Reading stories on the Santa Specials!

Here are some of the books I’ve bought to read from during the Santa Specials at the Pontypool and Blaenavon Railway this December.

I left the railway a good few years ago for various reasons, but a lovely member gently twisted my arm a little while ago to read some stories during the Santa Specials.  I like reading stories to people, so I said I would do so!

They’re all fab books so far, but The Dinosaur That Pooped Christmas is my favourite, most probably!  I’m reading the Christmasaurus, which is a jolly good read so far, but a bit long for story telling from perhaps.

Tea and musings around liminality

Yesterday I sat at a table lit by the golden light of the late spring sun, enjoying the feel of a soft breeze contradicting the warmth of sunlight on my skin while the glorious sound of birdsong gently caressing my ears in the café at the Blaenavon World Heritage Centre. On the table was a lovely pot of tea and a home-made fairy cake (small ‘cupcake’) topped with vanilla buttercream icing and my journal-sketchbook into which I would be recording my thoughts and observations. This was a treat after picking up a batch of mugs that I’ve had printed with a piece of my artwork and a short greeting for my lovely year 11 class who are leaving on Thursday. That will be a day filled with tears and joy, a liminal moment for the pupils as they stand on the threshold of the next phase of their life. The leavers’ assembly being an opportunity to mark this transition point, a liminal point, with celebration, with laughter and with the memories of experiences.

The view from the window was of the neglected graveyard attached to St Peter’s Church which falls away towards the valley bottom as the café abuts the eastern edge of the graveyard and I realised that I was sat at a liminal place, but not one of one phase of life to another. This liminal place marks the boundary between the living and those who have passed out of this earthly existence.

As I realised this, a pair of magpies flitted from tree to tree, their tails twitching as they settled on branches, and sunlight on their plumage revealing the iridescent purples, blues and greens that are so often missed. A solitary cabbage white butterfly careened from plant to plant, it’s pale colour standing out against the brown tangles of brambles and the bright greens of spring growth, signs of life surrounding the memorials of those long dead.

Magpies are associated with bad omens, and one such superstition is that if you see a single magpie on the way to church then death is close (myth-making at blogspot). Considering that many churches have a graveyard around them or close to them, then that is quite true! I love magpies and the other members of the corvidae family of fine feathery friends, despite their gloomy reputations.

As one thought bounced to another, I realised that I too, was at a liminal point in my life as I continue to work on unravelling the tangles of the past through journaling, meditation, self-hypnosis, gratitude and pennies-dropped-epiphanies as I’m becoming more aware of the inner critics and their continual sussuration of negative messages about me. I’m learning how to dis-empower them, little by little, and I may be approaching a turning point for myself in how I view myself and what my beliefs are.

The grave markers were splotched with lichen and algae, patterns reminding me of growths of penicillin on laboratory agar plates or stale and mouldy bread. Tumbled tangled brambles wrapping round them, seemingly pulling them down, down, down into the ground, the Earth reclaiming what had been taken from it, and with it the memories of those long passed. Despite the pull of time and neglect, the taller columns and headstones bravely rose above the tangles, holding their heads up high in the sunshine, proud of their leprous appearance, suggesting age and longevity, that they remember even if the living no longer do.

Others, however, seemed to be surrendering to the gradual depredations of time. Their sharp leaning stance, the first phase in laying down, showing an acceptance of their fate. No one alive who remembers them, who cares for them enough to tend to the memorial of a life once lived. The connections between the present generation and the past generations fading and weakening with time as symbolised by the tumble-down state of the gravestones. This was reflected in the laughter and chatter of the living enjoying beverages and vittles in the bright, warm, life-giving sunshine. The proximity to the necropolis and it’s visible symbols of death, funerary rites, and grief having no effect upon the high spirits of the living.

Perhaps that is because a wall, a visible boundary separates the activities of the living from the area of the dead. If we were to dine and party on their graves, perhaps we may feel differently, irreverent perhaps; an attitude maybe not unique to our own culture or time. I saw this video about dining with the dead in Georgia on the BBC news website earlier this week, and an example of how different cultures approach death and the places of the dead and how rigid and solid the boundary between us, the living, and our deceased friends and family are.

Death is, essentially, a great leveller; the great and the good lie alongside the poor and meek. Only the memorials tell us who is who,and only a skilled osteologist would be able to tell which was which were their skeletons disinterred and separated from any clothing, jewellery or other funerary offerings that they were interred with. To most of humanity they would be the remains of people, equal in death as they were not in life. Given enough time, all return to the Earth, return to what we were created from, very few leaving traces that will last for centuries, millennia or the aeons of time.

Traces remain in the bones that remain of their lives; hardship, luxury, adversity, ease all leave their marks in the bones. As the flesh decays, as memories fade, so do the individual stories of each person’s life, the stories that make each of us unique. The funeral monuments may tell us about them, there may be hints of their life in written records, but so much about them, such as whether they were kind or cruel, loving or neglectful, are lost.

Gloomy thoughts? Not at all! I like what the we can learn of our ancestors from their funerary rites, from records, from stories still held in the memories of the living, maybe experienced first hand or tales handed down through the generations. It matters not whether they are iron-topped tombs of the magnates of Blaenavon or the ring-barrows of a person from the Bronze Age, or the fossilised remains of our distant relatives. For many, we can only make educated guesses about their life and times, sometimes more educated than others when written records exist.

