Entangled Vellum Greetings Card

Card Making

Today I thought I’d make a little greetings card.

Card Dimensions.

The card measures 4½” x 5½” (approx. 10cm x14 cm). The outside of the frame measures 3″ x 3¾” (approx. 7.75cm x 9.5cm).

The vellum panel.

I started with a piece of vellum die cut to the size of the frame. To add colour to the vellum, I applied Twisted Citron and Pine Needles Distress Inks with a foam ink blending tool to what would be the reverse side of the vellum panel.

This was something new to me and a bit of an experiment to boot. The inks blend very smoothly on vellum, though you do have to be extra careful not to bend the vellum. That leaves a noticeable crease in it that can’t be removed or easily disguised. I managed to bend a corner; however, as I was going to trim the vellum down later, I wasn’t at all concerned.

I was surprised at how quickly the inks dried on the vellum, and I was soon able to work on adding my embossed design.

To do this, I used some ball ended embossing tools on the reverse side of the vellum. I drew an entangled art design with them as I would when using a pen on paper.

Once I’d drawn my design, I added some shading using a Pergamano shading tool as well as some dots in the upper part of the image.

Dry embossing on vellum causes the vellum to curl somewhat. So, I passed the piece through a laminator. That corner that I’d creased while ink blending got firmly creased during this process. However, I knew I’d be able to hide it with the frame I’d planned to make.

At this point, I added some gold dots to the ‘sky’ part of the design. To do this, I used a Uniball Signo gold glitter gel pen. I can’t resist adding sparkle when I can.

My last step was to trim the vellum to ¼” (7mm) smaller than the frame.

Making the frame.

To make the frame, I used some stitch edge rectangle dies from Gemini by Crafter’s Companion along with a Sizzix Big Shot machine along with some white card. I cut three frames out, doing my best to centre the inner die to the outer die.

I used some Tombow Mono Liquid Glue to stack the three frames. It was then I noticed I’d not centred the inner die precisely the same on each frame. I can see where they don’t quite perfectly match up.

I decided to use them and learn from the process. I’ve never made a frame like this before, and this card really was, in many ways, an experiment.

Assembling the card.

The next task was to attach the vellum to the frame. I carefully applied a very thin layer of the Tombow glue just inside the inner edge of the frame. I carefully added the flattened vellum to it.

The vellum, though, had started to curl again and try as I might to flatten it out, it just wasn’t going to play ball. In hindsight, it may have been better if I’d trimmed it and run it through the laminator just before attaching it to the frame. Then, to keep the vellum flat on my worktable and apply the frame to the vellum.

The last step was to use glue to attach the frame to the card base.

Thoughts on the card.

Even though I’ve bungled a couple of things, I’m quite pleased with how the card has turned out.

Flattening the vellum through the laminator has decreased the intensity of the white embossed lines. However, I didn’t pass it through once, but a few times to see if I could get the corner to stay down. When the vellum got stuck in the laminator, it took me a while to dig out a pair of tweezers to pull it through. That introduced a bigger curl in the paper than I had to start with! I decided then that the only way to flatten the vellum this way was to use a folded piece of paper to act as a carrier for it.

It was a good idea in principle. In practice, I made mistakes and will learn for the future.

Die-cutting and stacking multiple frames. How to get the inner die centred the same as the others? I don’t know. Maybe I should try washi or craft tape the dies together. I will work it out as I like the look of the frame!

I do like the look of the embossing on the coloured vellum. The white lines are quite soft, though less prominent than I wanted them to be as I reduced them by trying too often to flatten the vellum through the laminator. It’s a rather ethereal looking design, and I like that. Sometimes I find my usual black line-art too stark against colour.

The white background of the card doesn’t help the white to stand out. Maybe I’ll try to add colour to the card base and then apply the coloured vellum over it. That’s an experiment for another day, perhaps. Or maybe soon when my mind is still on it. I think I have time before I need to head off out this afternoon.

So, Angela, how are you today?

I’m feeling tired and a bit spaced out, yet contented.

Therapy yesterday was emotional and distressing. No EMDR was done as I was too emotional for it, and I needed to talk about somethings that I’ve touched upon in recent blog posts.

My weighted blanket arrived yesterday, and it is rather lovely. I don’t know about making you feel you’re being hugged; I’ve only laid down under it so far. However, it feels so lovely that I just wanted to stay there this morning. I will try wrapping it around my shoulders and so on to see how it makes me feel that way.

I mention this as I slept in the evening under it, and through the night. Although I still feel tired, I know I had a good sleep. I may get in another sleep before I need to head out later today, depending on how lost in art I get. I do have a relatively long drive (around 2 hours) to where I need to be, and another 2 hours home, so a good sleep is perhaps in order.

Despite some good sleep, I’m still quite tired. The emotional rollercoaster of the past two weeks or so is taking it’s toll on me, even though I’m making sure I’m practising self-care and self-soothing.

