Mandalas, Mia Chambers and Autodesk Sketchbook Pro musings

Mandala B1_Small_AngelaPorter_15May2016Mandala B2_small_AngelaPorter_15May2017

This morning, I’ve drawn the two mandalas above.  I used Autodesk Sketchbook Pro on my Microsoft Surface Book to do this.

I’m gradually exploring the features of Sketchbook Pro, and the more I use it, the more I like it, though making the transition from paper to digital drawing isn’t as easy as I thought it would be.  This is mainly because I find it hard to work at a detail level that doesn’t require a magnifying glass to see the detail or to add colour – particularly important when I’m doing work for colouring books.

This is partly because of the ability to zoom in so much on the artwork, and partly due to the screen size on my Surface Book being a little smaller than A4.

I have considered getting a Surface Studio, but that’s on hold until I’m sure I really want to go down the digital drawing route.  Having such a big screen is an alluring prospect, being able to work on the paper size at it’s actual size…but I’m still thinking about it.  Maybe when I find out my tax bill for the previous financial year I’ll make my mind up.

Now, these aren’t the first mandalas I’ve drawn using Sketchbook Pro.  In the past three or four days I’ve some some small ones (approx 3″x3″) to print out, colour and mount on blank greeting cards to be sold to raise money for Mia Chambers, Rainbow Warrior Princess to get her to America for experimental cancer treatment not available in the UK.

What I’ve always found tedious as well as a tad challenging mathematically, is setting out the angles and so on for a symmetrical mandala.  Sketchbook pro makes that easy for sure, as well as saving on the time in creating symmetry.

I’m still struggling with the idea that I may be ‘cheating’ by doing this.  However, I can logically accept that the tools available in Sketchbook Pro allow me to focus on my creativity far more.  Also, the ability to zoom in means I can add details and so on I couldn’t do easily when working on paper.

I have used mandala templates I’ve drawn on paper and scanned in Sketchbook pro to draw mandalas, as well as using sketched out designs so I can neaten up the sketch and add details (it saves erasing pencil lines and the mess and wrinkled paper and smudged in that can result).  I don’t really need to mention how easy it is to undo mistakes.

Certainly, the symmetry option makes creating these mandalas a lot quicker, and because I don’t strive for total perfection in the hand-drawn lines or added patterns, then even though the mandalas are drawn in a digital environment, they still have that feeling of being drawn by hand, which makes me happy – they’re still ‘perfectly imperfect’!

Of course, I’ve not really got to grips with colouring the designs in Sketchbook Pro, so printing them out and adding colour using a chosen medium is still my favoured way of working.  Also, I can add things like metallic highlights and sparkly gems to the mandalas, plenty of which appears on the cards I’ve made as well as the mandalas I’ve framed in order to raise money for little Mia.

Today’s Mandala

DotMandala_9May2017_AngelaPorter

I’ve spent much of the day working on this, and it’s been a pleasure to create as it has combined many of my favourite techniques.

First, I coloured the background with Distress Inks, starting at the centre with a pale pink, follwed by a pale blue, a sea green and finally a blue with a hint of green around the edge.

A light spray of water and a dry and the sheet was ready to have the black line design drawn on it, once I’d put a pencil grid down.

Next, the colours in the various sections were intensified using Zig Clean Colour Real Brush Markers from Kuretake, along with a brush and water to fade the colours out.

Finally, all the dots were addded using pearlescent/iridescent watercolour paints.

I’ve smudged some dots, others insisted in running into each other, but I’m fairly pleased with the outcome.  As I’ve already said, I really enjoyed doing this one.

More dottiness – in the form of mandalas!

DotMandala01_8May2017_AngelaPorter

Over the last couple or three days I’ve been playing with mandalas and dots, just purely for fun!

To create the mandala above, I used shimmery, iridescent watercolour paints on black card.  The photo really doesn’t capture the shimmery loveliness of the mandala.  The mandala measures approx. 8″ x 8″.

