pen drawing

Paleotober 2020 – Fossils

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An entangled smorgasbord of fossils, stylised fossils, and some of my favourite patterns and motifs.

I enjoyed creating this one, though I feel I rushed the highlights and shadows a bit. However, I can always go back and edit or re-work them. I’m so much happier adding those highlights and shadows digitally than I am with Copics or other media.

Today, my colour scheme is monochrome, with many shades of grey, along with black and white. Those colours echo a conversation I’ve been having about how life isn’t always black and white, that sometimes no matter how you try to find the right path, make the right decisions, not everyone will agree, either totally or in part.

Art is something I do mainly for my own pleasure. Yes, I do work on adult colouring books, but within the broad topic it’s up to me what I create. I guess enough people like my art as I’m asked time and again to create another book and another.

My biggest problem is believing in myself, recognising that what I do is good enough, and that my own way of expressing myself, in drawings like this one, is good enough too. This way of drawing comes all too easy to me, and that lack of struggle makes me think it’s not worthy of consideration.

That is why I end up experimenting with different media, different ways of creating art, of expressing myself. Yet I always return to this style.

In the past, I’ve described it as my ‘comfort art’. I’m beginning to understand that it is my main artistic voice, the tune. Everything else is me just trying to find harmonies that add to that voice. Perhaps the voice itself is enough, as with Gregorian chants.

That is an insight that I need to dwell upon for a while, but it feels right to me.

Drawn with Unipin pens on marker paper. Background, highlights and shadows added digitally.

Entangled Art

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I finally have this particular drawing finished.

It was drawn on marker paper using Unipin pens. Shadows were added using cool grey Copic markers. Next, it was scanned in and a kraft paper background added. Finally, highlights were added digitally to help bring out some sense of dimensionality.

I like the way the highlights and shadows work. However, in future I need to add the shadows digitally along with the highlights.

It’s a very typically “Angela” style of art – intricate, detailed, and full of botanical motifs, arches and geometric patterns that I enjoy using so much. I even managed to leave some areas that are not so busy with line and pattern!

So, it’s on to the next one, once I’ve designed the coloring template for Template Thursday!

Tuesday Typography for Paleotober

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I had to take a totally different approach to completing this piece of typographic art – pencil drawing the design and letter outlines on paper before inking and scanning into the computer.

Once scanned in, I could clean the image up, fill the shapes with black. I learned how I could use some of the tools in Autodesk Sketchbook Pro to do this. However, in black and white the artwork looked just so flat and dull.

So, I added a chalkboard background in a lovely sea blue (ammonites were denizens of the oceans after all!), and added a colour gradient to the typography.

It then looked a bit better. But I thought I’d try adding highlights and some shadows. And that just did the trick and I was finally happy with what I’d produced. It was good enough for another step on my typographic art apprenticeship.

That doesn’t mean there are things I wouldn’t do differently the next time I try something like this. My hand lettering needs a lot of work on, as does my attention to the letter weights too. I’ve just realised that I meant to draw tiny ammonites in the dark blocks between words as spacers. Also, I could’ve spent a lot of time tidying up the lettering digitally.

I also learned that working on paper gives me a much better overall view of the design and how things sit together. For some reason I struggle with this when working digitally. It may be that digitally I can zoom in and out and often work unaware of what is around the design. With paper, that overall perspective is ever present.

Digital art is something I love to work with, but I’m realising that I do need to work on paper too, even if it’s a sketch or drawing that can then be enhanced, edited and completed digitally.

Template Thursday

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The template

It’s that day of the week again – Template Thursday! It’s the day where I add a coloring template to the Angela Porter’s Coloring Book Fans facebook group for members only.

This week I’ve done a pretty yeuchy job on the colour scheme. It happens. I do struggle with colours, more at some times than others, and today is one of those days.

The template itself has lots of my favourite motifs in – pumpkins, leaves, flowers, seedpods, seeds, berries, shells, mushrooms and stones. Not to mention arches and geometric patterns along with a sprinkling of stars.

I’ve gone with a weirdly autumnal colour scheme, but I think this would work for any kind of colour scheme you’d like. I may revisit this template and add linework and keep it monochrome at some point in the future. It would be good practice to redraw it digitally and work on my digital linework skills at the same time.

I used Unipin pens and Canson Marker paper to draw the template. Next, I used Autodesk Sketchbook Pro to clean up the image and then add the colour.

To Inktober or not Inktober? Nah, let’s Paleotober instead!

I may do an Inktober challenge this year, but again choosing an alternative prompt list. I enjoyed last year’s month of daily drawings focusing on art I’d not usually do, particularly the skulls. However, I found the pressure to draw every day a bit much and a bit manic to work in around everything else I needed to do.