Doing a short art project this morning – the greetings card – is a self-soothing activity. The style of art I created – my entangled art – is familiar enough to me that it is comforting to do. It’s comfort art, which is healthier for me than comfort eating.

Talking of eating. The emotional upsets of the past few days have taken their toll on my digestive system too. I had a badly upset stomach yesterday, and I’m still feeling quite tender in my abdomen today.

This is not an uncommon side-effect of either therapy or emotional rollercoasters for me. As I feel emotions so much in my abdomen, particularly fear and anxiety, then it’s no surprise I end up with sudden trips to the loo!

As I settle down, so my digestive system does, and things return to normal, eventually.

I’ve said this before, and no doubt I’ll say it again, this is part of the healing journey. Events sometimes seem to conspire to shake up the next layer of trauma from the past so it can be processed and I healed.

A few days or a few weeks of painful emotional turmoil is a small price to pay for the eventual years and years (I hope) of a life untroubled by and not held back by my past. A future where I can form those healthy relationships of all kinds with others that I yearn for, a yearning that has recently been reawakened, along with its attendant traumas.

Today’s mixed media ACEOs/ATCs

ACEOs_30May2017_AngelaPorter

Today’s ACEOs/ATCs

Today I’ve created a set of six ACEO/ATC cards using dragonflies and butterflies as focal images.

The photograph doesn’t do them much justice; the backgrounds are shiny purple and silver with some stenciled patterns created using modelling paste.  Peeking through in places are patterns from some reprints of first series Ordnance Survey maps as well as some torn text from an old mathematics text book.

I couldn’t work out how to use my cogs and gears on these, but remembered all the patterned paper I have, so I had a bit of a furtle through  and found some paper that looked nice against the busy background, which also the focal images looked good on.  Indeed, they look like mounted specimens.

I got the focal images from my stash, already painted.  However, I did put some painted and embossed papers behind the wings of two of the dragonflies, which looks quite nice.  I did add a wash of iridescent medium to all the focal images (can’t avoid adding some sparkle).

On returning from an appointment, I decided I would cover the dragonflies with 3D Crystal Lacquer, which has worked out really well I think (difficult to photograph though).

I’m really quite pleased with these ACEOs/ATCs; they’re simple, yet they just work and satisfy my need for ornate, sparkle and shine.  I’m glad I used the patterned paper to crated a calmer centre to mount the focal images on.

I don’t think I’m going to add any words/quotes to these, though a few gems or similar may be in order once the crystal lacquer has fully dried.

Drawing focal images

One thing I thought of as I was using the die cuts for focal images, is that I do need to find the confidence/courage to draw my own.  I have done some fungi, flowers and ammonites, but haven’t printed them out at the right size, yet.

Also, it may be that using the surface to do drawings for this may not be the best way for me to work; my drawings do tend to turn out a little too ‘perfect’ for my liking in some ways.  I’m still doing my best to work out how I can get my Surface Book to work for me as I’d like it too.  However, if I don’t use the smoothing tools in the software, the pen wobble just is totally annoying (it’s also something that is inherent in the Surface Pen/Surface book, which I really hope Microsoft will do something about sooner rather than later.

It’s really easy to use dies to cut out images for use, but to create my own…well…but we’ll see if I manage to use my own drawings in the next batch of ACEOs/ATCs.

So, my job this evening (apart from going out to do some food shopping) is to do some drawings, on watercolour paper I think, to cut out and use as focal images.

Oh, using scissors is a bit of an issue for me.  Despite me being right handed with pens and so on, I use scissors in my left hand.  In fact, there are quite a few things I can do with either hand, and many things I’m equally as bad at with either hand, such as using a badminton racquet or golf club!  Don’t ask.  Anyway, back to the scissors.  I’ve always struggled using scissors well, and I’m worse with left-handed scissors than I am with right-handed scissors.  Craft knives and me tend to be a slightly dangerous pairing – for me, not for anyone else!  I’m ok if I’m using a rule to cut straight lines, but anything else, well …

So, I will persevere, and perhaps the mistakes I make won’t be as noticeable to myself…

Never give up and Foamiran flowers

AngelaPorter28April2017_01

Back to playing with mixed media today, and this is the result…

It’s around 8″ x 6″ in size and 300lb Smooth watercolour paper by Daler-Rowney is the substrate.

First, I coloured the paper using Distress Oxide inks, with a light spray of gold mica mixture.

Once that had dried, I added the diamond motif and text to the background using texture paste through stencils.  Once the paste had dried, I used a rich gold System 3 acrylic paint from Daler-Rowney to paint the texture paste.

Yesterday, I had used embossing folders with my Big Shot from Sizzix to emboss coloured card which I then added metallic and iridescent colours to.  The dark red-brown layer of cogs is part of one of these papers. Behind it, there’s a piece of patterned paper.  Both have had their edges roughed up (distressed) and then inked using black Archival Ink from Ranger.

