WIP Wednesday

As it’s work in progress (WIP) Wednesday, I’m sharing my current sketchbook page. A sketchbook is always a work in progress.

At the moment, I’m being inspired by a couple of books :
“Fantasy Genesis” by Chuck Lukacs
“Fantasty World Building” by Mark A. Nelson

I’m using an Art Gecko sketchbook that is almost 12″ square along with Pilot Hi-Tec C and Pilot G-Tec Maica pens and Tombow Dual Brush Pens.

I’ve said it before – I’m not really into characters (unless they’re cute, whimsical, fun ‘doodle’ kinds of characters, usually non-humanoid). However, I’ve always loved to draw plants and patterns as well as designs from architecture, nature, machines and even animals (patterns, textures and such more than the animal itself).

My ‘Entangled’ drawings bring together these various elements to create more abstract or whimsical designs. But to put them together to create entirely new things isn’t something I’d ever thought of.

I’ve always admired fantasy and sci-fi artists, but never considered myself capable of anything like that. However, trying new stuff out is how you grow and develop as an artist.

Not that I’m going to become a fantasy artist, but maybe exploring these avenues will allow me to add new things to my art in ways I never expected. In much the same way my adventures in cardmaking, mixed-media journaling, watercolour and other such things have helped me to develop my digital art and drawing.

I’m also realising how important sketches are for my digital art – be it drawing or painting or just colouring in line-art of mine. I think it has to do with me being able to have a good overview of the whole design, something I seem to be unable to do when working digitally, even when I zoom out entirely. I’ve mentioned it before, but I do have a bit of a problem relating to size and scale even in everyday life.

There’s a different kind of sensory pleasure in working on paper – the tactile and sensory feedback is quite different to that gained from digital work. That’s not to say I don’t get pleasure from working digitally, it’s just different.

There’s also the fact that each page doesn’t have to be a complete or finished piece of work. It’s a place to try things out, explore, experiment, and just let the pen/pencil/brush take a walk across the paper to see what happens. Serious work and not so serious work all have a place in a sketchbook.

As do written notes, ideas, observations, sources of inspiration, lists, reflections and more.

Starry Skies

This morning I woke and picked up the workload for the latest colouring book I’m working on. I completed drawing one template – first a sketch on paper, then inked digitally. After that, I thought it would be fun to colour a section in and share. So I’ve done so.

I’ll be quietly arting for the rest of the day. I had a broken night’s sleep back and forth to the toilet to either vomit or …well, I don’t need to detail that! My tummy feels better at the moment, but I’m tired.

Having quiet time is not a problem. I live alone. We’re on lockdown here in Wales, so staying home as much as possible is a requirement. I tend to stay home as much as possible anyway.

Anyway, I’ll be quietly researching references for the templates for the next book and creating my own reference sketches, as well as writing down ideas as they occur to me, and, hopefully, thumbnail sketches of ideas for templates, for as long as I can keep awake, anyway.

Monday Mandala

Weird, weird art.

I have absolutely no idea what I was thinking as this mandala was created, nor why on Earth I chose these colours.

As it’s digital art, I could use digital tools to re-colour the image, but I’ve decided to leave it as is.

I know I wanted to do something that used similar techniques to the digital abstract paintings I’ve been exploring lately.

Similar. Perhaps. But definitely not the same kind of thing.

It’s like something out of a weird nightmare, or some bizarre, manufactured virus.

I think I can safely say my artistic mind is out of sorts today!

Fantasy Genesis

I think it may have had something to do with a book I briefly scanned yesterday. It’s called “Fantasy Genesis – A creative game for fantasy artists.” by Chuck Lukacs.

This is the introduction to the book:

Welcome fantasy geneticists! Here is a practice place of the imagination, a place where infinitely diverse forms and patterns will create concepts in infinite combinations, which you will bring to light with pencil and paper. One of the most important jobs we have as artists is to create inventive new ways of watching and documenting this beautifully diverse planet that allows us to live on it. We’re expected to see the world—from our cultures, habitats and technologies to the vast diversity of wildlife and plant life to the pores in our skin—in a slightly different light. Like scientists, we’re expected to experiment with new ways of expression, new sounds, new interpretations of old ideas, new solutions to old problems and new inspirations for images and change.

Fantasy Genesis – Chuck Lukacs

It caught my attention. As did the use of dice and tables for combinations of features appealed to me.

