One dangle design, four colourways

One dangle design, four colourways © Angela Porter 2019

In my book, ‘A Dangle A Day’, I mention that just by changing the colour scheme you can easily change the appearance of a dangle design for an occasion or to match someone’s favourite colours. So, I thought it would be nice to show an example of this.

I chose a simple monogram dangle design from the book; you can see it in the top left corner. This dangle design has a very spring-like feel to it with the lovely bright pinks and greens of the new, fresh flowers and leaves that blossom and bloom at this time of year.

Taking my cue from this, I coloured in three versions of this design in the seasonal colours.

At the top right is a summery version, with a lovely warm sunrise as the background to the letter, blue summer skies, warm golden sun, and the bright and warm colours of the flowers. A golden summer glow could be achieved by using a hint of gold Wink of Stella brush pen from Kuretake, or by adding dots of gold glittery wonderfulness.

Autumn tones were used in the bottom left version. Fiery oranges, reds and yellows and clear autumnal sky blues were used. Enamel dots, glitter pens or stickles would add sparks of autumnal glory to this design.

The final design has a definitely cool wintry colour scheme – icy blues, cool purple and the blue-green tones of evergreens, along with silver. To this I could add white snowflakes or stars with a gel pen, or dots of silver glitter with Stickles from Ranger or Nuvo Drops or a glitter gel pen. Using a Wink of Stella brush pen from Kuretake to colour over the design would result in a lovely, sparkly, frosty finish.

Of course, there are many, many ways that the designs could be embellished to suit your taste, supplies or the recipient. So much fun can be had adding embellishments which also personalise the design even more.

I hand drew the original design on paper and then digitally for the book. My tools were Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro, which I also used for the colour variations above. I set the ‘brush’ pens up for the book so they mimicked the shapes/patterns pens on paper create and left lines a little wobbly and imperfect, just as I would when drawing on paper. Indeed, I very much treat my Surface Pen and Surface Studio screen as if they’re pen and paper in the way that I draw (and colour).

I do hope you’ll give dangle designs a go, and that you’ll show me the results of your work. You can find me online here:

‘J’ Monograms

©Angela Porter 2018

What a troublesome letter J is! Well, as far as creating a monogram. Early sketches showed me that if I add too much fanciness outside of the letter, the letter gets lost in the embellishments! So, here are a few that I’m vaguely pleased with.

I used Daler Rowney Marker Paper to draw these letters on, with a mixture of black pens. I used Copic Markers to colour some of the letters. Others I used to experiment with Tombow Dual brush pens and a blender pen. Chameleon Color Tones pencils were used on a couple more.

The Copics work really well on the marker paper – no surprises there!

The Tombows tend to cause the pen I use to draw the designs with – Uniball Unipin and Sakura Pigma Sensei pens – to smear. I keep forgetting the Tombows do that. So, I tried drawing a J with the Tombow Dual Brush pen and then add the lines and patterns after it had dried. That worked. But white space needs to be created outside of the letter, and again, if I got too intricate, entangled, ornate with the embellishments I would’ve lost the letter. Or perhaps not if it was only the letter that was coloured in.

I was surprised at how easily colour from the Chameleon Color Tones coloured pencils laid down on the marker paper. Surprised because I’d forgotten how nice it is to colour on the marker paper! I did need a good layer of padding paper beneath the 70g/m² or 48lb marker paper.

I foresee similar problems with the letters I, L, and S. Not sure about the other letters I’ve not tried this kind of decorating with yet. Time will show!

What I can see here is that the style of embellishment I’ve used, while not always successful, such as the heart and arrow one (where did that idea come from? Sheesh!), it is different to the previous letters I’ve played around with. That is all down to the shape of the letter and the edges I have to play around with, while keeping clarity of the letter too.

What to do today? Well, I do have the 2019 template to colour for the colour explosion over on the Angela Porter’s Coloring Book Fans facebook group set to run through New Year’s Day. I’m also aware that I haven’t done a cutely whimsical cat monogram dangle design for a few weeks. I also have three templates to colour for ‘Entangled Forests’ so that book can be put to rest ready for publication, before I start on the next one.