Of course, the choice of a place for cemeteries is a story in itself. In ancient times where a lot of effort was expended to bury a few in monuments such as cairns, ring barrows, cists, long barrows, then they weren’t just plonked in the nearest available place. The choice of place had meaning, just as the choice of place has meaning to us whether it’s where we go on holiday, where we choose to live and experience life. We choose places that give us meaningful experiences, be they linked to happy or sad times. The same is true when we choose places for funerary rites, whether we choose them ourselves before we die or whether we choose them for our loved ones who have passed away. My father’s cremains were buried beneath a sapling plum tree in a country lane where he used to collect all kinds of fruits and plants to make wine from. A friend’s father’s ashes were sprinkled from a bridge to return to the sea which he loved and sailed while serving in the Navy. Another friend’s father’s ashes are to be buried with his brother, if permission can be gained from her aunt.

If we take time and care to choose an appropriate resting place for the physical remains of our loved ones, I’m sure our ancestors did so too, even though it may not have seemed so to us as in many cases we have no ideas of their beliefs and the practices that stemmed from them. Nor do we know for sure why certain people were accorded such seemingly prestigious and important funerals, whether they were the great and the good or whether their deaths had a different meaning and the funeral a different purpose than commemoration and a reminder of our connections to the people of the past, to our ancestors, to those who have shaped the society we life in at any particular point in history.

I couldn’t help but wonder what stories the land could tell us if we could access it’s memory. I’d love to know what events the stones beneath my feet have witnessed in their long aeons of existence. What lovers’ trysts and promises. What betrayals, joys, toils, griefs. Whose feet have passed over them and what is the story of the lives. I don’t just want to know about the great and the good, people whose lives are most probably fairly well documented. I want to know about the ‘ordinary’ people as well. Everyone has a story to tell, everyone’s life experience is unique to them due to their unique perceptions, beliefs, actions, reactions and personality, and what thoughts and beliefs they had about themselves and others.

Perhaps the land, the position of the cemeteries, their relationship to the use of the land in the past and the present, the stories told about the land, it’s people all serve to keep alive the memory of the ancestors, aiding in remembering their stories and the stories previous generations and in so doing keeping the ancestors alive, in memory, and our connection to them stronger. The scape surrounding the cemetery becomes woven into the stories of the recent ancestors and the myths of the more ancient ancestors, acting as aide-memoires to the tales. Each feature in the land around the cemetery is not devoid of emotion, of meaning, and for each feature these would change as the time of day, the season of the year and the weather changes. We interact with these scapes through the feelings and meanings and the way that we make use of them and that induces a feeling of belonging to them. Ideas such as these are propounded by archaeologists such as George Nash.

I realised then, how much I’d enjoyed writing my thoughts, how going to a different place other than home allowed me the inspiration I needed. It’s also brought up links between things that are occurring in my life at present, and that will help to unravel any tangles knotted by the inner critics in the past.

Llandaff Ghost Walk

Llandaff Ghost Walk

On Friday night, 20th April 2012, I went on this walk with some friends and others. We had an absolutely brilliant, spellbound time I must say and I would recommend it to anyone who is in the area of Cardiff, Wales, UK.

Jim, the guide, was knowledgeable in both the history, legends and spooky occurrences in the area and he was willing to talk and share information and experiences with one and all.

Peter, his mate, who brought up the rear to ensure no one got lost or left behind in the darkness or who would escort those of a more nervous disposition back to their car(s), was equally as knowledgeable and willing to share tales too.

It was chilly in the twilight, the sky was clear and there would be no moon that nigh as we gathered around the cross that stands on the road above Llandaff Cathedral, a beautiful building, inside and out.

However, our walk would take us to the land to the north of the Cathedral,along the edge of a field to the banks of the River Taff, along a road back to the Cathedral, through the cemetery and to the Bishop’s Palace.  As the night gathered around us, we used torches to light our way as we walked from storytelling point to storytelling point, but the torches were put out as the stories were woven from fact, legend and personal accounts in a spellbinding way.

I’m not going to share the tales we were told, nor any experiences we all had and that would spoil the walk for any who wish to take it, but I would really recommend it if you have a love of stories, of history or of local legends and folklore, or are looking for a different way to spend a couple of hours of an evening.  Wrap up well though, and wear sensible shoes, and take a torch.


Calendar change-over eve…

The old to the new

Well, the end of the calendar year, and the astronomical year if the Winter Solstice is seen as the end of one cycle and the start of the next, has come with a pile of revelations from a friend and a series of bangs that have released some inner demons and tears and uncovered an emptiness and knotted-ness in my gut area.

I’m pleased for my friend, don’t get me wrong.  At last they are taking the little yet huge step they need to take to release them from a situation that is untenable for them and into a new phase of their life’s journey.  I wish them happiness and joy and love.  I worry that they are chasing a rainbow, a dream that will not live up to reality, they’ll find the grass isn’t greener, but I know that they’ll find themselves progressing forward in a way they couldn’t where the currently are at.

