Zentangle Fengle variations, Pokeleaf and Mooka

I enjoyed drawing this design, though I wasn’t sure of the grubby-looking graphite and white charcoal on the big leaves. However, I persevered and am now fairly happy with this design.

I started with the Zentangle pattern Fengle and drew it in two different ways. The Fengles are stacked on top of each other.

Rather than try to squash another Fengle in, I elected to add some large, furled Pokeleaves, and of course, some Mookas had to grow with them.

The paper I used to draw on was a piece of Fabriano Toned paper in sand. The paper becomes the mid-tone of the design, so it’s perfect for using both graphite and white charcoal to add shade and highlight. Which I did, and the leaves ended up looking rather grubby.

So, while the video was uploading and processing, I completed adding all the shades and highlights. Then, I re-drew all the black and brown lines. Next, I added dotted highlights using white Gellyroll and Posca pens. Finally, I used a brown Arteza Everblend marker pen to fill the background gaps and draw around the design.

I’m so glad I added so many white dots to the pokeleaves and mookas. They just lifted the colour so much. The richer brown background also helped with this, though I think I need to tidy up the edges somewhat.

For someone who really doesn’t like using graphite/white charcoal in this way, I’m quite pleased with how this has turned out. I’m so glad I remembered I had this toned paper in my stash!

Oh, the patterned background is actually my drawing board! I decided to decorate it with all kinds of patterns and motifs. I’ll finish this side, seal it with some tough spray varnish, then start on the t’other side! Inspired by Zentangle’s Maria Thomas’s suede mat.

Day 2 of the Fragments of Your Imagination Challenge “Pokeleaf”

Click this link to today’s video on YouTube

What a lovely way it’s been to spend a few hours today! Trying out variations of the Pokeleaf Zentangle fragment.

I didn’t think I’d run out of space on this page, but I did. And there’s a couple of new fragment shapes there as well!

I used iridescent gold pigment as a watercolour on some areas, sometimes with a little colour added with a chalk pastel. On other leaves, I used chalk pastels, sometimes with some embossed patterns too.

Again, the possibilities are endless – shape of fragment, shape of leaf, number of leaves, arrangement of leaves, background or filler patterns … and so much more! All that’s needed is a pen, some paper and some time and imagination.

Today’s video shows the drawing of many of these variations, but not quite all of them. Nor does it include much i the way of adding colour.

I hope that these variations will fire up your creativity and have you reaching for pen and paper to have a go yourselves.