DotMandala05_8May2017_AngelaPorter

This next mandala, again 8″ x 8″,  was made using acrylic paints with green card as the substrate.  Once I thought the paints were dry, I tried adding some distress inks so that there were shades of green in the background.  However, not all of the dots were completely dry and some smeared.  Also, the ink coloured the white dots.  So, the lesson is to add the shading before doing the dotting!

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These four small mandalas (approx. 4″x4″) I added shading using a damp paintbrush and Distress ink.  I thought I’d try drawing the design in ink in three of them then adding dots in white and copper to add more/different patterns as well a some shininess.

Oh, the mandala with the teal and red-brown dots had distress ink sponged in the centre. The white acrylic paint wasn’t stained by the ink.  These dots had a lot longer to dry than the previous mandala.

DotMandala03_8May2017_AngelaPorter

For this mandala (approx 8″ x 8″) I first applied some distress inks to white watercolour paper  Then I drew the mandala in black ink.  Finally, I added dots with gold acrylic paint.  You can still see the pencil construction lines as I want to give the gold paint plenty of time to dry before trying to erase the lines.

DotMandala04_8May2017_AngelaPorter

This final mandala, approx 6″ x 6″, was drawn using black ink on pink card.  Once the drawing was complete, distress inks were applied to give different shades of pink/purple.  Then dot patterns were applied using white acrylic paint and iridescent watercolour paints.

Colorist App news, and my first dot mandala!

Colorist news!

A new book of ten images designed by me is now available in the Colorist app!  It’s called DoodleWorlds – The Next Frontier!

I had a lot of fun drawing these images, and who doesn’t need a koala planet or an angel pusscat in their life?  Not forgetting all the crazy aliens and critters and other things!

Colorist is an app that allows you to colour templates in like you’re using a pencil or a gel pen. Great fun, easy to use, and you can colour each template again and again.  Oh, and you can add doodles and patterns to the images too!

Dot Mandala

My youtube recommendations today included some videos about how to create ‘dot mandalas’ – the kinds that are seen on stones and also as paintings.  They’re made up of patterns of dots, and I watched a couple by Kristin Uhrig  and Travelling Kindness Rocks and they inspired me to have a go.  This is the result:

DotMandala_4May2017_AngelaPorter

It’s not perfect – I found out this is much harder than these two ladies make it appear.  It was, however, a lot of fun to create!

I used my embossing tools dipped in PaperArtsy Fresco Paint and some gold Liquitex paint, both of which were watered down a little, to make the dots.  I did draw some pencil circles on the black card to help keep the design circular; I drew three circles in total!  Then, I just let the design flow without over thinking it.

As I’ve said, it was great fun to do, totally engrossing, and I’m quite pleased with my first attempt.  I’m sure I’ll be doing more of these, on all kinds of scales!

More mandalas

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Two more completed over the past couple of days.

Background colours done using Distress oxide inks and a light spray of mica infused water.

Mandalas – Angela style!

Mandala2AngelaPorter24April2017

Mandala1AngelaPorter24April2017

The last few days have seen me working in my sketchbook, and I may post some pictures from that later on.

I’ve spent some time the last day or three revisiting mandala drawing in my own inimitable way – definitely not symmetrical, with lots of flowing lines and intricate line patterns filling in the spaces, though not all.

I prepared the coloured backgrounds first, using Distress Oxide inks along with a light spray of either copper or pearl mica sprays.  The spray adds a gentle sparkle to the background, which hasn’t been picked up in the scan.

I used various pens – UniPins, Sakura’s Pigma Sensei, and Pilot Hi-Tec pens with nibs as fine as 0.25mm!

It’s been a long while since I indulged myself in these kind of mandalas.  I know that I really enjoy drawing on coloured paper.

Art and my healing journey

 

 

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A page of floral sketches from my sketchbook.

This is a little bit of a different blog post from me.