Their excitement, fear, trepidation, hope and all the other things their going through has stirred up some ‘stuff’ within me that needs to be worked on and examined, which are, in no particular order:

  • Job and Career – Teaching is no longer healthy for me and though I find pleasure and satisfaction in some areas of the job, increasingly I’m finding it harder and harder to cope with other aspects of it.  I need to look at myself and what I can offer in terms of being an employee and what I need from a workplace in order to feel appreciated, valued, successful and that I am achieving good and truly helping people.  What kind of career I want, I don’t know.  Maybe training as a hypnotherapist will lead me along the way.  However, I do know I need to identify what I’d like to do, and that starts with what I can do and so on.
  • Relationships – I’ve been single for, gosh, thirteen and a half years now.  Along the way I’ve had many experiences placed along the spectrum of good to absolutely goddam awful.  I’ve felt time and time again the hurt of rejection and the blow it delivers to my self-esteem, self-respect and so on, and of course I realise that I expected nothing else.  Well, it’s about time that changed and it’s time for me to learn about relationships…big step for me.  How I do this, I don’t know, but it will start with me looking at myself honestly at the qualities I have, good and not so good, and come to accept and care about myself.
  • Friendships – I have a small number of very good friends, but learning to ask for help and accepting it when it is given is … a big hurdle for me.  I’ve had to be strong and independent for so long, to prove I can do it, that admitting I can’t is a big thing.
  • Creativity – I do not do enough to develop my writing skills and to weave stories.  I doubt my ability to do this.  I fear plagiarising, being unoriginal, being boring or trite.  I fear failure (damn that ultra-perfectionist part of me that doesn’t recognise when something is good enough).  I feel a sense of being overwhelmed when I think about telling a tale.  The result is I do nothing.  I also am lacking inspiration in art, finding myself doing the same kind of thing over and over and over …

The common threads running through all of this involve me learning to love myself by knowing who I am and to accept myself for this, warts and all.  I need to raise my self-esteem, my confidence, to be brave enough to start something.  Above all else, I need to find the courage to be brave enough to share something of myself with others.

To follow tradition or not?

This year, more than at any other time, I’ve found the traditions and the significance of events more puzzling and confusing.

The rational scientist in me recognises that time is a continuous flow, the only markers on time are the ones we place there so that we can agree on when we are talking about and the meaning we attach to those markers is manufactured to satisfy a need for predictable events in our lives, to bring some kind of order to what appears to be an otherwise random and chaotic existence.

Then the more spiritual aspect of me kicks in and says that it’s OK to do this, to mark the various points on the wheel of the year, the various events that we celebrate, the things we give meaning to.  They connect us together, for we are all connected, not just to all other human beings, not just to all life on Earth, but to the very stuff the Earth and, indeed, the Universe is made out of, the energy that constantly flows round and round.

We are not disconnected from the cycles that we can observe on this planet.  We may rationalise that they are caused by scientific laws, that they have no meaning.

However, I’m coming to realise that they do have meaning.  They bring us together and remind us that we are not separate, that what one of us does impacts on the whole, to a greater or lesser degree.  By honouring the traditions we connect to the patterns that are stored in the universal consciousness for humans have been honouring the same observed patterns and events over many, many generations.  It’s a way of honouring our forebears, of connecting to the present day, and of speaking to the future too.

It’s important, however, to decide if the particular traditions or observances fit in with your own philosophy, why you celebrate in the way you do, and to recognise that it is perfectly acceptable to change them as you grow and develop as a person, and not to just follow them blindly because you have always done them.  It is, of course, perfectly acceptable to create traditions of  your own too.

It may be that because I lead a very solitary existence, traditions celebrated by oneself have not really had any particular meaning, or have changed as my spiritual philosophy has grown and developed over the years.  Perhaps it is important that I find which traditions, which celebrations have meaning to me, and develop ways of observing them that lets me understand where they have come from, the meaning they have for me at this time, and how they will impact on the future.

Of course, I’m not sure if all of that made any sense at all!  Sometimes I need to get it out of me by writing and mithering and wittering on.

Seasons Musings 2011

The end of the Autumn Term is always one filled with very mixed feelings for me, if I allow myself to dwell on things or to notice the differences between myself and others.

I usually am quite different to others in the way I seem to live my life, that’s for sure. At this time of year, with all the messages from the media, retailers and society I feel the separateness even more. The materialistic nature of our society, and at this time of year the materialist selling machine kicks into overdrive.

The main message seems to be that you can’t possibly be happy and loved unless you are in a relationship, surrounded by family and friends and have spent a small fortune on gifts and food and drink and decorations, wear a particular brand of clothes or perfume or aftershave or jewellery, look a particular way (impossible unless you are air-brushed and digitally altered or starve yourself silly) or, or or…

Also, let us not forget the pressure to not disappoint others by not getting them the latest gadget or gizmo or designer clothing or accessories, whether you can afford it or not, and this is overwhelming, unless you are aware of the pressures upon you.

Another message is that if you have this or wear this or smell this way then your life will be magical and ecstatic and filled with love and you’ll be irresistible to others portrayed, others portrayed as the ultimate beautiful people.

