Inktober 2018 Day 31 ‘Slice’ and Happy All Hallows’ Eve!

Angela Porter Inktober 2018 Day 31 Slice

It’s All Hallows Eve, or Hallowe’en or Samhain as you prefer. It’s also the last day of Inktober 2018. Here is my offering based on the prompt of ‘slice’

Well, it had to be a celebratory slice of cake, complete with a pumpkin candle and all kinds of cutely spooky monsters and critters and so on.

This was, as all have been, fun to do. I quite like the grungy look I’ve achieved with the use of texture brushes and slightly duller colours along with black as a component of the gradients.

I sketched this in pencil on dot grid paper, scanned it in and used Autodesk Sketchbook Pro to draw and colour this dangle design.

Yes, it just had to be a dangle design to round off the month of Inktober!

My Microsoft Surface Studio and Microsoft Surface Pens were my magic tools to help me create this.

Now I see it in a smaller size, I can see where some highlights and lowlights would help to increase dimension in places. However, it’ll do as it is as I do have to finish the templates for my new book Entangled Forests. Yes, the cat is out of the bag on the theme of this coloring book for Creative Haven by Dover Publications. You can pre-order it on Amazon and it’s due for release in July of 2019. I should have all the templates completed today, then it’s just colouring a couple of them as examples in the book.

Before this book, Entangled Butterflies is due out in November 2018 and A Dangle a Day in January 2019.

I said (typed?) it yesterday – I’ve enjoyed Inktober, for many reasons, and I hope you’ve enjoyed seeing what I’ve created using the daily prompts.

Oh, as it’s Hallowe’en, there’s a little event going on over on the Angela Porter’s Coloring Book Fans facebook group. I provided a hallowe’en themed coloring template at the start of this month and asked everyone to hold off posting their finished versions until today. I’m hoping for a flurry of postings throughout the day to give a lovely, cutely spooky feel to the group throughout this day! I have my own version of the template to post there in a short while too, and I’ll post it here later on today as well.

However you spend your All Hallows’ Eve, have fun and keep safe too!

Inktober 2018 Day 18 ‘Bottle’

Angela Porter Inktober 2018 Day 18 Bottle

Not just one bottle, but several!

This was a fun one to draw – Faber-Castell Broad pen on paper. Scanned in to the Surface Studio to clean it up and print it out so I could colour it using Chameleon Color Tone and Color Tops marker pens.

I added some highlights with a white Sakura Gelly Roll pen.

I’m a bit later than usual posting the Inktober image today. I had quite a few errands to run today, including a slightly worrying recall to the opticians for photographs or my eyes, even though I only had them done around 4 weeks ago. It wasn’t pictures of my retina and optic nerve the optician wanted – it was images of the front of my eyes due to me having a wobbling blood vessel in one.

I had planned on popping into the opticians as I’d managed to drop one pair of distance glasses on a tarmac floor and had chipped the lenses (which I’d had for less than a week!) and so needed to have replacement lenses. That was the easy part…

They had trouble getting the camera to work to take pictures of the front of my eyes, so I have to have the process done on Saturday when I pick up my glasses with the new lenses in as the optician will have set the camera up. If it still won’t work, she’ll inspect my eyes with a ‘slit test’ I think it was.

I’ve never had such thorough eye tests/examinations before. I’m well impressed! And it’s with Specsavers! I’ve never had an optician comment on my differently pigmented eyes before either – one eye is mostly a light brownish-green with a small wedge of brown, the other is about half brown and the rest the same light brownish-green  as t’other eye.

Someone I met a long time ago described me as having ‘mutant eyes’ and asked if he could use them for a character in a sci-fi book he was writing. I didn’t have a problem with that!

Oh, they have no effect on my vision at all. It’s just a different level of pigmentation that has been, as far as I know, always there.

I also found out this time that my optic nerves are tilted a bit more upwards than is usual but it doesn’t affect my vision, just something noted of curiosity.

Perhaps this is why there’s an eyeball or two appearing in my latest drawings!

Anyways, my eyesight functions very well, apart from the need for glasses as I’ve aged. I’m sure the wobbling blood vessel isn’t anything to worry about either.

