Yesterday, I recieved my tin of 40 Caran d’Ache Neocolour II watercolour wax pastels. I finally gave in to a long-held urge to try them. I kept telling myself, “I don’t need them. I have watercolours, distress inks, water-soluble pencils, distress oxide inks, and more”.
However, a couple of suggestions of videos about the Necolor IIs popped up on my YouTube feed. I looked, and thought that these could be perfect for backgrounds for my hand lettering, or drawings, or even for using like watercolours.
The colours stay nearly the same vibrancy when dry, even the rather watered versions. They can be opaque to fairly transluscent, though not transparent. This is great for layering as the translucency still lets the lower layers show through us much or as little as you want.
Although they can always react with wither, drying with a craft heat tool seems to help set them a bit; perhaps by melting the ‘wax’ into the paper. And of course, not working too hard with a brush helps with preserving the layers.
Brush? Did I say brush? I find that adds way too much water for my liking. So, I used a piece of cut ‘n’ dry foam, black side down, to add small amounts of water and blend gently.
I have had a lot of fun playing with them for sure. In this video I make the pinky background seen behind the Zentangle tile. I already have a use for that background!
I used one of my first experiments with Necolour IIs from yesterday to turn into a Zentangle tile (3.5″x3.5″ or approx 9cm x9cm) and to draw this monotangle on it. Instead of using a graphite pencil or chalk pastel or any other medium to add shadow I used varying line thicknesses and pattern to do this. I really didn’t want to take away the vibrancy of the colour, even in the shadows.
Of course there was another reason why I wanted to draw on a Neocolour II background – to see what it was like to draw on the surface with fineliner pens.
It was actually lovely! The Necolour IIs add a slight slickness to the paper that is just noticeable. That made it a bit nicer drawing on the fairly textured mixed media paper for the tile. The points of my pen didn’t catch as much on the texture, though I still got some wobbly lines thanks to the more bumpy bits!
All I need to do now is to remember to scan the background in before I work on it. That way, I will always have a background I love available for use in digital art or, perhaps, for printing out.
Angela Porter 