The main selling point is that of an ideal partner, family, friends and life; a perfection we can’t possibly maintain except for fleeting moments; life is a series of good times and not so good times, even for the incredibly wealthy. Neither money nor fame bring happiness; if they did, we’d never hear of depressed and suicidal wealthy and/or famous people. No matter what things we own or how we dress or what we do or where we go, they cannot bring inner peace and contentment, not for more than a little while.

We’ve become a society, generally, which says I love you by how much we spend on someone, not by on how we treat others.

It is at this time of the year, when businesses whose business is to get you to part with your money, get you to buy into the belief that nothing says I love you more than spending a lot of money on you.

Am I cynical? Probably. Oh, I know that not everyone is like this, that there are people out there who understand what gifting is about, but the majority have been infected with the consumerism/materialism virus.

Being a long-term single person, one who has blood family that she’s not close to (which equates to having no real family) and friends who have their own families, then this time of year can be very difficult. Add to that the bad memories of the past that can surface as various events or pressures are felt related to this season, and a deep tiredness that saps me of my emotional resilience, I can find it very difficult to cope with this particular holiday.

I associate this time of year with huge childhood disappointments. This disappointment wasn’t with what gifts I had or how much money had or hadn’t been spent – I was always appreciative of the gifts given. No, the disappointment was always connected to my hope that Christmas would bring a wonderful change to my life; that there would really be peace and love and goodwill to all, including me.

It never happened.

By mid-morning the magic of waking and finding the house be-decked with fairy lights and decorations overnight by Father Christmas’ fairies that lived in the central heating system and the surprise of the presents at the end of the bed were replaced by arguments and name-calling, destruction and bullying, which only intensified as the day went on and tempers became more and more frayed by tiredness and food and drink.

By Boxing Day everything was back to normal, the only difference were the twinkling lights, tree, tinsel and trimmings.

Christmas became a season of false hopes and false promises.

That never changed as I went through adulthood. Oh the parties could be fun, but generally ended in drunken fights – verbal or physical – between other party-goers always spoiled them

The expectation of sitting and watching Christmas TV with no conversation after dinner was tedious and boring for me. Or the annoyance at the long ago ex-partner turning up drunk and late for the first Christmas dinner in our new home together. I’d spent all morning preparing and cooking the meal, and by the time he got home it was all dry and over-done. I’d nibbled my way through my food waiting for him (and got through half a bottle of very good port). He wolfed it down, dashed upstairs to be sick and then spent the rest of the day in bed sleeping it all off.

Not all have been sad or bad.

I had a good day a few years ago when I volunteered to help the chef at a half-way house run by the Salvation Army. There were lots of laughs that day.

There was also the year where I ‘rescued’ a friend from a long walk home after his fiancée had chucked him out at 10am on Christmas morning because her son had complained that my friend hadn’t shown enough enthusiasm for the son’s gifts. I ended up cooking an Indian banquet before taking him to his lodgings in the evening.

And last year, heavy snow meant it wasn’t possible to go anywhere, and so the pressure was off me. I spent the day engrossed in art and reading and music.

There’s also my acceptance that Christmas, as a religious thing, means nothing to me. It’s allowed me to be happier at this time of year than in the past. I still feel the pressures from outside.

This is a turning point in the year; Christmas more-or-less coincides with the Winter Solstice which heralds a return of the light and the possibility of growth in the coming months. The Solstice brings change and the opportunities for personal growth. The Sun is at it’s weakest at this time, though its strength is gradually reborn and grows in strength over the coming months. It’s a good time to let go of things that have ‘died’ in our life in order to make space for new things to come into our lives. My attitude towards this time of year is one of those things that needs to change, my resilience to the external pressures needs to be strengthened, and there are some things I need to let go of in order for this change to occur.

Despite all the work I’ve done on myself, on how I view things, becoming comfortable with who I am and my life, I still find this time of year difficult. All the comments like ‘Oh, it must be so lonely for you at this time of year, with no one to spend Christmas with’ (what about the rest of the year?) or the avoidance of the subject (by me as well), and seeing people in large groups eating and drinking and laughing and I’m on the outside looking in, or that’s how it feels.

It’s not the eating or drinking that can get me sad, more the lack of human company. However, that is a feeling that isn’t confined to this time of year – it’s an all year round thing.

I know I tend to keep myself distant from people; I’ve been hurt too often in the past. I do need to learn how to risk a little of myself in order to form connections with others. That is a longer term goal than just for one day of the year, however.

I think that this year I will revel in my solitary time, take the time to rest and recuperate, to do nice things for myself, learn to give to myself for a change and look at where I need to learn to accept from others too. It’s time to remind myself that I am comfortable in my own company, that I’m not lonely, that my life has meaning and purpose and it’s a good time to look at what I do have in my life and to be properly grateful for it. It’s a time to find the strength to avoid noticing what is missing according to the fairytale the media weave for us surrounding what happiness is and what we must have to be happy.

Perhaps, it would be a cathartic exercise to write my own version of A Christmas Carol – past, present and future – maybe calling it a Solstice Carol or a Yule Carol. 

