youtube video about making pockets and tuck-ins for an altered book journal.

I thought that could be something good for my sketchbook-journal. I have worried a little about gluing my little artworks into it, but pockets, tuck-ins, see-through envelopes could be a good way to both show the work and store it in a non-permanent way.

So, with my mind now working and sleep eluding me, I decided to have a go at making my own pockets. You can see the result at the top right, with a journalling card popped in one of them for now.

How I made the pockets

I used some ordinary white card, cut it into what I thought would be good sizes to make a set of stacked pockets for the ATC sized cards I’ve been working on.

I then coloured the cards with Distress Oxide Inks. For one of them, I used a brayer to add ink to a gelli plate. Before pulling a print, I spritzed the gelli plate with water that had some white perfect pearls added to it.

For another panel, I used the brayer to add ink directly to the paper. It did that unevenly. So, I used a ball-tool to carve some texture into the black side of a piece of cut and try foam and used that to add colour. That worked really well! Dabbing the foam added a lovely textured layer of colour. A spritz of water activated the dusty, chalky, soft nature of the Distress Oxides.

I enjoyed the look I achieved with the distressed foam that I coloured the remaining pair of paper panels in the same way.

I then tore the top edge of each panel, for added interest, then used a piece of foam and Rich Mahogany Distress Ink to add grunginess to the edges of each panel.

I wanted to add some embellishments to each panel, so I used a copper sparkle Gelli pen to draw patterns on them.

Finally, I used Tombow Mono adhesive to stick the panels together.

When I put the panels on the page in my sketchbook-journal, I thought a panel behind them. So, I coloured a panel of the same card with Distress Oxide inks and the distressed piece of foam and used the same gelly roll pen to add some sparkly patterns. Then, I adhered the back panel and pockets to my sketchbook.

When I tested some ATC cards in the pockets, I realised I need to work out a way for some more ‘give’ in the pockets as they’re too tightly put together to slip more than one ATC card in them. Also, I placed them just low enough down the page so the ATC card doesn’t stick out of the sides of my sketchbook.

I’m not well known for my fore-planning projects like this, though I do try to learn as I go along.

Inchies and Twinchies

My mind was working in weird ways this morning. As I was making the pockets, my mind strayed to inchies and twinchies. I’ve not made any of these for a long, long time. I thought it could be fun to do so and add them to my sketchbook-journal.

I cut two 1″ wide, and one 2″ wide strips of card. I used the distressed foam to apply Distress Oxide inks to them, spritzing with water to add to the distressed look. Then, after drying with a heat tool, I cut them into squares – 1″ x 1″ inches and 2″ x 2″ twinchies.

I decided to use metallic watercolours from Cosmic Shimmer to add a sparkly, shimmery border to each tile. I used rich gold, pale gold or copper on each tile.

Then, I got to draw on the tiles. Teeny, tiny zentangle-style drawings. That was fun to do!

After adding some dots using a white Sakura Soufflé pen, I adhered the inchies into my sketchbook-journal. I’ve left the twinchies for decoration later.

Journaling cards

I realised that I could stored journalling cards in the pockets. All I needed to do was to colour the back of one of the ATC cards I coloured a few days ago. I also just realised that I could have added a layer of squared, dot grid or lined paper to write on too. That’s an idea for another time, maybe.

After drying the ink, I used a rollerball pen to add what notes I wanted to about this mornings creative sessions.

In fact, I’ve just created another journaling card to jot down ideas and notes to self as a result of reflecting on my pre-dawn arty activities!

Entangled WIP

Entangled WIP 27 April 2020 ©Angela Porter | Artwyrd.com

This morning started early and I played around with metallic paints along with Distress Oxide inks in my sketchbook / art journal. I have some interesting backgrounds as a result.

I also created a background for today’s artwork. I have tweaked the colours a little, digitally. I don’t know what WordPress does to the colours, but they look different in Autodesk Sketchbook Pro. I used Distress Oxide inks and have ended up with a rusted, weathered, kind of distressed/grungy texture.

Of course, I can always alter the background later on, if I wish.

I used the symmetry tool to reflect my drawing. You can see I’ve laid out the bare bones of the design and have started to fill the sections in with texture and pattern. I have a lot more work to do to complete the drawing. Then, I’ll think about shadow and highlight to help to bring the design to life some more. Or perhaps I’ll make it look like a stencilled design on the background, one that has some dimension to it.

Sketchbook Sunday

Sketchbook Pages – 26 April 2020 ©Angela Porter | Artwyrd.com

Over the week I’ve been adding to my sketchbook- notes and images, ideas and reflections.

Each page has been coloured with combinations of Distress Inks, applied using the black side of a piece of Cut and Dry foam, followed with a spritz of water to bring out some water-staining grungy loveliness.

All the little drawings have been done on either Daler-Rowney Smooth watercolour paper (300gsm) or mixed media paper, either from Claire Fontaine or Daler-Rowney. The papers have been coloured with Distress Oxide Inks, Distress Inks, or a combination of them. Most of the pieces have had the inks applied with the foam, but some were made by brayering Distress Oxide inks onto a gelli plate and taking a print of them.

The reflection about what I like, what I don’t like, and ideas that arise is important to me in my sketchbook/journal. I do reflect on my art, a bit too much in my head. When I write it down, it forces my sometimes abstract and swirling thoughts into some kind of order. When I make these thoughts a material manifestation by writing them down, it helps me to recognise the thoughts, sift through that which is useful, and still record those that are not particularly useful at this moment but may be in the future.

I think I need to find a way to do this with my digital art. My mind goes to using One Note to do this. I shall think on this one, and make a note of it in my physical sketchbook/journal.

Tranquility

Tranquility ©Angela Porter | Artwyrd.com

Not sure I’ve captured the sensation of tranquility all that well. All I can say is that I gained a sense of tranquility whilst drawing the mandala.

I’m tired today. Again, I woke way too early and couldn’t get back to sleep. So, I thought I’d try to do some art to soothe and relax me.

Background texture – Distress Oxide inks on Daler-Rowney mixed media paper.

Mandala – Digital art using Autodesk Sketchbook Pro and Microsoft’s Surface Studio and Surface Slim Pen.

Zen

What is Zen? Quote – anon. Artwork ©Angela Porter | Artwyrd.com

I wonder how many are trying to keep busy, busy, busy during the lockdown? And how many are learning how to just ‘be’, relaxing and taking time for self-care?

Self-care has been a long, difficult series of lessons for me. It’s a practice and not a perfect situation. However, self-care is important.

I don’t mean personal grooming, which is important, but it means taking care of your emotional and mental needs as much as your physical needs.

Today is a day where I’ll need to practice a lot of self-care. Migraine-style headache woke me up way too early and although the pain has gone it has left me exhausted, unfocused, and needing sleep. So, I’ll soon be returning to bed to sleep the lingering effects of the migraine away.

To help me cope with the migraine, I spend a few hours working on my mosaic crochet blanket/throw, and then created the above. Both very self-soothing activities for me.

What do you do for self-care?

Template Thursday

Template Thursday – 23 April 2020 ©Angela Porter | Artwyrd.com

Another week in lock-down has gone by. Thursday has arrived again and that means a new coloring template for members of the Angela Porter’s Coloring Book Fans facebook group.

Floral designs, an entangled garden was my fancy this morning and this is the result, not fully coloured though.

Coloring is a great way to find some calm and peace during troubled times, such as the times we find ourselves in. Scientific studies have shown it has a similar effect on the brain as meditation.

I have a number of templates available for free in the facebook group, including this one.