This year, I’ve found Paleotober on Instagram , created by @bluemaskart.

I like that each theme covers a few days, so less pressure. I have been thinking of working on drawings of fossils, dinosaurs and so on in the way I have my recent drawings of moths. So, this is the push I need to get me to follow those thoughts!

I must admit, the sight of an ammonite, icthyosaur and pterodactyl, three of my favourite fossils, on the prompt list just did it for me!

I think I’m going to struggle with the imagined and speculative prompts, but I may just use those days to add to one of the others. We’ll see.

In other times, I’d visit my local musuems to view fossils and such like for myself, sketchbook and camera in hand. But not now.

Nevertheless, I shall have some fun with these!


WIP Wednesday

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I spent the morning, before running some errands, drawing tomorrows colouring template for the members of Angela Porter’s Coloring Book Fans facebook group. On my return, I scanned it in, cleaned it up and started adding some colour to it.

So, today, I thought I’d share a sneak peek of part of the template. Tomorrow, it’ll be revealed in all it’s, ermm, entangledness, and will be available for members of the facebook group to print and colour.

Drawn with Unipin pens on Canson marker paper. Colour added digitally using Autodesk Sketchbook Pro.

Entangled WIP

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I’ve completed more of this WIP this morning. It’s coming along, but it’s at that point where I’m starting to think, “What the heck was I thinking?” about various sections.

I know from lots of past experience that I often get this feeling as I work on some art, and all I need to do is to trust my instincts and intuition and to carry on working on it. And so I shall. This is the way.

Monday Mandala

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Autumn is steadily creeping in; the tree-covered valley-side that I can see from my office/studio has more yellow-toned greens than the darker green of summer. I can make out some flashes of reds here and there too.

The sky is pale grey and there’s a distinct chill in the air, so warming orange tones were needed as the background to this intricate, detailed entangled mandala.

This mandala was created just for the simple pleasure, joy, contentment it brings me.

I create art because it lifts my heart, my soul. It expresses what I find fascinating in the world combined with my need for intricacy, detail and precision in my artwork. Art like this is always very personal expression of what keeps that artistic flame alight in my heart and allows me to create some beauty to share with the world. I smile when I create art like this. My hope is that my art spreads smiles with others who see it – whether on their lips or in their heart and soul.

Entangled Art WIP

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A sunshiny, chill-nip-in-the-air, autumnal morning and starting work on a new entangled art drawing. Not much could be nicer start to the day.

I had a delivery of some new fude brush pens to try out, so this one is being drawn with a Zig Mangaka Flexible pen along with a 02 Unipin pen. I’m drawing on marker paper, so I dug out my cool grey Copic Ciao markers to add some shadow to the image in places.

The nice thing about using marker paper and markers is that the ink stays damp long enough for the blender pen to smooth the edges of the grey inks out a little.

I think I’ve worked on this drawing for around three hours so far, so there’s a lot more to go! I hope I can manage to leave some white space in the design, as well as being mindful of the use of contrast so that different sections feel separate to each other.

I started with the square motifs, which are based on Mayan glyphs, and just let the design flow out intuitively. It never ceases to amaze me how layers and dimension appears. It’s never something that’s planned; it just happens and I sometimes don’t see the effect until someone points it out to me.

No central big motif, such as a moth, with this one. Just pure entangled art.

Moth

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Finally finished! The moth with mandala and entangled background. A4 in size.

It’s taken quite a few hours work to complete this one, but it’s nice that it is finally done.

Lots and lots of my favourite motifs/patterns used in the entangled background – flowers, seeds, seedpods, leaves, arches, spirals and geometric patterns.

Plenty of line work to add depth and volume to the design.

I like that the white area behind the moth means the moth isn’t lost in the background. There are some areas where the resulting values aren’t sufficiently different, but I can live with that.

No colour (other than my watermark). A very graphic design.

Template Thursday

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‘Tis coloring template day for members of the Angela Porter’s Coloring Book Fans facebook group. Each Thursday throughout the pandemic, I’ve created a coloring page for members of this facebook group. The template is free to members, and it’s free to become a member!

This week’s features an iteration of one of my moth drawings, this time drawn with colouring books in mind. I just had to pair the moth with a mandala as that’s been my ‘thing’ for a few days now. Naturally, the mandala is less detailed than my drawings and the page is mostly filled with pattern and interest, as is my style for colouring templates.

I have autumn on my mind and in my heart, so the motifs reflect that – acorns, seed pods, berries and leaves. I’ve chosen autumnal colours to partly colour the template, but any colour scheme would work – a good thing for those of you in the southern hemisphere where spring is on it’s way.