Not that I’m a fantasy artist. But it has sections to do with plants and landscapes and machinery and buildings. Things I am interested in. Creatures and characters not so much. I admire people who can draw such things, and create amazing artworks. However they really don’t have much interest for me artistically, apart from pattern, shape and texture.

I thought it may be a way for me to extend my drawing and imagination, as well as making more use of a sketchbook. I also thought that once I get my head around this kind of thing, I could create my own lists, incorporating patterns and favourite kinds of motifs to use too. I’ll see about that.

I know that my signature style of art is ‘entangled’ with some cute and whimsical elements from time to time and mandalas. I like working with abstract patterns and colours too. But exploring other genres, ideas, styles can only develop and add to my artistic skills and visual vocabulary. Even if I discover that some things are not for me, they will lead me down artistic avenues I may never have traversed.

So, one of my tasks today is to take time to properly read this book and work out how I can make the ‘game’ work for me!

Sunday Morning Art

This was a lovely way to spend the first three hours or so of Sunday morning. Abstract digital painting. Chilled out music playing on Spotify. A slow sunrise behind the grey, rain-dropping clouds.

Again, the pattern was inspired by rocks and geology. Some of the patterns I’ve added remind me of rocks and shells, others are a bit too geometric.

It’s always nice to play around with pattern, texture and colour. And when I limit my palette to just a couple of colour families I get much better results. Today, I used the B and YR Copic colour families from the Copic palette included with Autodesk Sketchbook Pro.

While not reminiscent of rocks, the colours remind me of sea and sand. This year, I’ve not been able to get to the coast, other than once way back in February. The colour choice is a subconscious desire for the sea and shore, a liminal place, a boundary between one element and another.

The coast is a place where I feel my whole body exhale and relax. Sadly, it’s not possible to visit at this time, maybe not for a long while. However, the pandemic won’t last forever and the coastline will still be there.

Anyways, creating this artwork was a lovely way of spending some time on a Sunday morning. I can see where I’ve been clumsy with the patterns, making the layers look flatter than I wanted them to.

Happy Hallowe’en!

Happy Hallowe’en to you all!

My favourite day of the year in my favourite season. I shall be observing it in my own way later on.

However you celebrate this day, as usual or changed as a result of the pandemic, have fun, be safe and be well and may your ancestors watch safely over you all.

It was an All Hallows’ Eve tradition in the UK to lay out places at the dinner table for those who had passed away during the previous 12 months as their one last meal before they finally go to the world of spirit, heaven, or whatever else you may call it. It was this night as it was believed that the veil ‘twixt the living and the dead was at its thinnest and loved ones could return to spend time here on Earth with their families.

This year, sadly, too many have done so as a result Covid-19, which has swept around the world taking far too many needlessly. While we no longer lay places for those who have passed, we can take time to honour their memory, their presence in our lives, how important they were and continue to be to us.

I actually finished colouring in one of my templates for this day. It has turned out both dark and colourful, and cutely spooky. While colouring today, I have been listening to a Hallowe’en playlist on Spotify.

Abstract Strata

This morning’s warm-up art is another abstract digital painting inspired by patterns in rocks and strata.

It’s a very soothing process for me to create art like this, even though it lacks the intricacy and detail of my more usual ‘entangled’ style. Simplifying and stylisation is a feature of my entangled art; this artwork takes those processes a few steps further along.

I started the day sketching some simplified patterns taken from geology in general. I scanned them in and chose one to turn into a painting.

Layer by layer, I added colour and texture, choosing earthy colours. I paid attention to shadow and highlight making sure that there’s an illusion of dimesion in the painting.

I’m still experimenting with this style of digital painting. In this one, I think I’ve chosen one or two colours too many, and a couple of them are a bit brighter than the others which makes them stand out more.

I also need to work with different color palettes, limiting the colours to produce a cohesive design.

The ragged edges created by the brush texture I used make the layers look a bit like torn paper. However, I would like to try a smoother edge in future experiments.

It’s been a nice way to spend three or so hours this morning. It’s now time for me to breakfast!

Template Thursday

This week’s template for the Angela Porter Coloring Fans facebook group is another Hallowe’en themed one, the last one this year.

I always have a lot of fun with Hallowe’en themed designs, and this one is no exception. Lots of skulls, potion bottles, eyeballs, ghosts, monsters, pumpkins, toadstools, gravestones, and more!

