This morning started early and I played around with metallic paints along with Distress Oxide inks in my sketchbook / art journal. I have some interesting backgrounds as a result.
I also created a background for today’s artwork. I have tweaked the colours a little, digitally. I don’t know what WordPress does to the colours, but they look different in Autodesk Sketchbook Pro. I used Distress Oxide inks and have ended up with a rusted, weathered, kind of distressed/grungy texture.
Of course, I can always alter the background later on, if I wish.
I used the symmetry tool to reflect my drawing. You can see I’ve laid out the bare bones of the design and have started to fill the sections in with texture and pattern. I have a lot more work to do to complete the drawing. Then, I’ll think about shadow and highlight to help to bring the design to life some more. Or perhaps I’ll make it look like a stencilled design on the background, one that has some dimension to it.
Over the week I’ve been adding to my sketchbook- notes and images, ideas and reflections.
Each page has been coloured with combinations of Distress Inks, applied using the black side of a piece of Cut and Dry foam, followed with a spritz of water to bring out some water-staining grungy loveliness.
All the little drawings have been done on either Daler-Rowney Smooth watercolour paper (300gsm) or mixed media paper, either from Claire Fontaine or Daler-Rowney. The papers have been coloured with Distress Oxide Inks, Distress Inks, or a combination of them. Most of the pieces have had the inks applied with the foam, but some were made by brayering Distress Oxide inks onto a gelli plate and taking a print of them.
The reflection about what I like, what I don’t like, and ideas that arise is important to me in my sketchbook/journal. I do reflect on my art, a bit too much in my head. When I write it down, it forces my sometimes abstract and swirling thoughts into some kind of order. When I make these thoughts a material manifestation by writing them down, it helps me to recognise the thoughts, sift through that which is useful, and still record those that are not particularly useful at this moment but may be in the future.
I think I need to find a way to do this with my digital art. My mind goes to using One Note to do this. I shall think on this one, and make a note of it in my physical sketchbook/journal.
I wonder how many are trying to keep busy, busy, busy during the lockdown? And how many are learning how to just ‘be’, relaxing and taking time for self-care?
Self-care has been a long, difficult series of lessons for me. It’s a practice and not a perfect situation. However, self-care is important.
I don’t mean personal grooming, which is important, but it means taking care of your emotional and mental needs as much as your physical needs.
Today is a day where I’ll need to practice a lot of self-care. Migraine-style headache woke me up way too early and although the pain has gone it has left me exhausted, unfocused, and needing sleep. So, I’ll soon be returning to bed to sleep the lingering effects of the migraine away.
To help me cope with the migraine, I spend a few hours working on my mosaic crochet blanket/throw, and then created the above. Both very self-soothing activities for me.
Floral designs, an entangled garden was my fancy this morning and this is the result, not fully coloured though.
Coloring is a great way to find some calm and peace during troubled times, such as the times we find ourselves in. Scientific studies have shown it has a similar effect on the brain as meditation.
I have a number of templates available for free in the facebook group, including this one.
April 22, 2020 marks 50 years of Earth Day. The first Earth Day sparked the passage in the U.S. of the Clean Air, Clean Water and Endangered Species Acts, and the creation of the Environmental Protection Agency.
The urgency has never been greater, and the stakes have never been higher – we are now in an environmental emergency and a climate breakdown. We have two crises: One is the COVID-19 coronavirus pandemic. The other is a slowly building disaster for our climate.
To meet this moment, we must build the largest, most diverse online mobilization in history in defense of the environment. Our world needs a united response for bold action.
On Earth Day 2020, we say enough is enough.
We say we believe in science. We say that everyone can make a difference.
We say that the protection of our planet and the wellbeing of the people who live upon it are the top priorities.
On Earth Day 2020, we say that we’re committing to vote, we’re registering to vote and we’re showing up to vote.
Human health and planetary health are inextricably linked.
Will you join this global movement as we build toward the next half century of action for our planet?
Today’s arty offering is this little bit of entangled art. It measures 4″ x 3″, so is small in size, but big in detail, I think.
Distress Oxide inks were used to colour a 4″ x 3″ piece of Claire Fontaine mixed media paper, with water to add extra texture to it.
