Tea and musings around liminality

Yesterday I sat at a table lit by the golden light of the late spring sun, enjoying the feel of a soft breeze contradicting the warmth of sunlight on my skin while the glorious sound of birdsong gently caressing my ears in the café at the Blaenavon World Heritage Centre. On the table was a lovely pot of tea and a home-made fairy cake (small ‘cupcake’) topped with vanilla buttercream icing and my journal-sketchbook into which I would be recording my thoughts and observations. This was a treat after picking up a batch of mugs that I’ve had printed with a piece of my artwork and a short greeting for my lovely year 11 class who are leaving on Thursday. That will be a day filled with tears and joy, a liminal moment for the pupils as they stand on the threshold of the next phase of their life. The leavers’ assembly being an opportunity to mark this transition point, a liminal point, with celebration, with laughter and with the memories of experiences.

The view from the window was of the neglected graveyard attached to St Peter’s Church which falls away towards the valley bottom as the café abuts the eastern edge of the graveyard and I realised that I was sat at a liminal place, but not one of one phase of life to another. This liminal place marks the boundary between the living and those who have passed out of this earthly existence.

As I realised this, a pair of magpies flitted from tree to tree, their tails twitching as they settled on branches, and sunlight on their plumage revealing the iridescent purples, blues and greens that are so often missed. A solitary cabbage white butterfly careened from plant to plant, it’s pale colour standing out against the brown tangles of brambles and the bright greens of spring growth, signs of life surrounding the memorials of those long dead.

Magpies are associated with bad omens, and one such superstition is that if you see a single magpie on the way to church then death is close (myth-making at blogspot). Considering that many churches have a graveyard around them or close to them, then that is quite true! I love magpies and the other members of the corvidae family of fine feathery friends, despite their gloomy reputations.

As one thought bounced to another, I realised that I too, was at a liminal point in my life as I continue to work on unravelling the tangles of the past through journaling, meditation, self-hypnosis, gratitude and pennies-dropped-epiphanies as I’m becoming more aware of the inner critics and their continual sussuration of negative messages about me. I’m learning how to dis-empower them, little by little, and I may be approaching a turning point for myself in how I view myself and what my beliefs are.

The grave markers were splotched with lichen and algae, patterns reminding me of growths of penicillin on laboratory agar plates or stale and mouldy bread. Tumbled tangled brambles wrapping round them, seemingly pulling them down, down, down into the ground, the Earth reclaiming what had been taken from it, and with it the memories of those long passed. Despite the pull of time and neglect, the taller columns and headstones bravely rose above the tangles, holding their heads up high in the sunshine, proud of their leprous appearance, suggesting age and longevity, that they remember even if the living no longer do.

Others, however, seemed to be surrendering to the gradual depredations of time. Their sharp leaning stance, the first phase in laying down, showing an acceptance of their fate. No one alive who remembers them, who cares for them enough to tend to the memorial of a life once lived. The connections between the present generation and the past generations fading and weakening with time as symbolised by the tumble-down state of the gravestones. This was reflected in the laughter and chatter of the living enjoying beverages and vittles in the bright, warm, life-giving sunshine. The proximity to the necropolis and it’s visible symbols of death, funerary rites, and grief having no effect upon the high spirits of the living.

Perhaps that is because a wall, a visible boundary separates the activities of the living from the area of the dead. If we were to dine and party on their graves, perhaps we may feel differently, irreverent perhaps; an attitude maybe not unique to our own culture or time. I saw this video about dining with the dead in Georgia on the BBC news website earlier this week, and an example of how different cultures approach death and the places of the dead and how rigid and solid the boundary between us, the living, and our deceased friends and family are.

Death is, essentially, a great leveller; the great and the good lie alongside the poor and meek. Only the memorials tell us who is who,and only a skilled osteologist would be able to tell which was which were their skeletons disinterred and separated from any clothing, jewellery or other funerary offerings that they were interred with. To most of humanity they would be the remains of people, equal in death as they were not in life. Given enough time, all return to the Earth, return to what we were created from, very few leaving traces that will last for centuries, millennia or the aeons of time.