I’ve also ordered some beaded ‘chains’ to attach to my glasses so they don’t fall off my nose when I’m looking down again!

So, an unexpectedly extended visit to the opticians along with some shopping in the local town put me all out of sync today, but if nothing else I got my Inktober challenge of the day done!

Inktober 2018 Day 14 ‘Clock’ WIP and a letter to intellectual property thieves

Angela Porter Inktober 2018 Day 14 Clock WIPIt took me a couple or three hours to draw this design using Faber Castell pens on paper. Then I scanned it in to the ‘puter, gave it a transparent background so I could colour it digitally. After several hours work this is as far as I’ve got!

I may get back to it later on or in a day or three…we’ll see!

The yeuchy coloured background is only temporary; trying to protect my work, don’tcha know.

A rant about intellectual property theft…

Yesterday I discovered that someone has stolen work from a published coloring book of mine (Entangled Dragonflies) and republished it as their own! Not only that, they’d also done the same with other authors from the Creative Haven series of books from Dover Publications Inc. I’ve reported it along to my editors.

So, you can understand why I’d want to try my best to protect my work. There are some very unscrupulous people out there with very low to no moral standards. They obviously only think of themselves not of others, such selfish people that they are. They should be ashamed of themselves, however I doubt they ever feel shame for anything they steal.

I don’t want to let them get to me, so I’ll still show bits and bobs of my work at a low resolution with watermarks to try to protect it, as well as coloured backgrounds if nothing else.

I do know, however, that some will stop at nothing to steal if it’s something they want to steal.

I’ve said it before, and I’m sure I’m ‘talking’ to those who understand, that just because something is shared on the internet doesn’t mean it’s free for anyone to copy or use or re-sell in any form they wish. Just because I show you my work doesn’t mean I give up my rights to my work – I most definitely do not!

All my work is mine thanks to intellectual property rights and I will never relinquish those rights just because I show work here, on deviantART, on facebook, on Instagram, and on twitter.

I share my work because I get a lot of pleasure from creating it and I’d like to think people get some pleasure in seeing it.

Obviously, there’s a small number who only get pleasure from stealing other people’s work to profit from themselves. It’s no different to breaking into someone’s home and stealing their property – the thieves profit while the owners miss out.

If any such thieves do happen to read this, consider this. How would you feel if someone broke into your home and stole your treasured belongings for their own ends? Would you be upset? Would you see anything wrong in it?

I bet you would.

Whenever you are stealing from the internet for your own gain it is exactly the same as breaking into someone’s home and stealing from them.

I suspect you intellectual property thieves would only care about yourselves, however. I don’t think you thieves have any empathy for anyone else.

You’re not committing a victimless crime, you’re not stealing from big business, you’re stealing from the little people like myself and profiting from me, my talents, my skills, skills I’ve worked long and hard at to develop, and you just take advantage of that, of my good nature that I share things on the internet.

And worse, you steal from published books, that are covered by copyright law too, and republish them as if it’s your own work! This is illegal, it is breaking the law. You are stealing from myself and from other artists too.

You are horrible, horrible people – the intellectual property thieves that is, not you lovely people who support my work by buying my books and writing nice things and saying you like to see what I create.

I won’t let the small numbers of truly horrible people spoil it for other people that’s for sure. However, I want them to know a little of what I think of them – and I’m keeping it very, very polite. Trust me, I can swear worse than a pirate!

Back to Inktober…

So, to go back to Inktober Day 14 which has the prompt ‘clock’ And what I can say is that hopefully time is up for some of you unscrupulous, barefaced intellectual property thieves!

For the rest of the lovely world of people who support us artists/illustrators, how do you like to spend your time?

 

Inktober 2018 – Day 9 ‘Precious’

Angela Porter Inktober 2018 Day 9 PreciousInktober 2018 Day 9 – What’s precious to you?

That’s what I thought I’d go with once I started drawing this one.

Yes, it’s another doodleworlds type image. I’m quite enjoying them as a change from my usual style of art.

I drew this on Frisk Bristol Board with Sakura micron pens. Scanned it into Gimp so I could create a transparent background. Then, I threw it (not literally) into Autodesk Sketchbook Pro and added colour and texture there.