It’s taken me several hours to colour in just a portion of the design. I’m going to try to finish this one off in time for Hallowe’en.

Drawn with pen on paper, digitally coloured.

The template is available for members of the Angela Porter’s Coloring Book Fans facebook group – free to join, and free to download. Terms and conditions for use apply.

Strata 02

I had so much fun making an abstract design based on strata yesterday, I thought I’d do another today, this time adding a quote.

I’m not so sure I’ve done a good job on either the typography, the background or the artwork. I may have too much contrast, but also shrinking the size of the image for posting to social media along with the games WordPress plays with colours has affected how it looks here.

No matter, I enjoyed the process of creation, so that’s all that matters. It’s all about experimenting, trying things out.

It was a quick bit of art as I was up early for my weekly organic food delivery, to find it was already delivered. So, after breakfast, I went back to bed.

I have other things that I need to focus on today, so a quick project was in order.

Strata

Arty musings

I’ve been awake since silly o’clock. I have a delivery due before midday, so while awaiting it I have been arting.

This started off as a simple line drawing of patterns from the strata of rock formations of Raplee Ridge, Utah. Then, I added some patterns between them, zentangle or entangled style. I used fineliner pens on paper to do this drawing (left image).

My next job was to scan the drawing in and tidy it up digitally. Then, I thought I’d colour the design in. I kept to fairly earthy tones for this (middle image).

Finally, I thought I’d do a pure colour study of the line art. And I really like this one. I’ve played with shadow and light to give a sense of dimension to the artwork (right image).

I’m really pleased with the pure colour image. Not just for choosing a fairly pleasing palette, but for finally discovering how to use textured brushes to draw, colour and texture the different areas.

I’ve done work like this with traditional media, but have never really had much success digitally. It seems I have found some confidence here.

It does remind me of work I did some 15 or so years ago while studying for A level art as an adult, and how much pleasure I got from that. Now, as back then, I used simple colour palettes.

I suspect I’ll be doing more work like this – line art of patterns, followed by a coloured interpretation of those patterns. My mind is ticking over whether I could include some typography in these kinds of artwork too.

Moody mutterings

My mood is better today, I’m pleased to say. I’m not sure if it’s rest, self-care, Star Wars, knitting, art, or a combination of all these things that has helped lift it.

I know that my mood has weather, just as the world does. And in Wales, the weather can be changeable and varied! But like all weather, the gloom passes and sunshine returns. Though I wouldn’t say I’m sunshiny, I am content with a soft glow within. That is good enough for me, and for today as it’s rather wet and gloomy outdoors.

Monday Mandala

Eerie and spooky?

A fun, quirky, cute Hallowe’en themed mandala was what was needed on Monday morning.

I started with the skull, without any clue as to what I was going to do with it. Then I thought about adding a mandala around it, and I wanted it in eerie, almost glowing colours.

As I drew the skull without any outlines, I thought I’d do the same for the rest of the mandala. I also kept a pretty simple colour palette – violets, teals and blues.

It’s worked out OK. It certainly is a bit different. The most important thing is that I enjoyed drawing it, and that is most probably the most important thing of all.

Sunshine and mood

Today, there’s some sunshine and that helps to keep my mood up. I did feel a bit better yesterday – sleep and Star Wars really helped! I may have felt better, but settling to art just didn’t happen yesterday.

I’m still so tired. I think it’s all to do with some anxiety at this time. There’s nothing specific for it, just general anxiety. I think it was triggered by my boiler breakdown and then the engineer fixing it, and the increasing cases of Covid combined with a national lockdown in Wales.

I’m not sure I can drive less than a mile to the cemetery I like to walk around. I feel safe there in a way I don’t walking around the streets and town I live in at this time.

Of course, worrying about whether I’ll be breaking the rules to take a walk adds to my anxiety.

What a pickle!

It may be that I baulk and just stay home, and check the rules carefully before I do venture forth for a walk.

Pumpkin knitting

Knitting pumpkins while watching Star Wars. Guaranteed to reduce my anxiety. And knitting, unlike crochet, is something I can do without having to look at my fingers.

Also, I’ve found it really relaxing and the feel of the knitted fabric in my fingers is soothing and pleasurable. As I’ve been kintting in stocking stitch, it’s a very smooth fabric. Crochet tends to have more texture to it. I think I’ll be doing more knitting and less crochet for a while.