I next chose an ACEO or ATC card from my stash to act as a focal point.  I also firtled through my stash of steampunk diecuts to find some cogs and a clock dial to add to the background.

The diecuts were all made from kraft card and I used Distress inks to add the base colours of a rich blue, an intense blue-green and a red-brown before dry brushing metallic and iridescent acrylic paints from Liquitex over them to give the appearance of old metal.

Finally, I assembled everything together in an arrangement that pleased me.  I used a Payne’s Grey Inktense pencil and a water brush to add shadows, and finally a few sparkly gems (I can’t resist the use of sparkle!).

I thought I’d finished, however, the postman brought me a box that contained some Foamiran sheets I’d ordered a couple of days ago, and I just had to have a go at making some flowers.  You can see one of the flowers on the mixed media piece.

The flowers are quite easy to make.  I die cut flower shapes from the Foamiran.  I then used a couple of Faber-Castell Gelatos and a damp baby wipe to apply colour the the front and back of the flowers.

Next, I used my heat tool to warm the foam so it curled up a little and then shaped the petals before using hot glue to stick the layers together to make fluffy flowers.  Finally, I used an alcohol marker to colour some clear gems in so they complemented the flowers and attached to their centres.

I think I’m going to be making more of the flowers, they are easy to make, if a little fiddly given the current manicure I’m sporting.  Next time my nails are done, I’ll make sure they are kept fairly short!

Poppy capsules mixed media

IMG_0622

I’ve decided to do my best to be brave and confident and use my own drawings and designs in my mixed media work.  The poppy seed heads and the ‘zentangle’ patterns are drawn by myself.

The inchie with the quote on – creative journey – is milky as the Glossy Accents on the tile hasn’t dried yet, but it will dry clear and glossy.

Here’s a list of the media I used:

  • Papers – 300gsm watercolour paper, cream paper for pencil and pastel work, marker paper, kraft card, mixed media paper
  • Paints – Paperartsy Fresco paints, Liquitex copper paint, Cosmic Shimmer copper iridescent watercolour paint
  • Pens and pencils – Faber-Castell Pitt artist pens, Derwent Inktense
  • Leafy and flower stencils
  • Sizzix Big Shot and dies for cutting some of the gears and an embossing folder to add texture to one of the background papers
  • Metal gears and keys
  • Glossy Accents
  • Cosmic Shimmer acrylic glue
  • Archival Ink in black and sepia
  • Distress inks
  • Spray bottles – one filled with plain water, the other filled with water and copper Perfect Pearl
  • Gems
  • Wow Holographic Sparkle embossing powder and a Versamark pen
  • Cut and dry foam
  • Various brushes

See Possibility Everywhere – Mixed media

IMG_0610

A little different, and I’ve found a way to use those ATC cards I made a couple of weeks ago!

I’m not all that happy with the leaves, especially the ones at the top left.  However, I’ve learned to let a piece of art sit and for me to return to it at a later date and fix what needs fixing if it’s still there when I look at it with fresh eyes.

What I do need to think about doing is to get either canvas boards or some other thicker, stiffer surface to work on as this one bend so much.  I’ve managed to flatten it somewhat.

What it does need is to be mounted on another background as it seems like it is like a big tile that needs something to sit on and to show it off.  Again, I’ll let this idea rattle around the subconscious corners of my brainbox and tackle it at a later date.

What I do like is the iridescent ‘crackle’ texture on the background, a finish I also added to the flowers to tie them into the piece.  I thought the gold circles, rays, spirals and wavy lines had messed utall up, but I actually quite like them now.

Maybe not quite as ‘flowing’ as some of the earlier mixed media pieces I’ve created, but I’ve certainly tried different things out and am learning all the time, as well as exploring new materials or ways of working.

Butterflies and flowers – mixed media

IMG_0607

A second done today!  A4 in size, just as ‘Hope – flowerpunked’ is.

I’ve just realised I’ve not done the shadows around various elements, but that’ll have to wait as the drops on the petals are drying.

It’s deuced hard to photograph these well; the butterflies shimmer with different iridescent colours, as do the flowers .  The leaves have a kind of verdigrised bronze look to them. The background is very matte in contrast to the shimmer of the elements affixed to it.  There’s also some vintage paper behind the elements – from a very old science book!  Well I am a scientist as well as an artist.

I’m going to have to find something to do with all these mixed media pieces as storing them is going to be difficult as the latest ones have a lot of ‘dimension’ to them.  On this one both the butterfly wings and the flower centres are raised up somewhat.

I also have to decided if I’mg oing to continue having acrylic nails and nice gel nail finishes as all this mixed media work has just about wrecked them!  I thought that was nigh on impossible, but perhaps not!