As I’ve mentioned before, I experience CPTSD (complex post-traumatic stress disorder), which presents itself in many ways, including anxiety, depression, and a low self-esteem.

I’ve had lots of counselling over the past eight years or so, and for the last two and a half years I’ve had a lovely therapist who specialises in EMDR therapy.  It’s taken a long while for me to get to the point where I believe that such a gentle kind of therapy works, and works for me.  It’s still a slow process…but progress is being made.  A major change in employment nearly a year ago seriously helped with that.

Last week, my counsellor suggested I read a book called ‘Tapping In’ by Laurel Parnell.  In the book, Laurel Parnell describes how the process of bilateral stimulation by means of tapping the knees or outer thighs can be used to reinforce a safe place, helpful guardians and other tools to help during both therapy and everyday life.  My own therapist has successfully used it to reduce anxiety during a dental appointment as well as aiding in sleep.

She suggested I read the book and we do some work on the resources I need before continuing with EMDR as the last few sessions have left me rather upset, fragile, and, unsually for me, unable to find my ‘safe place’ at the end of a session, so that I can leave the fragile and upset state behind.

So,  yesterday we worked on my safe place, with me coming up with a new one and ‘tapping in’ the contentment, peace and safety I feel when I imagine myself there. The bilateral stimulation from alternating taps to the outer knees, helps to reinforce the feeling of the place, and actually helps to intensify it.

I have no problem imagining places I can go to in my imagination; I’ve used guided meditations over the years for various purposes.  When it comes to me coming up with my own imaginary places, it never ceases to surprise me what these places are like!

The other thing that was suggested after I’d verbally described my place, was to spend time over the week drawing/painting/creating images of this place, as well as practicing the process of tapping in my safe place and using it to help me manage my current high anxiety levels.  (My anxiety intensified greatly yesterday, not as a result of counselling, but by the decision to hold a ‘snap general election’ and my worries about what is happening in this country, in the world, which then gets transferred to worrying about finances as I’m now self-employed, and so on and the constant chatter of anxiety winds itself up if I’m not careful).

Me being me, I get to it almost straight away…starting with these mandalas

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Mandalas based on the feelings I get when I’m in my ‘safe place’.

Carl Jung used mandalas to represent/express the current state of the self:

“My mandalas were cryptograms concerning the state of the self which was presented to me anew each day…I guarded them like precious pearls….It became increasingly plain to me that the mandala is the center. It is the exponent of all paths. It is the path to the center, to individuation. ” – Carl Jung

So, I started with some abstract, intuitive mandalas to try to express the feelings I have when I think of my safe place, when I remember the feelings I have when I’m there.

Next, I wanted to draw some kind of representation of a view from one of the windows of my place.  And this is what I came up with, though the view changes all the time!

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Yes, I know water isn’t yellow, but in my inner world it can be!  It also shimmers with gold and has lots of shining gold and blue ‘dots’ in it.  Lots of happy creatures and colours there, all entertaining me … diverting my attention away from my anxiety.

Yes, I use art to help me manage my mental health.  When anxious, doing art helps me become less so; when depressed, art lifts my mood.  I’m sure the inner critic chatters away even when I’m ‘arting’, but the art takes my attention so the critic’s voice can be ignored.

Oh, before I drew anything, I took time to write a clear description of my safe place, as words are how I build up mind images.

I’m looking forward to ‘tapping in’ help for creativity, amongst other things… I’m also looking to intuitively drawing and creating some more of the living things that I can see from my safe place – all friendly and protective of course, nothing scary allowed there!  Which suits my tendency to rather whimsical, cutesy, artistic style.

So, I’ve shared a little of my ‘safe place’, but I’m keeping a lot of details to myself – no offence, but I don’t want any gate crashers there!

It’s been a while…

Untitled 8 March 2014 by Angela Porter

 

It has been a while since I last made a post to my blog.

