Colorist app update

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I was pleased to be told by Shelly and Kelly at Faction Apps that there’s been an update to the Colorist app.  That means I had to have another play!

The image above is one from my first book for the Colorist app – Doodle Worlds.  Many areas have been filled in using the original pencil tool, which is great as it allows for overlaying of colours as well as being pressure sensitive if your device allows for that (my Microsoft Surface Book certainly does!).

It took me a while to get used to how the pencil works in the app, but that’s not a problem as either the undo or eraser tools allow you to completely remove anything you’re not happy with.  (The eraser is also useful for removing colour to create a highlight!).

Bucket Tool

One of the new tools is a bucket-fill, which is great for filling areas with flat, solid colour.  I used this tool for the pink monster.  The pencil tool can then be used to add shading/highlights over the base colour.

A useful tool is the bucket tool as it allows for quickly filling areas with a solid colour, even teeny-tiny areas thanks to the ability to zoom in on the image! This saves some time and effort, which can then be spent on carefully adding the shading and highlights to the area.

Marker Tool

This is my favourite addition to the tool box in the Colorist app!  I love the solid colour it lays down. The colours aren’t transparent, however, so blending isn’t yet possible with them ( perhaps that’ll appear in a future update of the app).  Markers (especially Chameleon pens) are my favourite way of adding colour to drawings like this on paper, so I look forward to this tool being developed more in the future (fingers crossed and maybe a bit of pleading from me!).

What I love most about this tool is that I can draw and doodle and add texture and pattern to the image with the solid lines that I prefer in my art. I did this with ease on the flower next to the orange and white stripey twisty thing.

The wide range of colours available in the colour palette mean that highlights and shadows can be achieved, so long as a subtle blend from one colour to another isn’t required.  However, I’ve just thought that a clever use of the pencil tool may allow this to happen.  I’ll have to try that out!

Eyedropper tool

I didn’t make any use of this tool, but I’m likely to in the future as it means that you can easily select a colour you’ve previously used in the image being coloured without going to the palette and ttrying to remember just which shade of, say, blue it was you used.

Sketching in the Colorist App

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The ability to sketch within the app, and save the drawings too, is the fab new feature.  I really like this, especially with the marker pen tool.

Usually, I use Autodesk Sketchbook  for drawing on my Surface book.  One of the weird things about drawing on the Surface with the pen is that there always seems to be some wobble in the line, even if the line drawn is smooth.  Autodesk has a smoothing tool, which in the Pro version you can set to a level that suits the art  you are doing at the time.

Although the Sketch function in Colorist doesn’t have the smoothing tool (yet?) it works just as well as Sketchbook for the kind of doodly, abstract, whimsical art I do.  The image above is a drawing I did in Colorist last night, it took an hour or so to achieve.

I enjoyed using this function, though not being able to rotate the digi-paper meant it was a tad awkward for me to draw certain things.  However, Colorist isn’t designed as a  dedicated drawing/art app, but I do wonder if a ‘pro’ version could be developed where a small fee is paid for such a functionality. The latest updates certainly suggest to me that there’s a possibility that this could be a direction the app could take in the future.

My verdict

I really like the updates, especially the marker and the sketch function. Congratulations to all at Faction Apps!

The suggestions I’ve made above for extending the additions in the future are not criticisms of the great updates made, but they would take this app beyond that of being just a colouring app, so I’m well aware they may not happen.

However, I do believe this app could evolve from being a colouring app into something more…

Live gently upon this Earth – Mixed media artwork

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I’ve had a bit of a week with appointments and then yesterday was a day where I needed some self-care.  I did, however, begin work on this particular piece, and I’ve gone crazy on making ATC sized backgrounds ready for work on them, particularly using the Dylusions paints which have laid dormant in my stash for a long, long time.

This particular mixed media pieces has a colour scheme that is not typically ‘Angela’.  There’s lots of god in it, and the flowers look more like succulents than flowers, bu tthey do kind of work!

The close-up image shows the ATC that’s become the focal point of the piece, along with the metal charms and keys that have been added.

See Possibility Everywhere – Mixed media

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A little different, and I’ve found a way to use those ATC cards I made a couple of weeks ago!