I actually finished drawing this this morning. I had to leave it uncoloured to go out to do an anti-stigma talk for Time to Change Wales this morning. That left me feeling emotionally drained.

After the talk I had to make my way to Neath for a spot of lunch before my counselling/EMDR therapy appointment. That drained me even more and I’m still reeling from it now. A very intense session today.

I came home shell-shocked from it and I had to sleep. Which I did. On waking I turned my attention to colouring this in.

The colours aren’t quite as vibrant and bright as others I’ve used recently. I think that reflects my state of tiredness and emotional exhaustion.

All the same, I had fun coloring, which I don’t get to do often.

Tea and musings around liminality

Yesterday I sat at a table lit by the golden light of the late spring sun, enjoying the feel of a soft breeze contradicting the warmth of sunlight on my skin while the glorious sound of birdsong gently caressing my ears in the café at the Blaenavon World Heritage Centre. On the table was a lovely pot of tea and a home-made fairy cake (small ‘cupcake’) topped with vanilla buttercream icing and my journal-sketchbook into which I would be recording my thoughts and observations. This was a treat after picking up a batch of mugs that I’ve had printed with a piece of my artwork and a short greeting for my lovely year 11 class who are leaving on Thursday. That will be a day filled with tears and joy, a liminal moment for the pupils as they stand on the threshold of the next phase of their life. The leavers’ assembly being an opportunity to mark this transition point, a liminal point, with celebration, with laughter and with the memories of experiences.

The view from the window was of the neglected graveyard attached to St Peter’s Church which falls away towards the valley bottom as the café abuts the eastern edge of the graveyard and I realised that I was sat at a liminal place, but not one of one phase of life to another. This liminal place marks the boundary between the living and those who have passed out of this earthly existence.

As I realised this, a pair of magpies flitted from tree to tree, their tails twitching as they settled on branches, and sunlight on their plumage revealing the iridescent purples, blues and greens that are so often missed. A solitary cabbage white butterfly careened from plant to plant, it’s pale colour standing out against the brown tangles of brambles and the bright greens of spring growth, signs of life surrounding the memorials of those long dead.

Magpies are associated with bad omens, and one such superstition is that if you see a single magpie on the way to church then death is close (myth-making at blogspot). Considering that many churches have a graveyard around them or close to them, then that is quite true! I love magpies and the other members of the corvidae family of fine feathery friends, despite their gloomy reputations.

As one thought bounced to another, I realised that I too, was at a liminal point in my life as I continue to work on unravelling the tangles of the past through journaling, meditation, self-hypnosis, gratitude and pennies-dropped-epiphanies as I’m becoming more aware of the inner critics and their continual sussuration of negative messages about me. I’m learning how to dis-empower them, little by little, and I may be approaching a turning point for myself in how I view myself and what my beliefs are.

The grave markers were splotched with lichen and algae, patterns reminding me of growths of penicillin on laboratory agar plates or stale and mouldy bread. Tumbled tangled brambles wrapping round them, seemingly pulling them down, down, down into the ground, the Earth reclaiming what had been taken from it, and with it the memories of those long passed. Despite the pull of time and neglect, the taller columns and headstones bravely rose above the tangles, holding their heads up high in the sunshine, proud of their leprous appearance, suggesting age and longevity, that they remember even if the living no longer do.

Others, however, seemed to be surrendering to the gradual depredations of time. Their sharp leaning stance, the first phase in laying down, showing an acceptance of their fate. No one alive who remembers them, who cares for them enough to tend to the memorial of a life once lived. The connections between the present generation and the past generations fading and weakening with time as symbolised by the tumble-down state of the gravestones. This was reflected in the laughter and chatter of the living enjoying beverages and vittles in the bright, warm, life-giving sunshine. The proximity to the necropolis and it’s visible symbols of death, funerary rites, and grief having no effect upon the high spirits of the living.

Perhaps that is because a wall, a visible boundary separates the activities of the living from the area of the dead. If we were to dine and party on their graves, perhaps we may feel differently, irreverent perhaps; an attitude maybe not unique to our own culture or time. I saw this video about dining with the dead in Georgia on the BBC news website earlier this week, and an example of how different cultures approach death and the places of the dead and how rigid and solid the boundary between us, the living, and our deceased friends and family are.

