This morning, as I had my first hot drink of the day, I wanted to continue drawing the entangled frame. So, I thought I’d better film it, and so there’s yet another video of me drawing and wittering today.
I talk about art, the elegance of limits and how they also encourage creativity. As I talk, I have some ‘ah-ha!’ moments when I realise how my art has developed as it has.
The drawing is now finished. It took just a teeny tiny bit over an hour to do. Now, comes the addition of colour to create shadow and highlights and bring the background to life somewhat. The trick will be to make sure that photo is still very much the focal point, the rest is just a background. Tricky, very tricky!
But before I do that (and I’m likely to film at least some of the process of adding colour), I’m going to scan the entangled artwork into the computer so that if I do mess up, at least I still have a digital version to work with!
Central focal image – Tim Holtz’s Ephemera. Various designer series papers as the mats for the focal image. Overall artwork size approx 7″ x 8″ (18cm x 21cm) Distress Ink to colour papers and mats. Mossy green Staedtler Triplus fineliner. Black 03 Unipin pen. Mossy green and black Carbothello pastel pencils.
This one I am happy with. For cartouches/frames I prefer to work in borders rather than a rambling series of patterns and motifs. This seems to satisfy my love of symmetry/balance, yet still allows the use of organic patterns. I really did breathe a sigh of relief when I completed this one.
I am considering adding either colour or metallic ink to the seeds in the outermost border, possibly some shadow within each triangular motif as I realised I forgot to do that.
I did start work on another similar project. I’m really not happy with the penwork. So, I’m going to remove the central motif and mount it on a new piece of paper on which I can draw the borders/frame/cartouche. Not everything has been lost in this case.