Words and Art Combined

Earth

Earth © Angela Porter 2011

Watercolours, pen and ink on cartridge paper.  24cm x 18cm.

I completed this picture as a kind of experiment.  A dear friend of mine suggested that instead of filling the curlicues of my current very spiral art with more curlicues and spirals that I should add words instead.  I have lots of ideas of what to do with this, perhaps, eventually.  But this was the first of it’s kind.

I wanted to put together a painting that had words and symbols and images that go with the esoteric element of earth, but the words I chose haven’t quite worked out.  However, I am pleased with the apple/wheat/leaf border and the ivy border too.  I’m also pleased that I left empty space, not because I got fed up of this, but because I felt it was all finished and balanced.

This will be an idea I come back to, that of the four elements I mean.  Words have been important in creating my latest pieces of art.

PF Summer Camp, Late May Bank Holiday Weekend 2011

PF Summer Camp 2011 © Angela Porter 2011Watercolours, metallic watercolours, Zig Art and Graphic pens, Rotring pens with black ink on watercolour paper.  9cm x 18cm.

Last weekend, I gave a talk entitled ‘Death and disposal in the Bronze Age’.  In the talk, I concentrated, it turned out, on how the landscape in which the monuments are set can and other factors such as time of day, season or weather have an effect upon how people experience the site.  I drew on the work of archaeologists such as George Nash and Ann Woodward’s book ‘British Barrows‘ who discuss such things.  I have found it a fascinating, if a little brief study by myself, but I already have books on order for when I have the time to dig deeper into such matters.

I mention this because it may be that the barrows could have acted as ‘mnemonics’ for reciting the history of the clan who were the barrow-wrights.  Terry Pratchett and Jacqueline Simpson, in ‘The Folklore of Discworld’ write:

“The landscape is full of stories.”

What I set out to do in this particular painting was to put words in that act as memories of the weekend, especially the ‘bardic circle round the camp fire’ in the evening, where there were songs and stories and friendly banter and chatter.  This is something I have never done, the camp fire thing that is.  I loved it and want to take part in one again.  I may even be able to take my flute and play something, or tell a story; I think the informal and non-judgemental nature of such a gathering would allow me to do this.

I wander off topic here.  The colours and shapes I chose to represent the flow of ideas, talk, music as well as an opening of the mind and an igniting of certain things for me.  I am really quite pleased with how it has turned out, and it was another experiment as I used Zig Art and Graphic Pens to draw the design with; they are water soluble and bled into the watercolour paints.  It has turned out to be a happy accident, as I’m pleased with the colours in places which give an aged feel to the work, kind of like an old, hand coloured etching.  This is how a lot of my work tends to be, but I really want more vibrant colours so that black doesn’t swamp them.

Time

Time 1 © Angela Porter 2011Watercolour, Zig pens and Rotring pens with black ink on cartridge paper.  7.5cm x 15cm.

This was an experiment, again.  I started it last week and left it for a few days to ponder what to do with it.  The colours I had used seemed quite insipid and I wasn’t at all sure where it was going.  The purchase and subsequent playing with the Zig pens a couple of days ago gave me another technique to use in my art, and in this case it’s worked out well, I think.  Things aren’t as irritatingly perfect as my work has been in the past, but I think that adds something to the work.  I like the way the Zig pens add depth and intensity of colour, while being able to be washed out with a damp to wet brush to very subtle shades.  I feel I’m going to love using them in this way!

The adage ‘Time heals all wounds’ is, of course, not entirely true.  There are some wounds that never heal, unless it’s the final journey to whatever awaits us after this earthly existence.  I do think the words are particularly pertinent to me at this point in my personal progress.  I have been having counselling for a number of years now to help me heal the emotional wounds of the past and the damage it has done to my self-image.  It’s a long, slow process it seems.  I often feel guilty for talking so long, to be going round and round in circles, and there have been moments when we almost believed it was time for me to cut loose, then something happens to knock me back a few steps.  As I’ve been told, you can’t heal the damage done over 40-something years overnight, it takes time to undo the learned concepts and to replace them with new ones.  I am getting there, though, even though some days, or weeks, I feel I’m back to where I was.   Art helps me to relax, de-stress to bring joy into my life, and it’s a great re-balancer for me.  I am so grateful I have discovered this gift, and that I have people who encourage me to explore new ways, as I’m still not able to be self-motivating or to find the inspiration that sometimes I lack.

Happy All Hallows Eve (Hallowe’en or Samhain to you)!

Hallowe’en

Punkie3 © Angela Porter 2010

Well, it’s that time of year again isn’t it?  And it’s another time to consider the truth vs. “The Truth“.  “The Truth” is that this is an ancient pagan holiday, mainly thanks to the writings of Frazer in ‘The Golden Bough’ where he cites this as The Truth, yet there is little evidence if any for it being so (see Hutton “The Stations of the Sun’ for more details)!

There were fairs and courts held in ancient Ireland at this time, a time called Samhain by them.

The Venerable Bede writes that this time of year was known as ‘Blod Monath’ which means Blood Month – the month where all unnecessary animals were slaughtered to save fodder and the people would feast on the parts that could not be preserved.