Traces remain in the bones that remain of their lives; hardship, luxury, adversity, ease all leave their marks in the bones. As the flesh decays, as memories fade, so do the individual stories of each person’s life, the stories that make each of us unique. The funeral monuments may tell us about them, there may be hints of their life in written records, but so much about them, such as whether they were kind or cruel, loving or neglectful, are lost.

Gloomy thoughts? Not at all! I like what the we can learn of our ancestors from their funerary rites, from records, from stories still held in the memories of the living, maybe experienced first hand or tales handed down through the generations. It matters not whether they are iron-topped tombs of the magnates of Blaenavon or the ring-barrows of a person from the Bronze Age, or the fossilised remains of our distant relatives. For many, we can only make educated guesses about their life and times, sometimes more educated than others when written records exist.

Of course, the choice of a place for cemeteries is a story in itself. In ancient times where a lot of effort was expended to bury a few in monuments such as cairns, ring barrows, cists, long barrows, then they weren’t just plonked in the nearest available place. The choice of place had meaning, just as the choice of place has meaning to us whether it’s where we go on holiday, where we choose to live and experience life. We choose places that give us meaningful experiences, be they linked to happy or sad times. The same is true when we choose places for funerary rites, whether we choose them ourselves before we die or whether we choose them for our loved ones who have passed away. My father’s cremains were buried beneath a sapling plum tree in a country lane where he used to collect all kinds of fruits and plants to make wine from. A friend’s father’s ashes were sprinkled from a bridge to return to the sea which he loved and sailed while serving in the Navy. Another friend’s father’s ashes are to be buried with his brother, if permission can be gained from her aunt.

If we take time and care to choose an appropriate resting place for the physical remains of our loved ones, I’m sure our ancestors did so too, even though it may not have seemed so to us as in many cases we have no ideas of their beliefs and the practices that stemmed from them. Nor do we know for sure why certain people were accorded such seemingly prestigious and important funerals, whether they were the great and the good or whether their deaths had a different meaning and the funeral a different purpose than commemoration and a reminder of our connections to the people of the past, to our ancestors, to those who have shaped the society we life in at any particular point in history.

I couldn’t help but wonder what stories the land could tell us if we could access it’s memory. I’d love to know what events the stones beneath my feet have witnessed in their long aeons of existence. What lovers’ trysts and promises. What betrayals, joys, toils, griefs. Whose feet have passed over them and what is the story of the lives. I don’t just want to know about the great and the good, people whose lives are most probably fairly well documented. I want to know about the ‘ordinary’ people as well. Everyone has a story to tell, everyone’s life experience is unique to them due to their unique perceptions, beliefs, actions, reactions and personality, and what thoughts and beliefs they had about themselves and others.

Perhaps the land, the position of the cemeteries, their relationship to the use of the land in the past and the present, the stories told about the land, it’s people all serve to keep alive the memory of the ancestors, aiding in remembering their stories and the stories previous generations and in so doing keeping the ancestors alive, in memory, and our connection to them stronger. The scape surrounding the cemetery becomes woven into the stories of the recent ancestors and the myths of the more ancient ancestors, acting as aide-memoires to the tales. Each feature in the land around the cemetery is not devoid of emotion, of meaning, and for each feature these would change as the time of day, the season of the year and the weather changes. We interact with these scapes through the feelings and meanings and the way that we make use of them and that induces a feeling of belonging to them. Ideas such as these are propounded by archaeologists such as George Nash.

I realised then, how much I’d enjoyed writing my thoughts, how going to a different place other than home allowed me the inspiration I needed. It’s also brought up links between things that are occurring in my life at present, and that will help to unravel any tangles knotted by the inner critics in the past.

Rainy-day-Friday

It’s really raining heavily here at the moment.  I love the sound of the rain, and the wind, while I’m cwtched up warmly at home.  I went out around 8am to do my food shopping and was pleasantly surprised.  I expected people to be at the local Tesco’s in their droves, but it was really quite quiet.  Hurrah to that is all I can say! For a change, the process of shopping close to the bank holidays was relatively painless.