I’m not all that happy with the leaves, especially the ones at the top left.  However, I’ve learned to let a piece of art sit and for me to return to it at a later date and fix what needs fixing if it’s still there when I look at it with fresh eyes.

What I do need to think about doing is to get either canvas boards or some other thicker, stiffer surface to work on as this one bend so much.  I’ve managed to flatten it somewhat.

What it does need is to be mounted on another background as it seems like it is like a big tile that needs something to sit on and to show it off.  Again, I’ll let this idea rattle around the subconscious corners of my brainbox and tackle it at a later date.

What I do like is the iridescent ‘crackle’ texture on the background, a finish I also added to the flowers to tie them into the piece.  I thought the gold circles, rays, spirals and wavy lines had messed utall up, but I actually quite like them now.

Maybe not quite as ‘flowing’ as some of the earlier mixed media pieces I’ve created, but I’ve certainly tried different things out and am learning all the time, as well as exploring new materials or ways of working.

Butterflies and flowers – mixed media

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A second done today!  A4 in size, just as ‘Hope – flowerpunked’ is.

I’ve just realised I’ve not done the shadows around various elements, but that’ll have to wait as the drops on the petals are drying.

It’s deuced hard to photograph these well; the butterflies shimmer with different iridescent colours, as do the flowers .  The leaves have a kind of verdigrised bronze look to them. The background is very matte in contrast to the shimmer of the elements affixed to it.  There’s also some vintage paper behind the elements – from a very old science book!  Well I am a scientist as well as an artist.

I’m going to have to find something to do with all these mixed media pieces as storing them is going to be difficult as the latest ones have a lot of ‘dimension’ to them.  On this one both the butterfly wings and the flower centres are raised up somewhat.

I also have to decided if I’mg oing to continue having acrylic nails and nice gel nail finishes as all this mixed media work has just about wrecked them!  I thought that was nigh on impossible, but perhaps not!

Flowerpunked

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This is todays mixed media creation (approx 5.25″ x 11.5″.  I think ‘Flowerpunked’ is a good name for it, or for the series of works like this.

I found a way to lift the flowers up so they have more dimension; wish I’d thought of that when I was adding the cogs., still there’s always the next one!  It’s all a learning process – it never ends!  I also think the stenciled patterns on the background are a bit dark and heavy … and just didn’t quite know what to do about them at the time as I didn’t want to lose the pretty background colours/patterns I’d already created.

Unnamed mixed media work in progress

I’ve been working on this project over the past three or so days.  It’s not finished, far from it I think.  I’m having to take a break from it to let the glue that I’ve used to stick some metal embellishments to it cure.

I’ve tried to take photos that show how the cogs and foliage look almost verdigris from one aspect, yet metallic from another.  The paper I’m working on is A3-ish in size; I’ve used 300gsm watercolour paper as the substrate – it’s sturdy and doesn’t warp too much when water and water-based media are used on it, or when heat is used to speedily dry each layer as they are added.

I know I want to add some gems to the cogs (gotta have sparkle!), I may add some flowers, maybe not.  I do need to add shadows too.  I’m not sure if I’m going to add some kind of quote up in the top right corner or whether I’ll just leave it as it is.

More mixed media

I’m really enjoying this, perhaps a bit too much as I’m not focusing on what, perhaps, needs focusing on. However, it is true that a change is as good as a rest!

It’s a nightmare trying to photograph these pieces of artwork as they are so metallic and iridescent, but hopefully you’ll get a fairly good idea.  I’ve tried to scan them, and for the ATCs it’s a no go, and the scan of the other image isn’t any better than the photo.

The ATCs have been so much fun to do, especially as I’ve been collaging and playing with texture, and gears…gotta try a little steampunk-ish type stuff every now and again!

Media used :

  • Distress oxide inks
  • Die cuts of gears and snowflakes
  • Ranger Gloss Multi-medium
  • Tim Holtz’s collage medium, matte
  • Perfect pearls
  • Imagination Crafts Rusty Patina
  • PaperArtsy Fresco paints
  • Posca paint pens
  • Liquitex and Pebeo iridescent and metallic paints
  • Various gems, glues, papers

Blooming rain

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Another mixed media piece just finished, I think. I may add glossy accents or 3D crystal lacquer to the bubbles/drops and parts of the flowers, or maybe not.

