I’ve completed more of this WIP this morning. It’s coming along, but it’s at that point where I’m starting to think, “What the heck was I thinking?” about various sections.
I know from lots of past experience that I often get this feeling as I work on some art, and all I need to do is to trust my instincts and intuition and to carry on working on it. And so I shall. This is the way.
A quiet, contemplative start to the day requires some mandala drawing, and this is today’s offering.
A sunshiny, chill-nip-in-the-air, autumnal morning and starting work on a new entangled art drawing. Not much could be nicer start to the day.
I had a delivery of some new fude brush pens to try out, so this one is being drawn with a Zig Mangaka Flexible pen along with a 02 Unipin pen. I’m drawing on marker paper, so I dug out my cool grey Copic Ciao markers to add some shadow to the image in places.
The nice thing about using marker paper and markers is that the ink stays damp long enough for the blender pen to smooth the edges of the grey inks out a little.
I think I’ve worked on this drawing for around three hours so far, so there’s a lot more to go! I hope I can manage to leave some white space in the design, as well as being mindful of the use of contrast so that different sections feel separate to each other.
I started with the square motifs, which are based on Mayan glyphs, and just let the design flow out intuitively. It never ceases to amaze me how layers and dimension appears. It’s never something that’s planned; it just happens and I sometimes don’t see the effect until someone points it out to me.
No central big motif, such as a moth, with this one. Just pure entangled art.
Finally finished! The moth with mandala and entangled background. A4 in size.
It’s taken quite a few hours work to complete this one, but it’s nice that it is finally done.
Lots and lots of my favourite motifs/patterns used in the entangled background – flowers, seeds, seedpods, leaves, arches, spirals and geometric patterns.
Plenty of line work to add depth and volume to the design.
I like that the white area behind the moth means the moth isn’t lost in the background. There are some areas where the resulting values aren’t sufficiently different, but I can live with that.
No colour (other than my watermark). A very graphic design.
‘Tis coloring template day for members of the Angela Porter’s Coloring Book Fans facebook group. Each Thursday throughout the pandemic, I’ve created a coloring page for members of this facebook group. The template is free to members, and it’s free to become a member!
This week’s features an iteration of one of my moth drawings, this time drawn with colouring books in mind. I just had to pair the moth with a mandala as that’s been my ‘thing’ for a few days now. Naturally, the mandala is less detailed than my drawings and the page is mostly filled with pattern and interest, as is my style for colouring templates.
I have autumn on my mind and in my heart, so the motifs reflect that – acorns, seed pods, berries and leaves. I’ve chosen autumnal colours to partly colour the template, but any colour scheme would work – a good thing for those of you in the southern hemisphere where spring is on it’s way.
Moths are becoming a bit of a thing with me at the moment. They’re great for practicing my line work. They’re also surprisingly cute, in a buggy kind of way.
Of course, I’m still working on the first moth entangled drawing/illustration, so adding a mandala behind this drawing is a quick and easy way of adding to the moth. Mandalas are kind of my thing to do.
Again, I’ve used that spot of highlight behind the moth to draw attention to the centre of the design along with the main motif.
Today, a terracotta background seemed to be just right. Perhaps because it’s quite an autumnal colour. This morning there’s a definite nip in the air that I associate with autumn and we are just a couple of days away from the equinox.
Terracotta is a deeper shade of orange and is comforting in it’s warmth and earthiness. I find it quite soothing.
I’m also enjoying floating the graphic black and white elements of my artwork above a simple coloured background. That way I have some colour in my art, but the colour doesn’t distract from the design elements.
The Art
I have been working on the moth drawing from yesterday. It’s a long, laborious, yet enjoyable process. So, this afternoon I thought I’d create a mandala to sit behind my moth illustration.
I’m quietly pleased with this one. I like the choice of colour for the background, even though it’s an unusual choice for me. The central glow and shadow helps to lighten the background a little and brings attention to the moth, which is the main motif in this design.
I decided to use just black and white for the moth and mandala, though there are places in the mandala where I’ve let the background show through.
I will continue to work on the other design, it’s just going to take me a couple, or even a few, days to complete.
I have been awake since stupid o’clock, so rather than toss and turn for hours I decided to do some art. And another mandala appeared from the tip of my pen.
For this one, I thought I’d make the ‘white space’ areas in the design transparent so that the vibrant blue background could show through.
I’m not sure how well this works; I’m now too tired to think clearly. I do think it has potential for future mandalas, maybe.
I really enjoyed creating this mandala this morning! I used some of my favourite motifs in this one. it was lovely to use white on the kraft background, to bring out some highlights and add dimension here and there.
I love to use Autodesk Sketchbook Pro to draw my mandalas in. It streamlines the process and allows me to focus on creating the design rather than the mechanics/geometrics. Of course the design is drawn by hand, just as it would be on paper. That’s the beauty of having a Microsoft Surface Studio and Surface Slim Pen – I can draw with the pen on the screen just as I would with pen on paper. The advantages are that if I mess up, it’s easy to correct, and the symmetry tool saves time, allowing me to focus on the fiddly details that I love so much.
Dimensions : 8cm x 8.5cm (3¼” x 3¾”)
Smooth cartridge paper (acid free)
Uniball Unipin pens (05 and 01)
Digital editing and colour in Autodesk Sketchbook Pro
I drew this little drawing yesterday, but spent some time this morning scanning, cleaning and adding colour and shading digitally.
I deliberately left some ‘white space’ so I could fill it with colour. This contrasts rather well with the graphic black and white entangled art design. The coloured background adds depth to the image, and the subtle shading by grey and textural lines adds volume to the design elements and layers.
I often think I struggle with colour, unless I use a limited palette. This is a way to make use of colour in a way that adds interest to the design without detracting from the line work.
Art is the Adventure 