The truth is that it’s actually more of a Christian celebration in origin!  Today is the eve of a major Catholic festival – All Saints Day (1st November) which dates from the 8th Century.  All Souls Day (2nd November) was instituted around the year 1000 as a day to pray for the dead.  In England since the 19th Century, and increasingly in the 20th and 21st Centuries, it has gained a reputation as a night on which ghosts, witches and fairies are especially active.  Why this should be so is debatable, and returns to the truth vs. The Truth.

Different sections of society have claimed it for their own, or are rejecting it as being their own.  Who is right?  Everyone!  One thing is certain, Hallowe’en is big business, especially in America, and increasingly so here in Britain.

There are many traditional events and activities here that are overshadowed by the sheer bad behaviour and malice that a minority seem to partake in with delight.  It is an aspect of this time of year that I dislike…and I don’t need to say any more about that.

I do think it’s good that children can face their fears in a safe, measured and fun way.  We all like to be scared in a safe environment; if we didn’t then the horror films and books and games wouldn’t appeal to us.  It’s part of growing up, learning to manage our fears, to indulge in imagination, to experience a different world of wonder.  It’s not just Hallowe’en that allows children to explore this; the traditional fairy stories aren’t all sweetness and light are they?

As to it being a festival that promotes evil and satanism, well, I don’t think so.  Those who would be drawn to such systems would be regardless of Hallowe’en, lets be honest.

As much as I can be pedantic about ‘the truth’ and I like to know where the traditions and beliefs have come from (the scientist, researcher in me will not be denied), I also know that traditions change and evolve over time.  What is important, perhaps more than anything else, is that traditions link us together.  We can be sure that we are not the only ones having fun at this time, indulging in shared events, and it is that sharing that reaffirms that we are all connected in some way.

Auragraphs

Auragraph for Liz © Angela Porter 28 October 2010

Auragraphs are intuitive works of art that result from a sensitive person ‘tuning into’ another person’s energy, aura, being.  The colours, shapes, symbols and patterns all have meanings that can be interpreted, giving an insight into the recipients personality, life, and potential.  I’ve been experimenting with them for the last couple of months, and yesterday I was showing them to people at an open day at a local spiritual organisation.

A couple I had already done found their way to the people they were meant for.  Orders were taken for another couple, and all the proceeds are going into the organisations funds as donations.  It was an interesting experience for me in many ways.

Giving the interpretation (reading) for the recipient was interesting, and it was nice that they were so right.  Working with someone who wants one done for them and allowing the images/shapes to flow on to paper – just as sketches – and talking about why they are appearing and what they mean, and getting feed back on that was very interesting.

The two ordered have only been done as sketches; they will take around 12 hours each to complete, so that will keep me busy, as will writing down the readings for those verbally given will be interesting!  I really do need to carry my digital dictaphone with me more often I think.

The Ghost Train

Punkie1 © Angela Porter 2010I actually made it to the Pontypool and Blaenavon Railway yesterday, after the open day at Treforest.

I didn’t arrive until around 5:30pm and most of the visitors had been and gone.  I did get to read one story to one family.  And that was fine.  Though I did enjoy winding up small children in a nice way, as well as saving them from the scary vampire who was stalking the carriages!  I do hope I’ll get to read some more stories today …

I really enjoy story telling /reading.  It’s another shared activity that bonds people together, allows them to make connections, and it’s also an opportunity for imaginations to be used, something that isn’t done so often these days.

This may be my last time at the railway, however.  I find the connections I once thought I had there are now very weak, if not non-existent.  Things change, which leads me to …

What All Hallows Eve Means to Me

Autumm Leaves © Angela Porter 2010

I always think of All Hallows Eve (Hallowe’en to you!) as mid-Autumn.  It certainly is this year; the world is wearing its coat of glorious flaming Autumn hues!  I love it when I drive along through a flurry of leaves blown off the trees by a sudden gust of wind.  The warmth of the colours envelops me as I journey around the world, a warm memory is being stored to see me through the cold, dark days of Winter.

The Earth is preparing to sleep through those Winter days, taking a hard-earned rest before coming to life again in the Spring.  All that is unnecessary, finished with, complete  is being shed, the falling leaves being symbolic of that.

As this clearing out happens out in the world of Nature, so it happens within.  It’s time to look back on the year, to give thanks for what is complete, finish that which is almost complete, and let go of that which is finished, has served its purpose, that we have outgrown.  In doing so we make space in our lives for further personal growth.  And this is the potted version of how I relate to this particular spoke on the wheel of the year.

For me, it seems the railway is to go.  My SmartCar and all her problems have gone.  I may soon be finished with counselling … but we’ll see about that, there’s still my self-image, confidence, self-love to be worked on.  I’m not sure about anything else, but that will become apparent as time goes on.

Punky Night – A Somerset Custom

Pumpkin3 © Angela Porter October 2010

It’s Punky Night tonight
It’s Punky Night tonight
Give us a candle, give us a light
It’s Punky Night tonight!

This is one of the verses of a song changed by children as they carry their ‘punkies’, or Jack O’ Lanterns around villages in Somerset, England, UK and, in times past, begging for candles.  In the village of Hinton St George, Punky, or Punkie, Night is the last Thursday in October.

