strata

Saturday morning art

Angela Porter2 Comments

A different work in progress today. I started this one late last night and continued for a while after breakfast this morning. I used a Pilot G-Tec C4 pen, which has a very fine tip, on white acid-free cartridge paper (the camera flash has turned it a creamy colour, I have no idea why!).

It is always a pleasurable experience to draw with such a fine pen and to created such detailed and intricate designs. No real thought or planning, just trusting my intuitive creative instincts.

Purely abstract drawing, using my favourite shapes, motifs and texture patterns, along with a few new motifs that have developed as I’ve drawn this. It looks like a weird assemblage of bits and pieces, mechanical and sculptural, botanical and textural.

Assemblage is a fairly good way to describe my signature style of drawing. There are layers of all kinds of bits and pieces – flowers, mechanical tubes and pieces, textural areas, pipes, sculptural bits and bobs, seeds or berries and curls.

What is hidden beneath the various layers? Where did all the bits and pieces come from? What was disassembled or broken to liberate the pieces? Who or what did the disassembling, and why? What new things could they be assembled into? What dream fragments, story parts of my unconscious mind do they represent?

I can spot various influences in the bits and bobs present in the drawing – Mayan sculpture, dials and mechanical levers, pipes and conduits, discs and berry lights, flowers and seeds, textures and patterns, arches and columns, rocks and strata.

What do you see in this drawing? Leave me a comment, I would be intrigued to know!

Abstract Strata

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This morning’s warm-up art is another abstract digital painting inspired by patterns in rocks and strata.

It’s a very soothing process for me to create art like this, even though it lacks the intricacy and detail of my more usual ‘entangled’ style. Simplifying and stylisation is a feature of my entangled art; this artwork takes those processes a few steps further along.

I started the day sketching some simplified patterns taken from geology in general. I scanned them in and chose one to turn into a painting.

Layer by layer, I added colour and texture, choosing earthy colours. I paid attention to shadow and highlight making sure that there’s an illusion of dimesion in the painting.

I’m still experimenting with this style of digital painting. In this one, I think I’ve chosen one or two colours too many, and a couple of them are a bit brighter than the others which makes them stand out more.

I also need to work with different color palettes, limiting the colours to produce a cohesive design.

The ragged edges created by the brush texture I used make the layers look a bit like torn paper. However, I would like to try a smoother edge in future experiments.

It’s been a nice way to spend three or so hours this morning. It’s now time for me to breakfast!

Strata 02

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I had so much fun making an abstract design based on strata yesterday, I thought I’d do another today, this time adding a quote.

I’m not so sure I’ve done a good job on either the typography, the background or the artwork. I may have too much contrast, but also shrinking the size of the image for posting to social media along with the games WordPress plays with colours has affected how it looks here.

No matter, I enjoyed the process of creation, so that’s all that matters. It’s all about experimenting, trying things out.

It was a quick bit of art as I was up early for my weekly organic food delivery, to find it was already delivered. So, after breakfast, I went back to bed.

I have other things that I need to focus on today, so a quick project was in order.

Strata

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Arty musings

I’ve been awake since silly o’clock. I have a delivery due before midday, so while awaiting it I have been arting.

This started off as a simple line drawing of patterns from the strata of rock formations of Raplee Ridge, Utah. Then, I added some patterns between them, zentangle or entangled style. I used fineliner pens on paper to do this drawing (left image).

My next job was to scan the drawing in and tidy it up digitally. Then, I thought I’d colour the design in. I kept to fairly earthy tones for this (middle image).

Finally, I thought I’d do a pure colour study of the line art. And I really like this one. I’ve played with shadow and light to give a sense of dimension to the artwork (right image).

I’m really pleased with the pure colour image. Not just for choosing a fairly pleasing palette, but for finally discovering how to use textured brushes to draw, colour and texture the different areas.

I’ve done work like this with traditional media, but have never really had much success digitally. It seems I have found some confidence here.

It does remind me of work I did some 15 or so years ago while studying for A level art as an adult, and how much pleasure I got from that. Now, as back then, I used simple colour palettes.

I suspect I’ll be doing more work like this – line art of patterns, followed by a coloured interpretation of those patterns. My mind is ticking over whether I could include some typography in these kinds of artwork too.

Moody mutterings

My mood is better today, I’m pleased to say. I’m not sure if it’s rest, self-care, Star Wars, knitting, art, or a combination of all these things that has helped lift it.

I know that my mood has weather, just as the world does. And in Wales, the weather can be changeable and varied! But like all weather, the gloom passes and sunshine returns. Though I wouldn’t say I’m sunshiny, I am content with a soft glow within. That is good enough for me, and for today as it’s rather wet and gloomy outdoors.

Wednesday Wisdom | Paleotober | Drawtober

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Wednesday is a day when I’m up extra early for an organic food delivery. I usually spend the time awaiting the knock at the door drawing. Today was no different.

I had an idea to try to work in layers of patterns and to add a quote to one side. The first layer contained some ammonite-style shells, surrounded by little bubbles that could represent the sediment.

The next layer has seed pods, but the pattern they create reminds me of the fossilised stems of plants found in the carboniferous coal of the South Wales coalfield.

The third layer reminds me of the limestone beds exposed on the Glamorganshire Heritage Coast, particularly Southerndown and Nash Point.

The fourth layer reminds me of some kind of fossils or sea plants, the name of which I just can’t bring to mind.

I thought a quote about fossils would finish this off nicely.

Drawn with 05 Pentel Energel and 0.38 Uni-ball Signo DX pens on marker paper. Background, shadows and quote added digitally.