I drew the design using 08 and 02 Unipin pens. To bring the design out of the background, I used Faber-Castell Pitt Artist Brush pens. Dots of gold and white finished the embellishment.
My final step was to apply some Distress Microglaze to add a subtle sheen that brings out the colours and layers of texture, not just to the Distress Oxide ink, but to the Pitt Artist Pens too.
I thought I’d try the Pitt Artist pens with this background as it seemed more dull and dusty, and that’s how I find the colours in the Pitt Artist Pens. Initially, I was going to keep it monochrome. However, I liked the nature of the colours in the pens, so experimented with them.
I enjoyed creating this little work of art. Now, it’ll find its way into my sketchbook-journal, with reflective notes for future reference.
As I’m pretty much an introvert, I’m usually happy in my own company and happy at home. There are times when even I get and a huge desire to visit somewhere else, where the feeling of wanderlust becomes so strong I have to act on it, even if it’s just a drive in my car.
I, like us all, have no idea when I’ll be able to do this again, just like us all. The Covid19 crisis has changed everything and liberties I took for granted are not not available now and shows how much I enjoyed them even if I didn’t use them all the time. I had the choice.
Yesterday was one of those days where wanderlust overwhelmed me. With it came a huge dose of frustration and sadness, as well as a loneliness I rarely feel.
Also, I was over-tired. I know that when I’m over-tired, my emotional resilience is low. So, all of these things bubbled up and I ended up in bed in the afternoon. I felt a bit better on waking, and my attention went to creating some art.
As I couldn’t indulge my wanderlust physically, I thought I’d try to find a way to express it artistically, and the above is the result.
Words always interest me, and their meanings and origins too. So, I wanted to include the definition of wanderlust in my art. I wanted to make it look like torn paper, or a rip in the background, so I created a messy edge for the typography panel. I actually like how this turned out; I felt like I was being torn apart, emotionally, by the feeling of wanderlust, and a darkness was welling up from that tear.
I used one of my Distress Oxide background textures and drew an entangled art design on a layer above it.
Once I was happy with the design, I coloured the line art, created a copy of it, and applied various effects to these two layers.
I’m really happy with this artwork. It made me smile inwardly and helped to lift my mood some more.
I’m still tired today, over-tired, exhausted. I woke up, however, with the idea of creating some ATC card backgrounds using Distress Oxide inks, and these are the results.
Except for the middle and right cards in the bottom row. I wanted to try out using Distress Microglaze to see if it brings out the colours and layers of colour and texture. It does, though it’s not easy to see on the scan. I do need to do before and after scans. I also need to see if I can draw on the panels treated this way too.
So, ATC cards are 2½” x 3½” in size and were started as a collaborative art project where artists and crafters could swap the cards with others, sharing inspiration and creativity in the process.
I just think they could be a lovely size to work on and mount on greeting cards.
All of these cards were cut from 300gsm watercolour paper, which is very thick and sturdy.
I’m still playing around with Distress Oxide Inks to get a feel of how I can get them to work for me as well as creating backgrounds for my traditional and digital art.
My mind is ticking over various things I’d like to do with these, both traditionally and digitally.
If you have any suggestions what I could do, leave a comment!
Background – Distress Oxide inks and water spray on Daler-Rowney mixed media paper.
Flowers and background foliage – digital art using Autodesk Sketchbook Pro.
I had a lovely time creating this artwork. Flowers are something I love and find in my art an awful lot. It took a few iterations to get the drawing of the flowers and leaves as I wanted them. A lot more iterations were needed to get the colour and texture of the flowers and leaves so that I was happy with them.
I wanted a bit more interest in the background, so I drew a leafy, simple mandala that was coloured with shades of green. I then replicated it, resized it, and applied different layer effects to each copy of the mandala.
As I was doing this, it was reminding me of the mixed media work I did a few years ago, particularly using stencils to add interest to a background.
Digital mixed-media … without the mess! I’ve said it before – I’m averse to creating a mess!
Anyway, this has been an interesting experiment in the realms of digital art and my brain is now ticking over with ideas for the future. All I have to do is make a note of them!