Inktober 2018 Day 17 ‘Swollen’

Angela Porter Inktober 2018 Day 17 Swollen coloured

The first thing that popped into my weird head when I read the prompt ‘swollen’ was a puffer fish! I know … weird is the right word.

So, I had to draw one of my entangled drawings incorporating a puffer fish, lots of coral reef and sea inspired images, and a few cute monsters and critters – including a white cat and a pink badger (don’t ask!).

It took a couple of hours to draw the outline using a Faber-Castell broadpen on Rhodia dot grid paper.

I scanned the drawing into GiMP, removed the dot grid and created a transparent background.

The final step, which has taken around 4 hours, is to digitally colour the image.

It’s certainly bright and colourful, though if it wasn’t an Inktober challenge I’d want to go back and add some added textures and shadows to the image. But it’ll do for now as it is.

I also would like to add some patterns in black pen to some of the more ‘flat’ areas of the design, such as the bodies of the sea anemones.

I used Autodesk Sketchbook Pro, a Microsoft Surface pen and a Microsoft Surface Studio to colour the image.

#created on surface #autodesksketchbookpro #inktober #inktober2018

Inktober 2018 Day 15 Weak

Angela Porter Inktober 2018 Day 15 Weak

Another day in Inktober and another hand lettered and illustrated quote.

My hand lettering really does need work/practice!

I just had to include a rude little monster tucked away in the intricate pattern around the quote.

I drew this on dot grid paper using Faber Castell Broadline and Fineline pens. I then scanned it in, removed the dot grid and created a transparent background in GiMP. I then used Autodesk Sketchbook to add a colour background and my watermark.

The drawing took a couple of pleasurable hours to do; it is smaller than my previous ones,being a round 17cm x 17cm in size (the overspills make it awkward to measure!

The design reminds me of the work I used to do before I became so immersed in coloring book design. I know this creeps out from time to time, and when I get a chance to do it I really enjoy drawing this kind of detail.

One thing I’d do, perhaps, if I were to go back and do this again I would definitely pay more attention to the hand lettering and I’d add some shadows to the line art to add some more depth/dimension to the design.

 

 

Doodle, illustration from 11 Feb 2017

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I’ve done it!  I’ve worked out how to easily add a watermark to my scanned artwork to try to protect it as I share it online.

Autodesk Sketchbook Pro made it a doddle to do and so I’ll make sure I do this in the future.

To draw this one I found, after much searching, my Rotring Rapidograph pens.  It’s been a while since we were acquainted with each other, but yesterday was the day!  I’d forgotten what a joy they can be to draw with.  Also, unlike the UniBall UniPin or Sakura Micron pens I generally favour to draw with, I don’t wreck the nibs in a short space of time. I must press a lot harder than I think I do with them…

So, onwards to more art.  A lesson learned about protecting my ownership of my art and some control of it when I release an image of it into the wilds of the world weird web.

Some rainbow doodles and a bit of a rant

The rant

Over the past week or so I’ve been feeling incredibly stupid and naive. I’m quite proud of the art I create; the process of creation brings me a lot of pleasure and I like to share images so others can share in the pleasure when they see the art and appreciate it.

I’ve had to think long and hard about whether to share my drawings on the internet, and if I continue do how I stop them from being treated as if they are free for all and sundry to print and use as they wish.

My art is how I make an income now, having gone self-employed last summer. Some of my recent images I shared and naively thought that I’d be able to put them together in some kind of publication to sell.

That is now impossible for many of the images as they’ve been declared and shared as ‘freebies’, even though I never gave express permission that this was the case.  I deliberately uploaded images of relatively poor quality and small size to discourage this from happening, and it’s still happened.

I feel really upset and rather low as tam really proud of my latest drawings and I thought they’d be of some commercial value.

Now they are of no value, to me or to anyone else.

Stupidly, naively, I forgot that as soon as you post something on the internet, you lose control of it, you seemingly lose your rights as the copyright holder.

A lesson to learn for me.  And I’m trying to remind myself constantly that the more I draw in this style, the better I get at it and the more ‘Angela’ it becomes.

Despite this, I still want to share some of my drawings, and I think the best way to do this will be to colour the images in someway to discourage this happening again.  I know it won’t discourage the determined die hards who have no conscience, but I do hope that it will make others stop and think about the consequences of their actions.

I do, from time to time, draw images that I do offer as ‘freebies’ via my facebook page, and I always say they are such.  What I don’t do I tell people that something is NOT a ‘freebie’, and I suspect even if I said that there would be some who would ignore it.

I hope that I have found a way round this…and that perhaps these words will make people stop and think.

What I’m trying to do is to learn from this, to take it as a message that I need to protect my work more when I put it on the internet, and to take it that the last few images I have been serving my apprenticeship in a slightly different art style as I make it ‘mine’, and keep work back that won’t be seen unless it’s published or in a portfolio for prospective employers.

If anyone has any suggestions to help me with this, apart from to never show my work (which I generally don’t do if I’m working for a publisher, but even then I do the odd sneak peek), I’d appreciate it greatly.

Rant over.

Rainbow Doodles

So, one of the things I’ve done to try to protect my work is to colour it in.  It takes way too long to break out media to colour in everything I draw, so I’ve made use of Autodesk Sketchbook to apply a rainbow colour gradient to my drawings.

I’ve also uploaded them to artwyrd.deviantart.com so they become watermarked as an added bit of protection.  I need to learn how to do that somehow…

I quite like the rainbow gradients.

February’s First Doodle

This is a work in progress.  The line art is done and I’m starting to colour it in. I’ve used Chameleon pens so far, though as I progress I may use Copics or Promarkers to fill in some areas.

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Today’s doodle

Me and people … it’s kind of a ‘meh’ thing.  I try … and it’s never right.  All the same, here’s today’s doodle, with a kind of fairy/angel person in the middle…

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Top 20 Doodle Artist Sites and a coloured Doodlededoo

I had a big surprise earlier today when a facebook tag led me to a list of the top 20 doodle blogs/sites, and I appear on it at number 14!  I’m honoured to be listed alongside such great artists as are in the list.

Here’s the link to the list: http://blog.feedspot.com/doodle_blogs/

I also have used my trusty Copics to colour in one of the doodlededoos shown in the last post.  I think I’m getting a bit bolder in my colour choices. I’m also choosing to use a flat colour in background elements; on marker paper, the ink blends smoothly and seamlessly so large areas can be coloured in without any streakiness.

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Doodledoos from 29 Jan 2017

I drew two doodledoos yesterday; no colouring though.

Yesterday’s doodleedoo all coloured

I had a moment of ‘genius’ and printed out the drawing on Winsor and Newton Marker paper.  I checked my printer could take such light-weight paper, and it could, and am I glad it can!

Marker paper makes it so much easier to blend alcohol markers, such as Copic, and it’s very white colour means the marker colours remain luminous.

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Today’s doodlededoo!

A little bit different, just a little, but fun all the same!  I’m really going to have to print and colour this one I think!

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