Other variations on the verse include,

It’s Punky Night tonight
It’s Punky Night tonight
Adam and Eve would not believe
It’s Punky Night tonight!

It’s Punky Night tonight
It’s Punky Night tonight
Give me a candle, give me a light

If you don’t, you’ll get a fright!
It’s Punky Night tonight

It’s Punky Night tonight
It’s Punky Night tonight
Give me a candle, give me a light
If you haven’t a candle, a penny’s alright

It’s Punky Night Tonight!

If you want to sing-a-long with the words, visit “The Punky Night Song” webpage!

The threat of something not nice happening if a person didn’t give the children something compares to the more modern tradition of ‘trick or treat’.

Punkies are made from a mangold-wurzel, or a large turnip, in a similar manner to modern Hallowe’en pumpkins.  The top is cut off, the insides scooped out and designs are cut into the outer skin, leaving a thin membrane intact.  Scary faces are common, but there are many examples of more creative designs.  A lighted candle is then placed inside to shine through the cuts.

Despite the usual assumptions that this custom is an ancient one, there is little evidence of its existence before the C20th.  Various nights in late October served for this custom, but Hinton St George eventually settled on the last Thursday in October.  At one time, it seems to have been a simple house-visiting custom, but members of the local Women’s Institute reorganized it in the mid twentieth century.  It is now celebrated by a procession of children carrying their punkies, and a party where prizes for the best designs are given, a Punkie King and Punkie Queen are crowned and money is raised for charity.

A local legend purports to explain the custom’s origin.  One version of the legend is that the village menfolk went to Chiselborough Fair, and got too drunk to find their way home.  Their wives fashioned lanterns out of mangold-wurzels and went to fetch them.   There are variations on the tale, in some the menfolk make the lanterns, in others the drunken menfolk are scared by the lanterns scary faces believing them to be ghosts of dead children returning to the Earth until Hallowe’en.  The neighbouring village of Lopen claims the custom (and legend) as their own, and other villages have started their own punkie nights.

As a child, I remember helping to carve Jack O’ Lanterns from swedes.  Pumpkins were not a common item then.  It wasn’t easy work either, and my father usually took control of matters very quickly, at least by hollowing out the swede so that we could carve the designs into the shell more easily and with less likelihood of us cutting off our fingers, or worse!  The smell of cooking swede pervaded the house once the candle was lit; whenever I smell cooking swede I get get flashbacks to childhood Hallowe’en, before it became dominated by ‘trick or treat’ and the various forms of antisocial behaviour that occur on that night, and the surrounding nights.  We had our own Hallowe’en party in our home, with local friends visiting with us.  The living room was decorated with blood-red crepe paper streamers, home-made black bats and spiders and webs.  Candle light was the order of the evening.  We made ghoulish food that involved a lot of food dye!  Ducking apples, bobbing apples were always played. And the climax of the proceedings involved the  delivery and display of Captain Blood’s Cake, dripping with blood-coloured icing and ghastly green writing and a single candle placed in the middle of the cake.  This heralded the beginning of ghostly and ghoulish stories.  They would start with a tale about Captain Blood, and then would go onto other things as we children would exercise our imaginations to tell tales, add to the tale being told, and scaring ourselves with what we found most fearful.  It must be said there was a lot of laughing as well!  These were perhaps some of the best times of my childhood … even though I was most probably too shy to tell the tales, my imagination would run away with me and everyone would make fun of me, and I still bear those scars today, finding it hard to tell stories, write tales, be imaginative.  I’ll get over it though.  I will.

The drawing of a pumpkin punkie was done using a very fine technical drawing pen (0.1mm) and watercolour paints on cartridge paper.  The sketch was completed very quickly, the painting took a little longer as the white purry-furry one wanted to help/hinder by demanding cuddles and fusses!   I then fiddled with it in GIMP2 to make it more vibrant in colour, more blurry and better looking than the original!  I have a couple more done that I’ll use to decorate any entries I do about Hallowe’en.

  1. Steve Roud, “The English Year”
  2. Punkie Night at information-britain.co.uk
  3. Punkie Night at Monstrous.com
  4. It’s Punky Night! at wyrdwords.vispa.com
  5. Ronald Hutton, “The Stations of the Sun”
  6. Punkie Night at wikipedia
  7. Jack o’ Lanterns at wikipedia
  8. Jacqueline Simpson and Steve Roud, “A Dictionary of English Folklore”

Folklore, a Fall and Storytelling

Yesterday evening, I travelled by train to Merthyr Tydfil where I was giving a talk.  My lil Smartiepants is still poorly; I’m awaiting a call back from my mechanic to get her fixed.  Anyways, on the way out I grabbed ‘The Folklore of Discworld’ by Terry Pratchett and Jacqueline Simpson and thoroughly enjoyed reading it again during my journey there and back again to Merthyr.

‘Some of the things in this book may well be familiar, and you will say ‘but everybody knows this’.  But the Discworld series, which on many occasions borrows from folklore and mythology, twisting and tangling it on the way …’

And that is what I love about Mr. P – the way the familiar is just twisted enough to fit into somewhere else, with humour and a sense of ridiculousness, and often with quite a deep perception of how things work on our world, and plenty of chuckles along the way.