I finished the small piece of artwork above not long ago.  It is just the thing to brighten up the gloomy day.  It’s 17cm x 11cm and is worked in various media on white cartridge paper.  There’s metallic gold on various parts, but it hasn’t shown up in the scanning.

I’m now officially way past bone tired and I suspect that after having another mug of tea and a bite to eat I may go and join the cat in bed.

Oh the joys of being on the winter break!

Moments after the big bang…

Prehistoric fertility 2 finished and renamed!

I really need to learn how to take photographs!  This is a dreadful picture of this textile work.

It’s framed and renamed to be entered into a local art competition – Aber Valley Arts – along with two other pieces of my artwork, but I don’t know which two yet.  I have to choose then write some gumpf to go with them.  I’ll be asking my pal, the head of art at work, to help me choose the others.

So, it’s been a busy morning here measuring and cutting daler-board to mount the various art works (seven in total, phew!) and calculating any aperatures that need to be cut.

Time for a ginormous mug of tea!

Memories and sloes

Memories

I’ve mentioned this before, but memories of my father include his wine making and beer brewing hobby.  Most of what he created, to my taste buds, was vile, but others seemed to relish it.  The only brew of his I liked was a raspberry wine that still tasted of raspberries and was quite sweet.  He’d spend hours and hours in his wine-shed (literally a concrete block/brick shed that was attached to the house) filtering and bottling and labelling.  And tasting it.  Never forget the tasting it.  He’d often spend much of the day tiddly from it!

Tea would be delivered to the shed door, empty mugs whisked away.  Scottish bagpipe or marching military band music would ooze out of the door, alerting everyone to what he was up to.  Occasionally, the music would stop and he would come out to declare he was feeling woozy.  We’d feed him some sugary snack suitable for a diabetic and then feed him properly, he’d recover and off he’d go back to his brewing.  You couldn’t get him to stop and eat when he was in the middle of something, nor would he eat any food delivered to him.

He had a brewing passion for years, and before it consumed his waking moments he would spend his days working on fixing and welding cars.  Tea would be left on the wall, empty mugs removed.  We often said he’d pass away while under a car and the only way anyone would notice was that un-drunk mugs of tea would line up on the wall.  As it was, he passed away in hospital from Alzheimers’, cancer, arthritis, diabetes and high blood pressure.  And that is an entirely different story.  And there are many tales of my father and his blinkered missions to do things or collect things from nature or his DIY diasasters.  He meant well, though he was very proud and couldn’t be told there was trouble ahead if he carried on doing what he was doing.

Perhaps I’ll relate tales and memories of my father in this blog.

Sloe, fruit of the Blackthorn (Prunus spinosa)

Sloe comes from the Old English slāh. It is the fruit of the blackthorn or sloe tree that has a pale-blue waxy bloom on its surface.  Sloes ripen in the Autumn and, in Britain, are traditionally collected after the first frosts in October or November.  The fruit is used to make jams and preserves, and they are used to make sloe ‘gin’ – a liqueur made by infusing sloes and sugar in gin, vodka or neutral spirits.

Straight blackthorn stems have traditionally been made into walking sticks.  Shillelaghs, blackthorn sticks, were favoured as weapons in faction fights in C19th. Ireland.  Commissioned officers of the Irish regiments of the British Army carry blackthorn sticks.

Blackthorn is generally considered unlucky to bring indoors, and in some areas of Britain it meant a death would follow.

The flowering of blackthorn is said to coincide with a spell of cold weather.  In areas it was considered wise to plant no tender plants outside until the blackthorn has finished flowering.   The best time for sowing barley was when the blackthorn flowered.  Two country rhymes follow, the first from North-East England and South-East Scotland, the second from Gloucestershire.

When the slae tree is white as a sheet
Sow your barley, wither it be dry or wet.

When the blckthorn blossom’s white
Sow your barley day and night.

In Sandwich, Kent, each incoming Town Mayor is present with a blackthorn stick.