The image has been scanned so the iridescence and glimmer doesn’t show up, sadly.  Also, I’ve been a bit heavy handed with the shadows around the flowers and bubbles/raindrops.

Here’s the list of media I used:

  • PaperArtsy Fresco paints
  • Distress Oxide inks
  • Liquitex and Pebeo iridescent and metallic acrylic paints
  • Perfect Pearl spray in gold
  • Posca pens in black and white
  • Derwent’s Inktense pencils
  • Uniball Signo white gel pen

Rainbow verdigris

I really need to learn to take better photos!  This doesn’t do the artwork justice at all, neither does the curled paper.  If I manage to take a better photo I’ll update it.

*Update*  The image on the left is a scanned image – the iridescence and metallic sheen are lost in the scan, but the image is clearer.

There are patches of textures ‘verdigris’ which has a rainbow iridescence on them, as well as similar colours and patterns elsewhere.

The background shimmers with copper and other iridescent colours, over a soft, chalky coloured surface achieved by using Distress Oxide inks.

I loved the background so much that I really didn’t want to work over it. However, this morning I decided to be brave and to wield a Pebeo Posca black pen to draw circle patterns on it, with the aim of adding colours that would be reminiscent of verdigris on copper.

I think I’ve achieved that in some small measure, and perhaps in a different way.

I learned a lot of things along the way, not least of which is to paint the circle BEFORE I add patterns to them with a pen!  What I may do is prepare sheets of paper with the colours on I want in the circles, draw the patterns on them, cut them out and then collage them on the background to give a more 3D look to the art.

Art is all about experimentation, learning when things don’t work out as you’d like.  However, when things don’t turn out or you think you’ve made a mistake, learn to accept it as a ‘creative opportunity’ and work with it.  There are many ‘creative opportunities’ in this mixed media piece!

Media used:

  • Distress oxide inks
  • Perfect Pearls
  • Liquitex, Decoart Media and Pebeo Dyna iridescent and metallic acrylic paints.
  • Posca pen
  • Stencils by Prima
  • Fresco paints by PaperArtsy
  • Rusty Patina paints by Imagination Crafts
  • Inktense pencils from Derwent

 

A colourful bunch

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This is just finished, though the 3D Crystal Lacquer on the flower centres hasn’t dried yet, so they’re a tad on the cloudy side.

I’m really pleased with this.  Not least of which for bravely, possibly even crazily, using some of my entangled, abstract art to make the flowers!

So, how did I do this?

Firstly, I made the background.  I used a piece of cream paper that has a texture on it that is designed for use with pastels, charcoal and coloured pencils, and I added colour using Distress Oxide inks.  I then sprayed it with a solution of gold Perfect Pearls which gave water spots and gold shimmers to the background.

Next, I’d had this crazy idea to use some of my art to create the flowers.  I chose some art that had colours that would stand out against the background and each other and I used circle punches to cut out circles of varying sizes.  I used a mini ink blending tool and sponge to add jet black Archival Ink to the edges of the circles to distress them as well as to give them a definite edge against each other.

The circles were stuck together in groups of three and then stuck onto the background in a pleasing arrangement, as if they were flowers in a bunch.

Next, came the outlining with a black Sharpie, as well as adding patterns to the circles to create petals and so on.  The white was added using a Sakura Glaze pen.  I also added gold patterns and highlights using a UniBall Signo pen.

The next step was to draw the stems and leaves, which was done with the Sharpie pen.  I used a waterbrush with paint from some of Derwent’s line painter pens.

Next, I intensified and added shadows under and around the flowers, stems and leaves using Inktense pencils and a waterbrush.

This was followed by the creation of the border using a black Posca pen.

Finally, the mixed media panel was adhered to a black background and the gold pen was used to add lines around the panel.  Oh, and then I decided to add 3D Crystal Lacquer to the flower centres.  An accidental drop of the lacquer on the background led to me adding more drops.

I’ve really surprised myself with this project.  I really enjoyed it, and even though I was wondering what on Earth I was thinking in ‘destroying’ some artwork I liked, I came to realise it was repurposing the artwork to create something new, different and allowing me to explore the world of mixed media more, particularly how it relates to myself.