‘…there are some things we shouldn’t forget, and mostly they add up to where we came from and how we got here and the stories we told ourselves on the way.  But folklore isn’t only about the past.  It grows, flowers and seeds every day, because of our innate desire to control our world by means of satisfying narratives.’

And don’t we live, or re-live, our lives by stories, by narratives?  When we relate to others what we have done, what we have experienced, what ‘they’ said, or share our thoughts and memories we are relating a story.  I know in my day job I often teach in a story-telling kind of way, and I try to tell enjoyable and memorable stories.  I love to hear other peoples’ stories too.  Stories about us will be passed down through the generations, changing subtly with each re-telling, just as folklore always has done.

And folklore and stories have power, more so than the mundane reality of the truth.

‘But there is the truth, and, then again, there is The Truth, in the face of which truth can only shrug and grin.’

People prefer, generally, to believe the fantastic, and to add mystery to something that is ordinary.  And I can relate an example of this in action.

A few years ago, while walking across the old Severn crossing, I fell and hit my temple on the ground.  A silly accident, I was bending over my bicycle to see if I could sort out the gears that had stuck in one place, next thing I know my face had made intimate contact with the tarmac of the path.  This old bridge is bouncy, especially when heavy lorries shudder their way across, and I think two must have crossed near me at the same time and set up an extra big bounce that unsettled my balance.  Once I’d recovered my composure, I could feel my eye swelling and I decided to ride my bike back to my car, load it in and then get home asap, which I did safely..

That afternoon I ended up in A&E having a head x-ray as my eye had swollen shut, I had a wonderful black eye beginning to develop, but the emergency phone advice service insisted I go get my head checked out in case I’d managed to crack my skull.  I hadn’t, but by the next morning I had a black eye that was really black and the bruising extended from my eyebrow to below my cheekbone!  It was an absolute corker!

Monday morning came, no pain, but the eye was even more spectacularly black than the day before.  I had to go to school, and on my arrival the headteacher, chair of governors and other staff were concerned that I shouldn’t be there.  I explained that it looked a LOT worse than it was, that there was only a little bit of pain if I touched my temple ‘just there’ and I had had x-rays and was fine.

When I went to my class to do registration, they were shocked with my appearance and asked what was happened.  I told them the truth – the fall, the trip to A&E.

Did they want to believe it?  No.  One 16 year old lad was convinced I’d been out ‘clubbing’ in Cardiff and had got involved in a fight (me? fighting? no way!!! I’m way to gentle and kind for that … I’m very peace-loving).  I said, no, I don’t ‘do’ night clubs, nor do I fight.  He wouldn’t have it, so I went along with him, making up answers to his questions.

“Who hit you?  A man or a woman?  Did you know them?” he asked.

“A man, over six foot tall and built like a brick out-house, and I didn’t know him,” I replied.

“What did you do?  ”

“I hit him back.  I knocked him out.”

“You knocked him out? Really?  What happened to him.”

“Yes. Really.  He’s still in hospital I think.”

“Wow.  Were the police there?”

“Yes, they were.”

“Did they arrest you?”

“No, they saw that he hit me first and I just pushed back in self-defence.  They let me go.  And he’s not pressing charges as he doesn’t want it known he got knocked out by a woman”.

“Wow.”

By the end of the week, there were all kinds of stories circulating about how I got my black eye.  I’d been ambushed by a pack of ninjas who I’d fought off but one got a lucky kick in at my eye.  I’d got shot by an arrow as I was taking part in a medieval battle re-enactment.  A Viking had caught me in his head as I was axe-fighting with him.

I had told each and every pupil the truth, that I’d fallen and hit my head.  But not one of them wanted to believe the mundane truth.  The wanted The Truth – a story with excitement, mystery, amazing powers or luck or magic.

The first lad accused me, on his last day of secondary school, of lying to him.  I said I never had, wondering what he was on about.  He said I’d never had a fight in a club (duh!).  I reminded him that I had told him the truth, but it was too ordinary for him to want it to believe it to be true.  He’d helped make up The Truth and preferred to believe that.  He accepted that!

So, there lies the power of narrative, or stories, of words … it can be used for entertainment, for fun, for good things.  However, it is used by others for manipulation, deception, to gain power over others and to do bad things.  And it can change, and be changed, depending on the point of view of the storyteller, their cultural background, their own beliefs and morals … and we can change our own stories too, which is an entirely different set of ideas!

We may not be able to change the events of our lives, but we can change how we view them, how they affect us, how we feel about them and our reactions to them.  In doing so we can change our reactions to similar circumstances that we come across now and in the future, so changing our ‘story’.  It’s not easy, it takes a lot of effort and a lot of courage to face these situations, to face our reactions to them, and then to view things in a different way, something I’m learning about in counselling.  It’s not easy as the inertia of The Truth as it applies to such situations is great, and the truth may not be apparent as all we have our our memories, emotional responses that memories can trigger in present/future experiences so that we are no longer bound by our old, negative, automatic thoughts and responses.  It’s not about making everything in the past lovey-dove, it’s about finding a way to deal with life without automatically blaming ourselves for other peoples attitudes, responses, actions.