In Herefordshire and Worcestershire, a wreath or globe of Blackthorn twigs would be scorched on a fire on New Year’s morning and then burned in a wheatfield in the furrows and its ashes scattered over the wheat. Then a new globe or wreath would be made and hung in the farmhouse kitchen ready for next year. It was believed that this ritual would rid the field of the devil. In a similar vein, Blackthorn would be scorched and hung up with mistletoe for good luck.

  1. Roy Vickery – Dictionary of Plant-Lore
  2. The English Cottage Garden Nursery

Trains and seasonal stations

Riding the rails

Sir Nigel Gresley from http://www.copyright-free-photos.org.uk

Yesterday was a bit of a day.  I have a weekly morning appointment that often leaves me feeling very emotional.  I’ve been travelling there and back by train while I’ve been on holiday.  However, next week I return to work and the early morning train journeys will cease as I will have to get to work asap after my appointment.  I went to the Forum Coffee Lounge in Merthyr Tydfil for a pot of tea and some cake – I settled on a flapjack this week.  It has to be said, the Forum has the most gorgeous home-made cakes and traditional puddings, and they are very reasonably priced.

After enjoying the tea and nibble and recording my thoughts in my Luddite-journal,I decided to get a Day Ranger ticket,  and travel around South Wales.  The day was turning out to be a beautiful late summer day, the world lit with a soft golden light that presages Autumn so wonderfully.  I thought it would be nice to just to watch the world go by and for nothing more than the joy of moving from place to place, a chance to get my thoughts and emotions back into order, and to take a day out.  And so I did.  And it was lovely and relaxing.  I wish my train had been a steam train, like Sir Nigel Gresley, an A4 Pacific.  But the haulage by various diesel units was adequate and did the job of allowing me to relax.

I do find train travel relaxing.  I can’t run away from what I need to examine internally or work on creatively while travelling in such a way.  I have my journal with me, I write in it as I need to and work my way through things and find my balance once again.  Steam engines I love, but any locomotive will do in such circumstances.

Changing seasons

Rosebay Willowherb

The world is certainly moving towards Autumn in these here necks of the woods.  The quality of the light is changing, becoming more golden as the Sun’s strength wanes as we move further away from the Summer Solstice towards the Autumn Equinox.  There’s plenty of strength in the Sun to warm the Earth during the day, but the early mornings, late evenings and nights have that wonderful chill that heralds the coming of the magnificence of Autumn.

It really is my favourite time of year.  I adore the glowing warm colours and I start to eagerly look around me for signs of the changes, and yesterday I saw them.

The profusion of red haws on the hawthorn trees like seeds of the fire that will blaze soon.  There were the very occasional flash of  bright yellow leaves on the beech trees.  My ‘flame’ trees (some kind of maple or sycamore I think) were crowned with darker green leaves that had hints of a deep burgundy in them.  Ferns were beginning to turn yellow and then brown after being baked by the Summer Sun.  Fluffy seeds from rosebay willow herb.  Just hints, promises of the beauty of the colours yet to come.

The cycle of the seasons

I’ve always felt a close connection to the cycle of the seasons.  Without knowing why, I’ve always felt a deep ‘attachment’ to the solstices and equinoxes and have had an understanding of how they link to the cycles of human life and experience.

I have my own way of observing these astronomical (and astrological) stations of the year, ways that have developed over the past few years since I started to explore and find ways of expressing my spirituality and beliefs.  It has always seemed natural to me to acknowledge these stations of the year in some way.  As I’ve developed, so have my practices, sometimes I feel guilty about not spending as much time on them, having abbreviated them to the pure essence of what they are about, but I work hard on reminding myself that as we change, grow, develop, so must our practices and the way we do things.  When we learn something new, we do it with great attention to all the details, learning from this, but as our understanding and skill develops, we learn what is truly essential and leave out those parts that are superfluous to ourselves, our individuality.  Of course, they may be incorporated once again later if they are found to be required once again, but I do believe that by cutting away a lot of the faff and fluff you get to the core of the practice and the focus and intent is greater as a result.  The more in tune you are with the process, the less fuss is needed to make the connections that are needed.  But that’s me …simplicity wherever possible.