I have been struggling with vagueness and lack of focus with the medication I’m taking, and this one I’m on now doesn’t suit either. As well as the vagueness, I’m constantly on edge and fidgety, and the medication is supposed to treat that not cause it.  Have to give it a couple more weeks before it’ll be changed though.  I’m still away from work as a result.

In spite of all of this I’ve still been busy with art, though the focus for the projects I’m involved in has been lacking at times, but just ‘doodling’ with no constraints or requirements does help me settle a little and also is something I can do that doesn’t need that focus.

In the summer I signed contracts to do the artwork for two books linked to art therapy.  In the last week I was approached by another company to do one book for them in the first instance, and if it goes well then there could be a whole series of them.   My hope is that I’ll have enough contracts and work lined up that I can go kind of part time at work.  That won’t be for a while and I need to get myself better first, but the part time may be a way of helping me remain ‘better’ in the future.  Time will tell.

Arty times

Woodland Mandala © Angela Porter 2014

I’ve been busy with art.  This is just one thing finished recently.  It’s a little less than A4 in diameter.

Half-term at last…pheweee!

It’s been a long half-term at school; eight weeks to be precise.  In that time there’s been two training days, a twilight training session. a memorial walk to raise money for school funds and the Senghenydd Mining Disaster Memorial, almost daily incidents of poor behaviour/attitude to deal with, lessons observations, book reviews (as in how well and regularly work is being marked), a consultation with my union representative, a stress-meltdown and hopefully the end of three year period of what feels like persecution/bullying in a particular situation at work (culminating in the union consultation and the stress meltdown).

I still have a pupil to be dealt with who has been making threats to physically attack me because I apparently ‘start on him’ by asking him to do his work.  How shocking is that, that I should request he stop shouting around the class, distracting others and to do his work?

Oh the joys of being a teacher.

Having said that, there are joys.  The shared smiles and laughter with pupils enjoying the lessons.  The ones whose faces light up when they see me and who never exhibit poor behaviour in my class, even though they may do in other lessons), the shared laughter with colleagues, morning breakfast with ‘the girls’, the helpfulness of the lab tech, the enthusiasm and questioning of pupils because they are interested in something, their kindness and thoughtfulness.  And so much more that it’s a shame it can become dominated by the negative things that occur and dominate my ruminating, over-analysing, over-thinking brain.

It’s been really busy for me with having to prepare work for a new course I’m running with my special needs classes, as well as teaching mainstream classes that I’ve not done for years.  It’s meant late nights at work and even bringing work home – something I avoid doing as I do not want to go down the route of being a workaholic as I was in the first decade or so of my teaching career.

This busy-ness has really eaten into my creative time.  Little art has been done, and I’m am doing my best to settle back into it in this half-term, especially as I have two contracts to create artwork for two books, though I have been waiting for direction for what the artwork is to be for a long while now.

I’ve barely stopped in the first four day so of the half-term.  I seem to be running away from time with myself.  I can struggle with being alone, feeling lonely and end up keeping moving, moving, moving to avoid it.  Today I am remaining at home and trying to get things out of the way so that I will settle to some arty pursuits, or de-stressing after the last half-term.

I do seem to be a lot more resilient than I was a year ago.  Though things can get to me (such as loneliness, lack of a sense of belonging, the constant worry I’m doing things wrong that have precipitated the situation at work that led to a stress-meltdown), I often find there’s a content ‘centre’ in me that I can access when I do things of a creative nature or things that focus my mind away from it’s rumination and negative thinking.  It’s a little easier to spot when this is happening, though I don’t always catch it in time to stop the tears, the self-loathing and the comfort eating.

I rejoined a choir I’ve been a member of since I was in school myself.  Sadly, I had to leave again once the stress levels rose as my voice was, and still is, affected by the stress.

Out of all of this, and at odd times during the last couple of months, I have managed to do some arty things.  Here’s two mandalas of mine.

Calmly Does It © Angela Porter 2013

Autumn Splendour ©Angela Porter 2013d