Death is, essentially, a great leveller; the great and the good lie alongside the poor and meek. Only the memorials tell us who is who,and only a skilled osteologist would be able to tell which was which were their skeletons disinterred and separated from any clothing, jewellery or other funerary offerings that they were interred with. To most of humanity they would be the remains of people, equal in death as they were not in life. Given enough time, all return to the Earth, return to what we were created from, very few leaving traces that will last for centuries, millennia or the aeons of time.

Traces remain in the bones that remain of their lives; hardship, luxury, adversity, ease all leave their marks in the bones. As the flesh decays, as memories fade, so do the individual stories of each person’s life, the stories that make each of us unique. The funeral monuments may tell us about them, there may be hints of their life in written records, but so much about them, such as whether they were kind or cruel, loving or neglectful, are lost.

Gloomy thoughts? Not at all! I like what the we can learn of our ancestors from their funerary rites, from records, from stories still held in the memories of the living, maybe experienced first hand or tales handed down through the generations. It matters not whether they are iron-topped tombs of the magnates of Blaenavon or the ring-barrows of a person from the Bronze Age, or the fossilised remains of our distant relatives. For many, we can only make educated guesses about their life and times, sometimes more educated than others when written records exist.

Of course, the choice of a place for cemeteries is a story in itself. In ancient times where a lot of effort was expended to bury a few in monuments such as cairns, ring barrows, cists, long barrows, then they weren’t just plonked in the nearest available place. The choice of place had meaning, just as the choice of place has meaning to us whether it’s where we go on holiday, where we choose to live and experience life. We choose places that give us meaningful experiences, be they linked to happy or sad times. The same is true when we choose places for funerary rites, whether we choose them ourselves before we die or whether we choose them for our loved ones who have passed away. My father’s cremains were buried beneath a sapling plum tree in a country lane where he used to collect all kinds of fruits and plants to make wine from. A friend’s father’s ashes were sprinkled from a bridge to return to the sea which he loved and sailed while serving in the Navy. Another friend’s father’s ashes are to be buried with his brother, if permission can be gained from her aunt.

If we take time and care to choose an appropriate resting place for the physical remains of our loved ones, I’m sure our ancestors did so too, even though it may not have seemed so to us as in many cases we have no ideas of their beliefs and the practices that stemmed from them. Nor do we know for sure why certain people were accorded such seemingly prestigious and important funerals, whether they were the great and the good or whether their deaths had a different meaning and the funeral a different purpose than commemoration and a reminder of our connections to the people of the past, to our ancestors, to those who have shaped the society we life in at any particular point in history.

I couldn’t help but wonder what stories the land could tell us if we could access it’s memory. I’d love to know what events the stones beneath my feet have witnessed in their long aeons of existence. What lovers’ trysts and promises. What betrayals, joys, toils, griefs. Whose feet have passed over them and what is the story of the lives. I don’t just want to know about the great and the good, people whose lives are most probably fairly well documented. I want to know about the ‘ordinary’ people as well. Everyone has a story to tell, everyone’s life experience is unique to them due to their unique perceptions, beliefs, actions, reactions and personality, and what thoughts and beliefs they had about themselves and others.

Perhaps the land, the position of the cemeteries, their relationship to the use of the land in the past and the present, the stories told about the land, it’s people all serve to keep alive the memory of the ancestors, aiding in remembering their stories and the stories previous generations and in so doing keeping the ancestors alive, in memory, and our connection to them stronger. The scape surrounding the cemetery becomes woven into the stories of the recent ancestors and the myths of the more ancient ancestors, acting as aide-memoires to the tales. Each feature in the land around the cemetery is not devoid of emotion, of meaning, and for each feature these would change as the time of day, the season of the year and the weather changes. We interact with these scapes through the feelings and meanings and the way that we make use of them and that induces a feeling of belonging to them. Ideas such as these are propounded by archaeologists such as George Nash.

I realised then, how much I’d enjoyed writing my thoughts, how going to a different place other than home allowed me the inspiration I needed. It’s also brought up links between things that are occurring in my life at present, and that will help to unravel any tangles knotted by the inner critics in the past.